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283284 Los(e)/Seite
Los 80
THE ARCHBISHOP SPOTTISWOODE (1565-1639) SEAL A 17TH-CENTURY BASE METAL SEAL the seal of navette outline, with a depiction of St. Andrew with the Saltire in a border SIGILLVM * R * D * IOHANNIS * ARCHIEPISCOPI * SANCTI * ANDREA, with an integral crescent handle to the reverseDimensions:Length: 95mmNote: Note:Archbishop John Spottiswood was a highly important figure within the Scottish Church and worked at the highest levels of society.Born in 1565 the eldest son of a Minister, he was educated at Glasgow University. He would take over from his father in the Parish of Calder in 1583 only two years after leaving Glasgow. His rise within society is noted by 1601 when he was a Chaplain to the Duke of Lennox in the embassy to the French Court. He was with King James VI and I in England on his accession, once again showing his close relationship with Court. He was nominated to the seat of Glasgow the same year but not consecrated until 1610.His religious views appear to have changed over time, softening from his initial ardent strict Presbyterian attitudes. Some may consider this softening of views with his closer alignment to the Royal Court and the views he chose to share often supported the views of the King. He was a supporter in the suppression of kirk powers that encroached on Royal authority and indeed aimed to align the Scottish practices with the English Church.In 1610 he presided as moderator and during this time the supremacy of Presbytery was abolished, it was not long after this his consecration was made official by the Bishops of London, Ely, Rochester and Worcester. He was made Archbishop of St Andrews and primate of Scotland in 1618.He would continue a close and highly important relationship with the Royal Court and in 1633 would crown Charles I at the Palace of Holyrood in Edinburgh.He published within his lifetime and, while not all would agree with his greatness must be considered an instrumental figure in 17th-century Scottish life and religion. See National Portrait Gallery Collection for a contemporary portraitJohn Spottiswoode by Wenceslaus Hollar - etching, circa 1655; published 1668NPG D9946
Los 54
THE LADY MARY HAMILTON (NÉE MONTAGU), 12TH DUCHESS OF HAMILTON (1854-1934) DESK SEAL A FINE VICTORIAN SILVER GILT, BLOODSTONE AND AGATE FIGURAL SEAL, CIRCA 1875 the cast chased and engraved handle formed as a mailed gauntlet with scrolled cuff, the gripped hand holding a small pommel-shaped seal with fluted octagonal banded agate matrix, engraved with a ducal coronet with Mary below, the upper handle area of polished bloodstone with an arched pommel mount enclosing an oval banded agate matrix engraved ‘BRODICK CASTLE’, the whole contained in a fitted case with indistinguishable maker's name to silk interior (possible Garrard)Dimensions:Length: 10cm, matrices: 15mm x 15mm and 19mm x 24mmNote: Note:Lady Mary Hamilton (née Montagu), 12th Duchess Of Hamilton (1854-1934)Born at Kimbolton Castle in Huntingdonshire to the 7th Duke of Manchester, Lady Mary married William Alexander Louis Stephen Douglas-Hamilton, 12th Duke of Hamilton (1845-1895) on 10 December 1873 and moved on the isle of Arran off the west coast of Scotland to Brodick Castle.Originally a hunting lodge, dating back to the 13th century, Brodick was one of three fortresses/ castles on the island. It wasn’t until the 11 Duke of Hamilton in the 19th century that the family made Brodick Castle a primary residence with major renovations in 1844, almost tripling the size of the building, under the architect James Gillespie Graham.Now under the care of the National Trust for Scotland, Brodick Castle has a wealth of family heirlooms in the house. Particularly interesting is a collection of mounted hardstones and porcelains that were collected by William Beckford. The Beckford Collection came to Brodick through Beckford’s youngest daughter, Susan Euphemia (1786-1859) as they had a better relationship than her elder sister. Susan Euphemia became the wife of Alexander, 10th Duke of Hamilton (1767-1852). She inherited much of the Beckford Collection and by descent the Collection passed to William, 12th Duke of Hamilton (d. 1895).Lady Mary Hamilton would have therefore experienced the collection. Her admiration for history can be seen in a portrait of her dressed as Mary Hamilton, a lady in waiting to Mary Queen of Scots. Now housed in the National Portrait Gallery accession number NPG Ax41207.Together, Mary and William had one daughter named Mary (1884-1957) who married the Duke of Montrose, cementing a fruitful alliance with another aristocratic landowning family in Scotland.As they had no male heir, the family estates passed to a male cousin, but provisions were made their daughter, Lady Mary, and her father ensured that Brodick Castle was left to her where it continued to be an important family home right up until the 20th century.
