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283284 Los(e)/Seite
Los 1023
Attributed to William Evans (19th century)A portrait of a gentlemen half-length seated wearing a white cravat and buttoned jacket together with a dutch, pencil drawing depicting cattle in a pasture before a villageSigned and dated 1809, pencil and watercolour, 21cm by 17.5cm and 10cm by 14.5cm respectively (2)
Los 1039
James Ward RA (1769-1859) Botanical StudySigned, watercolour, together with a pencil sketch of an elderly man, signed and inscribed Munich, 24cm by 13.5cm & 8cm by 6.5 cm respectively (2) Drawing by Ward - Stained sheet which is irregular in colour depth generally more pronounced outer edges. Fold crease or cut to sheet? Between the two upright stems running from top edge approx 2cm in length. Some general creasing to sheet, further scuffs and abrasions. Two tiny brown spots within lower section likely accidental ink? No evidence of cockling. Not examined out of the frame.Vignette portrait study of beaded gentleman - Significant staining of the regular tone. No evidence of cockling. Not examined out of the frame.
Los 1040
Circle of George Hayter (1792-1871)Classical figures in animated posesPencil and watercolour, together with a further sketch depicting a female nude in the style of William Etty and a further pen and ink head and shoulders portrait study of a lady, 17.5cm by 14cm, 12cm by 7.5cm and 9.5cm by 7.5cm respectively (3)
Los 1051
Follower of Augustus John OM RA (1878-1961) Welsh Portrait of a young lady, dressed in the bohemian style, half length, seatedIndistinctly inscribed, mixed media, together with a further portrait study, most likely by the same hand, depicting a young black girl, 30cm by 25cm and 29.5cm by 24cm respectively (2)Young lady in the bohemian Style - in a broadly good state of preservation. Some relatively light staining to sheet. Odd varying sized subtle foxing spots, mostly evident to unworked areas such as background. Sporadic thunderfly trapped within framing. No real evidence of cockling. Not examined out of the frame. Young black girl - Relatively light time staining across sheet with slightly more pronounced, varying sized sporadic foxing spots in evidence. Slight cockle to sheet. Not examined out of the frame.
Los 1066
Follower of George Clint RA (1770-1854)Portrait of Mrs Marshall, seated half length, wearing a lace cap furnished with flowers, holding spectacles, in a claret upholstered armchairOil on canvas, 80cm by 65cmIn fully restored condition, very stiffly relined, cleaned and revarnished. Surface is somewhat flattened and paint thin in places as a result of the restoration process. Some light surface dirt and discoloured varnish now in evidence. A good amount of the background looks to have been generally strengthened as has notable areas of the darkest areas and definition within the ladies' black satin dress particularly the area above her right arm and the area in and around her left hand, less consistent strengthening through some of the definition and detailing to the chair left-hand side, fairly minor strengthening to some of the folds and shadowing to the tablecloth, mostly on right-hand side.
Los 1079
Attributed to Thomas Musgrave Joy (1812-1866)Portrait of Lady Frances Caroline Annesley Webster-Wedderburn (1793-1837), seated half length, a rose in her hair, leaning on a desk with a vase of flowersOil on canvas, 49.5cm (oval)Glazed. Covered in a layer of dirt and discoloured varnish. Dirt and debris under glass. Frame rubbing to edges, most notably to the left hand edge where an area of the canvas (approx. 3cm in length) is now visible. A further small area of rubbing is notable just above this. Stretcher shadow in evidence. Widely spaced stable craquelure throughout, most notable to the darker areas of background. Smaller spaced craquelure in evidence in the blue of the dress at the bottom edge of the picture. Push mark from back to front to the left of the sitters head in her hair with associated cracking. Sporadic areas of overpainting in evidence - most notably to the flesh tones of the sitters face, decolletage, her right arm, left hand, and the area of hair around the pushmark, although not exclusively. These areas are visible with the naked eye. The reverse of the canvas is not visible as a backing board has been put on the frame. Not examined out of the frame.
