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283287 Los(e)/Seite
Los 207
Reginald Daniel Herbert Reeve (1908-1999) - Oil painting - Portrait of a nude man thought to be Quentin Crisp, board 31.25ins x 16ins, signed in red “Reeve”, inscribed to back “Reeve, 33 Munster Road, Fulham SW6” and with remnants of label, possibly bearing title, in gilt moulded frame Provenance : Christie’s Interior South Kensington Auction - 22nd June 2010 - lot 536
Los 252
John Singer Sargent (1856-1925) - Charcoal drawing - Shoulder length portrait of Robert Gould Shaw III in uniform (thought to be The Blues and Royals), 22ins x 16.5ins, indistinctly signed along the top and dated 1923, in gilt moulded frame with cloth covered slip and glazed Provenance: Gift of lady Nancy Astor to Mr. Robert Shaw’s partner, Alfred Edward Goodey, following his suicide in 1970, and thence by descent, complete with typed letter from David Astor to the vendor’s family dated 13th July 1995 regarding a proposed private sale of the picture. Note: Robert Gould Shaw III (1898-1970) was the only son of Nancy Langhorne (later Lady Nancy Astor) and her first husband Robert Gould Shaw II, who was a cousin of Robert Gould Shaw of Civil War fame. He was educated at Shrewsbury School and briefly served in the Life Guards but his increasing alcoholism caused difficulties. He also had suicidal tendencies and his life mostly went adrift from an early point. In 1931 he was imprisoned for six months for his homosexuality. His alcoholism, the Profumo Affair, his mother’s death and the death of his half- brother, William Waldorf Astor, 3rd Viscount Astor, may have increased his suicidal tendencies and in 1970 he committed suicide.
Los 260
Sheila Lena Oliner (born 1934) - Lino Cut - “Red Moon II” - Portrait of a young woman, on handmade paper, image 19.5ins x 16ins, No. 2 of 25, signed in full and inscribed, in modern white painted box frame and glazed Provenance : The Penwith Galleries, St. Ives, Cornwall, purchased 10th June 2008.
Los 580
19th Century School - Miniature painting - half length portrait of a young child, possibly on ivory, oval 3ins x 2.25ins, in gilt metal embossed easel pattern frame and one other miniature painting - half length portrait of two children, 3ins diameter, in gilt metal frame cast with oak leaves and ribbon pattern cresting
Los 30
A Staffordshire spill vase, in the form of a castle with encrusted flowers and swans, height 24.5 cm, together with a majolica water jug, with central portrait of a bearded man surrounded by laurel leaves, on a mottled ground, height 25 cm, a suite of Spanish pottery fish plates with platter, two Spode teacups with saucer, a colourful delft charger, two Copeland plates, a Royal Doulton armorial plate and two further blue and white plates, (A/F), (18).
Los 414
European School, late 19th/early 20th century- Portrait of a lady seated half-length in a pink dress; oil on canvas, 23.5x29.5cm: British Provincial School, early 20th century- View of shipping along a shore; oil on canvas, inscribed, in a gilt gesso frame, 32.5x48cm: English Provincial School, early 20th century- Portrait of an infant; oil on canvas, 30.2x25.5cm: W J S Perren, mid-late 20th century- "Summer Bounty"; oil on canvas, signed and dated 1963, inscribe on the reverse, 41x35.5cm., (4) (may be subject to Droit de Suite)
Los 420
Follower of Ilja Glazunov, Russian b.1930, late 20th century- Portrait of a girl quarter length turned to the right; pencil and coloured crayon heightened with white, signed, bears inscription on the reverse, mounted in a carved giltwood reverse profile frame with acanthus in high relief, 43x36cm
Los 434
* Diana Johnson, late 20th/early 21st century- "The Highland Fling", in an Austin Healey 100/4; watercolour and pencil, signed and dated 1993, 22x30.5cm: European/Israeli School, late 20th century- Portrait of a Rabbi; oil on canvas, signed, 50.5x40.5cm: J Wickham, mid/late 20th century- The Lugger boatyard; gouache, signed, 49x60.5cm: British/American School, late 20th century- Portrait of a lady with a drop earring; oil on canvas, signed and dated `97, 75.5x60.5cm: Ethiopian School, late 20th century- Madonna and Child; oil on canvas, 59x46cm: Late 20th/early 21st century- Harbour scene, oil on canvas, signed, 49.5x70cm., (6) (part unframed) (may be subject to Droit de Suite)
Los 454
