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Los 60
• EDMOND XAVIER KAPP (BRITISH 1890-1978) Edmond Xavier Kapp (lots 60-71) Oh to be silent! Oh to be a painter! Oh (in short) to be Mr. Kapp (Virginia Woolf) Introduction Widely remembered for his portraiture, in particular his distinctive form of character types (he did not like his work to be describe as caricature), Kapp was a highly versatile artist with an enquiring mind and a love of music. Appreciated in his lifetime also for his poetry and his evolving interest in abstraction, he aspired to write, mixed with the leading artists of the day and attracted the attention of critics and the cognoscenti. The following twelve lots from his estate capture the singularity of his artistic vision and his constant thirst for innovation. Born in Islington, London, the son of Jewish-German parents, Kapp studied in Berlin, Paris and Cambridge, where he had his first exhibition, wrote for Granta and the Cambridge Magazine and attracted the attention of Max Beerbohm. While a 2nd Lieutenant with the Royal Sussex Regiment in the First World War, he sketched portraits of his fellow soldiers to amuse them in the trenches, including the young poet Edmund Blunden, and crossed paths with William Rothenstein at Amiens, a meeting Rothenstein recalls in his autobiography Men and Memories. After the Armistice Kapp held his first one man exhibition at the Little Art Rooms, Adelphi, London, the catalogue introduction written by Beerbohm. Commissions followed, together with the publication of his first book: Personalities published in 1919 and reviewed by Virgina Woolf in her essay Pictures and Portraits. Prominent figures who featured in his early work included Edwin Elgar, Percy Wyndham Lewis and Richard Strauss. Later, after the War, subjects ranged from Albert Einstein (1923) to the Duke of Windsor, the future King Edward VIII (1932); of leading personalities in the arts he captured the characters of Aldous Huxley and Noël Coward. Kapp typically rejected supplying caricatures to newspapers, preferring to choose his own subjects. But he did take on commissions, such as his series Ten Great Lawyers published in 1924 in the Law Society Journal. And his work appeared in a wide variety of periodicals, most notably Time and Tide, output that resulted in the publication of further volumes of his collected portraits, and an exhibition of his work at The Leicester Galleries, the leading contemporary gallery in London of the day. In 1922 Kapp married Yvonne Meyer, journalist, photographer, translator and writer, now best known for her biography of Eleanor Marx. On their honeymoon the young couple visited Beerbohm in Rapallo and settled the following year in Rome where Kapp studied at Sigmund Lipinsky’s art school and under Antonio Sciortino at the British Academy. There too he met the American painter Maurice Sterne who encouraged him to paint in oil. Kapp also developed his interest in lithography as a means to sell limited editions of his more well-known sitters. It led in 1935 to a commission for portraits of twenty-five delegates to the League of Nations in Geneva. Publication of the series brought him to the attention of Pablo Picasso, and the beginning of a close friendship between the two artists. Kapp captured Picasso’s profile in a sketch of him in his studio at 23 Rue La Boetie, Paris in 1938, purportedly the only likeness for which Picasso agreed to sit (collection of the Victoria & Albert Museum). And there are relaxed and informal photos of Picasso in bathing trunks snapped by Kapp in 1948 outside the restaurant Chez Nounou and the Hotel de la Mer in Golfe Juan when holidaying with Picasso in the South of France. During the Second World War Kapp was an Official War Artist; after the War he worked as an Official Artist to UNESCO. He kept a studio at 2 Steeles Studios, Haverstock Hill in Hampstead, North London (lots 67 & 71) and in Beausoleil, near Monaco in the Alpes Maritimes (lot 61), and explored abstraction. String Quartet (lot 71) suggests his interest in synaesthesia and the work of Kandinsky; his playful Dragon Flight (lot 69) invokes the wit of Paul Klee, while the exploration of his medium in Abstract Composition (lot 69) is suggestive of fellow experimental artist Max Ernst.60EDMOND XAVIER KAPP (BRITISH 1890-1978)PORTRAIT OF A LADYsigned Kapp lower left; dated 1958 lower rightoil on canvas92 x 60.5cm; 36 1/4 x 23 3/4in (unframed)
