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283287 Los(e)/Seite
Los 997
Full title: Flemish school, in the manner of Cornelis de Vos (1584-1651): Portrait of a lady, oil on canvas, 17th C.Description: Work: 107 x 76,7 cm Frame: 108,5 x 78,5 cm The painting 'Mis en etat de conservation par Paul Kiewert, Bruxelles, 1851'. Ref.: - About the restoration studio of Kiewert, see: G. Caupin, 'The Maison Kiewert Restoration Studio in Paris and the Practice of Active Conservation', Getty Research Journal, XV, 2022.
Los 397
Small round dish with dark blue matte finish; white foliate designs with profile portrait of Queen Elizabeth in relief.Made in honor of Queen Elizabeth's silver jubilee. Wedgwood backstamp. Issued: 20th c.Dimensions: 0.5""H x 4.25""Dia.Manufacturer: WedgwoodCountry of Origin: EnglandCondition: Age related wear.
Los 331
Xenia HausnerTen2019mit Acryl bearbeitete Chromolithographie auf Hahnemühle-Papier, Unikat; gerahmt74,5 x 121 cmBezeichnet und signiert unten mittig: Xenia HausnerPrivatbesitz, OberösterreichEine junge Frau, deren Gesichtsausdruck sich von Nachdenklichkeit bis zu Verzweiflung lesen lässt und den Betrachter emotional in seinen Bann schlägt, dominiert das farbgewaltige Bild. Sattgrüne Natur und bläuliche Farbfelder suggerieren eine tropische Umgebung und auch das unübersehbare Schild, das die Zahl Zehn trägt, sticht ins Auge. Mit expressivem Duktus und einer eindrücklichen Farbpalette setzt die Künstlerin Akzente in ihren malerischen Inszenierungen. Thematisch sind ihre Arbeiten oft rätselhafte Gesellschaftsbeschreibungen. Sie sind immer von weiblichen Protagonistinnen bevölkert die, anders als im klassischen Portrait, Rollen, ähnlich jenen in einem Theaterstück, in Hausners Bildkompositionen spielen. Beim Betrachten werden Assoziationen geweckt, die durchaus subjektiv sein können.Xenia Hausners Lithografien sind motivisch eng mit ihrer Malerei verbunden. Die auf hochqualitativem Papier gedruckten Arbeiten entstehen in Serien. Erst deren weitere Ausarbeitung macht jedes Werk zu einem Unikat. Innerhalb ihres Oeuvres bilden die handkolorierten Lithografien einen wichtigen Bereich. (Clarissa Mayer-Heinisch)
Los 37
Amedeo Modigliani zugeschriebenPorträt eines Mannes1917Bleistift auf Papier; gerahmt36,5 x 23,3 cm (Passep.-Ausschnitt); 39 x 25,7 cm (Blattgröße)Bezeichnet links unten: modiglianiDiverse alte Etiketten rückseitig auf alter Rahmenabdeckung: Hanover Gallery London, Stedelijk Museum Amsterdam, Bodley Gallery New York, Buscaglia-Castellani Art Gallery Niagara University New YorkGalerie Paquerau, Paris (1934);Hanover Gallery, London (Etikett rückseitig);Mrs. T. Stewart, London;Privatsammlung, Buffalo, New York;Sotheby's New York, sale no. 3987, 12.05.1977, Nr. 228 (dort: "portrait d'homme" mit der Provenienz "The Hanover Gallery, London" sowie dem Verweis "Exhibited Basel, Kunsthalle, 1934");Linda Hyman, New York;Hirschl-Adler Gallery, New York (1982);Jason Bloom (erworben 1982 von Hirschl-Adler Gallery);Sammlung Frank Morini, New York (erworben in den 1980er Jahren);im Erbgang an österreichische Privatsammlung1934 Basel, Kunsthalle, Modigliani, 7. Jänner bis 4. Februar, wohl Nr. 89 (ohne Abb.);Christian Parisot, Modigliani, Témoignages, Band IV, Livorno 1996, S. 217, (mit s/w Abb. S. 217, Titel dort: "portrait du peintre Ortiz", Datierung dort: 1915);Christian Parisot, Modigliani, Catalogue raisonné - dessins, aquarelles, Band III, Livorno 2006, S. 127, WV-Nr. 110/15 (mit Abb., Titel dort: "portrait du peintre Ortiz")
Los 1922
A USA gold John F. Kennedy commemorative medal, obverse with portrait and lifetime dates 1917-1963, reverse with Great Seal of the United States, edge numbered 'B 0359', weight 17.6g, with an associated 9ct gold pendant frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 1665
A Netherlands issue gold medallion commemorating the Six-Day War, obverse with portrait of Moshe Dayan facing right, reverse with kneeling soldier within Star of David, weight 15.2g, within a plastic wallet with certificate.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 1900
An Elizabeth II London Mint Office The Queen Elizabeth II Longest Reigning Monarch Portrait Collection eighteen-coin set, comprising an Anniversary of the Gold Sovereign double sovereign 1989, a four-coin Maundy set 2000 and thirteen silver and nickel metal crown-size coins, cased and boxed with booklet and certificate.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 1674