Los 71
Sir Peter Lely and Studio, portrait of James Butler the 1st Duke of Ormonde, three quarter length in Garter, oil on canvas, 133.5cms x 107cmsProvenance: Lot 49 in The Thynne Heirloom auction at Christies on the 1st of May 1911 where it fetched £42.00 and was sold to Robson.The painting bears a plaque inscribed Thynne Heirloom. Catalogue Note: James Butler, first Duke of Ormonde, Lord Lieutenant of Ireland, was born at Clerkenwell, Middlesex to Thomas Butler, Viscount Thurles (c. 1596–1619), son and heir of Walter Butler, eleventh Earl of Ormond, and Elizabeth Poyntz (c. 1588–1673) from Iron Acton, Gloucestershire. The Butlers were one of the principal families of Anglo-Norman settlers to survive in Ireland from the middle ages, but the first Duke of Ormonde broke with the Catholicism of his forebears to become one of the most significant statesmen and soldiers in the service of King Charles I in his campaign against the Irish uprising that preceded the English Civil War. Ormonde remained loyal to the Stuarts throughout his life despite falling in and out of favour. Following the execution of Charles I, he lived in exile from 1647–60, upon his return he received the English earldom of Brecknock, meaning he could sit in the English House of Lords, as well as the subsidiary title of Baron Butler of Llanthony. More momentous, however, was his elevation to the Irish dukedom of Ormonde in 1661. A unique distinction, it confirmed his standing as Charles's foremost subject in that kingdom. Until his death in 1688, the Duke of Ormonde held various different senior offices in the court of Charles II, was often consulted on Irish matters and ultimately gained a reputation for being loyal, uncompromising and highly principled.
Los 51
Original portrait format movie poster for Brian De Palma's "Scarface" starring Al Pacino (Universal Pictures, directed by Brian De Palma). Printed by M.A.P.S Litho Pty Ltd 1983, framed. Excellent condition with fold marks, edges hidden behind frame. Overall size 71.3x36.5cm. Also included a wall hanging Scarface "First Taste Of The Good Life" shadow box with cigar, replica gun and cash, 56x46cm. (2)
Los 155
A 19th century portrait miniature on ivory of a lady with feathers and jewels in hair with pearl necklace and blue dress in gold metal oval frame - marks to top loop. Miniature indistinctly signed with plaited hair locket to back. in frame tested as gold. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: FRFKTT71
Los 170
A Georgian portrait miniature on ivory of a gentleman with ginger hair in black jacket in 9ct gold oval sealed frame with hair locket to back set with seed pearls and gilt wire. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: FU6WWDCS
Los 175
A 19th century portrait miniature on ivory of a seated lady resting on a plinth in silver coloured metal oval frame with blue enamel back. Name/signature verso - see image. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: HCZ3W5HJ **Enamel back Cracked**
Los 178
An early 19th century portrait miniature on ivory of a Georgian gentleman in brown coat in gold coloured metal frame with hair locket to back with the swirl of hair secure with seed pearls. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: BXE9DUDV
Los 183
A 19th century portrait miniature on ivory of a lady with tiara and jewelled dress signed Stieler with writing to back naming the lady as Grand Duchess of Baden in gilt metal picture style frame. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: JS9A8JGV
Los 193
Two late 19th century portrait miniatures on ivory - one of a lady with ornate lace headdress and ruff the other a gentleman with white hair both in matching pierced gilt metal frames. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: 9GGZ1A89
Los 348
Circle of Charles D'Agar (British, 1669-1723), portrait of a boy, half length in a blue coat, painted oval, oil on canvas, 72 by 60cm, in an 18th Century carved gilt wood frame. Note: bearing old labels verso inscribed James Birch Esq of Thorpe Hall, Louth, Lincolnshire. Provenance: Col. Bosville M.C.
