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283287 Los(e)/Seite
Los 1636
HOFMANN, WLASTIMIL, attribuiert (auch Vlastimil Hofman, 1881-1970), "Zwei Mädchen", als Paarportrait vor Landschaft, u.re. signiert (teilweise vom Rahmen verdeckt), Öl/Karton, HxB: ca. 21x37 cm (40x55 cm mit Rahmen), Altersspuren, part. Farbabplatzer und Retuschen, linksseitig leicht beschädigt und retuschiert. Mit Rahmen (Kanten beschädigt).| HOFMANN, WLASTIMIL, attributed (also Vlastimil Hofman, 1881-1970), "Two girls", as a couple portrait in front of a landscape, bottom right. signed (partially covered by the frame), oil/cardboard, HxW: approx. 21x37 cm (40x55 cm with frame), signs of age, part. Color chips and retouching, slightly damaged and retouched on the left side. With frame (edges damaged).
Los 1802
BAYRLE, Thomas (geb.1937) 'Portrait', um 1975 Farbsiebdruck/Papier, u.li.mit Bleistift von Hand signiert und nummeriert 22/50, HxB: Blatt ca. 69x50 cm. Knicke, Flecken auf der Rückseite, Altersspuren.| BAYRLE, Thomas (born 1937) 'Portrait', c. 1975, Color silkscreen/paper, in pencil by hand signed and numbered 22/50 on the lower left, HxW sheet approx. 69x50 cm. Creases, stains on the back, signs of age.
Los 3020
GLOBUS "C.H. Périgot" Frankreich, Ende 19. Jh., farbig bedrucktes Papier, reliefierter dreibeiniger Eisensockel auf Krallenfüssen mit Portraitkartuschen, bez. "Globe Terrestre, C.H. Perigot", H: ca. 60 cm. Papier stark besch.| GLOBUS "C.H. Périgot"France, end of the 19th century, colourful printed paper, three-legged iron base in relief on claw feet with portrait cartouches, inscribed "Globe Terrestre, C.H. Perigot", h: approx. 60 cm. Paper heavily dam.
Los 484
Genre scene Woman cooking vegetables. Follower of GABRIEL METSU (1629-1667). Board, oil, parquet (system for strengthening the wooden base of the picture). Size: 31x23 cm. Expertise: Tourquin`s office, Stephane Pint, Paris. Historical background: GABRIEL METSU (1629-1667) was a Dutch artist, a master of genre, portrait and history painting. Width: 28cm, Height: 37cm, Depth: 3cm, Weight: 5kg, Condition: Good, Material: Oil on panelChoose Color
Los 462
Half-length, ceremonial portrait of the Russian Emperor Alexander I (1777-1825) in full face. In the alcove, near the column and the red curtain, the king is depicted in military uniform, with a sash and epaulettes, with his hand on the book of laws. His gaze is anxious and concerned about the fate of Russia. It is noteworthy that the laws for him are above autocracy. The book closes the crown. This can be interpreted as the constitutional program of the king. Without a signature. The pommel of the imperial crown indicates the presence of the painting. Oil, canvas. 90×72 cm. Width: 94cm, Height: 130cm, Depth: 10cm, Weight: 20kg, Condition: Good, Material: Canvas, oil
Los 234
Porcelain cup with saucer. Popov factory. Russia 1811-33 Represents the fashion of the 1830s, which entered the rights - Biedermeier, with a conical cup, a tall saucer, gold, a domesticated brown and a private, lyrical portrait of a young lady. Cup height :14 cm. Width: 14cm, Height: 14cm, Depth: 14cm, Weight: 0.350kg, Condition: Good, Material: Porcelain, Hand Painted, Gilding
Los 245
Porcelain plaque Portrait of an equestrian monarch. Goes back to the iconography of the portrait of Peter the Great, painted by Johann Gottfried Tannauer, with a sword, a cocked hat and a blue cavalry uniform, with a gold ribbon and an order. The heraldic symbol on a horses harness is of European origin. Fine hand painting on porcelain in the spirit of Rococo romance. Signed Peter 1. Grobe and number 107 on the back of the plate. Plate dimensions: 13x9 cm. Width: 21cm, Height: 25cm, Depth: 4cm, Weight: 0.820kg, Condition: Good, Material: Porcelain, Hand Painted
Los 452