A bronze medallion commemorating the career of Arthur Duke of Wellington, obverse with portrait of the Duke facing left, reverse with details of his career.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 337
ENGLISH SCHOOL (MID-19TH CENTURY)A ROUNDEL DEPICTING A SERIES OF TONDOS WITH HISTORICAL EVENTS CENTRED BY A FULL LENGTH PORTRAIT OF QUEEN VICTORIA AND PRINCE ALBERTHistorical events including battles, martyrdoms and scientific discoveriesWatercolour, bodycolour, ink and collage Overall inc. frame 126 x 122cm (49½ x 48 in.)Condition Report: The work consists of 9 square sheets of paper laid on canvas, with the roundels on separate sheets. Several stains and areas of foxing. Signs of creasing and folding marks, mainly in the four corner sheets. Two large vertical tears in the upper and lower centre sheets. Please see additional images. Condition Report Disclaimer
Los 217
J.H. Bell (Bell of Bath) British, fl. (1798-1820) 'Mr. John Haygarth, FRS, FRSE (1740-1827), and his Wife,' pencil portrait, heightened, each approx. 16cms x 15cms (7 1/2'' x 6 1/2''), signed under mount in matching contemporary git frames. (2) * John Haygarth was an important 18th-century British physician who discovered new ways to prevent the spread of fever among patients and reduce the mortality rate of smallpox.
Los 316
Thomas Heaphy, British (1775-1835) "Lady Mary Seymour, (married John Dawson 1st Earl of Portarlington) of Emo Court," watercolour, depicting a young lady seated sketching a portrait with view of woodland and architectural portico beyond, signed lower right, approx. 26cms x 20cms (10" x 8"), in contemporary gilt frame, inscribed verso. (1)
Los 1
Follower of Pierre Gobert (Fontainebleau 1662-1744 Paris)Portrait of a lady, traditionally identified as Françoise d'Aubigné, Marquise de Maintenon, as Abundanceoil on canvas oval 81.6 x 64.5cm (32 1/8 x 25 3/8in).Footnotes:ProvenanceWith Harris and Holt, West Yorkshire.Purchased from the above by the present owner in 1998.For further information on this lot please visit Bonhams.com
Los 17
Charles A. Buchel (British, 1872-1950)Portrait of Philip, the artist's son signed 'BUCHEL' (upper left); signed and inscribed 'Philip' and with the artist's address (on artist's label attached to the reverse)oil on board40 x 29cm (15 3/4 x 11 7/16in).Together with another portrait, also thought to be Philip, signed and dated '1910' and in coloured chalks. (2)For further information on this lot please visit Bonhams.com
Los 185
A Napoleon III thuyawood, ebonised and 'bois durci' liqueur cabinet by Charles-Guillaume Diehl (German, 1811-1885),inset with shaped and rectangular panels, possibly by Francois Charles Lepageof rectangular form, the top inset with a panel depicting an oval of bacchic putti and a goat, the front with a panel decorated with an oval female profile portrait, possibly depicting the Empress Eugenie, the sides with foliate panels, the hinged lid and front opening to reveal a lift-out oval gilt framed tray stand with handle, enclosing a suite of four etched and cut-glass decanters and stoppers with gilt rims, and sixteen glasses ensuite, one as found, the lockplate with engraved maker's/retailer's mark, the cabinet, 27cm high, 38.5cm long, 30cm deepFootnotes:Bois durci was an early 'plastic' moulded material based on cellulose. Patented in Paris in 1855 by Francois Charles Lepage, 'literary man of Paris', he claimed 'A New Composition of materials which may be employed as a substitute for wood, leather, bone, metal and other hard or plastic substances'. The moulded material was made from finely ground wood 'flour' mixed with a binder, either egg, gelatin or in the case of Lepage, blood albumen which was obtained from the Paris slaughterhouses. The wood 'flour' used was either ebony or rosewood, giving either a black or brown finish. The mixture was dried and ground to a fine powder. The powder was placed in a steel mould and compressed in a powerful hydraulic press whilst being heated by steam. The final product was then polished to a dense glossy finish imparted by the surface of the