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283287 Los(e)/Seite
Los 5213
19th Century. English School. A portrait of an unknown lady, three quarter length, in a black dress with lace collar and bonnet, seated against a balcony, a park landscape beyond. Early 19th century. Oil on canvas, gilt frame. (82 x 67 cm) Provenance: Manolo March collection from Son Galceran, Mallorca.
Los 5214
R J M DUPONT (British 1920 - 1977). Sailing on the Solent, 1938. Oil on canvas. 77cm x 70 cm Signed lower right. A three quarter length portrait of a gentleman at the helm of a yacht, seascape beyond. Title and date to rear on the frame. *Richard John Munro Dupont was a direct descendant of Dupont Gainsborough, nephew of Thomas Gainsborough. He was educated at Marlborough where he won the art prize on many occasions. It was in 1938 that he was accepted for the Art School at the RA but it was also the year his father died after he had begun his course. His study was interrupted by the Second World War when he became British Official War Artist South-East Asia command, the youngest in history. Encouraged in his final year by Sir Alfred Munnings, he became an important equestrian artist with important commissions and paintings in the Royal Collection. This appears to be a self portrait of a confident artist on the eve of his career.
Los 5216
JAMES GILRAY Posting in Ireland . Hand-coloured etching and aquatint published by Hannah Humphrey 8 April 1805 320mm x 398mm together with the companion portrait published one month later by JAMES GILRAY Posting in Scotland hand-coloured etching and aquatint published by Hannah Humphrey 25 May 1805. * These two satirical etchings are among the largest James Gilray produced and were signed C.Lorraine Smith in comic reference to Claude Lorraine the classic landscape artist.
Los 5301
Signed Coronation Portrait of Queen Alexandra, 1902. A full length portrait of Queen Alexandra (1844-1925), Queen consort of Edward VII and mother of George V, in her Coronation robes and state jewels. Signed in the lower margin 'Alexandra Coronation Day / August 9th 1902'. Contained in a contemporary carved and gilded easel frame surmounted by a coronet. 29cm x 18cm image size
Los 66
Drei Tassen mit Untertassen, KPM Berlin. Unterschiedliche Formen mit Rosettenhenkeln. Je Bemalung mit schauseitigem Portrait in Kartuschen, blauer bzw. grüner Fond mit Goldrändern und -staffage (Hausmalerei). Gebrauchsspuren, teils Kratzer bzw. Glasurabplatzungen. Szeptermarke Berlin, 1870-1945, einmal mit schwarzem Eisernen Kreuz für 1914-1918. 1. Wahl.
Los 637
Vintage, Gelatinesilberabzug. 18 x 11,9 cm. Rückseitig von Xanti Schawinsky mit Tinte beschriftet. - Abzug mit Knick und fachmännisch restauriertem Riss an der rechten Kante. Unter Passepartout montiert.ProvenienzNachlass Xanti Schawinsky; Privatsammlung, SchweizDas wie ein privater Schnappschuss anmutende Portrait von Walter Gropius entstand vermutlich auf der Terrasse der „Albergo Monte Verità“. 1926 hatte der Bankier und Kunstmäzen Eduard von der Heydt den legendären Berg mit seiner Künstlerkolonie in der Nähe von Ascona erworben und hier ein Hotel im Stil des Neuen Bauens mit Blick auf den Lago Maggiore bauen lassen. Der Ort war um 1930 zum mondänen Treffpunkt der Künstleravantgarde geworden. Walter Gropius, Josef Albers, Herbert Bayer, Marcel Breuer, Lionel Feininger, Oskar Schlemmer, Xanti Schawinsky und László Moholy-Nagy zählten zu den Gästen. Josef Albers, der sich mit der Schließung des Bauhauses seiner Existenzgrundlage beraubt sah, emigrierte 1933 zusammen mit seiner Frau Anni in die USA und fand, ebenso wie kurze Zeit später Xanti Schawinsky, eine Anstellung als Lehrer am Black Mountain College, das den fortschrittlichen Ideen des Bauhauses aufgeschlossen gegenüberstand. Walter Gropius, mit dem ihn eine enge Freundschaft verband, bemühte sich wiederholt - erfolglos - darum, Albers an die Graduate School of Design nach Harvard zu holten. Statt dessen blieb dieser bis 1949 am Black Mountain College, unter anderem wegen der besonderen Freiheiten, die der Lehrkörper hier genoss.Einleitung "Vom Bauhaus zum Black Mountain College - Photographien aus einer Schweizer Privatsammlung" siehe Lot 631Besteuerung: Differenzbesteuerung zzgl. 7% Einfuhrumsatzsteuer (N)
Los 530
JAMES WALKER (1748–1808) AFTER GEORGE ROMNEY (1734 – 1802) Portrait of Frances Woodley, Mrs Henry Bankes the Younger (1760-1823) Mezzotint on paper with margins Published as the Act directs Dec. 12th 1781 by I Walker No. 50 Charlotte Street, Portland Place 41 x 25 cm Miss Frances Woodley is the eldest daughter of William Woodley (1728- 1793) and Frances Payne (1738 - 1813). The portrait was painted, during the winter of 1780-81 according the artist’s sittings’ records, before Frances Woodley, ‘one of the most remarkable beauties of the day’, married Henry Bankes the younger (1757 - 1834) in 1784. In 1784-1802 and in 1805 Walker worked in St. Petersburg, creating an outstanding gallery of engraved portraits of the Russian aristocracy.