Alexander Konstantinovich Bogomazov. Graphic portrait of a woman with a book. 1915 The cubo-futuristic composition shows a lady reading. Squinting her eyes, she carefully dug into the book, which she holds with her claw-hands. The entourage of clothes is well read. Wide semi-circular lines of the dress, a button on a la sailors collar. In addition to the pointed fox look of a pretty young lady, the artist adds character to her in wide cheekbones and lowered corners of a focused mouth. Indicates a high hairstyle-hat with feathers. Bangs and intense knowledge personifies the mirror reflection of the book in the ladys head. An open book with bangs of pages covers the head and forms a rhombus of the cornerstone of knowledge. The atmosphere is supplemented, apparently, by diffused light from behind the heroines back, where on the right at the bottom you can guess the corner of the locker, and above under the feathers, a fragment, possibly with a reduced projection, of a window from which light enters the interior. However, there is more observation of the random depth of character. In the lower right corner, the initials of the master and the date: AB, 1915 Kyiv. On the back, in blue pencil, is the signature of Bogmazovs widow Wanda: " I certify the work of AK Bogomazov: V. Bogomazov ". The inscription was made during the sale of works in 1979. Half cardboard, charcoal pencil. 66.5x52.3 cm. In addition to the examinations of the All-Russian Art Scientific and Restoration Center named after Academician I.E. Grabar for 2006 and the State Scientific and Restoration Institute of the same year, Smolnikovs handwritten letter is attached on the acquisition of 6 graphic works from the masters family. Width: 52.3cm, Height: 66.5cm, Depth: 0.3cm, Weight: 1kg, Condition: Good, Material: Pencil
Los 420
Chamber wall medallion of Alexander III, cast by N. Stolbikov, Kasli iron foundry in 1906. Made in the high style of a sculptural portrait, after Lebedev`s model. The signature of slave Lebedev is in words on the cut of the figure. On the reverse side: stamps of the Kas.z. 1906 plant, the coat of arms of Russia - the sign of the supplier of the Imperial Court. And the signature of the molder. Width: 9.5cm, Height: 11.5cm, Depth: 0.4cm, Weight: 0.231kg, Condition: Good, Material: Cast ironChoose Color
Los 457
Easel drawing by Alexander Konstantinovich Bogomazov. Triple portrait. 1916 It is a combination of three, multidirectional portraits, revealing the facets of the character of one person. The profile and face of a balding man in glasses, dressed in a suit, with a tie and a button on the lapel of his jacket, are clearly visible. The third silhouette combines both previous ones and is opposite to the profile. Represents radical materiality seen from the back of the head. If the profile drawing carries the plot of psychological characteristics, lifestyle; face - the inner, desired image of a tired lyricist; then the ball of a skull with an open mouth and prominent superciliary arches is rather an act of surprise, seen from the back of unfamiliar matter. And it acts as a frightening physical objectivity of a person. Although, in the heat of provocativeness, there is more methodological controversy with fellow workers; nevertheless, in a dispute in absentia with the Italian cubo-futurists, Bogomazov nevertheless clearly expands the tripartiteness to philosophical generalizations and a constructivist secret vision of matter. In the lower right corner (3rd portrait), 1916 Kyiv. On the back, in blue pencil, is the signature of Bogmazovs widow Wanda: " I certify the work of my husband AK Bogomazov: V. Bogomazov " . The inscription was made during the sale of works in 1979. Half cardboard, charcoal pencil. 66.6 x52.6 cm. In addition to the examinations of the All-Russian Artistic Research and Restoration Center named after academician I.E. Grabar for 2007 and the State Scientific and Restoration Institute of Restoration of the same year, Smolnikovs own handwritten letter about the acquisition of six graphic works from the masters family is attached . Width: 52.6cm, Height: 66.6cm, Depth: 0.3cm, Weight: 1kg, Condition: Good, Material: Pencil
Los 174