steel mould. Lepage produced a variety of small household items including combs and pipe stems etc., and The SOCIETE DU BOIS DURCI was established to produce desk items, especially decorative inkwell stands and plaques. The factory was at Grenelle in Paris and products were sold through A Latry & Cie. of 7 Rue du Grand-Chantier, (Au Marais) in Paris. In 1862 he exhibited the wares of the Societé at the International Exhibition. By the end of the 20th Century, the firm had been taken over by MIOM (La Manufacture d'Isolants et Objets Moulés) which was founded in 1898. They continued to make bois durci until about 1920, by which time it had been superseded by newer plastics materials, such as bakelite.For further information on this lot please visit Bonhams.com
Los 19
Florentine School, 19th CenturyPortrait of a lady, thought to be Bianca Capello de Medicioil on panel 70.1 x 56.2cm (27 5/8 x 22 1/8in).Footnotes:ProvenancePrivate collection, Philadelphia.Anon. sale, Freemans, Philadelphia, 28 January 2014, lot 41.Private collection, UK. Purchased from the above sale.For further information on this lot please visit Bonhams.com
Los 203
Jean Joachim Supéry (French, 1905-1990): A sculpted limestone portrait bust of a young girlmodelled full face, with parted bobbed hair, the neck mounted on a plaster and marble base, 38cm high Footnotes:ProvenanceFrom the artist's studio, thence by descent.Joachim, the son of the sculptor Joseph-Louis Supéry (1867-1944), began his training at a very young age in his father's studio in Paris, before finishing his artistic education at the Ecole des Beaux Arts. Gaining attention for his stone creations he subsequently attracted the attention of the famous Art Deco sculptor François Pompon who took him under his wing and gave him numerous commissions. However this did not prevent the young sculptor exhibiting his own works at the Paris Salon from 1927 up until the start of the Second World War. Coincidentally the descendants of the sculptor still own his studio in Malakoff and the offered lot was by repute directly purchased from the family at the studio after his death.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 21
English School, 19th CenturyPortrait of a lady in an orange dressoil on canvas 127.3 x 101cm (50 1/8 x 39 3/4in).This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 3
English School, 18th CenturyPortrait of a gentleman, thought to be Francis Dreve, half-length, in a brown coat, within a painted oval bears inscription and date 'Francis : Dreve Esq/A:D. 1714/ AEt. 43' (on the reverse)oil on canvas76.2 x 63.2cm (30 x 24 7/8in).For further information on this lot please visit Bonhams.com
Los 367
Manner of Henry Jacob Burch (British, b.1763): Two early 19th century painted ivory oval portrait miniatures of a cleric and an officerthe first depicting a bewigged sitter in dark clerical garb looking to sinister, the other depicting a dark haired youth in navy blue uniform looking to dexter, the yellow metal frames with suspension loops, possibly mounted as mourning lockets with plaited hair to the rears, 10cm and 9.5cm high respectively (2)Footnotes:The items within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). The bewigged sitter Ref: KHL6R9LWThe dark haired youth Ref: TSK898X8This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Los 368
Marie Anne Fragonard (French, 1745-1823): 'Le Petit Ecolier', a watercolour on ivory painted oval portrait miniaturethe juvenile male sitter clad in a pale pink costume with frilled ruff and sky blue cloak, mounted within a beaded edged oval frame with laurel wreath and floral garlanded cresting, the rear backplate with ink inscription no 745, 77:84 (?) Fragonard Le petit Ecolier, and circular suspension hook, 7cm x 6cm, the frame, 12cm x 9.5cm Footnotes:Provenance Sold with an invoice for £147 from Christie, Manson & Woods, 8 King Street, St. James, London dated 28/10/70 for Lot 42 'Le Petit Ecolier' by Fragonard, stamped and dated 'Paid by cheque, 30 Oct 1970'.The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10), self-declaration ref: Ref AX9U19BY.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Los 4
