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283287 Los(e)/Seite
English School (early 19th century), a portrait silhouette, of John Rees as a student, later the Rev. John Rees-Mogg (1772-1835) of Cholwell, Cameley, Somerset, bust-length and in profile, the young gentleman-scholar wears a mortarboard, oval, black watercolour and picked out in gilt, 9cm x 7cm, the picture mounted and framed as mourning relic with a lock of hair and the subject's autograph signature, manuscript biographical notice to verso, the whole 21.5cm x 14cm, c. 1835
A signed postcard of Henry A. Lytton as the The Duke in The Gondoliers, and a souvenir programme of 'his farewell season at the Savoy Theatre' - Last Night programme January 21st 1933 (First act of Pirates of Penzance and The Mikado), and photographic portrait stills, with related newspaper clippings
Various 19th century cups and saucers including Imari and gilt palette coffee cups and saucers (one cup and saucer not matching), a gilt-decorated trio coffee cup, tea bowl and saucer (possibly New Hall), a Victorian china tea cup, coffee cup and saucer (possibly Rockingham), a pair of coffee cups and saucers marked for Sevres and a Limoges plate painted with portrait of 'Princesse de Lamballe' (15 pieces)
A World War I medal duo, campaign and victory medals, similarly marked 775787 DVR F Hunter RA and 776787 DVR F Hunter RA, two World War II medals defence war medals unmarked but in envelope bearing name M Hunter ware decorations, Corporal RAF no.1525357, paperwork and ribbons, together with a portrait miniature of an officer 9cm x 6cm, in a Moroccan leather case. (a quantity)
Florence Hannam (active late 19th Century), Portrait of an infant, signed watercolour, presented within a contemporary hammered copper frame in Arts and Crafts style, the watercolour 26cm x 21cm, overall 43cm x 38cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Bohemian hand decorated ruby glass pedestal vase, late 19th Century, baluster form, the body decorated with the portrait of a young girl in a blue dress, against a gilt foliate scroll ground, 29cm; also a pair of Bohemian gilded ruby glass bottle vases, each featuring a cameo portrait of a woman wearing a bonnet, 17cm (3) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Follower of Marcus Gheeraerts the Younger (Flemish 1561-1635), Portrait of William Cecil, 1st Baron Burghley (1520-98), quarter length in rich robes and jewels and holding a wand, oil on panel after 1572, 49cm x 36cm, inscribed to an old cataloguing label verso 'Gheeraerts portrait of Lord Burghley in rich dress holding a wand, on panel, 18 1/2 in by 13 3/4 in', also inscribed to an older label 'Dr Burrell's picture' in ink.NB: Compare this to a similar portrait in the National Portrait Gallery (NPG 604). William Cecil served both Edward VI and Mary Tudor but exercised most power as chief minister to Elizabeth I. When she ascended to the throne, Elizabeth's first appointment was to make Cecil her Principal Secretary of State, the youngest member of her council. Throughout her life he was her most influential minister, tempering her views with his cautious advice. He was created Baron Burghley in 1571 and served as Lord High Treasurer and Chief Minister from 1572. (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
English Naive School (early 19th Century), Portrait of a boy holding a stick, quarter length, oil on canvas, 21cm x 17cm; also a Continental School study of a peasant boy, oil on panel, 21cm x 17cm (2) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Henry Pierce Bone (1779-1855) after Jacob Adriaensz. Backer (Dutch 1608-1651) Portrait miniature of a boy in a feathered cap Signed, dated and inscribed on the counter-enamel in red paint Inscribed on the reverse Prince of Orange./ Painted by Henry Pierce Bone/ after Frank Hals, May 1853 Enamel on copper, oval, in a giltwood frame with scroll and foliate decoration 105 x 75mm Although the inscription on the reverse identifies the sitter as William II, Prince of Orange (1626-1650), the painting is based on a work of an unknown boy by Jacob Adriaensz. Backer, today in the Museum Boijmans Van Beuningen, Rotterdam, (inv. no. 2483).