Silver sugar bowl and creamer 84 samples, 11 Artel, with painted enamel. A significant and visible addition to the portrait of Russian Art Nouveau. Luscious epic painting with motifs of petals, coordinates of inverted worlds and vortex spirals, on an unusual gray background - highlight the work of the masters of the 11th artel. Moscow. 1899-1908 Total weight: 419 g. Width: 12cm, Height: 11cm, Depth: 30cm, Weight: 0.419kg, Condition: Good, Material: Silver 84, Cloisonne enamel, Gilding
Los 28
Memorial, silver vodka cup in honor of the stay of Catherine II in Kostroma, in 1767. A mesmerizing sign of a bygone era. The narrative unfolded on it not only reveals the logic of the journey, but also symbolically emphasizes the key results of Catherine`s visit. Approves the sovereign cradle of the Romanovs in the Ipatiev Monastery and bestows the coat of arms on Kostroma. The engraving, on a simple cylinder, tells about the May days of 1767, when the Empress traveled along the Volga in the Tver galley. The master skillfully linked together the panorama of the river, the Ipatiev Monastery; depicted a galley with an imperial monogram on a sail, a profile portrait of the queen in a medallion. He singled out the inscription of the city on the standard and in the same place, probably his initials - B.M. Designated the royal coat of arms - a double-headed eagle with orb and scepter. As a result, a living and touching historical document in silver weighing 68 grams has come down to us. and 7 cm high, with the stamp of Kostroma of 1767 and next to it in squares 7 and 8. Width: 6cm, Height: 7cm, Depth: 6cm, Weight: 0.068kg, Condition: Good, Material: Silver 84
Los 531
Plaster, bronze, bust portrait of a Cossack. 1909 year. H-62 cm. A bust of highly artistic modeling, demonstrates a psychological portrait of a Cossack in a fur hat and gazyry. Buttoned tightly, ceremoniously facing the viewer in the front. The chin is proudly raised, but the look of tired and intelligent eyes is lowered and immersed in itself, as if in fate. Dramatic sculpting of a hat and a slight turn of the head create an amazing, piercing depth of the image; passions of doubt, obedience to purpose. The work has a high artistic value. Signed and dated 1909 on the back in the lower right corner. Width: 55cm, Height: 62cm, Depth: 35cm, Weight: 12kg, Condition: Good, Material: Bronzing
Los 534
Bronze bust of a girl. A lively, expressive portrait of a child, Italian impressionism, the heyday of the style. The master succeeded in creating a bold, asymmetrical composition. The picturesque sculpting of an unusual face and the plastic contrast between tangled fabrics and polished bronze skin. The artist guesses the character, the future of a difficult life, but with all his heart he loves and honors the moment of warm childhood. The lives of those who follow us. Italy. Turn of the 19th-20th centuries. H - 18 cm. Width: 17cm, Height: 18cm, Depth: 15cm, Weight: 5kg, Condition: Good, Material: Patinated bronze
Los 250
Hand painted porcelain hookah. Kuznetsov factory in Dulevo. Russia. 19th centuryA unique Russian porcelain hookah made at the Kuznetsov factory in Dulevo. Hand-painted porcelain hookah with a wooden pipe, consists of a central water chamber, a stem with a mouthpiece and a bowl for flavored tobacco, decorated with medallions and a portrait of a nobleman. Bright colors and careful detailing of the painting demonstrate the artistic skill of the artist from the Kuznetsov factory. Hallmark: Kuznetsov Factory in Dulevo, Arabic script for items made for export. Late 19th century.Condition: Good, with traces of useMaterial: Porcelain, Hand PaintedProduct sizes: Height - 58cmwidth - 12cmLocation: Gallery "Antiqon", Brivibas street 52, Riga, Latvia Warranty: Seller WarrantyCountry: RussiaPeriod: Late 19th centuryChoose Color
Los 138