Follower of Sir Anthony van Dyck (Antwerp 1599-1641 Blackfriars)Portrait of King Charles I, half-length, in armour with a white lace collar; Portrait of Henrietta Maria, half-length, in a black and gold dress with a white lace collar, a pair oil on panel31 x 25.7cm (12 3/16 x 10 1/8in). (2)For further information on this lot please visit Bonhams.com
Los 409
A Regency rosewood and tulipwood banded breakfast or centre tableCirca 1815, the circular tilt-top with a reeded edge above a plain frieze with a beaded lower edge, on a square section beaded panelled column, the concave quadripartite and elongated lozenge inlaid base with a reeded upper edge, over roundel headed angles, terminating in four hipped outswept legs with brass foliate cast cappings and castors, approximately: 126cm wide x 124.5cm deep x 73cm high, (49 1/2in wide x 49in deep x 28 1/2in high)Footnotes:Provenance It is firmly believed by the family of the current owner and vendor that the offered lot was probably originally the property of John Palmer (1742-1818); an interesting historical figure and twice mayor of Bath, who also served as MP there, during the late 18th and early 19th century period.Following this supposition, the table must have been given in later years to John's son, Edmund Palmer, and thereafter passed by descent within the family to the current owner and vendor's maternal grandmother, nee Enid Palmer.A portrait of John Palmer (by Gainsborough Dupont) and a small table previously donated to the Earl St. Vincent by Edmund Palmer were inherited, together with the present lot, by the vendor from his maternal grandmother. It is interesting to note that the small table had been constructed from the timbers of 'Etoile', a French frigate built in the early 19th century.John and Edmund PalmerAside from his aforementioned political career and civic positions, John Palmer was an important innovator and reformer of the British postal system, as well as being the owner of two major theatres in England. Palmer was responsible for devising a far more efficient method of delivering the mail than had previously been employed, and this was implemented by means of the widespread use of stage coaches. This in turn led in 1786 to his appointment as 'Comptroller General' of the Post Office.Although John Palmer received the freedom of a great number of towns and cities in recognition of his pivotal role in revolutionising Royal Mail, he was also renowned as a key individual within the National theatre. Having inherited, as the eldest son in the family, his father's Old Orchard Street theatre in Bath, John sought and was subsequently granted a Royal letters patent for it in 1768. This allowed for the use of the title 'Theatre Royal', the first instance until then of such an occurrence outside London. And it effectively led to Palmer securing a monopoly of all theatres and playhouses in Bath.Following the acquisition of another theatre, albeit one located in Bristol, Palmer then obtained the same patent as before for this second location, resulting in, from 1778 onwards, the new venue being referred to as the 'Theatre Royal, Bristol'. After his father's retirement in 1776, John gained full ownership of the patent, whilst continuing to manage the theatres for a further decade, or thereabouts.It is interesting to note that these two Theatre Royals both used the same acting company which meant that actors, as well as props and other stage materials, not only had to travel fairly long distances frequently, but also rapidly and in relative safety. In order for this to be achieved, John Palmer established an efficient coach system operating between the two locations in Bath and Bristol, and it seems likely that this was even the inspiration behind the brilliant mail coach service that he later developed across the country.John's son, Edmund Palmer, served as a naval captain and went on to have an illustrious career in the navy. He married the niece of the Earl St. Vincent, Admiral John Jervis. The aforementioned gift of a small table was given to the Earl St. Vincent by Edmund, although the reasons for this are neither known nor documented. This table had evidently been made according to Edmund Palmer's wishes from the timbers of the frigate, 'Etoile'.It was whilst under Captain Edmund Palmer's command, on 27 March 1814, that the British frigate called 