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283287 Los(e)/Seite
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CECIL ALDIN A portrait of the Queen's favourite horse, "Kintore", in a loose box, with a terrier. Oil on canvas. 20 x 30ins. PROVENANCE. The estate of Emily Moore, who commissioned the young Cecil Aldin to paint a portrait of this grey which had been a favourite of Queen Victoria. Sold together with a signed and inscribed dedication from Cecil Aldin to Emily Moore in which he acknowledges this first commission.
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A late 18th century French circular blond tortoiseshell boite ˆ miniatures with a gold mounted mother of pearl cover set with seven miniature portraits (behind glass) and inset with four fleur-de -lys motifs the central portrait probably depicting King Louis XVIflanked by some of his contemporaries 2.9in (7.4cm).
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A small open faced silver fob watch decorated with green guilloche enamel and seed pearls a carved Cornelian intaglio ring mounted in gold a bloodstone set gold signet ring a 22ct gold wedding ring a gold bar brooch set with an amethyst and seed pearls buckle form silver bangle a posy holder a portrait pendant and a portrait brooch.
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*Lynch (Ilbery, 20th-c.). Two pen & ink shetches by Ilbery Lynch, sketch of a lady, approx. 240 x 160mm and sketch of a man, approx. 165 x 90mm, together with an autograph letter signed to Mr. Richards, together with Van Oss (Tom), Original watercolour artwork for Grant Richards' book 'Double Life', showing figures at a gambling table, approx. 190 x 290mm, and with an original pen, ink & wash portrait of Grant Richards by Dudley Hardy, approx. 260 x 170mm, and a signed photogravure portrait of the artist Charles Conder by Frederick H. Evans, plus other related marerial (-)
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Cowley (Abraham). The Works, 1668, eng. port. frontis. (fore-margin closely trimmed and small split at lower margin, without loss), old ink notes and scribbles to initial and final blanks, leaves E2/3 trimmed at lower margin not affecting text, title, portrait and initial blanks, possibly from another copy, contemp. panelled calf, rebacked, folio, (Wing C6649), together with a slightly defective 1656 edition of Cowley's Poems with facsimile title page, modern cloth, sl. soiled and some corner wear, folio, plus Sheffield (John, Duke of Buckingham), The Works, 2 vols, 1723, licence leaf, half title and eng. port. frontis. to vol. one, titles in red and black, some slight wormhole tracing and pinholes to lower margins of both vols, not affecting text, some light browning, contemp. speckled calf, joints cracked and covers to vol. 1 near det, some spine wear and later labels laid on, 4to, plus Burnet (Gilbert), Some Passages of the Life and Death of the Rt. Hon. John Earl of Rochester, 1680, lacks port. frontis, ad. leaf at rear, browning and soiling throughout, contemp. tree calf, joints cracked, plus Randolph (Thomas), Poems, With The Muses Looking-Glass, and Amyntas, whereunto is added, The Jealous Lovers, 5th enlarged and corrected ed, 1664, lacks addn. title page, separate title page to each play, a little marginal soiling and browning, contemp. calf, plain reback, both 8vo, plus other 17th & 18th century poetry and drama, some with defects (14)
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Erskine (Mary, Countess of Mar). Extracts from the Household Book of Lady Marie Stewart, Daughter of Esme, Duke of Lenox, and Countess of Mar, [edited and with a biographical notice by Charles Kirkpatrick Sharpe], Edinburgh, [1815], two eng. plts, eng. head & tailpiece, contemp. calf, modern reback, slim 4to, together with The Senator, A collection of fifty-three portrait plts. of distinguished people published for the 'Senator' publication, early 19th c, fifty-three eng. port. plts, contemp. half sheep, rubbed & scuffed, 8vo (2)
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Raleigh (Sir Walter). The Historie of the World, in five bookes, 1634, the Minde of the Front and title with engraved portrait both sl. torn and soiled, cut down and relaid, engraved frontis. sl. soiled and torn from the 1614 edition, seven (of 8) folding eng. maps including one sl. damaged along centrefold, a few prelims, maps and final leaf of table det, some spotting and soiling and fore-marginal dampstaining throughout, a few old tears and some repairs, contemp. calf, broken and covers det, folio Sold with all faults, not subject to return. (1)
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Constable (W.G.). Canaletto, Giovanni Antonio Canal 1697-1768, 2 vols, 2nd ed, revised by J. G. Links, 1976, numerous b&w plts, orig. cloth in d.j.s, small 4to, together with Nicolson (Benedict), Joseph Wright of Derby, 2 vols, pub. Paul Mellon Foundation for British Art, 1968, tipped-in col. plts, numerous b&w plts. and illusts, orig. cloth in d.j, with card slipcase, a few minor marks to extrems, plus Stewart (J. Douglas), Sir Godfrey Kneller and the English Baroque Portrait, Oxford University Press, 1983, some col. plts, numerous b&w illusts, orig. cloth in d.j, 4to, and others on 18th c. British art, including many monographs, some exhibition catalogues, mostly in d.j.s, 4to/8vo, generally VG (approx. 125)