Los 1100
English School (18th century)Portrait of a lady, bust length, wearing a brown dress with embroidered pearls and jewelsOil on canvas, oval, 46cm dia. (oval)Provenance: Tennants Auctioneers, Spring Fine Art Sale, 15th March 2021, Lot 718In fully restored condition. Stiffly relined, cleaned and revarnished. The paint is slightly thinned and flattened in places as a result of the restoration process. Covered in a fairly thick layer of dirt and discoloured varnish. Areas of varying sized stable craquelure, mostly to be found within the flesh tones of the skin. Some general strengthening throughout the background to left hand side near the sitters face and approx. 7-8cm at widest point. Further retouches and strengthening to the darker shadows and definition of the curls and strands of her hair and to a greater extent throughout her hair on the right hand side. Further retouching and strengthening to left hand side of her forehead, the outline and shadows to describe her eyebrows, deliniation of her eyes, outline of her right cheek and parts of the cheek in general, outline of lips and an amount of her left hand cheek and temple. Some more delicate and sporadic retouches across flesh tones presumably to replace old flaked paint.
Los 1104
After Rembrandt Harmenszoon van Rijn (1606-1669) DutchSelf-portrait at the age of 34Inscribed to old label verso, oil on canvas, 97cm by 79cmA copy after the original in the collection of the National Gallery, LondonOriginal canvas which is slightly loose on stretcher with buckle to upper left hand corner and to a lesser extent the lower right hand corner. Covered in a thick layer of dirt, discoloured varnish, dust, chalky/mould type residue especially within lower left hand corner and left hand side background in general. Small sized fairly pronounced stable craquelure across the black trim of the sitter's overcoat and right hand shoulder. Further generally larger and more widely spaced craquelure elsewhere within background left hand side centre and more consistently across right hand side background in general. Areas of craquelure to his face, right cheek, chin, beard etc... also in evidence. Slight push mark back to front towards upper left hand side corner. Slight stretcher shadow to outer edges and on horizontal band.
Los 1113
After Alexis Grimou (1678-1733) French Portrait of a Shepherdess holding pilgrims scallop shell Portrait of a Shepherd Oil on canvas, 39.5cm by 29.5cm (2)Each contained in a decorative carved wood and gilt frameThe present works are after Grimou's originals, now in the Gallerie degli Uffizi, Florence
Los 1114
Follower of Sir Peter Lely (1618-1680) Portrait of a gentleman, three quarter length standing before a fluted colmun, wearing a powdered wig, elaborate attire and a fine lace cravat, said to be John Rowe (1645-1723/2?) Portrait of a lady, three quarter length seated, wearing a turquoise dress with a white chemise and holding red roses Oil on canvas, 114.5cm by 90 cm (2)Gentleman - In fully restored condition, relined, cleaned and revarnished. The surface is somewhat flattened and paint thin in places as a result of the restoration process. General strengthening throughout the background most consistently within the upper left, slightly less so to the upper right with further sporadic retouches in both areas probably of a different date. Minor and sporadic retouches within the gentleman's powdered wig and forehead with a slightly more concentrated irregular band of retouching across bridge of his nose and the vertical area between his left-hand side nostril and top lip. Much of the shadows and definition throughout shadows and drapery has been retouched or overpainted including majority of outstretched right-hand side lower hand and the white fabric immediately positioned behind this. Original canvas slightly adrift of frame upper right-hand corner showing reline. Some minor imperfections to surface aligning with retouches, for example, left-hand side centre edge. Areas of mostly fine stable cracquelure with some residual visible areas of flaking across his hand and central part of his right-hand side cuff extending through the sleeve. Some surface dirt and discoloured varnish.Lady - In fully restored condition, fairly stiffly relined and revarnished, paint is somewhat flattened and thin as result of the restoration process which is more notable than the former painting as is any restoration in general. Some surface dirt and discoloured varnish. The majority of the background left hand side is overpainted with less consistent all be it notable intervention to the background right-hand side. The general outline of her hair piece and definitions / curls have been strengthened, her eyebrows are repainted, outlines and shadows in and around the eyes are strengthened, general outline of the face, outer parts of her cheek and darker shadows on both sides, strengthend or repainted including the chin, the lips etc. The shadow on her chest to denote the ladies cleavage has been strengthened as has a great majority of the shadows, definition, drapery of her attire. Further shadows and detailing of the forearm, wrist, fingers also show signs of notable intervention. Areas of varying sized stable cracquelure, especially to the flesh tones and residual indication of old flaked paint partcialrly within the turquoise drapery below her waist. Slight stretcher shadow etc.
