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283287 Los(e)/Seite
Los 1
J BoydellA North East view of Blenheim House and Park in the County of Oxford, etching with hand-colouring, 26 x 43cm; and three further to include View of Blenheim, Oxfordshire; the seat of his Grace the Duke of Marlborough; the Village of Iffley near Oxford; and a portrait of George Steevens after G Dance (4)
Los 444
Henry Pickering (c.1720-c.1775)Portrait of Charles, second son of Sir R Bradshaigh by Rachel, Daughter to Sir I Guise, wearing a powdered wig, a dark coat, claret-coloured waistcoat embroidered with gilt flowers and white stock in feigned oval, inscribed "H Pickering Pxt 1755" and titled, oil on canvas, 74 x62 cms Not lined. Craquelure throughout, with some surface dust/dirt, and minor discolouration to the varnish. Not examined under UV light.
Los 83
Early 19th century English schoolMiniature rectangular portrait of Catherine Elizabeth Boscawen, nee Annesley, in pink dress with black lace shawl, watercolour on ivory, titled to the mount, 13 x 9cmCatherine Elizabeth Boscawen was daughter of Arthur Annesley (1760-1841) of Bletchingdon Park, OxfordshireIvory Licence Submission Ref. LZGDWWFQ
Los 24
Thomas Worlidge (1700-1766)Sir Bernard Astley, etching, 23 x 18cm; Samuel & Nathaniel Buck - The South West View of Melton Constable in the County of Norfolk, engraving with hand-colouring, 36 x 57cm; an antique Toile-de-Jouy panel, framed, and two further prints (5) Astley portrait - time staining to the margins and some scattered light foxing. Buck - some creases and time staining, and light foxing and staining. Remainder good overall.
Los 271
George Romney (1734-1802)Portrait of Madame de Hodenet, oil on canvas, 73 1/2 x 61 cms; in period giltwood frameProv: Sothebys 13th July 1994 Lot 61Lit: Kidson, Alex: George Romney: A Complete Catalogue of his Paintings", no. 360, pg 181 Has been lined and cleaned, with a slightly patchy/uneven varnish surface. There is a scratch approx 5cm long to the lower right area, and fine craquelure throughout. Minor scratches. Under UV light there are some very minor areas of retouching, the main one being a small area under the sitter's chin, and a few background areas, most being very small.
Los 339
Frederique Emile O'Connell (1823-1885)Portrait of Edward Astley in scarlet uniform, signed, painted oval, 77.5 x 63.5cm Edward, 2nd son of Henry Astley, Bart, Colonel of 1st lifeguards, b. 1799 and d.1840 (killed in a duel at Hotton, Belgium) Has been lined. Some surface scuffs and scratches, and small splash marks. Minor craquelure to the face area. Surface dirt and varnish discolouration, not examined under UV light.
Los 338
Einar Nerman (1888-1983)Portrait sketch of the actress Dorothy Dickson, signed, pen and ink heightened with white, inscribed 'To Dorothy Dickson with adoration for your art and grace, sincerely yours, Simon Norman', 25 x 20cm, unframed; together with Jessica Dove - 'Little Jewel on the Grand Canal', signed, watercolour, 10 x 8.5cm; Allen Freer (b. 1926) - Glen Feshie, signed, watercolour, 9 x 7cm, and two fragments by Hay Wen Tang; together with accompanying letter (4)
Los 55
YEATS (William Butler): 'Pages from a Diary written in Nineteen Hundred and Thirty..': Dublin, Cuala Press, 1944: FIRST EDITION, No.55/280 copies, portrait of Giraldus by Edmund Dulac to title, publishers cloth-backed yellow boards, printed label to spine, lettered in black to upper, minor browning and spotting else VG, 8vo: together with a second copy numbered 163, with bookplate designed by Jack B Yeats, preserved in glassine wrapper, 8vo. (2)
Los 96
ROBERTS (David): 'The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia..': London, Day & Son, 1855: 6 vols in 3, portrait frontispiece, 6 pictorial lithographic titles, 241 tinted lithographs, 2 maps, tissue guards, light toning and scattered foxing, heavy around end leaves, contemporary blind ruled full calf over bevel-edged boards, recased preserving backstrips and labels replaced, page edges red, a good set, 4to. (3)
Los 323
FOOTBALL MEMORABILIA: a box of misc., to include signed cutting of Welsh Captain and Arsenal full back Wally Barnes, mounted with later portrait, framed and glazed: signed Queens Park Rangers FC football and another: together with misc. football programmes, periodicals and comics: signed photographs of 10 footballers including David Beckham, Michael Owen, Alan Shearer, Teddy Sheringham, Rio Ferdinand and others, etc. (Box)
Los 238
A pair of late 19th century ivory portrait miniatures of Napoleon and Josephine, each of circular form, depicting the French Emperor in uniform and the Empress wearing a pearl and sapphire crown, and necklace, both indistinctly signed, within gilt metal frames, 8cm x 6.5cmIvory declaration references: LG9E4CXEPHRJUPWU
Los 151
WILLIAM SHUTER A portrait of Mervin Medlycottaged 19, as a Lieutenant in the Inniskilling Dragoons, standing full-length with a terrier in a landscape, inscribed with the identity of the sitter, signed and dated 1793, oil on canvas, 59cm x 44cm, apparently retaining the original carved giltwood frame
Los 33
CIRCLE OF WILLIAM WISSING A portrait of a lady believed to be Mrs Ann Medlycott wearing a brown dress and a blue shawl, half-length in a feigned oval, oil on canvas, 75cm x 62cmProvenance: Ven House, Milborne Port, and the frame inscribed "No. 1 Drawing Room Door" in a late 18th century hand, and "Drawing Room" in a late 19th century hand.
