Ï’Four pieces of silhouette jewellery, comprising: John Field (1778-1842), portrait of a lady and of a gentleman, signed Miers beneath the truncation, each 3.7cm x 2.7cm, set back to back in a gold framed pendant; William John Jolliffe (circa 1738-1798), portrait of a gentleman painted on glass, within a border painted with circles, the same border verso, 4cm x 3cm, in a plain gold framed pendant frame; German School, early 19th century, portrait of a gentleman, 2.7cm x 1.3cm, in a gold framed canted-rectangular ring; and John Miers (1758-1821) portait of a lady painted on ivory, signed Miers beneath the truncation, 3.7cm x 3cm, in a gold frame with white and blue enamel (4) Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
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Ï’After Sir William Charles Ross, portrait of a young lady wearing a white dress and a pink rose, watercolour on ivory, bears an inscription verso, 7.3cm x 5.7cm, oval, in a git metal oval frame; three other female portraits, all copies, one in a gilt metal frame, two in gold and enamel frames, all hung on a common gilt gesso rectangular frame (4) Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Attributed to Hinton Gibbs, four portrait silhouettes reverse painted on glass, a pair later inscribed in ink verso for members of a Tweedmouth family, 9.3cm x 7cm, ovals, in oval pearwood frames; the two others attributed to Gibbs, one in a pearwood frame, the other hammered brass; another in a hammered brass frame, each inscribed for a Tweedmouth family (5)
Ï’A. J. Nunes (fl. 1778-1799), portrait of a gentleman wearing a blue coat, watercolour on ivory, signed middle left, dated 1799 middle right, 6.7cm x 5.4cm, oval, in a gilt metal oval frame with blue glass and plaited hair verso Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’Irish School, circa 1800, double portrait of two sisters before drapery, watercolour on ivory, 6.9cm x 5.3cm, oval, in a gilt metal oval frame with bright-cut engraving Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’English School, circa 1813 Portrait of Samuel Adeney Watercolour on ivory Inscribed verso Thos. Samuel Adeney, d. 1818, uniform an Ensign in corps of St James Volunteers- 1813 5cm x 4cm, oval In a black papier mache rectangular frame; Sold together with his pigtail, in a cylindrical tin St James's Westminster Loyal Volunteer Regiment was raised in 1797 and disbanded by November 1815. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’English School, circa 1815, portrait of a young lady in a white dress and a Paisley shawl, watercolour on ivory, 7cm x 5.5cm, oval, in a plain gilt metal oval frame, the reverse with a hair curl and seed pearls and monogram PHC, on white guilloche enamel ground Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’Circle of Adam Buck, circa 1790, portrait of a young gentleman wearing a blue coat, portrait of a young lady wearing a white dress verso, presumably his wife, watercolours on ivory, each 5.6cm x 4.6cm, ovals, in a plain gilt metal oval frame Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’ French School (probably Dieppe) (19th century) Portrait of Oliver Cromwell wearing armour, shoulder length Relief carved ivory 6cm x 4.8cm In a gilt gesso shaped rectangular frame Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’English School, early 19th century, portrait of a girl with blonde ringlets, watercolour on ivory, engraved to the outer frame Right Honble. Arabella Townsend (sic), 5cm x 4cm, oval, in a plain gilt metal oval frame with plaited hair to obverse and reverse; and English School, early 19th century, portrait of a lady with a hair ribbon tied under her chin, watercolour on ivory, inscribed verso Countess of Leicester afterwards Marchioness Townshend née Ellerker, 6.8cm x 5.8cm, oval, in a plain gilt metal oval frame Lord, later Marquess, Townshend married Charlotte, daughter of Eaton Mainwaring-Ellerker, on 24th December 1777, who had adopted the name and arms of Ellerker by a 1750 Act of Parliament. They had two sons, George and Charles, both of whom died childless, and three daughters. She died in February 1802. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’A collection of portrait miniatures and related, mainly watercolours on ivory, including: T. Hamlet (1779-1815), silhouette profile of a lady, signed under the truncation Hamlet fec. Bath, 7cm x 5.7cm oval, in a black papier mache frame (cracked); some further examples cracked, some copies; and an Italian coloured wax modelled as a bound Prometheus with the eagle, in a part ebonised circular frame Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A collection of silver items, including: a vase by James Deakin & Sons, Sheffield 1916, 18cm (7in) high, loaded; a sweet basket by Boots Pure Drug Co., Birmingham 1918; a German spoon by Neresheimer, import marked for Chester 1903, cast with a portrait of Edward I; other items; and an electro-plated set of tea spoons and tongs, in a case, 240g (7.7 oz) weighable
Ï’English School, circa 1825, portrait of a gentleman wearing a blue coat, watercolour on ivory, 6.5cm x 5.3cm, oval, in a gilt metal oval frame with hair verso with a seed pearl monogram CH Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’William Thicke (fl. 1787-1814), portrait of a young gentleman wearing a blue coat, watercolour on ivory, 7.2cm x 5.7cm, oval, in a gold frame with plaited hair verso set with a monogram EFM Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Continental gold coloured, enamel and gem set miniature frame, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, the oval aperture with a colour printed portrait, a two colour laurel wreath beneath drapery set with diamonds, cabochon rubies below, on a cream guilloche enamel ground, with a silver wire easel back, 7.5cm (3in) long
After Antonio Manuel da Fonseca (1796-1890), family portrait of mother, father and two young children, believed to be Jose Cinatti, his wife Maria Anastasia Rivolta Cinatti with their two first children, Adelaide and Cleofe, oil on canvas, unsigned, paper label verso, 'a copy painted by V C B Reis from the original [...], 92cm by 74cm
19th century, probably Portuguese school, portrait of a gentleman dressed in white waistcoat and black jacket, oil on canvas, unsigned, later inscription verso includes "On the original stretcher of the canvas of Great Grandfather Batalha is written: [...] done in 1844 and he died on 30th October 1850", 93.5cm by 75.5cm
A WILLIAM IV SILVER SNUFF BOX rectangular with engine-turned decoration, the cover inset with a mother of pearl panel, engraved with a portrait of Charles I in profile between an axe and a broken sceptre; clouds and a hand from heaven holding a crown above; the scales of justice, a broken crown, a sword and the book of Common Prayer, gilt interior, by C. Rawlings & W. Summers, London 1833; 2.75" (7 cms) long
ADMIRAL LORD NELSON:- A George III silver commemorative vinaigrette, rectangular with pricked borders and the portrait of Nelson on the cover, within the legend "ENGLAND EXPECTS EVERY MAN WILL DO HIS DUTY", gilt interior, the grille stamped with a view of "HMS Victory" & TRAFR. OCT.21.1805", by Matthew Linwood, Birmingham 1805; 1.7" (4.3 cms) long; 0.9 oz
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