* Spanish playing cards. A deck of playing cards, Barcelona: Torras Y Sanmartí, 1831, forty-eight wood engraved cards with stencilled colouring (complete), comprising four suits of twelve (national suits), each with ace, pip cards 2-9, and three full-length court cards (king, knight, jack), 4 of cups with device of a horse between two towers and bearing the tax collector’s signature, 5 of swords with colouring a little smudged, blue patterned versos, 90 x 60mm (3.5 x 2.25ins), together with a collection of 18 circular black pressed glass gaming counters, 1 bearing an incised illustration of a classical building (made into a button), and 17 bearing a recessed relief head portrait, comprising 8 identical of a bearded man in a hat, 1 of a bearded gentleman wearing a helmet (made into a button), and 8 identical of a young lady, latter each with curious illustration of 2 circus figures incised on reverse, all with small hole drilled through side, diameter 22mm (.75ins)Qty: (2)NOTESProvenance: Collection of Jack Webb (1923-2019), London.
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Harris (John & Wallis, John, publishers). Historical Pastime or a New Game of the History of England from the Conquest to the Accession of George the Third, London: J. Harris & J. Wallis, December 1st, 1803, hand-coloured engraving, comprising 157 circles, terminating in an oval portrait of King George III, divided into twelve sections and mounted on linen, lightly toned, 565 x 535mm (22 x 21.25ins), together with 47pp. booklet Rules and Directions for Playing the Historical Game..., London: J. Harris & J. Wallis, 1808, in original buff wrappers with printed oval label to upper cover, housed together in original cardboard slipcase, with printed paper label, rubbed and wornQty: (1)NOTESWhitehouse p.27-28. This historical race game has 158 playing spaces numbered in a clockwise direction. They represent events and characters in English history from William I to George III. The game was devised specifically for the education of young children and the author of the booklet was very keen that children should benefit from playing the game. He hopes that 'the hours he has devoted to the formation of this little Scheme, have not been spent in vain'. John Harris took over the publishing firm of Elizabeth Newbery in 1801, primarily producing games, but also a few dissected puzzles. His address was the same at the Corner of St. Paul's Churchyard with the title `Original Juvenile Library'. In 1843 he sold the business to Grant & Griffiths.
Collins (Wilkie). Poor Miss Finch, 3 volumes, 1st edition, London: Richard Bentley & Son, 1872, bound without advertisement leaf at end of volume I, Philosophers' Reference Library stamps to p.111 in volumes I & II & erased from p.111 of volume III, the stamps also bleached out from foot of titles and front blanks, occasional minor spotting, modern red half calf, spines with black and burgundy labels, 8vo, together with The Black Robe, 3 volumes, 1st edition, London: Chatto & Windus, 1881, half titles, 6 pp. & 32 pp. advertisements at end of volume III, occasional spotting and stains, foliate patterned endpapers, original black cloth, upper covers titled with robe design, spines lettered in gilt, Mitchell's Royal Library labels at head of upper covers, a little rubbed, 8vo, plus The Evil Genius. A Domestic Story, 3 volumes, 1st edition, London: Chatto and Windus, 1886, half titles, 32 pp. advertisements at end of volume III, occasional light toning and soiling, modern black half calf, spines with black and burgundy labels and gilt decoration, original cloth covers and spine bound-in front and rear of each volume, 8vo, plus The Woman in White, 2nd 1 volume edition, London: Sampson Low, 1862, half title, small oval albumen portrait with facsimile signature,additional engraved title (dated 1861), 1 pp. & 16 pp advertisements at end, water stain to first few leaves, some light spotting, contemporary owner inscriptions, original blindfstamped cloth, spine faded and repaired, a few small stains, 8voQty: (10)
Dickens (Charles). The Life and Adventures of Nicholas Nickleby, with Illustrations by Phiz, 1st edition, early issue, London: Chapman and Hall, 1839, bound from the parts, the 19 original printed front wrappers bound-in at rear (close-trimmed at fore-edge, a few lightly cropped), engraved portrait frontispiece, 39 etched plates by Hablot K. Browne, plates generally toned, some spotted, modern sprinkled green half calf, spine with gilt decorated raised bands and gilt lettering, 8voQty: (1)NOTESEckel pp.64-66; Gimbel A40. Early state: all plates before p.45 with publisher's imprint, plate facing p.457 with longer caption, p.123 with 'visitor' uncorrected, p.160 with 'latter' uncorrected (with neat manuscript correction). However,the caption 'Nicholas instructs Smike .... does agree with the list of plates.
