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283287 Los(e)/Seite
Los 90
Sam Shaw (1912-1999), Portrait Fotographie von Marilyn Monroe mit eigenhaendiger Signatur der Kuenstlerin, beruehmtes Photo jener Szenze aus Billy Wilder Film Das verflixte 7. Jahr, in der der weisse Rock von Marilyn Monroe durhc die Abluft der U-Bahn hochgewirbelt wird, Autogrammkarte 20th Century Fox/Ufa Film Foto circa 1955, 13,9 x 8,9 cm. | Sam Shaw (1912-1999), portrait photograph of Marilyn Monroe with artist's own signature, famous photo of that scene from Billy Wilder film "The Darned 7th Year" in which the white skirt of Marilyn Monroe is whirled up by the exhaust air of the subway, autograph card 20th Century Fox / Ufa Film photo around 1955, 13.9 x 8.9 cm.
Los 123
Hardy (Thomas) Jude the Obscure, first edition in book form, etched frontispiece by H. MacBeth-Raeburn, full-page map of Hardy's 'Wessex' at end, printed portrait illustration of Hardy laid down to paste down, offset to front free endpaper, hinge cracked, original dark green cloth, gilt, some marking and soiling, extremities bumped and frayed, still overall a very attractive copy, t.e.g., [Purdy pp.86-87], 8vo, 1896 [but 1895].
Los 180
Litten (Irmgard) A Mother Fights Hitler, light browning to endpapers, light toning to jacket, 1940 § Kohler (Pauline) I Was Hitler's Maid, portrait frontispiece, jacket with light toning to spine, some chipping and fraying to head and foot, [1940], first or first English editions, original boards, dust-jackets; and 3 others, similar, 8vo (5)⁂ A good group of works both fiction and non-fiction relating to the Second World War and Germany during the 1930s and 40s. The first was published in the US as Beyond Tears, the second was a fabricated account of Hitler's private life produced by the British Ministry of Information.
Los 262
Taylor (Elizabeth) Mrs Palfrey at the Claremont, first edition, endpapers with browning strip, original boards, dust-jacket, light toning and faint soiling to fore-edge, otherwise an exceptionally excellent and near-fine copy, 8vo, 1971.⁂ Very scarce first edition. "Elizabeth Taylor's exquisitely drawn character study of eccentricity in old age is a sharp and witty portrait of genteel postwar English life facing the changes taking shape in the 60s . . . Much of the reader's joy lies in the exquisite subtlety in Taylor's depiction of all the relationships, the sharp brevity of her wit, and the apparently effortless way the plot unfolds" - Robert McCrum, from the Guardian list of the 100 best novels.
Los 119
λ ROBERT COLQUHOUN (BRITISH 1914-1962) PORTRAIT OF A SEATED GIRL Pencil Inscribed (on the reverse): 'This drawing was done by Robert Colquhoun and given to me by him in the studio at Bedford Garden, Notting Hill, London in 1945, John McLellan' 20 x 17cm (7¾ x 6½ in.) Provenance: With Abbott & Holder, London
Los 78
λ EDWARD SEAGO (BRITISH 1910-1974) PORTRAIT OF CYRIL FLETCHER Oil on board Signed (upper left) 39.5 x 28.5cm (15½ x 11 in.) Provenance: Collection of Arthur Ackermann & Peter Johnson Sale, Christie's, London, The Arthur Ackermann & Peter Johnson collection, 8 May 2008, lot 134 Sale, Bonhams, Ipswich, 9 March 2006, lot 408 Condition Report: The paint is thin in places and there are a couple of small patches of retouching to the left hand edge, visible under ultraviolet light. Otherwise, in good original condition. Condition Report Disclaimer
Los 1212
ENGLISH SCHOOL (Late XVIII Century) Portrait of a Girl, wearing a red dress and holding a hoop, a hat before her, mixed media, unsigned, bears The Ruskin Gallery label and another inscribed Edwin Samson Moore, Born 6th April 1849, died 21st Dec 1926, father of Dora J. Owen of Greens Acres Lapworth, 14 x 11cm.