Los 72
• HEDWIG PILLTZ (BRITISH-HUNGARIAN 1896-1987) Hedwig Pillitz (lots 72-82) Introduction We know frustratingly little of the Hedwig Pillitz who excelled as a portraitist, and we often have scant information on her sitters. But she clearly had a cultured upbringing, was a talented portraitist, and was drawn instinctively to those in the arts - actors, musicians and writers. Born in Hampstead, Hedwig was the eldest daughter of Arpad Armin Pillitz (1867-1947) and his wife Josephine (née Fischer; 1876-1965) who had emigrated to England from Hungary. She had two younger siblings: a sister Doris (1905-1959) and a brother George (1909-1981). The family lived at 80 Canfield Gardens in South Hampstead and the girls attended the nearby South Hampstead High School where Hedwig excelled at art and Doris in music and drama. The sisters’ considerable accomplishments are mentioned in the 1926 South Hampstead High School Magazine Jubilee Number where they are listed as members of the school’s Past and Present Club. Doris was praised for her musical contribution at the Old Girls’ Dinner in July that year, and the ‘Art’ report records that Hedwig had exhibited a landscape in the 1926 ‘Paris Salon’. Elsewhere, under the heading ‘Recent News’ it was noted that Hedwig was showing a flower piece and a landscape at the Autumn Exhibition at the Walker Art Gallery, Liverpool and that Doris had gained a First Class degree in acting at the Central School of Speech Training and Dramatic Art, was the winner of the second year students’ Diction Competition, and had been awarded a prize for verse recital at the 1926 Oxford Recitations. Doris subsequently performed regularly as a cast member at the Old Vic theatre in the 1927-29 season. Meanwhile, Hedwig established her studio at 29 Abercorn Place, St John’s Wood, painting a range of notable sitters, women in particular, including the young artist and future novelist Barbara Comyns (lot 75). With many of Pillitz’s sitters being in the arts, it is unsurprising to find that her only painting in a public UK collection is of an actor: Dorothy Black in the role of Emily Brontë in The Brontes (Victoria & Albert Museum). Hedwig painted Black in the lead role in 1933, the year that the play, written by Alfred Sangster, transferred from Sheffield to the Royalty Theatre, London, and bequeathed it to the museum in her will. All Hedwig’s paintings in the present sale seem to have been painted from the late 1920s through until the 1950s.72 HEDWIG PILLTZ (BRITISH-HUNGARIAN 1896-1987)PORTRAIT OF PADDY GOODMAN VINEsigned PiLLiTZ lower rightoil on canvas61 x 51cm; 24 x 20in(unframed)
Los 187
A quantity of LP's 1960's-1980's to include a 1974 Cliff Richard 'The 31st February Street' White Label disc , matrix YAX 4839, demo records to include Carpenters Christmas Portrait, a 1965 Beatles 'Help' matrix PMC 1255 Parlophone label, a 1979 Tangerine Dream clear cut 'Force Ma Jeure' matrix V2111, a1979 Boney M 'Painter Man', yellow disc, partial sleeve, matrix K 11255 (T), a 1979 reggae and dub album by Judge Dread 'Going Down', matrix 12EMI 2913, Tina Turner, Jazz and classical compilations. Location:1.4
Los 375
AMENDMENT: Please note additional provenance – this lot was made by Roland Fraser in 2011 on the occasion of David Cornwell’s 80th birthday. As part of the commission, Fraser was asked to carve a burrowing mole in the side of one seat rail, a reference, to deep-cover spies “burrowing into the heart of the Western Establishment”An oak wainscot armchair, the carved back with central portrait, shaped apron on turned legs joined by stretchersProvenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.
Los 499
A marble portrait bust of Dante Alighieri, third quarter 19th century, depicted wearing a cap and laurel crown, on socle, 61cm high overallFootnotes: Note: Dante, 1265-1321, was an Italian poet, literary theorist, prose writer, moral philosopher and political thinker. He is best known for his monumental epic poem La commedia, later named La divina commedia (The Divine Comedy), which was a landmark in Italian and Medieval literature. Condition Report: Large areas of damage and loss of marble to the socle base, various small losses and chips to the marble at the high points of the laurel wreath and headpiece, a crack to the right shoulder, various small marks and surface dirt throughout. Additional images are available - click here.