![Fenn (George Manville). George Alfred Henty. The Story of an Active Life, 1st edition, London: Blackie and Son, [1907], portr](https://cdn.globalauctionplatform.com/a83f8a98-ef22-4386-8e98-ac9400fa1bd0/f70a3d38-6d32-451b-bbab-ac950130aa8e/468x382.jpg)
Fenn (George Manville). George Alfred Henty. The Story of an Active Life, 1st edition, London: Blackie and Son, [1907], portrait frontispiece, 10 half-tone plates, one folding, occasional minor spotting, top edge gilt, original decorative maroon cloth gilt by Talwin Morris, spine a little faded and rubbed at ends, 8vo, together with two others by George Henty, Blackie's Colonial Library editions: A Final Reckoning. A Tale of Bush Life in Australia, 1896, and The Dash for Khartoum (with front endpaper renewed), circa 1896, both in decorative green bindings designed by Talwin Morris, 8voQty: (3)NOTESNewbolt p. 69, 29.3, 53.3 respectively. Only four Henty titles were reproduced for Blackie's Colonial Library, the other two being With Clive in India, and When London Burned.
![[Fitzgerald, Edward]. Rubaiyat of Omar Khayyam, the Astronomer-Poet of Persia. Rendered into English Verse, 3rd edition, Lond](https://cdn.globalauctionplatform.com/a83f8a98-ef22-4386-8e98-ac9400fa1bd0/393d0bc9-a10a-46bd-99c1-ac950130ab13/468x382.jpg)
[Fitzgerald, Edward]. Rubaiyat of Omar Khayyam, the Astronomer-Poet of Persia. Rendered into English Verse, 3rd edition, London: Bernard Quaritch, 1872, pp. xxiv 36, contemporary ownership inscription to title-page, bookplate, front inner hinge partly cracked, contemporary quarter roan, 4to, together with: ibid. Rubaiyat of Omar Khayyam, London: Macmillan and Co., 1890, original japon gilt, 8vo, Watson (William). Lachrymae Musarum, 1st edition, London: for private distribution, 1892, printed on japon, 18 pp., wood-engraved frontispiece, portrait of Tennyson, original japon, slightly soiled, 8vo, number 74 of 100 copies only, Tennyson (Alfred, Lord). The Death of Oenone, Akbar's Dream, and Other Poems, London: Macmillan and Co., 1892, 5 steel-engraved portraits (mounted), unopened, original cream cloth, soiled, upper fore corner of front board bumped, large 8vo, number 135 of 500 large-paper copies, Masefield (John). Right Royal, London: William Heinemann, 1920, partly unopened, original quarter japon, 8vo, number 450 of copies, and 11 others similar, all late-19th and early-20th century English literature (mainly poetry, some drama), limited editions or finely bound, including Bullen, More Lyrics from the Song-Books of the Elizabethan Age, 1888 (number 59 of 250 copies), Bertram Dobell, Rosemary and Pansies, 1901 (not for sale: one of 75 copies), 3 other Masefield limited editions, and similarQty: (16)
* Casals (Pablo, 1876-1973). Catalan Cellist, Composer and Conductor. Signed portrait, 1955, head and shoulders portrait of the cellist with his left hand visible on the cello, woodcut by F. Miro, signed and inscribed to the lower margin, 'To Mr Kelleth [six] Powers with kindest regards - Pau Casals 1955', a little spotting, 30 x 21 cm, framed and glazedQty: (1)
![* Coster (Howard, 1885-1959). Portrait of the Politican David Lloyd George (1863-1945, Prime Minister, 1916-1922), [1934], ge](https://cdn.globalauctionplatform.com/a83f8a98-ef22-4386-8e98-ac9400fa1bd0/e1ed025b-9539-46ed-a021-ac950130c104/468x382.jpg)
* Coster (Howard, 1885-1959). Portrait of the Politican David Lloyd George (1863-1945, Prime Minister, 1916-1922), [1934], gelatin silver print, head and shoulders portrait looking slightly up, image 15 x 10 cm, housed in Coster's original card mount with studio label to the reverse and signed on the mount immediately beneath the image by both photographer (in pencil) and sitter (in black ink), 'Howard Coster, London', and 'D. Lloyd George', a few minor spots and marks to mount, not affecting signatures, overall 28 x 20.5 cmQty: (1)
* Elgar (Edward, 1857-1934). English Composer. Autograph Musical Quotation signed, 'Edward Elgar', 5 September 1901, 4 bars on a hand-drawn stave in brown ink with bold signature and date beneath, some light spotting, dust-soiling and creasing to paper, 16 x 20 cm, mounted with a reproduction photographic portrait, framed and glazed with old typed caption label to versoQty: (1)NOTESThe Dream of Gerontius was first performed in Birmingham in 1900.
