FOUR PICTURES AND THREE PRINTS, comprising a pencil portrait of the head of a girl after Sir Edward Burne-Jones, initialled EBJ bottom right, approximate size 22cm x 15cm, the original was drawn a study of a tapestry 'The Achievement of Sir Galahad', together with an unsigned pencil and watercolour sketch 'On The Bosphorus', depicting figures and provisions on a shoreline with a sailing ship, a Ruskin Gallery receipt is verso attributing the sketch to John Lloyd of Llanrwst 1772-1844, two Chinese style watercolours on rice paper depicting birds, two framed botanical studies and a reproduction print of Dove-Dale (7)
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A QUANTITY OF PICTURES AND PRINTS ETC, to include a vintage unsigned oil on canvas depicting a hunting scene, approximate size 50cm x 60cm, a Marjorie Cox pastel portrait of a dog dated 1981, M.J Brookes pastel study of a cattle market at Bingley Hall in Birmingham dated 1961, signed limited edition hunting print by Gillian Harris, signed limited edition print depicting Long Horn cattle by Michael Lees, signed John King hunting print, assorted other hunting prints, signed Christopher Curtis verse prints etc.
A SILVER TOP WIND FOB WATCH WITH MODERN SILVER ALBERT CHAIN, the fob watch with foliate design silver dial, blue steel hand, textured case with miniature portrait to reverse, inner case with silver convention marks, inner case numbered 494288, case diameter 34mm, chain hallmarked 925 grade silver Sheffield, approximate gross weight 50.62 grams (condition report: overall condition good, we cannot guarantee the working order of any watch, movement untested for working order)
A SELECTION OF SILVER AND WHITE METAL JEWELLERY, to include a pair of long floral ear pendants stamped 925, a filigree butterfly brooch, a filigree pendant with miniature portrait of a dog, a white metal camel pendant with chain, a white metal star bracelet, together with further silver and white metal jewellery, approximate gross weight 151.44 grams (condition report: overall condition very good, majority of items tarnished, light surface wear in keeping with general wear)
English School 19th century, oil on canvas laid on board, portrait of Mrs J. Princep standing in a landscape, oval in gilt frame, inscribed verso.27 x 21cm. Sophia Elizabeth Prinsep, nee Auriol (1760-1850) married the wealthy indigo merchant John Prinsep in Calcutta in 1782. They returned to England in 1788. This portrait was probably painted in India.
Janet Gatley (20th Century, British), oil on board, An African woman and child, signed to the corner, unframed, measuring 41cm x 77cm overall, an oil on canvas depicting a crying child, an oil on canvas of a vibrant still life arrangement, and several other oils on board and card depicting portraits including a Grecian statue head portrait, and a shoulder length portrait of a brunette haired lady
RICHARD PURCELL, UNDER THE PSEUDONYM CHARLES CORBUTT (FL. CIRCA 1746-1768 FL.) AND JAMES WARD (1769-1859) AFTER SIR JOSHUA REYNOLDSPortrait of David Garrick flanked by the Muses Tragedy and Comedy; and Portrait of Mrs Billington as Saint Cecilialargest 69 x 45.5cm (framed)(2)The mezzotint of David Garrick is a different version of the mezzotint published in Mannings (no. 700). See an impression of the same print at the Victoria & Albert Museum, Accession no. S.3750-2009 (https://collections.vam.ac.uk/item/O1152810/h-beard-print-collection-print-reynolds-joshua-sir/) Qty: 2
poster featuring a portrait of Nicol Williamson as Maitland by Patrick Proctor for the 1978 production of Inadmissable Evidence at the Royal Court Theatre directed by John Osborne; 49.5 x 30cm; 54 x 34cm (framed); a poster for the 1993 Royal National Theatre production of Inadmissable Evidence directed by Di Trevis and starring Trevor Eve as Maitland, together with a poster design of Inadmissable Evidence designed by Bryan Cooper (framed), and a novelty Inadmissible Evidence stone paperweight (4)Inadmissable Evidence was first performed at the Royal Court in 1964 (see previous lot) with the young Scottish actor Nicol Williamson in the lead role of Maitland. A film of the play starring Williamson as Maitland with the screenplay by Osborne followed in 1968. Williamson later reprised the role of Maitland on stage when the play returned to the Royal Court in 1978, directed once again by Osborne.Qty: 4Patrick Procktor (1936 - 2003) was a British artist working in the 60s and 70s both as a painter and printmaker. He was popular within the worlds of music and theatre and designed for record sleeves. Cecil Beaton was among his circle and a portrait of Procktor by the photographer hangs in the National Portrait Gallery.