Los 227
CIRCLE OF CHARLES JERVAS (1675-1739) A portrait identified as Peter Waller of Stalbridge, standing three-quarter length in an interior wearing a red coat, a sword at his side and his right hand resting on a table, a landscape visible beyond, oil on canvas, 125cm x 100cm, apparently retaining the original giltwood and gesso frameProvenance: Ven House, Milborne Port.Apparently this portrait was sold with Ven in 1957 and purchased back from AW McCaw in 1983. In the Ven inventory of circa 1850 it is stated that the painting belonged to "Mrs Coles", the granddaughter of the sitter.
Los 359
ENGLISH SCHOOL, circa 1832 A portrait of Elizabeth Medlycottaged 60 in an interior, indistinctly signed, and the reverse inscribed with the identity of the sitter, pencil heightened with watercolour and wash, 27cm x 21.5cm; the companion portrait of a gentleman; and a watercolour portrait of a lady seated in an interior, indistinctly signed and dated 1842 (3)
Los 383
*CICELY GLYN DE BEERS (NEE MEDLYCOTT) (1892-1973) A FOLIO OF VARIOUS UNFRAMED WORKSincluding landscape studies and set designs, various ephemera, including a photographic portrait by E.O. Hoppe; together with another folder of unframed pictures and prints, including works by De Beers' father Revd. Sir Hubert J. Medlycott (1841-1920)
Los 323
CIRCLE OF JOHN RAPHAEL SMITH (1751-1812) A portrait of a gentleman identified as Samuel Jeffery the grand uncle of Sarah, Lady Medlycott, wearing a powdered wig and a blue coat with silver buttons, pastel, 34.5cm x 28cmProvenance: According to family records, the Ven inventory of circa 1850 states that this was in the Small Drawing Room with the identity of the sitter confirmed.
Los 71
A SWISS STAINED GLASS PANEL with a soldier on horseback beside a lady holding a flagon above a coat of arms and inscription: “Ludwick Zandler von Wangen in Constadten ampt der zeit fl: Wurttembergischer Adjutant, iber die gaullen, und Susanna Zandler sein ehlich hausfrauw, 1634” translates as “Ludwick Zandler of Wangen in the district of Constance, temporarily Sergeant of Horse in the service of the Prince of Wurttemberg, and Susanna Zandler his lawful wedded wife, 1634”, 37.5cm x 24cm wide; and another Swiss stained glass panel with soldiers wearing feathered hats, a scene of David and Goliath with initials, the base with an inscription: “Hr: Vallachi Ulluki, frankalp und Hr: Nichlus Mani, landisve, und Hr: Hanns Buller, landt, seckell meister im uderenschechall, 1674” (presumably triple portrait of three old men who served together in the 30 Years War some time before), 34cm x 26cm (2)Note: According to family records, the first panel was re-leaded in 2003 and the second in 1979.
Los 152
CATHERINE OULESS A portrait of Sir Hubert Medlycott, Bt. sitting in an armchair reading the newspaper, signed and dated (lower left) 1939, oil on canvas, 53cm x 76cm, in the original giltwood and gesso frameNote: According to a label, the artist was a friend of the sitter, who lived at Sandford Orcas Manor between 1920 and 1964.
Los 358
ENGLISH SCHOOL, 18th century A portrait of a gentleman wearing a blue coat and a white stock, oval, pastel, 30cm x 25cm, retaining the original giltwood and gesso frame with a beaded inner borderProvenance: According to a label on the reverse this pastel portrait was in the Drawing Room at Ven House and was shown there in a photograph of circa 1890. It came to Sandford Orcas in 1929. It possibly depicts Thomas Hutchings Medlycott, the father of Sir William Coles Medlycott, the first Baronet.