Los 335
A pressed maple snuff box, early 19th century, the lid in relief with a portrait of the Duke of Wellington and MARSHALL DUKE OF WELLINGTON.K.G., with a faux tortoiseshell interior; 8.5cm diameter; together with a yew wood box inset with a coin inscribed with a tree and ST J TIPTON JULY 1878, 7cm diameter (2)Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Condition Report: The maple box: the portrait to the lid in good condition, the rim of the lid with a couple of very minor losses, the faux tortoiseshell lining with a few small cracks and scratches, the base with a small loss to the footrim and various minor scratches and knocks. The yew wood box: a crack running from the base through the rim and interior, the rim of the lid with a couple of very minor losses, the inset coin with moderate tarnishing.
Los 737
A large Italian giltwood wall mirror, 17th / 18th century, the carved Venetian rectangular frame with later C-scroll surmounts and portrait crest, 165 x 117cm Condition Report: surmounts are probably a later addition, break to the top surmount, loss of gilt throughout, some loss of mouldings
Los 301
An English marble bust of John Milton, first half 19th century, modelled with flowing hair, 55cm high, on an associated rouge marble cylindrical pedestal with square section base, 101cm high (2)Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Footnotes: Note: This bust of Milton (1608-74) is identical to a bust in the National Portrait Gallery, London (no. 3781).
Los 1107
Football autographs, Reading FC, a Minerva football with several signatures inc. Martin Hicks, Steve Wood, Stuart Beavon, Pat Earles, Jerry Williams, Lawrie Sanchez, Kerry Dixon & others, sold with a selection of 50+ small colour player portrait photos (duplication) many with signatures to backs inc. Dean Horrix, Kevin Bremner, Jerry Williams, Steve Francis, Paul Canoville, Stuart Beavon, Steve Wood, Trevor Senior, Mark White, Michael Gilkes etc. The lot also includes a typed letter from Kerry Dixon with original ink signature (gen. gd)
Los 229
Cigarette cards, Scouting interest 57 cards all depicting Baden Powell includes 27 Ogden Guinea Gold mainly head and portrait types, these are believed to be all different minor variations (rank, base type, picture aspect, minor shade variation), plus many other issues inc. Ogden's Tabs, Anstie, Wills, Ogden's, Lever Bros, CWS, some trade issues etc (mixed fair/gd)
Los 692
Postcards, Football, 2 Newcastle Utd cards inc. RP of Newcastle Cup Finalists 1950-51 with Jackie Milburn, George Robledo etc. Also signed portrait RP of George Robledo, born in Chile and played as a striker. He was the first non British registered foreign player to become top scorer in England (gd/vg)
Los 853
Postcards, Aviation, a good collection of 24 cards of the pilot B.C Hucks in modern album, remembered as the first pilot to perform the 'Loop the Loop'. Cards feature RPs of Hucks with his 80 H.P Bleriot Monoplane, portrait, Hucks looping the loop at Scarborough, Hucks flying at Graham White's wedding, flying at Norwich, Hucks at Weston-Super-Mare 1911, Hucks close up in his aircraft (signed with 2 others). Sold with annotated biography (gd)
Los 963
Postcards, Exploration, a selection of 6 cards with RPs of Lieutenant Shackleton (crease), Captain Scott and his exploration ship 'Terra Nova', portrait of Captain Scott, also chromo of the ship 'Fram' stuck in ice, printed card of S.S Nimrod inset Shackleton, and Nimrod in Floe ice (mixed condition)
Los 225
Y A MID 19TH CENTURY PORTRAIT MINIATURE LOCKET BROOCH The oval miniature depicting the portrait of a young boy, within an engraved gold frame with blue enamel cross banding, the glazed reverse with locks of hair with gold wire and initials, pin fitting, unmarked Size/dimensions: 5cm long Gross weight: 20 grams Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lot Ref: NKCTB6RX Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding.