⊕ MAITLAND signed P. Procktor 65' upper right; titled Maitland upper leftfelt tip24 x 18cm; 37.5 x 31cm (framed); together with a P. Procktor designed poster of Nicol Williamson in the role of Bill Maitland (1978), directed by John Osborne (2)The present work depicts Nicol Williamson who played the leading role of Bill Maitland in the original production of Inadmissible Evidence which opened at the Royal Court on 9th September 1964. The production received rave reviews, with Williamson singled out for particular praise. As Heilpern recounts: 'They were unable to cast Maitland until [Anthony] Page [the director] asked the little-known Williamson to read for it... The moment Williamson began his audition at the Court, they knew he was Maitland. Page remembers Osborne walking from the back of the stalls to the apron of the stage as if he were hypnotized... At twenty-eight, he was much too young for the role, but it made no difference. "He is old within" said Osborne, who recognised his genius' (Heilpern, p. 297).Heilpern described Inadmissable Evidence as '...Osborne's finest and most disturbing play, and it brings to its peak the art of solitude made public on stage. "He is strongest who is most alone," is Ibsen's renowned line in the Enemy of the People. But for Osborne, aloneness is a curse, and Maitland is another of his isolated heroes who can find no place in the system - like Luther, Archie, Redl, Dillon and Jimmy Porter, like all his embattled heroes.' (Heilpern, p. 294). Jocelyn Herbert who designed the set for the original production commented: 'Look Back in Anger is John's first personal statement and Inadmissable Evidence is his second... Bill Maitland is speaking in John's voice. It's a very bitter play, and full of John's agonies, jealousies and sadness.' (Whitebrook, p. 216).Patrick Procktor (1936-2003) was one of the most notable artists of his generation. Popular within the worlds of music and theatre, he also designed record sleeves, including, among others, for Elton John and The Rolling Stones. Jill Bennett who became Osborne's fourth wife was a close friend. A portrait of Procktor by Cecil Beaton is in the National Portrait Gallery.Qty: 2The work has not been examined out of the frame. The frame itself has light staining and indentation to the edges. Paper mounted to board with exposed adhesive at the top edge, but otherwise this work in good original condition.
UNBEKANNTER KÜNSTLER (XIX). Portrait eines jungen Mannes.Circa 39 cm x 38,5 cm. Circa 48,5 cm x 48 cm mit Rahmen. Gemälde. Öl auf Leinwand. Darstellung eines elegant gekleideten jungen Mannes in dunklem Anzug mit weißer Fliege. Reinigungsbedürftig. Farbfehlstellen. Lagerspuren. Zustand siehe Fotos.
Edgar CHAHINE (1874 - 1947). Portrait einer jungen Dame.Circa 35 cm x 27 cm. Circa 52,5 cm x 38,5 cm mit Rahmen. Lithographie. Unten rechts signiert. Hinter Glas gerahmt. Reinigungsbedürftig. Fleckig. Rahmen mit Lagerspuren. Zustand siehe Fotos. - Kein Versand durch das Auktionshaus möglich -
UNSIGNIERT (XVIII - XIX). Portrait eines Architekten. Datiert 1827.Circa 81 cm x 61 cm. Circa 99 cm x 77 cm mit Rahmen. Gemälde. Öl auf Pressholz (wohl verstärkt). Darstellung eines Mannes mit Zirkel und Papierrolle. Seitlich links datiert. Craquelé. Lagespuren. Rahmen teils bestoßen. Zustand siehe Fotos.- Kein Versand durch das Auktionshaus möglich -
DANIEL NIKOLAUS CHODOWIECKI Danzig 1726 - 1801 Berlin: Portrait von Christian Wilh. Dietrich. Radierung nach der 1767 entstandenen Zeichnung von F. Reclam 1774. Engelmann 118. Bauer 221, II. - Mit den Namenszügen der Künstler, Daten und Bezeichnungen in der Platte. Auf Bütten. 27,9 x 21,3 cm. Ränder gering fleckig, mit Resten alter Bleistiftbezeichnung und dünnen Papierstellen. Sammlung F. Quiring, Eberswalde (Lugt 1041c). [ms]