Los 327
GEORGE ROTH A portrait of Mrs Coles of Salisbury the eldest granddaughter of Peter Walter of Stalbridge, wearing a blue lace-trimmed dress and bonnet and holding a dog on her lap, inscribed in the reverse by her grandson, Sir William Coles Medlycott, 6th October 1824, oil on canvas, 22.5cm x 27.5cm; and a portrait of the Reverend George Hutchings, Rector of Sandford Orcas, 33cm x 28cm (2)Provenance: Both paintings with old Ven House labels. One for the Dining Room and one blank.
Los 324
BRAM WHITE A portrait of John Hutchings (1772-1846) seated in an armchair, signed and dated 1839, pencil on paper, and the reverse extensively inscribed "By Hubert Medlycott" on a contemporary pressed card mount, 37cm x 32cm (the mount); and a collection of eight family silhouette portraits and a portrait miniature of a young girl with a cat (10)
Los 29
CIRCLE OF JONATHAN RICHARDSON (1665-1745) A portrait of a gentleman believed to be Thomas Medlycott, half-length, wearing a powdered wig, a brown coat and a white stock, oil on canvas, 75cm x 62cm, in a carved giltwood and gesso frameProvenance: Ven House, Milborne Port, and the frame inscribed "No. 2 Drawing Room Door" in a late 18th century hand, and "Drawing Room" in a late 19th century hand.
Los 30
GEORGE BEARE (fl. 1740-1749) A portrait of Jane Coles as a young girl aged 4 and a half, three-quarter length, in a white dress holding a doll with a cat and a basket of peaches to one side, signed and dated 1749, oil on canvas, 75cm x 62cm, apparently retaining the original rococo giltwood frame carved and pierced with leafy scrolls, rocaille-work, crinkled ribbons and flowerheadsProvenance: According to family records and the old valuation, this painting was included in the inventory of Ven taken circa 1850 located in the Hall.Literature: NPG Archive and Library, London: CH Collins Baker, MS list of portraits by George Beare, nd.: ibid, "A Portrait Painter Rediscovered" Country Life 20th March 1958, p.573.Ex: Bristol, 1937 (73) as by William Hogarth; Taunton 1946 (30); Royal Academy British Portraits, 1956-57 (20)Jane Coles (1744-1824), daughter of William and Jane Coles of The Close, Salisbury, married in 1766 Thomas Hutchings (afterwards Hutchings Medlycott), of Ven House, Somerset, later MP for Milborne Port (1763-70), 180-81), as Salisbury Cathedral, 18th September 1766. At the time of her marriage, Jane was described as "a very agreeable and accomplished young lady with a £20,000 fortune". As Jane's birthday fell on 17th December and this portrait must have been painted before the artist's death in May of 1749, Jane must have been nearer four than five years old.Exhibited as recently as 1937 as by Hogarth himself, this painting is one of the outstanding child-portraits of the 18th century. Despite its slightly unfinished appearance, it compares well with Hogarth's portraits of Hannah and John Ranby (c.1750 exhibited at the Tate Gallery in 1987/8 (Manners and Morals Nos 191 & 192) and with the Portrait of a Young Boy attributed to Gainsborough, and now at Gainsborough's House in Suffolk (c.1744-5)The liveliness and charm of young Jane are hard to resist; the artist has clearly interrupted some highly entertaining game she was playing with here favourite doll and pet cat. Also, while she has apparently been dressed up for the occasion, the impression is given that she would be more comfortable in her everyday clothes, and that her hair has been rather hastily crammed into her demure lace cap.We are extremely grateful to David Coke FSA for his assistance with this catalogue entry.
Los 392
ENGLISH SCHOOL, 18th century A portrait of a gentleman wearing a red coat and a powdered wig, standing three-quarter length, holding a tricorn hat in his right hand, oil on canvas laid on board, 126cm x 102cm; and the companion portrait of a lady seated in an interior, her arm resting on a marble-topped table (unframed) (2)
Los 234
ENGLISH SCHOOL, circa 1806 A portrait miniature of Elizabeth Clark Hutchings (née Savery) "born 1777, married 1806, died 1845", half-length, oval, with a plaited hairwork reverse and a gilt metal frame engraved with the identity of the sitter, 8cm x 6.5cm, in a red morocco caseIvory Submission Reference: PHKL3KTC
Los 229
ATTRIBUTED TO THOMAS FRYE (1710-1762) A portrait of a young man standing half-length wearing a blue and gold abraded coat, traditionally identified as George Medlycott (1716-41) in the uniform of a Lieutenant in the Marines, in a feigned oval, oil on canvas, 75cm x 62cm, apparently retaining the original giltwood and gesso frameProvenance: Ven House, Milborne Port and thence by descent.