Los 349
British School, early 18th Century, portrait of a Mary Bolle, aged 14, inscribed Mary Bolle Aetis 14 c.l., half length in a blue dress, holding a quill pen in her right hand, her left resting on a book beside a classical stone urn, oil on canvas, 72 by 60cm, in an 18th Century carved gilt wood Lely frame. Provenance: Col. Bosville M.C
Los 2
A standing portrait of Mughal emperor Shah 'Alam,c.17th century, holding a talwar in his right hand, adorned with ornate jewellery, framed by a blue and gold border of floral motifs, in watercolour/gouache and gold paint,an inscription in Urdu to the lower centre margin, 'Shahjahan azeem o shaan', translates as 'most elevated and respected king',24.5 x 15cm, framed and glazed Condition ReportSome foxing, cockling, fading and staining.Did not examine outside of frame.
Los 1959
THREE VICTORIAN BROOCHES (3)Comprising; a bloodstone, jasper and varicoloured agate circular brooch, with a central cruciform motif, probably Scottish, a carbuncle garnet circular brooch, glazed with a locket compartment to the back and an oval shell cameo brooch, carved as the portrait of a lady, having a beaded border
Los 155
Netherlands, 10 Guilders, 1875, gold coin and 5 Guilders 1912 suspended on a chain (2). Netherlands, 10 Guilders, 1875, The portrait of King Willem III facing right with the inscription: GOD ZIJ MET ONS and KONING WILLEM DE DERDE. R. The Dutch coat of arms which depicts a crowned shield featuring a lion holding a sword and arrows, with the legend KONINGRIJK DER NEDERLANDEN, struck in 0.900 gold, weight 6.7g, diameter 22mm, VF, together with a Netherlands, 5 Guilders, 1912, The mature portrait of Queen Wilhelmina facing right with the inscription: KONINGIN WILHELMINA. R. The Dutch coat of arms which depicts a crowned shield featuring a lion holding a sword and arrows, with the legend KONINGRIJK DER NEDERLANDEN, struck in 0.900 gold, diameter 18mm, F. suspended on a chain, total weight 8.4g (2).Qty: 2
Los 170
Queen Elizabeth II, Half-Sovereign, 1965, Isle of Man. Queen Elizabeth II, Half-Sovereign, 1965, Isle of Man, Pobjoy Mint, Bicentenary of the Revestment Act, with obverse portrait of Queen Elizabeth II and reverse with the 3-legged Triskelion in a shield, struck in 22-carat gold, weight 3.99g, 19mm, in original presentation case of issue.
Los 29
Scotland, The Commercial Bank of Scotland, Five Pounds banknote. Scotland, The Commercial Bank of Scotland, Five Pounds banknote, signatories: James Thomson (Cashier) and Sir J.M. Erskine (General Manager), prefix 14/G dated 3.6.1941, Dark blue on a yellow and red underprint, portrait of Lord Pitcairn, the first Chairman of the Bank at lower centre, SC413d, VF.
Los 8
Three National Bank of Scotland banknotes (3). Three National Bank of Scotland banknotes to include two Five Pounds banknotes; The National Bank of Scotland Limited, Five Pounds banknote, signatories : A.S.O. Dandie (Cashier) and J.A. Brown (General Manager), prefix D353-842, dated 1st October 1953, Obverse - blue with a red and yellow underprint, the Bank's Coat of Arms at the centre of the note; portrait of the Marquess of Lothian to the left and view of Edinburgh Castle to the right R - blue, elaborate panel with a view of Edinburgh at the centre, 210mm x 126mm, SC512f, VF and Five Pounds banknote, signatories : A.S.O. Dandie (Cashier) and D. Alexander (General Manager), prefix B689-191, dated 1st November 1957, Obverse - green, the Bank's Coat of Arms to the bottom left with thistles above. R - green, illustration of the Forth rail bridge, 178mm x 102mm, SC513, VF and a One Pound, "B" size banknote, signatory: D. Alexander (General Manager), prefix B/S 876-425, dated 1st June 1957, Black on a red and yellow sunburst underprint, Bank's Coat of Arms at the centre, illustrations of Glasgow Cathedral to the left and the Palace of Holyroodhouse to the right, SC503e, VF, all in a protective sleeve (3).Qty: 3
Los 6234
Edward, Earl of Clarendon - The History of the Rebellion and Civil Wars in England, three volumes in six parts, printed at the Theater, Oxford 1717, rebound in full calf and gilt lettering, engraved portrait frontispieces together with Clarendon's History of the Grand Rebellion Compleated , London 1717 (7)
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283284 Los(e)/Seite