'Hebrus' defeated the former French frigate during what turned out to be the final frigate ship-to-ship engagement of the Napoleonic wars. And thus it was that the table could be subsequently constructed from the captured 'Etoile'. A print of this particular conflict, known as the Battle of Jobourg, together with correspondence and other memorabilia pertaining to the Earl St. Vincent, had been included as part of the Palmer familial inheritance. Somewhat untypically for the time, Edmund Palmer turned down a knighthood for this heroic action and it is thought by many people that he was at least one of the later inspirations behind the popular and rightly esteemed central character within the series of Hornblower novels, written by C.S. Forester during the 20th century.This lot is subject to the following lot symbols: TP YTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Los 440
A large late 19th century Meissen porcelain mythological figural groupafter the 18th century model by J.J. Kändler,modelled as a winged figure of Father Time holding an oval grisaille portrait of Augustus III reserved on a pink ground, flanked by a classical figure with flying drapery standing on a winged globe before a rockwork, palm tree and cloud finial surmounted by a further classical maiden, possibly depicting Victory holding a trumpet and laurel wreath, the corresponding naturalistic base centred by a crowned armorial cartouche with various trophies flanked to one side by a putto, the whole enamelled in pastel colours, the underside with underglaze blue crossed swords mark with three scratched cancellation marks, incised model number A 80 and impressed number 28, 38cm highFootnotes:The portrait depicts Augustus III, the armorial depicts the Meissen crossed swords mark and the Saxon coat of arms, the original 18th century model was created for the name day of Franz Xaver, Prince of Saxony and Poland, on December 3rd 1765, and was meant to depict the glory of the electorate of Saxony.For further information on this lot please visit Bonhams.com
Los 472
A Victorian silver mounted Essex Crystal 'dog portrait' scent bottleSampson Mordan & Co, London 1883 Circular cylindrical form, the silver mounted hinged cover inset with a domed Essex crystal featuring a hand painted portrait of a brown and white dog within, opening to reveal a gilt interior and a glass stopper with serrated edge, the rest of the bottle in heavy plain glass, height 7cm, diameter 3cm.Footnotes:'Essex Crystal' pieces are formed from a rock crystal cabochon (polished domes of rock crystal with a flat base), whereupon an image or motif is reverse carved into the flat base and then meticulously painted. This technique gives the impression of a three dimensional object or floating image encapsulated in the cabochon, especially when viewed from above. The process of carving into the back of the cabochon is referred to as a 'reverse carved intaglio' and this process was created in the 1860s, in what is known as the 'High Victorian Era'. This was a time of increased prosperity and as a consequence there was a higher demand for jewels, eye-catching adornment and novelty items. Peter Hinks in Nineteenth Century Jewellery observes that 'a new adventurousness in the treatment of gems' was very much present in the 1860s and 70s, with reverse carved intaglios one of the most adventurous!For further information on this lot please visit Bonhams.com
Los 668
A pair of Victorian silver sauceboatsJohn Samuel Hunt, London 1843, also stamped HUNT & ROSKELL LATE STORR, MORTIMER & HUNT Rococo form, oval with applied acanthus scroll shaped rim, the sides with inverted flutes issuing from the upswept scroll back, leaf-capped scroll handle on four rococo style scroll feet, the front with engraved crest, on a mount vert a fern brake surmounted by a dove volant in its beak a laurel branch proper, the wings a semee of estoiles or., all within scroll mantling, length 20cm, weight 34.8oz.Footnotes:ProvenanceFrom The Silver Collection of Dr Andrew J RaineyThis is probably the crest of Sir Albert Abdullah David Sassoon, 1st Baronet, KCB, CSI (25 July 1818 – 24 October 1896) was a Baghdad-born businessman and philanthropist.He was the eldest son of David SASSOON and Abdallah JOSEPH of Baghdad and in 1838 married Hannah Meyer MOSES whose father was Meyer MOSES of Bombay. In 1890 he was created 1st Baronet and died at his house, 1 Eastern Terrace, Brighton, on 24th October 1896. The ancestry of his family is to be found in Sason, a town in Norther Kurdistan. A caricature portrait in 'Vanity Fair' (16 Aug. 1879) entitled him 'The Indian Rothschild.'For further information on this lot please visit Bonhams.com