Los 1121
Follower of William Verelst (1704-1752)Portrait of an elegant lady three-quarter length seated with a young child holding a basket of fruit before a landscape Portrait of a gentleman three-quarter length standing with hand in jacket pose wearing a brown velvet coat and white powdered wig.Oil on canvas, 120.5cm by 100cm (2)The latter with indistinct label verso
Los 1122
Circle of William Dobson (1611-1646)Portrait of a gentleman with a white collar in a feigned oval, thought to be Sir Walter Hendley, Bt. (1612-1675) of Cuckfield of SussexOil on canvas, 71.5cm by 59cmBears Christie's stencil 171ES versoThis portrait is mentioned by John Jeremiah Daniell in his book "The Life of George Herbert of Bemerton", allegedly as a Van Dyck. Later attributed to both William Dobson and Cornelius Janssens, but declined by the National Gallery in the 1970's and called a fairly primitive hand from the 1650's or 1660's.Mentioned 1857, and in 1868 given to Nathaniel Woodward, founder of St. Nicolas College, Lancing, Sussex, by the senior Fellows of the college, thence by descent in the Woodward family. Christie's 29 June 1928 as W. Dobson.(Information from "A Life of George Herbert” by Dr Amy Charles published in 1977, where there is a discussion of the portrait, notes from the library at The National Portrait Gallery and Christie's catalogue 1928).
Los 368
Two limited edition volumes on 18th and 19th century portrait miniatures: 1. 'George Engleheart (1750 - 1829) Miniature Painter to George II' - G.C. Williamson and H.L.D. Engleheart (George Bell & Sons 1902), no.77 from an edition of 112 (some foxing). 2. 'Andrew & Nathaniel Plimer - Miniature Painters' - G.C. Williamson (George Bell & Sons 1903), no.194 from an edition of 365 (some foxing).
Los 271
TWO PICTURES, including L. COPPI (19th Century) watercolour - The Proposal, signed, in period giltwood & gesso laurel leaf frame, in velvet lined box frame, label verso inscribed 'originally in the collection of Burdett Coutts', 38 x 30cms, together with 19TH CENTURY ENGLISH SCHOOL pastel - head and shoulders portrait of a Regency-style lady in an oval gilt frame, 60 x 52cms (2)Comments: some foxing to the pastel
Los 361
‡ SIR KYFFIN WILLIAMS RA early period ink and wash - portrait, entitled verso 'Head of a Boy', signed fully in pencil and dated 1949, 39.5 x 31cmsProvenance: private collection West Sussex, consigned via our Cardiff office, labels verso for The Arts Council of Great Britain 'Portraits of Children' exhibition, label with the artist's Bisham Gardens address, label for Observer Exhibition 1950Comments: localised discolouration sl. framed and glazed
Los 58
LATE VICTORIAN EBONISED WALNUT & AMBOYNA WRITING DESK, superstructure with 3/4 brass gallery above twin cupboards applied with gilt metal and Sevres style oval porcelain portrait plaques, flanking central stationery compartment, triple panel top above two concealed frieze drawers on tapering stop fluted legs joined by bowed X-stretcher centered with urn, 101w x 62.5d x 120cms highComments: stretcher repaired, some metal appliques missing from the fluting, minor veneer losses to corners
Los 702
LOT OF MILITARY ITEMS,to include a Buying Permit with vouchers, June 1945, to JC Brown, a Philips War Map of Europe, 1945, showing all the army locations, a Royal Navy metal tobacco box, a collection of military coins, a quantity of 'Recordacao De Lisboa post cards and a framed portrait of a military personnel member
Los 165
A "Vienna" Porcelain Cabinet Place, circa 1900, decorated with a portrait of Madame Pompadour within a green border gilt with classical ornament, titled in black and shield mark in underglaze blue24.5cm diameterA Similar Plate, decorated with Ariadne within a lemon, pink, blue and gilt panelled border, titled in blue, marks in blue and gilt24cm diameter (2)Madame Pompadour - good condition, no damage or repair save for minor flakes to the foot.Ariadne - ditto
Los 343