Los 190
Y TWO VICTORIAN PENDANTS CIRCA 1890-1900 The first an oval locket with interlocking initials 'CED' decorated with red and green enamel, opening to reveal a painted portrait miniature of a lady; the second a circular reverse painted rock crystal with initials FW, mother of pearl ground, reverse engraved 27th April 1901, stamped 18c Size/dimensions: 4.2cm including bale; 2.6cm including bale Gross weight: 19.1g Condition Report: Locket- The locket has some light wear commensurate with age and occasional use, the pin has moved very slightly down in the hinge, but it is secure and doesn't move when pushed. it is in our opinion gold, a small scratch has been tested, but due to the destructive nature of filing we have not filed the locket. Mother of pearl pendant- some light wear commensurate with age and use and there is some faint spotting to the mother of pearl panel. Condition Report Disclaimer
Los 167
A 19TH CENTURY QAJAR POLYCHROME ENAMEL PENDANT The shaped panel with the portrait of a lady on a blue ground, with lotus leaf enamelled drops, with pearl fringes, the reverse with enamelled flower detail and a central green and red foiled hardstone cluster Size/dimensions: 5.5cm long Gross weight: 15.9 grams Please note the pearls are untested and unwarranted as natural pearl. Condition Report: There is serious losses and damage to the enamel. There are bends and repairs to pediments and drops. Condition Report Disclaimer
Los 112
Inspector John McCrindle, Derbyshire Constabulary and Royal Artillery - A First/Second World War Group of Medals, comprising British War Medal and Victory Medal awarded to 99728 GNR.J.McCRINDLE R.A., Special Constabulary Long Service and Good Conduct Medal (naming partially worn) with LONG SERVICE 1939 clasp, and Defence Medal with citation card, together with medal ribbon bar, two black and white portrait photographs of him as Inspector, two Air Raid Precaution booklets, photocopies of his Medal Index Card, 1901 and 1911 Census household transcripts, his mahogany truncheon, a pair of Hiatt handcuffs and Police Brodie helmet (qty)
Los 128
Battle of Talavera Interest :- a Hand Written Letter from Lieutenant Charles Bayley, Adjutant 2nd Battalion 31st (Huntingdonshire) Regiment to his Fiance Miss Sally Smith, Fitzwilliam Street, Dublin, dated 30th July 1809 and which describes the Battle of Talavera in graphic detail ".....we found our officers and men falling all around us ... we had no alternative but run upon them with the bayonet -- however numbers overpowered us -- they had at that time in the wood 23,000 -- we only 2,900 ... it fell to our lot to be fronted to a column of 3,000 -- these we were ordered to charge with the bayonet which put them to rout ... never have troops gained more Honour than in these last two days...", displayed in a glass backed display frame with transcript; also, a framed pencil portrait sketch of the Duke of Wellington with inscription "Drawn from recollection after having sat next him at dinner at Ld. Palmerston's"; a framed portrait engraving of Wellington; and a framed copy of the Times newspaper dated London, Tuesday, June 22nd, 1815 (4)Footnote : - Lieutenant Colonel Charles Andrews Bayley, C.M.G., originally served with the 25th. Regiment in Egypt, 1801; Ensign 1804, Lieutenant 1805; served with the 31st. Regiment in the Peninsula from 1808 and was present at Alberche, the taking of Oporto, 12th. May 1809 and took part in the Battle of Talavera, 27th./28th. July; appointed Deputy Assistant Adjutant General, January 1810 attached to the 2nd. Division under Lord Hill; took part in the retreat to the lines of Torres Vedras, the subsequent advance and general pursuit of Massena; was present at the first seige of Badajoz, the affairs of Campo Mayor, Olivenca and other minor actions during the operations in Estramadura under Marshal Beresford; took part in the battle of Albuhera 16th. May, 1811 and at the action of Arroyo de Molino (promoted for his services); Captain, 36th. Regiment, January 1812; appointed Governor of the Mediterranean Islands of Gozo and Comino, 1827; Major 1830 (C.M.G., 1833); local rank of Lieutenant Colonel, 1841, substantive, 1846; Lieutenant Colonel Bayley died in Malta, 1852
Los 44