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Spears (Edward L.). Assignment to Catastrophe, 2 vols, Heinemann, 1954, presentation copies signed by the author, plts, maps and charts etc, occasional spotting, orig. cloth in worn d.j.s with loss, 8vo, together with Nichols (Beverley, foreword), Ye Sundial Booke, by T. Geoffrey W. Henslow, Foyle, 1935, signed presentation copy from Beverley Nichols with an additional signed portrait postcard of Nichols affixed to front pastedown, illusts. throughout, orig. cloth, rubbed, 8vo, and Bryant (Arthur), The Turn of the Tide, based on the War Diaries of Field Marshal Viscount Alanbrooke, 2nd imp, 1957, bookplt. signed by Viscount Alanbrooke, orig. cloth in worn and frayed d.j, 8vo, plus thirty-one others misc, incl. many signed copies, some military interest etc. Edward L. Spears (1886-1974), British military interpreter who acted as Churchill's representative in France (May 1940). Spears helped initiate Free France by returning to England with Charles de Gaulle. (35)
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Burke (Joseph, and Caldwell, Colin). Hogarth. The Complete Engravings, 1st ed, Thames & Hudson, 1968, numerous b&w illusts. orig. cloth in d.j, 4to, together with Ormond (Richard), Early Victorian Portraits, National Portrait Gallery, 2 vols, pub. HMSO, 1973, numerous col. and b&w illusts, orig. cloth in d.j.s and slipcase, 4to, plus Hauser (Arnold), Mannerism. The Crisis of the Rennaisance and The Origin of Modern Art, 2 vols. (text/plates), 1st ed, 1965, b&w illusts. from photos, orig. cloth in d.j.s, and other misc. art ref, including a carton of exhibition catalogues and softback pubs, etc. (3 shelves)
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Desnos (Louis Charles). Almanach Geographique ou Petit Atlas Elementaire, Paris, n.d, c.1770, portrait frontis, engraved dedication and title, 32 hand coloured double-page engraved maps (complete as listed), index and almanack to rear, a.e.g, contemp. crimson morocco, gilt dec. spine with green leather spine label, a little rubbed, 24mo (1)
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Album of Vanity Fair prints, containing 104 chromo. portrait plts. by Spy et al, 1899-1900, some plts. closely cropped or folded, each plt. bound opposite the corresponding clipping from the original weekly part, occasional light spotting, a.e.g, contemp. half morocco with gilt dec. spine, boards rubbed, folio (1)
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*Portraits. Anthony Henley Esq, early 18th c. mezzotint portrait by J. Smith after G. Kneller, approx. 345 x 245 mm, together with The Rt. Hon. Sr. Joseph Jekyll Knight Master of the Rolls, and one of His Majesties Most Honourable privy Counsel, eng. portrait by George Vertue after M. Dhal, dated 1730, approx. 375 x 255 mm, plus Robert Lord Henley Baron of Grainge, early 18th c. mezzotint portrait by James McArdell after Thomas Hudson, approx. 395 x 275 mm, and two others similar (Ralph Clayton, by Henry Meyer after L. F. Abbott, 1814, & Lord Brougham, by Thomas Lupton after James Lonsdale, pub. William Walker, 1832), all framed and glazed (5)
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*Prints & engravings. Four hand-coloured aquatint views of Dresden by J. C. A. Richter, n.d, c. 1840s, each approx. 100 x 140 mm, framed and glazed, together with other miscellaneous topographical and historical engravings, including an engraving with hand-col. by J. Mathieu after Fragonard, entitled Le Temps Orageux, pub. 1784, approx. 410 x 490 mm (16 x 19. 25 ins), gilt frame, glazed, a mezzotint by W. T. Davey after W. C. T. Dobson, entitled Morning, pub. 1865, a lithographic portrait of William Darling, by Weld Taylor after John Reay, with inscription by John Reay in pencil to lower margin 'In the Longstone Light House 1838, Farne Islands', dated 4/5/97, etc, one framed (a folder)
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Prints & Engravings. A collection of approx. twenty various prints and engravings, mostly 19th c, including an engraved portrait of Henry Duke of Glocester by George Vertue, 1736, five early 19th c. uncol. engs. of the last days of Louis XVI and Mlle. de Lafayette, in Hogarth-style frames, glazed, a pair of silk portraits of Napoleon III and the Empress Eugénie, by Passerat, St. Etienne, each approx. 170 x 105 mm, mounted, a hand-col. wood eng. view of a funeral at Hong Kong in 1859, four 18th c. engravings of Roman figure sculputres, after Chatillon, twelve hand-col. botanical plates by William Curtis, an engraved architectural design by Jacob Gibb, etc. (approx.20)
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283287 Los(e)/Seite