Los 279
An early 19th century portrait miniature, depicting a lady in a blue dress, pearl earrings and necklace, feathered headpiece, signed 'Smart', approx 5.3cm x 3.7cm, inscribed to verso 'Lady Bertrand', framed; together with another early 19th century portrait miniature pendant, depicting a young lady wearing a blue dress, ringlets in hair, lock of hair to verso, in a yellow metal framed chased and engraved with flowers and foliage, suspended from a loop ring, portrait approx 5.5cm x 4.3cm (2)Condition: Smart - vertical crack running from 11-7; other good, wear commensurate with age, the back would have been a locket as there is a hinge but the cover is missing**CITIES REF: N7DMQ1RK
Los 445
A French four glass mantel clock, with enamel portrait of what is believed to be Saint Fabiola of Rome, Italy on the pendulum.Contained in a brass case, four columns, finished with blue enamels, urn finial with two ladies heads and enamel decoration. Beautiful enamel work to plinth and top, a white 4" dial with Roman numerals and Arabic, and the dial decorated with swags of flowers, dial surrounded by a lovely blue and red enamel bezel, with two train French spring driven movement with serial number 10458 stamped made in France With elaborately decorated blue enamel, pendulum with a centre having an enamel portrait of what is believed to be Saint Fabiola of Rome Italy wearing a red head dress surrounded by a circle of paste diamond like stonesChiming on a gong, 16½" x 11" x 6" deep approx Note St Fabiola lived in 4th Century Rome. Fabiola was a member of the Fabii one of ancient Rome's most aristocratic wealthy families. She used her wealth to help the poor and as a Christian worked tirelessly for good causesGood condition, will need a clean and service, slight chip on the enamel around winding hole, movement not tested, strike hammer soldered and loose
Los 204
19th century Chinese portrait ancestor painting, portraying a couple seated before a roomscreen and altar, dressed in formal attire with rank badges, Chinese script to the middle centre, approx 100w x 180 h cms, marked with two iron-red seals, the character marks note the year and date of birth and death.
Los 223
Quantity of Queen Victoria engravings and prints: Three 19th century engravings of Her Majesty Queen Victoria (1819-1900) portrait engraving after A.M Huffman engraved by J Rogers publ. by Joseph Robins 20 x 24 cms; The Queen Victoria of England 18yrs portrait engraving after G.Hayter engraved by J.Cochran 13.5 x 18.5 cms and lastly Her Majesty The Queen Victoria after R.J Lane A.R.A engraved by JAS Thompson approx 18.5 x 23 cms, framed and glazed. Plus two 19th century engravings of Her Majesty Queen Victoria (1819-1900) portrait engraving after M & N Hanhart chromo-lithograph entitled 'La Valse a deux temps' after John Brandard published London England 1840 approx 19 x 25 cms; portrait engraving after M & N Hanhart chromolithograph entitled 'The Queen & Prince Albert's Polka' by Jullien possibly signed in ink in the margin nr 9, approx 24 x 31 cms framed and glazed, and a music sheet cover portraying The Princess Royal for the Polka par Charles D'Albert after an engraving by J. Brandard (she was Queen Victoria's oldest daughter) approx 34 x 24 cms; together with a portrait music sheet cover portraying Her Most Gracious Majesty Victoria after a painting by R.J Lane A.R.A and another engraving of a young Queen Victoria by Concanen & Lee 19 x 24 cms, all three framed and glazed. (8)
Los 12
GEORG BASELITZ (B. 1938)Er ist es, ich bin es nicht 2018 signed, titled and dated 24. VIII 2018 on the reverse oil on canvas 305.2 by 170 cm. 120 3/16 by 66 15/16 in. Footnotes:ProvenanceGagosian Gallery, London Acquired directly from the above by the present owner in 2018Georg Baselitz with his inimitable style has long been recognised around the globe as one of the greatest painters of the late Twentieth Century. His works adorn the walls of many of the world's most prestigious public and private museums, such as the Tate Gallery in London, the Guggenheim in New York and the Stedelijk Museum in Amsterdam, as well as many of Germany's most prestigious art institutions. In 1980, Baselitz represented Germany at the Venice Biennale and took part at the Documenta 5, 6 and 7 in Kassel in 1972, 1977 and 1982. The Solomon R. Guggenheim Museum in New York was the first to show a comprehensive retrospective of the artist's work in 1995, an exhibition that then travelled widely and in 2007 the Royal Academy of Art in London organized a further significant retrospective. In Er ist es, ich bin es nicht from 2018, an ethereal, weightless human figure is captured mid movement on a staircase, ascending or descending the thinly outlined steps. This large-scale masterpiece focuses on the human body, the atmospheric figure rendered in shimmering golden hues is difficult to approach or perceive. There is nothing in the title to clarify the identity of the figure, but the