A First World War Mercantile Fleet Auxiliary Trio, comprising 1914-15 Star, British War Medal and Victory Medal, awarded to W.COLEMAN, G.S.R. M.F.A.; a Royal Naval Reserve Long Service Trio, awarded to D644 W.COLEMAN, SEAMAN, R.N.R., comprising a Royal Naval Reserve Long Service and Good Conduct Medal (Edward VII), a British War Medal and Mercantile Marine War Medal (WILLIAM COLEMAN); an Apprentice Boys of Derry Silver Gilt Commemorative Medal, the obverse with a bust portrait of George Walker Defender of Derry 1688, the reverse with a heraldic shield within a garter inscribed VITA VERITAS VICTORIA, within APPRENTICE BOYS OF DERRY NO SURRENDER, SEVENTH DECEMBER 1688. FIRST AUGUST 1689, 40mm, lacks suspender; also, seven various cap and glengarry badges and a pair of collar badges to Liverpool City Police with King's crown (16)
Los 45
The Most Excellent Order of the British Empire - A First/Second World War Knights Commanders (KBE) Group, awarded to Engineer Lieutenant (later Rear Admiral) Sydney Oswell Frew, Royal Navy, comprising KBE Star and Neck Badge in Garrard & Co Ltd case of issue, Naval General Service Medal (1909-1962) with clasp PERSIAN GULF 1909-1914 (271978 S.O.FREW. E.R.A.4CL. H.M.S. PERSEUS), 1914-15 Star (271978 S.O.FREW, E.R.A.3, R.N.), British War Medal and Victory Medal (ENG.LT.), Defence Medal, 1939-45 War Medal, Jubilee Medal 1935 and Coronation Medal 1937, court mounted, with medal ribbon bar and miniatures including Most Honourable Order of the Bath KCB neck badge and the Order of Orange-Nassau, court mounted, together with his black silk bicorn hat, pair of bullion epaulettes, three pairs of shoulder boards, gold lace and leather waist belt with sword slings, all contained in japanned tin case, and with a portrait photograph of the above as a young man taken in 1911, a photograph of the Hulk HMS Tenedos on which he trained, and two photographs of K12 and K14 - the submarines he served in; also, a Victoria 1837-1897 bronze medal in leather case of issue.Footnote : - Sir Sydney Oswell Frew was the first officer in the navy to have risen to the rank of Engineer Rear Admiral from Engine Room Artificer. He was a submariner. Born in Kingston-upon-Hull 1890, died Hampstead 1972.
Los 206
A 19th Century French gilt brass cased mantel clock set with hand-painted Sèvres style porcelain panels of portrait medallions, cherubs and floral swags, the eight day movement by Charles Frodsham of Paris with circular porcelain dial and Roman numerals, the movement stamped verso "Chas Frodsham Clockmaker to The Queen Paris No. 30138-21....9", 32 cm wide x 49.5 cm high CONDITION REPORTS Whilst the case is basically sound, there is a great deal of evidence of oxidisation of copper sulphate colouring throughout, particularly to back panel. The piece has been attic stored and is dusty and dirty conducive with such storage. The dial has wear to all the numbers, otherwise the porcelain panels appear to be intact. The movement appears to be fine - see images for further detail
Los 293
A collection of various portrait miniatures including a heightened photographic portrait of "A young man in First World War military uniform in leather case", two various daguerrotypes of a lady and gentleman, two pairs of brass framed oval portraits and two velvet covered photographic portrait studies in cases
Los 188
An 18th Century Sèvres porcelain dressing table box of ogee form, the cover with all-over lattice work decoration enclosing a portrait bust medallion of a lady with powdered wig, over a bleu royale foliate decorated body, bearing blue crossed Ls mark, dated for 1767 and incised "A2", 12 cm wide x 7.5 cm deep x 5 cm high CONDITION REPORTS Lid very damaged and with amateur repair
Los 294
ELIZABETH BUTLER "On Easter Day", a needlework sampler depicting a Chinese Woodcock surmounted by cherubs and script entitled "On Easter Day" inscribed "Elizabeth Butler is my Name and Old England is my Nation Horton is my dwelling place and Christ is my Salvation - God Save The King 1803", 37 cm x 33 cm, together with another sampler by Julia Ann Read Butler Aged 7 (circa 1858) and a leather covered photograph album with approx 60 Butler family portraits, a hand-painted postcard "From Horseshoe Farm Horton..." and a 19TH CENTURY ENGLISH SCHOOL "Gentleman with sideburns", watercolour portrait CONDITION REPORTS "On Easter Day" - has large holes throughout, particularly to the bottom right hand corner and to the left hand side of the bird as well as others - both moth and wear. Insects beneath the glass. Has all over discolouration.The other sampler - has some marks to the bottom text area and has insects - possibly thunderbugs? beneath the glass. Otherwise general wear and tear conducive with age and use. See images for further detail.