Round table box from the first quarter of the 19th century, Karelian birch, lined with tortoiseshell, lid with built-in gilded brass medallion with a portrait of the Russian Tsar Alexander I (1777-1825), inscription ALEXANDER.I. Signature of the author Morel. Height 2.3, diameter 8.5 cm. Width: 8.5cm, Height: 2.3cm, Depth: 8.5cm, Weight: 0.15kg, Condition: Good, Material: Gold plated brass
Los 125
Amerling, Friedrich von - Umkreis des Bildnis eines adeligen Knaben (Wien 1803-1887 ebd.) Stehende Ganzfigur eines an einen Sessel gelehnten Jungen mit Reitgerte und Federhut in den Händen. Öl/Lwd. 140 x 113 cm, oval.Gemälde, Interieur, Kinderbildnis, Malerei Deutschland, Österreichischer Maler, Portrait
Los 340
Warhol, Andy Zwei-Dollar-Banknote, 1928 (Pittsburgh 1928-1987 New York) Vorderseitig mit dem Portrait von Thomas Jefferson und der Seriennummer "E 05668550 A"; rückseitig Blick auf Monticello. Auf der Vorderseite handsigniert, auf der Rückseite Signaturstempel. 6,6 x 15,5 cm, in Plexiglasrahmen 15 x 20,3 cm. - Mit Zertifikat der Galerie 32 Nizza, Frankreich.amerikanischer Künstler, Amerikanischer Präsident, Andrew Warhola, Dollar bill, Pop Art, Ready-made
Los 527
Zwei Wachsbossierungen 19. Jh. Je in oktogonalem Schaukasten mit grünem Samt hochovales und reliefiertes Profilbrustbild eines bärigen Mannes. Wachs, ebonisierter Holzrahmen. Ca. 14 x 11 cm, Kasten 24,8 x 21,2 cm. - Wenige Haarrisse. - Bei einer Person handelt es sich um den Apostel Paulus, die Darstellung geht auf einen Entwurf Leonhard Poschs (1750-1831) zurück: vgl. A. Forschler-Tarrasch: Leonhard Posch. Porträtmodelleur und Bildhauer, S. 232, Nr. 873. - Aus fränkischer Privatsammlung.Alter, Männerbildnis, Mann, Portrait, Relief, Schnitzwerk
Los 56
A 9ct gold mounted shell cameo oval brooch with Roman style carved portrait, (L x 3.5 cm), a pair of yellow metal mask drop earrings, a pair of 9ct gold leaf pendant earrings set garnets, (L x 4 cm), a 9ct gold butterfly set blue stone set wings and and four diamond points to body, (L x 1.2 cm) and a pair of yellow metal pale amethyst and seed pearl drop earrings and matching pendant. ( 9), total 13g
Los 413
Modern silver 'Churchill Rule of Life' ruler, by Richard Jarvis of Pall Mall, engraved with the significant events and dates of Winston Churchill's life, from his birth in 1874 to his funeral in 1965, hallmarked Richard Jarvis, London 2007, L33.5cm, within wooden fitted case, with applied portrait to cover and silk and velvet lined interior approximate weight 328g.
Los 730
GOTSCH, Karl Friedrich (1900-1984), "Portrait des Bruders des Künstlers", Aquarell/Papier, 64 x 52, unten rechts signiert und datiert '22, etwas besch., Provenienz: Privatsammlung Bonn, ehemalige Sammlung Max Roesberg (1885-1965), die Arbeit wurde ausgestellt: Von Monet bis Mondrian, Meisterwerke der Moderne aus Dresdner Privatsammlungen der ersten Hälfte des 20. Jahrhunderts, Staatliche Kunstsammlungen Dresden Galerie Neue Meister, 2006, vgl. Katalog, Dresden, 2. Aufl. 2007, S. 214, Abb. 105.
Los 800029
Fa. Adt, Ensheim und Forbach, 3 Pappmaché - Rahmen, Schwarzlack, um 1900, davon 2 reliefierte ovale Rahmen mit Aufhängern (27 x 23 cm u. 29,5 x 25 cm), , ovale Aussparung mit Goldrand, verglast, darin Passepartout u. Portrait eines jungen Mannes sowie Fotografie eines jungen Mannes u. einem Barbier (Passepartoutausschnitt 13 x 10,5 u. 16,5 x 12,5 cm, ein Rahmen am unteren Rand geklebt, eine Rückwand gebroch., beide stark berieb. u. bestoß.), ein rechteckiger Rahmen mit Blumendekor in Perlmutt eingelegt, ovale Aussparung, verglast, darin Familienfoto (Rahmen an Aussparung gebroch., Glaseinlage lose), 3983 - 0027
Los 940003
Miniaturmaler 18. Jh., Bildnis der Franziska Gräfin Schimmelmann geb. Danneskiold Löwendal, 18. Jh., als junge Frau am Spinnrad sitzend, fein gemaltes Portrait, Tempera auf Papier, rücks. Namen der Dargestellten, D 8 cm, unter Glas im originalen Pappmaché-Rahmen mit vergoldeten Blattverzierungen, 15 x 13 cm, altersgemäß guter Zustand, Provenienz: aus dem Besitz einer norddeutschen Grafenfamilie, Nachkommen der Dargestellten. 3909-033
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283287 Los(e)/Seite