style in which the work is rendered draws strong parallels to the artist's pivotal Avignon paintings that were featured in the 2015 Biennale di Venezia - a series of eight towering vertical canvases, each containing a single visceral figure. The series was based on Marcel Duchamp's Nude Descending a Staircase from 1912 – a work, generally considered to be an ending, a departure from painting, but also a new beginning and which Baselitz deems to be stolen from Picasso. Instead of following a prismatic Cubist descent, Baselitz's nude vanishes; feet floating, not fully grounded on the thinly outlined, barely corporeal steps, the head disappearing past the canvas. Throughout his career, Baselitz has incessantly revisited certain motifs and this consistent re-evaluation of subject matter forms an anchor within an oeuvre of constant experimentation.In his 'inverted' paintings, Baselitz intended first to unsettle and confound, then to open our eyes to new ways of viewing the world, to liberate the painting from the limits of immediate comparison to reality. Not simply turning them on their heads, but painting portraits and landscapes upside-down, he aimed to produce images devoid of traditional associations or implications, art which paradoxically utilises elements of the representational while enjoying the freedoms of abstraction: 'I have always seen my paintings as independent from meanings with regard to contents – and also independent from associations that could result from them. If one pursues the logical conclusion of that thought, then it follows that if one needs a tree, a person, or a cow in the picture, but without meaning, without contents, then one simply takes it and turns it upside down. Because that really separates the subject from its associations, that simply has to be believed; it defies an interpretation of the contents' (the artist in: Evelyn Weiss, 'Georg Baselitz in conversation with Evelyn Weiss' in Detlev Gretenkort Ed., Georg Baselitz: Collected Writings and Interviews, London 2010, p. 90). Born as Hans-Georg Kern in 1938 in Deutschbaselitz, the small village from which he later took his working name, Baselitz began painting at a young age. He established himself as something of a rebel during his brief period of study at the Art Academy of East Berlin in 1958, where his refusal to conform to the principles of Social Realism quickly led to his expulsion on the grounds of 'sociopolitical immaturity'. He continued his studies in West Berlin, where he was to immerse himself in the avant-garde and in 1969 he produced his first 'upside-down' painting, the style which would define his career and artistic output.Despite being a contemporary of other great German artists such as Gerhard Richter, Sigmar Polke and Anselm Kiefer, all part of a generation of artists grappling with Germany's recent history, Baselitz can be viewed as something of an outsider. Curator Michael Auping puts him into context as follows: 'It can be argued that of all of these artists – each of whom can be identified with a signature style of art making – Baselitz has been the most forceful and Promethean, in many senses of the term, in carving out his new space of inquiry and reordering' (Michael Auping, 'Portrait of Resistance' in Alberto Cetti Serbelloni Ed., Georg Baselitz: Paintings 1962-2001, Milan 2002, p. 6). Today he lives and works in Basel, Lake Ammersee (Bavaria), Salzburg and Imperia (Liguria, Italy).For over half a century, Georg Baselitz has challenged the very limits of color, composition and material. Most distinctive is his habit of inversion which we see to great effect in the present work. Er ist es, ich bin es nicht exemplifies Baselitz at his best, a consummate painter in complete control of his medium, constantly challenging what has come before and as so many of his best works, it tests the often-ambiguous boundaries between the figurative and the abstract. As a result, it is a work of art which pushes the limits, a work produced by an artist who is an inveterate explorer of the unknown and the new.This lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 44
BILLY CHILDISH (B. 1959)self-portrait in astrachan hat circa 2011 signed with the artist's monogram oil and charcoal on linen 152.3 by 91.5 cm. 59 15/16 by 36 in. This work was executed circa 2011. Footnotes:ProvenanceGalleria Paolo Curti / Annamaria Gambuzzi & Co., MilanAcquired from above by the present owner This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 46
DOUGLAS GORDON (B. 1966)Self-Portrait of You + Me (Tsai Chin) 2006 burnt print and smoke on mirror, in the artist's frame 83.3 by 73 cm. 32 13/16 by 28 3/4 in. This work was executed in 2006. Footnotes:ProvenanceGagosian Gallery, London (GORDO 2006.0077)Mário Sequeira Gallery, Braga Acquired directly from the above by the present owner circa 2007This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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283287 Los(e)/Seite