Französische Tischpendule, Frankreich um 1900, Louis XIV Stil, kl. Pendulenwerk mit Unruh-Hemmung, rote u. blaue Emailbemalung in Champlevé-Technik mit goldenen Metallstegen, Wandung mit Portrait einer Dame in Kartusche, vergoldete Bronzebeschläge, vier Volutenfüße, emailliertes Zifferblatt mit Blütendekor, facettiertes gewölbtes Glas, eingefasst v. einem Ring aus Glassteinen, läuft an, Alters - u. Gebrauchsspuren, H: 21,5 cm, B: 11 cm, 4476 - 0012
3 Bücher zu Reed Massengill, männliche Aktfotografie, "Uncovered - Rare Vintage Male Nudes", Universe N.Y. 2009, Schutzumschlag in mehreren Teilen auf vordere u. hintere Buchdecke geklebt, "Men", Bruno Gmünder Berlin 1997, "Self-Exposure - The Male Nude Self-Portrait", Universe N.Y. 2005, jeweils Pappeinb., jeweils Vorsatz/Buchdecke mit Exlibris-Stempel u. handschriftl. Eintrag d. Vorbesitzers, leichte Alters - u. Gebrauchsspuren, 3903 - 0478
4 Bücher zu George Platt Lynes, G. P. Lynes "The Male Nudes", Hrsg. Steven Haas, Vorwort von George P. Lynes II., Nachwort von Allen Ellenzweig, Rizzoli Verlag N.Y. 2011, G. P. Lynes "Portrait - The Photographs of George Platt Lynes 1927 - 1955", Twin Palms Publishers 1994, G. P. Lynes "George Platt Lynes Photographs 1931 - 1955", Twelvetrees Press 1981, David Leddick "George Platt Lynes 1907 - 1955", Taschen Verlag Köln 2000, versch. Einbände, Gebrauchsspuren an den Einbänden, alle mit Exlibris-Stempel u. Signatur des Vorbesitzers. 3903-0438
Anonymer Miniaturmaler, England um 1820, Portrait eines jüngeren Herren mit Plastron u. hochgestelltem Kragen, in Messingrahmung, Medaillongröße: 6 x 5 cm, darin Haare des Mannes, in zeitgenössischem Etui, bestickt mit Schriftzug u. Blütenkranz auf Stramin, 7 x 9 cm, Alters - u. Gebrauchsspuren, 4446 - 0005
Jacqueline Stanhope (Scottish 1963-): A Head Portrait of 'La Cucaracha' a Bay Racehorse, oil on canvas signed 30cm x 24cm, together with a similar signed print 40cm x 51xm (2)Notes: La Cucaracha was owned by Guy Reed and bred at Copgrove Hall, she was a specialist sprinter trained at Lambourn by Barry Hills. La Cucaracha secured a Group One success in 2005 at the Nunthorpe Stakes in York.
Lai Fong of Calcutta (Chinese fl. 1890-1910): Portrait of a Victorian Lady Wearing a Black Gown and Gold Brooch, oil on canvas signed and dated 1897, probably a member of the Reed family, 40cm x 32cm; together with the associated Victorian 9ct gold three stone citrine brooch as worn by the sitterNotes: Lai Fong was a Chinese painter who was active in Calcutta from 1870-1900, who primarily painted ship's portraits. Condition Report: Condition of brooch: Approx 3.5gm, length = 32mm, tested 9ct (back pin not gold)
Two Vienna porcelain Cabinet plates, late 19th/early 20th Century, one for the Turkish Market, decorated with an oval vignette of a portrait of an Eastern man in a red turban, with opposing armorial on yellow band ground, heightened with swags and scroll leaf motifs, with heavy embossed tooled rims, 26cm diameter, together with a plate, with a highly decorated rim with green and red bands, with raised and tooled gilded floral and foliate motifs, 24.5cm circumference, Minton two handled vase, late 19th/early 20th Century, decorated with an oval reserve of flowers, on Sevres style blue ground, enriched with gilding, printed marks to base, 19.5cm high, together with a Wedgwood lustre bowl, decorated with a butterfly, and a Coalport cabinet cup and saucer, with green and gilt decoration (5)

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