Henry Pierce Bone (1779-1855) Portrait miniature of Anne of Cleves (1515-1557) Signed, dated and inscribed on the counter-enamel in red paint Ann of Cleves/ori by Ber Van Orley/Col. of Earl Spencer. Painted by Henry P.Bone. Enl/Painter to Her Majesty/Prince Albert. &c/Sept 1850 Enamel on copper, oval, in a gilt-metal frame 54 x 44mm The identification of the sitter as Anne of Cleves comes from an inscription on the original painting at Althorp, Northamptonshire, then thought to have been painted by Bernard van Orley (c.1488-1541/2). Henry Pierce Bone painted another version of this work for Queen Victoria in 1843 (Royal Collection no. RCIN 421709).
λRichard Collins (1755-1831) Portrait miniature of George III (1738-1820) wearing Windsor uniform and the riband of the Order of the Garter Signed dated, and inscribed Rd Collins pinx/Enamel Painter/to the King by/His Majesty's special/appointment/1799 to backing card Oval, in a gilt metal frame 44 x 34mm
λAttributed to Samuel Cotes (1734-1818) Portrait miniature of a lady, wearing a white dress with pink ermine-lined jacket Oval, in a rectangular gilt gesso frame 46 x 40mm Provenance: Sotheby's, London, Silhouettes, English and Continental Portrait Miniatures, Wax and Glass Paste Medallions; Objects of Vertu, 2 June 1975, lot 122 (as Richard Cosway)
λGeorge Engleheart (1750-1829) Portrait miniature of W.Williams, wearing a brown coat and green waistcoat, with powdered hair en queue Oval, in a gilt metal brooch frame, and a red leather case 35 x 30mm Provenance: J.G.Richmond, 1929 Exhibited: London, Victoria & Albert Museum, Exhibition of Miniatures by George Engleheart, J.C.D. Engleheart and Thomas Richmond, 1929, no. 50 Mr Williams, a button maker, is recorded as having his portrait painted by Engleheart on five different occasions (another example was sold Chiswick Auctions, London, 25 March 2020, lot 128).
λGeorge Engleheart (1750-1829) Portrait miniature of Matthew Vaughan, in a blue jacket and white stock Signed with initial E Oval, in a gilt metal frame, blue glass over guilloché and mother-of-pearl back with a lock of hair held by four pearls 78 x 59mm Provenance: Miss F Housley, Sotheby's, London, 20 December 1965, lot 19; Christie's, London, 21 June 1999, lot 209 Literature: G.C. Williamson, George Engleheart 1750-1829 Miniature Painter to George III (London, 1902), p. 117 Mr. Vaughan is recorded as having sat for Engleheart in 1799.
λEnglish School c. 1835 Portrait of Lady Frances Anne Emily Vane, later Frances Anne Spencer-Churchill, Duchess of Marlborough (1922-1899), head and shoulders, with her hair in ringlets Oval, in a gilt metal and felt easel frame surmounted with a coronet 45 x 38mm Together with another miniature of Queen Victoria, over a printed base (2) Provenance: The sitter's daughter Lady Rosamund Jane Frances Spencer-Churchill; By family descent to the present owner Lady Frances' son Lord Randolph Spencer-Churchill was the father of Sir Winston Churchill.
λAfter Joseph Franque Portrait Miniature of the Empress Marie Louise watching over the sleeping King of Rome Watercolour and bodycolour, in a gilt metal easel frame 240 x 200mm With a copy of Four Years an Empress by Agnes de Stoeckl which shows the original painting, in the Musée de Versaille, on the dust jacket (2)
λFrench School 18th Century Portrait miniature of a young lady, wearing a blue dress, and lace cap with blue ribbon Oval, in a gilt metal brooch frame 40 x 33mm Provenance: Sotheby's, London, Good silhouettes, English and Continental Miniatures, Portrait boxes and Objects of Vertu, 20 March 1978, lot 20

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283287 Los(e)/Seite