Los 351
EARLY 19TH CENTURY SCHOOL "Harriet Hay, dau of William 16th Earl of Erroll, Wife of Daniel Gurney", portrait study, half length, oil on canvas, unsigned, titled upper left, 84 cm x 64 cm CONDITION REPORTS Has had restoration work. See images taken under UV for more detail. There is an area of flaking / loss where the paint work is missing to her collar bone area, as well as to one of the roses and other small sections throughout. There is a large heavy scratched area to the very top of the door. The image has clearly rubbed in its frame / slips at some point. Has possibly been put on a different stretcher previously - there are various old pinholes to the canvas. In need of a very good clean. Has heavy crazing throughout. See images for further detail.
Los 299
A 19th Century commemorative gilt brass tondo for Admiral Lord Nelson after Peter Wyon circa 1806, the left facing bust inscribed Admiral Lord Nelson, initialled under shoulder "P.W.F." (Peter Wyon fecit) with oak leaf and acorn border within an ebonised circular frame with convex glass 16.5 cm diameter together with another embossed card tondo for the Duke of Wellington, the left facing portrait bust within an inscription "Wellington Generalissime" CONDITION REPORTS The gilt brass tondo - has some light surface scratching and some areas of pitting. The frame itself has been broken and repaired and some of the lacquer/ebonisation is flaking and there are a couple of chips. The embossed card is discoloured to the centre and there is a white powdery look to some of the highlights. The frame itself has a few knocks and bashes. The paper on the back has been cut as if it has previously been taken out of the frame. Both are in need of a good clean throughout. General wear and tear conducive with age and use - see images for more details
Los 1566
Lauchert, RichardSigmaringen 1823 - 1868 Berlin, deutscher Maler. "Portrait Hermann Volz", Brustbildnis des Malers mit Hut, rückseitig bez. "Dieses Bild malte im Jahre 1848 in München mein lieber Freund Richard Lauchert geb. aus Sigmaringen als fürstlich sigmaringischer und K. preussischer Hofmaler vermählt mit einer Prinzessin Hohenlohe und im Jahre 1868 als solcher in Berlin gestorben), Öl/Holz, HxB: 15/11,5 cm. Mit Rahmen. Provenienz: Aus dem Besitz der Nachfahren des Künstlers Hermann Volz.
Los 1527
Erra, Dominikus (attr.)"Portrait eines Generals", Bildnis eines jungen Mannes in einer Uniform mit 3 Orden, Scherpe mit Löwenkopf, Knöpfe mit Regimentsnummer 3, vor dunklem Hintergrund, unsign., rückseitig bez. "Erra Pinxit 1817", Öl/Leinwand doubliert, HxB: 68/60 cm. Altersspuren, rest., ret..
Los 1777
Volz, HermannBiberach an der Riß 1814 - 1894 ebenda, deutscher Maler. "Portrait Anna Seewald", Halbbildnis der ersten Frau des Künstlers in weißem Kleid, vor Naturkulisse, rückseitig auf Keilrahmen bez. "Volz", Öl/Leinwand, HxB: 31/25 cm. Altersspuren, rest., ret.. Mit Rahmen. Provenienz: Aus dem Besitz der Nachfahren des Künstlers.
Los 1743
Räuber, Wilhelm CarlMarienwerder/Westpreußen 1849 - 1926 München. Deutscher Portrait-, Genre- und Historienmaler. "Fohlenschau", wohlhabende Dame mit Gefolge auf einer Pferdekoppel ein Fohlen für ihren Sohn aussuchend, unten rechts sign. und dat. 1883, verso gestempelt, Öl/Holz, HxB: 43/69 cm. Part. rest.. Gerahmt.
Los 1940
Evenges (?)Maler/Kopist des 20./21. Jh., wahrscheinlich englisch. "The Honourable Mrs. Graham", ganzfiguriges Portrait der jungen Lady mit Hut und schmuckvollem Kleid, den linken Arm auf den Sockel der Säule gelegt, unten links sign. und bez. "London", Öl/Leinwand, HxB: 120/80 cm. Leichte Altersspuren, min. rest.. Mit Rahmen.
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283284 Los(e)/Seite