Los 456
HRH PRINCE CHARLES, PRINCE OF WALES, 2 titles: HRH THE PRINCE OF WALES WATERCOLOURS, Boston, Toronto and London, Little Brown & Co, 1991, 1st edition, signed and inscribed to Sir Christopher Mallaby, oblong 4to, original cloth, d/w; HIGHGROVE, A PORTRAIT OF AN ESTATE, London, Chapmans, 1993, 1st edition, signed and inscribed, 4to, original cloth, d/w + HRH PRINCE CHARLES, PRINCE OF WALES signed and dated coloured portrait photograph, the signature and date somewhat faded, original strut back green arched top frame with gilt embossed Prince of Wales feather crest (3)* vat on buyers premium for this lot *
Los 98
An Edwardian silver vesta case, rectangular form with engraved scroll and foliate decoration, cartouche with initials, with a hinged front and back revealing two small portrait frames Chester 1907, maker Smith & Bartlam, weight approx 69.9gms Condition report: Good- marks clear, hinges intact, some wear and tear scratches to interior commensurate with age
Los 1107
Edward VIII Coronation 1937: A Royal Crown Derby loving cup, the body with sepia portrait on pale blue ground within scrolling cartouche, coronet above and banner reading: Coronation, with gilt 1937 beneath, the reverse with ER monogram within cartouche, coronet and banner to match the front, gilt heightening to handles, band of gilt laurel decoration to inside and foot, the underside with red stamp.
Los 1315
A large collection of horse brasses mainly early 20th Century patterns to include: geometric motifs, crescents, animals (hogs, chickens, horses, lions, cattle etc); Edward VII portrait medallion; Coronets, Windmill, a pair of bone china inserts depicting hunting scenes on leather strap (Q) 1 box
Los 459
* Jigsaw. Riley's New Epitome of the French History, printed for George Riley, at his Patent Sliding Black Lead and Coloured Crayon Pencil Warehouse, the King's Arms, No. 33, Ludgate-Street, circa 1790, hand-coloured engraved wooden jigsaw puzzle, 71 (of 72) pieces (lacking the text piece below Philip III), depicting 32 medallion portrait of French monarchs, from Pharamond to Louis XVI, with related text below each, a couple of early ink annotations, toned, some rubbing with occasional minor surface loss, slight damage to several pieces, black ink blot to upper left corner, 34.3 x 39.2cm, contained in original mahogany box, with remains of old printed paper label 'Tablets of French History' on sliding lidQty: (1)
Los 550
Tolstoy (Count Lev Nikolayevich). The Complete Works of Count Tolstoy, London: J.M. Dent & Co., 1904, photogravure and steel-engraved frontispieces and illustrations, titles printed in red and black with portrait vignette, printed throughout on Dana Estes watermarked paper, some leaves unopened, some light toning to half-titles and minor spotting to endpapers, top edge gilt, original blue cloth, upper covers with Dent device blocked in gilt, spines lettered and decorated in gilt, volume XVI lower cover with small light stain, one or two corners a little bumped, 8voQty: (24)NOTESLimited edition 18/250. Scarce limited edition works set in good condition.
Los 561
Woolf (Virginia). Flush. A Biography, 1st edition, London: Hogarth Press, 1933, illustrations, occasional light spotting, Book Society bookplate tipped-in at front, original cloth, a little minor spotting, upper cover slightly bowed, dust jacket, spine toned, some light spotting and small nicks and tears, 8vo, together with Sackville-West (Vita). Knole and the Sackvilles, 1st edition, 3rd impression, 1923, portrait frontispiece, illustrations, occasional light spotting, nautical bookplate of Francis Henderson (possibly of the Glasgow shipping company P. Henderson & Comany), original pictorial boards, upper cover with design by William Nicholson, one corner a little bumped, 8voQty: (2)
Los 676
Vellucent binding. The Faerie Queene by Edmund Spenser, Pictured and Decorated by Louis Fairfax-Muckley, with an introduction by John W. Hales, 3 volumes, London: J.M.Dent & Co., 1897, woodcut portrait frontispiece, woodcut title, and numerous woodcut illustrations throughout, decorative head- and tail-pieces, top edge gilt, remainder rough-trimmed, contemporary vellucent binding in gold and colours in the style of Cedric Chivers, each volume with the same motif to spine and both covers repeated in varying colours, some dust-soiling, a few light scratches and minor marks (mainly to rear covers), contained together in cloth-covered slipcase (worn with splits), thick 4to (26.5 x 20 cm)Qty: (3)
Los 157
A collection of three early 19th century miniatures in ebonised frames: a watercolour portrait of 'Master Vanderwell (1812-1862)', dated 1822, 5.5x4.5cm; together with two silhouettes, one of an infant 'Gertrude Fanny Nicholls, 1826', 5.5x4.5cm and one of a gentleman, 8x6.5cm; together with one other on plaster in oval frame depicting a woman, 9x7cm
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283287 Los(e)/Seite