Los 765
A commemorative set of silver ingots celebrating '1000 years of British Monarchy'John Pinches, London 1975, limited edition numbered A cased set of fifty silver ingots, each struck with a portrait and scene of a British monarch, representing the monarchs from '973 to 1973', all contained in a fitted walnut display case, together with a historical commentary by Sir Arthur Bryant published as a companion, plus the official certificate, weight each ingot 2.1oz.For further information on this lot please visit Bonhams.com
Los 766
A commemorative set of silver ingots celebrating '1000 years of British Monarchy'John Pinches, London 1973, limited edition numbered A cased set of fifty silver ingots, each struck with a portrait and scene of a British monarch, representing the monarchs from '973 to 1973', all contained in a fitted walnut display case, together with an official certificate, weight each ingot 2.1oz.For further information on this lot please visit Bonhams.com
Los 89
A late 19th/early 20th century carved alabaster figure of Paolina Borghese as Venus Victrix (Venus Victorious)after Antonio Canova (Italian, 1757-1822)the semi-nude figure clad in drapery and reclining on a cushioned classical chaise, the front with fringed drapery, 46cm high, 56cm wide, 18cm deep approximatelyFootnotes:Paolina Bonaparte was the most popular and eligible of Napoleon's siblings. Her first husband, a high officer of the revolution died just a few months after their marriage. Paolina then married Prince Camillo Borghese, who commissioned the sculpture of his new wife. This portrait, executed between 1804 and 1808, was modeled by Canova to evoke The Venus Victrix. In this story of the Judgment of Paris, Paris settles a dispute between Juno, Minerva and Venus by bestowing a golden apple on the victor,This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 93
A collection of five third quarter 19th century 'Parian ware' portrait busts comprising two busts depicting Prince Albert and three further busts depicting Princess Alexander, the Duke of Wellington and Felix Mendelsonall with impressed marks, some with factory marks, date publication marks and Crystal Palace Art Union marks, the busts all raised on circular or square socle basesthe busts of Prince Albert comprising one attributed to Copeland after Marshall Wood and a further bust attributed to Worcester after E.J.Jones, the bust of Princess Alexander by Copeland after Felix Martin Miller, the bust of the Duke of Wellington attributed to Coalport after Joseph Pitts, the bust of Mendelson by Robertson and Leadbetter, 30.5cm high, 23cm high, 30.5cm high, 23cm high and 20cm high respectively (5)For further information on this lot please visit Bonhams.com
Los 8005
FREDERICK MANSFIELD LUTYENS (1860-1924) An oil on canvas - 'Lily Of The Dale', portrait of a horse and handler. Signed bottom right and dated 1886. Set in an ornate gilt frame and glazed. Details verso. Image size 62.5cm x 75cm Repairs to canvas on the reverse. There is a noticeable vertical line going down the horse from its shoulder down to its foot, it looks like it has white mould around it, There is quite a bit of craquelure all over and what looks like some scratches down near the signature coming up form the bottom around 3-5cm.
Los 8036
HARRY FRANK CUTTING (1865-1955 Suffolk artist): Half length portrait of Harry Cutting's wife Anne Eliza dressed to work in the fields, carrying a rake over her shoulders. Oil on canvas (cut down at edge). Harry Cutting b. Beccles 9/10/1865 son of William Cutting, a solicitors clerk and Anne Elizabeth. Image size 52cm x 42cm
Los 166
CUFFLINKS. A pair of early 20th century brass cufflinks, each with a celluloid portrait of an Edwardian lady. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
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283287 Los(e)/Seite