* Hendrik Golzius 1558-1617- "L`Enfant et le Chien", 1599; copper engraving, trimmed, 35x26.4cm: Jacques Callot 1592-1638- "Battaglia del re Tessi e del re Tinta FestaRapresentata in Firenze el Fivme d`Arno il di XXV di Lvglio 1619"; engraving, 1619, 22.3x30.5cm: Caroline Naudet, French 1775-1839- Two classical figures; engraving, bears inscription on the reverse, 30x20cm: After Dante Gabriel Rossetti 1828-1882- Portrait of a lady; red crayon over lithograph, 24.5x18cm: After Rembrandt van Rijn 1606-1669- "Three Oriental Heads, First Head, Full Face",1635; etching, 18x14cm: After Rembrandt van Rijn 1606-1669- "The Raising of Lazarus"; etching, 32x16.5cm: After Albrecht Dürer 1471-1527- "Joachim and Anna at the Golden Gate, 1509; reproduction print, trimmed 29.7x20.6cm: After Albrecht Dürer 1471-1527- "The Adoration of the Shepherds", from The Life of The Virgin; reproduction print, trimmed, 30.1x20.7cm: Luigi Rossini 1790-1857- "Veduta dell`Arco di Tito", 1819; etching with aquatint, 33.5x24cm., (a lot)
Los 463
Thomas Shotter Boys 1803-1874- "The Horseguards from St James`s Park"; hand coloured lithograph, 24.5x45cm: together with three other hand coloured lithographs by the same hand titled, "The Club Houses Pall Mall" 31x44.5cm, "N. Front to St James`s Palace from Cleveland Row" 40.5x31cm, "London from Greenwich" 29x43cm, in matching frames: Anne Tanner, late 20th century- Portrait of a Rabbi; brush and black ink/acrylic on card, signed, 78.5x53.5cm: and a small quantity of other pictures by and after various hands, (a lot) (may be subject to Droit de Suite)
Los 543
* Follower of Jean Auguste Dominique Ingres 1780-1867, mid 19th century- Portrait of a lady, seated half-length, turned to the left in a bonnet; pencil on paper, 22x17cm: J Fuchs, 19th century- `Étude de L`Echaudé`; pen and ink, heightened with white, signed on the mount, 15.5x22cm: H Hag, mid 20th century- Head study; charcoal on buff paper, signed and dated 45, 23x19.5cm: Jacques Philipe Le Bas, French 1707-1783- "L`Ecole du Bon Gonst", after D Teniers; engraving, 28x20cm., (unframed) (3) (may be subject to Droit de Suite)
Los 545
After Charles Méryon, French 1821-1868- "The Abside of Notre Dame Paris"; etching, signed with monogram within the plate, 15x26cm: Benjamin Thomas Pouncy, British b. circa 1750- d.1799- "Rydal Mere", "The Lower Water Fall at Rydall" and "View of Ambleside", after Thomas Farrington RA, publ 1st Jan1789 by W Byrne No 79 Titchfield St; hand-coloured engravings, three, 24.5x35.8cm., ea: After Henry Alken 1785-1851- "You can have no IDEA what a magnificent day I have had, at least a dozen falls and twice in the brook Oh it was a most magnificent day: be kind enough to LEND ME A HAT" from "Ideas Getting Home after getting into every thing but Hot Water", publ by Thomas McLean 26 Haymarket May 1st 1830; hand-coloured lithograph, in a maple veneered frame, 18.5x24.5cm: After Spy (Leslie Matthew Ward) 1851-1922- Untitled portrait of a gentleman standing full-length; chromolithograph, 33x18cm: Antoine Monay (Yvon), French, early-mid 20th century- Notre Dame, La Madelaine, View of the Seine, and The Arc de Triomphe, Paris; etchings, four, each signed, 13.5x19cm., largest: together with a further quantity of prints of Paris, pictures and reproductions by and after different hands, (a lot)
Los 664
Sidney Kent, late 19th/early 20th century- Portrait of an elderly lady seated half-length turned to the right; black chalk, signed and dated 1905, 35x26.5cm: Follower of Charles Edward Wagstaff b.1808- The letter; hand-coloured engraving, in a gilt frame, 60x46cm: Circle of Walter Granville Smith 1870-1938- Figures sitting by a port; watercolour, tranquil street scene; oil on canvas, two, held in a shared mount, bears indistinct inscriptions, 19x16.5cm and 17.5x16cm: Scottish School, early 20th century- "Inverness"; watercolour: English School, late 19th century- River scene in autumn; watercolour: English Provincial School, late 19th/early 20th century- Family by the hearth; watercolour, 12x17.5cm.: Frederick C Lewis I 1775-1856- "His Grace the Duke of Wellington K G", after Sir Thomas Lawrence PRA, publ June 18th 1840, by Graves & Comp, Pall Mall, London; engraving with extensive mattoir work & mixed technique: John Browne 1741-1801- "The Watering Place", after P P Rubens, publ Dec 1st 1770 by John Boydell; engraving, 48x60.5cm: Axel Herman Haig 1835-1921- "The Interior of Burgos Cathedral"; etching, signed with monogram and dated 1889 within the plate, signed in pencil, bears label for Robert Dunthorne, 5 Vigo Street, London attached to the reverse of the frame, 70.5x47cm: William Sharp 1749-1824- The Assumption of The Virgin, publ by John Boydell 1785; engraving, 59x39cm: together with a collection of further 19th century engravings, mezzotints and chromolithographs: (a lot) (part unframed) (af)
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283287 Los(e)/Seite