Los 235
A GEORGE III SILKWORK PICTUREof a classical maiden beside an altar in a garden landscape, oval, 20cm x 15.5cm; a miniature portrait of a cleric depicted in front of a doorway, 10.5cm x 8cm, in a giltwood frame; and a pencil vignette of a young lady seated on a chaise longue, 24.5cm x 19cm (3)
Los 291
ENGLISH SCHOOL, early 19th century A silhouette portrait of Elizabeth Clark Hutchings (b.1778, d.1845) and the companion of her husband John Hutchings, inscribed with the identity of the sitters on the reverse and retaining the original pearwood and parcel-gilt moulded frames, 15cm x 12.5cm (2)Provenance: The reverse of each with an old label inscribed "Sandford Orcas Manor House".
Los 233
ENGLISH SCHOOL, circa 1800 A portrait miniature of John Savery of the "Queen's Boys", half-length, in uniform, oval, in a gilt metal frame with a plaited hairwork reverse, in the original hinged red morocco case and with a label identifying the sitter and his date of birth as "17th December 1781", the image 7.5cm x 6cmIvory Submission Reference: NGRF39A8
Los 232
ENGLISH SCHOOL, late 18th century A portrait miniature of Thomas Mervin Medlycott as a young boy, oval, in a gilt metal case inscribed "Thomas Mervin Medlycott died at the age of 19 as Lieutenant in the Horse 6th Inniskilling", with a plaited hairwork back with the initials of the sitter and a blue glass border, 6.5cm x 4.5cm overall; and two other portrait miniatures, one of William Coles, Esq. and the other of an unidentified 19th century sitter with a mother of pearl back (3)Ivory Submission References: SE9N85LC; AJ3WL894; FB16PQR5
Los 322
JAN DE BRAY (1627-1672) A portrait of a young girl in a blue dress holding a golf club or shepherd's crook, oil on panel, 63cm x 48cm, in a carved giltwood frameProvenance: The reverse with the seal of James Medlycott of Ven House and thence by descent. In circa 1900 it was in the Dining Room at Ven House and it was withdrawn from the Ven auction in 1929 where it was located in the Oak Room.Note: The painting was authenticated as a work by Jan de Bray of Harlem around 1980 by Bruyn Kops of the Rijksmuseum Amsterdam, and Christopher Brown of the National Gallery, London. Previously it had been attributed to Rembrandt Van Rijn.
Los 228
CIRCLE OF JOSEPH HIGHMORE (1692-1780) A portrait of Thomas Medlycott (c.1731-1741) wearing a blue dress and holding a flower, almost certainly depicted in the Hall of Ven House, Milborne Port, with a capriccio background, oil on canvas, 124cm x 100cm, apparently retaining the original giltwood and gesso frame
Los 326
GEORGE ROTH A portrait of William Coles, Esq. of Salisbury inscribed on the back with the identity of the sitter and the name of the artist "G. Roth pinxit 1772", oval, oil on canvas laid on board, 12.5" x 10.5"; and the companion portraits of Miss Medlycott and William Coles Medlycott, 8cm x 5.75cm (3)Provenance: Ven House, Milborne Port, and all with labels.
Los 89
British School (19th Century) Portrait Miniature of Evan Nepean, in Royal Navy uniform, watercolour on ivory, 8 x 6 cm, frame 12 x 10 cmHandwritten label to verso 'Evan Nepean commander R.N. 15 Augt 1785 - 20 Ap 1864 (later Rear Admiral) painted between 22 Oct 1823 and 18 Dec 1827'Note: Evan Nepean was the second son of Lieutenant-General Nicholas Nepean and nephew of the First Baronet, Sir Evan Nepean, First Secretary and then Commisioner of the Admiralty. He entered the Navy in 1798. In 1815 he became a Lieutenant and in 1823, a Commander. In 1841 he became a Captain and retired from service in 1862 as a Rear Admiral. Between 1839 and 1841 he was commander of H.M.S.Comus, an eighteen gun sloop on the West India station where he was principally employed in affording protection to British trade during the revoloutionary unrest in New Grenada. In 1844 he sold a large and significant collection of mainly pottery pieces, from Isla Sacrificios, off the Coast of Vera Cruz in West Mexico, to the British Museum.Ivory Exemption certificate number: XA4GBSEU Condition:Thank you for your interest in lot 89. The painting is framed under glazing – not examined external to the frame. The ivory appears to be in good condition- no obvious evidence for splitting or warping. The paint has some fading to the background, and to the navy blue of the jacket. The frame has some general wear and tear and the frame rest is frayed and a little loose at the join.
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283287 Los(e)/Seite