A Pinchbeck Fob Seal, early 19th century, the oval chalcedony matrix carved with a classical maiden with an anchor representing Hope3.5cm highA Sardonyx Cameo, depicting a bust portrait of Zeus2cm highThree Further Hardstone CameosFourteen Various Hardstone Seal MatricesTwo Wax Seal Impressions, in cardboard containers (qty)Seal fob with some repairs to the mountCarnelian "justice" matrix with slight edge chipsTwo larger amber coloured matrix with edge chipsNo other noted issues
Los 354
English School (19th century): A Portrait Silhouette of Mrs Breckenridge, bust length in profile, her hair up, picked out in gilt bronzing, wearing a lace-trimmed white dress, oval, on card, in gilt frame, the reverse inscribed Profile of the late Mrs Breckenridge, Montreal, British North America, sister of my late wife when taken aged 30 years New York 18459cm by 7cm
Los 419
After Ann Mee: Miniature Bust Portrait of Admiral George Stewart, 8th Earl of Galloway, wearing naval uniform, oval, on card9cm by 7cmA Similar Portrait of Lady Jane StewardSimilar Portraits of Four Various Members of the Family, framed as one, in a giltwood and gesso shield shaped frame62cm by 48cm overall
Los 47
A Glass Goblet, possibly T&R Pugh, Dublin, circa 1870, the rounded funnel bowl engraved in the manner of Joseph Eisert with a bust portrait of Edmund Burke within a foliate cartouche, the reverse with title and date 1785, on a hollow double knop stem and circular foot24cm highA Similar Goblet, the ovoid bowl engraved with a bust portrait of Admiral Lord Nelson, the reverse with inscriptions dated 1805, on a hollow stem and circular foot23cm highAnother Goblet, engraved with a horse and jockey taking a fence23cm high (3)
Los 64
A Sunderland Lustre Queen Charlotte Commemorative Nursery Plate, circa 1818, transfer printed and overpainted with a bust portrait and inscribed GREAT BRITAIN MOURNS HER PRINCES WEEP within a fruiting vine border, impressed retailer's mark for Clarks China Shop, Glasgow17.5cm diameterA Pair of Plates, moulded and painted with bust portraits of Queen Caroline and George IV22cm diameter (3)Queen Charlotte - Some small rim chips and a foot chip. Crazed and pitted. General wear including the enamels. Retailers mark impressedGeorge IV - crazed and with glaze flakes, general wear Queen Caroline - broken and restored. Stained and with flakes and wearBoth plates with impressed manufacturers marks
Los 93
A Prattware Royal Commemorative Mug, circa 1790, moulded in relief with a portrait of the Duke of York and a group portrait to the reverse of the Royal Sufferers13cm highA Similar Tea Canister, moulded with a toper13cm highA Mexborough Type Money Box, modelled as a cottage with figures12.5cm (3)Mug - crazed, some staining and with glaze pitting to the underside.Tea canister - missing cover, crazed, some staining, slight foot chips.Money box - crazed and with some glaze cracks.No restoration.
Los 119
Birds.- Meinertzhagen (Colonel R.) Nicoll's Birds of Egypt, 2 vol., first edition, half-titles, portrait frontispiece (lower margin frayed), plates and illustrations, some light foxing, bookplate of Duncan Robert Mackintosh to front pastedowns, later cloth, original covers and spines laid down, rubbed, 1930; and 16 others on birds, including a typescript of a seemingly unpublished work by Israel Aharoni titled Birds of Palestine, 4to & 8vo (18)
Los 90
Hunter (John) The Works..., edited by James F.Palmer, 5 vol. including Atlas, first collected edition, half-titles in vol.2-4, vol.1 with engraved portrait and folding facsimile letter, Atlas with engraved portrait after Reynolds and 61 engraved or lithographed plates, 7 folding, some foxing, text ex-library copies with stamps, modern calf-backed marbled boards, spines gilt and slightly faded, [Wellcome III.318], 1835-37; Observations on Certain Parts of the Animal Oeconomy, first edition,18 engraved plates, contemporary ink inscription "Edward Johnstone M.D. Birm.m" to title, foxed, ex-library copy with stamps to plates, later cloth, rebacked in calf, [Wellcome III.317], 1786, 8vo & 4to (6)
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283284 Los(e)/Seite