* Milstein (Nathan, 1903-1992). Russian-American violinist. An unpublished and undocumented autograph working sketch-leaf for two realisations of violin sonatas by Antonio Vivaldi, no place, no date, 40 bars in blue ballpoint pen and pencil, 1 page, folio (32 x 24 cm), mounted together with a head and shoulders publicity portrait of Milstein from a photograph, signed 'N Milstein' in blue ballpoint pen in blank white area beneath image, the 2 items attractively mounted together with a caption, framed and glazed, overall 48 x 53 cmQty: (1)NOTESThe 5 bars in pen relate to the fourth movement Giga (Allegro) of Vivaldi’s Sonata in D minor Op. 2 no. 3, whilst the 35 bars in pencil relate to another unidentified Sonata for Violin and Piano by Vivaldi (most likely a Grave movement or Sarabande). Although Nathan Milstein composed original works and arranged music by other composers, it is not documented that he ‘realised’ any sonatas by Antonio Vivaldi. A rare and important manuscript.
Rachmaninoff (Sergei, 1873-1943). Russian Composer, Pianist and Conductor. Signed programme, 'S Rachmaninoff', International Celebrity Subscription Concert, Wigmore Hall, London, [1937/38 Concert Series], 12-page printed programme, signed in blue ink vertically to left margin of the photographic portrait of Rachmaninoff, printed wrappers, a little soiling, staple rusted and contents now detached, 8voQty: (1)NOTESIn this London recital Rachmaninoff played works by Beethoven, Chopin, and Liszt, as well as four of his own Etudes - Tableaux Opus 33.
* Stravinsky (Igor, 1882-1971). Russian-born Composer, Pianist and Conductor. Signed portrait, 'I Stravinsky, Rio, le 11.VI.36', vintage gelatin silver print photograph, head and shoulders portrait in part profile with shadow [by George Hoyningen-Huene, 1934], inscribed and signed in blue ink to lighter upper right-hand area of photograph for [indecipherable first two names] Baruro, image 8.5 x 13.5 cm, original mount, framed and glazedQty: (1)
Lawrence (T.E.) Crusader Castles, 2 volumes, Golden Cockerel Press, 1936, numerous maps, plans and illustrations, 2 folding maps contained in separate folder, small folding prospectus loosely inserted, top edge gilt, original red half morocco by Sangorski & Sutcliffe, slight fading to spines, slight fading and soiling to cloth covers, 4to, limited edition 879/1000, together with Lawrence (T.E.) Secret Despatches from Arabia. Published by Permission of the Foreign Office, Golden Cockerell Press, [1939], collotype portrait frontispiece, top edge gilt, original black morocco-backed boards, some toning to half of upper cover, small indentation to lower cover, 4to, limited edition 201/1000, plus Seven Pillars of Wisdom, 1st trade edition, 1936Qty: (4)
Wood Lea Press. The Wood-Engravings of John Nash, compiled by Jeremy Greenwood, The Wood Lea Press, Liverpool, 1987, portrait frontispiece, colour and monochrome illustrations, original cloth-backed boards, slipcase, folio, limited edition of 750, together with The Wood-Engravings of Paul Nash, compiled by Jeremy Greenwood, Wood Lea Press, 1997, colour and monochrome illustrations, original cloth-backed boards, slipcase, folio, limited edition of 490Qty: (2)
Brooke (Rupert). 1914 and Other Poems, 1st edition, London: Sidgwick & Jackson, 1915, portrait frontispiece by Sherril Schell, spare label tipped-in at end, a little light spotting to fore edges, front endpaper with light partial offsetting, original cloth, paper label to spine, dust jacket, spine rubbed with some toning, repairs to verso, a few small tears and marks, contained in chemise and contemporary green morocco-backed slipcase (spine a little darkened and rubbed), 8voQty: (1)NOTESKeynes 6. 1000 copies printed.
![Douglas (Norman). D.H. Lawrence and Maurice Magnus: A Plea for Better Manners, 1st edition, privately printed, [Florence], 19](https://cdn.globalauctionplatform.com/a83f8a98-ef22-4386-8e98-ac9400fa1bd0/3273fd59-e9e8-4cd4-a43f-ac95013136b4/468x382.jpg)
Douglas (Norman). D.H. Lawrence and Maurice Magnus: A Plea for Better Manners, 1st edition, privately printed, [Florence], 1924, portrait frontispiece (some spotting), a few marginal pencil lines, author's signed and inscribed dedication to Julian Street, dated November 1925 to title, 'In memory of certain days at Capri, twenty years ago', together with a tipped-in Autograph Letter Signed from Norman Douglas to Julian Street, c/o Thomas Cook, Florence, 7 November 1925, sending him this copy of the pamphlet he mentions, 'It was written in a devil of a hurry (and a hell of a rage, I should add); there is a better version of it now appearing in a book of mine called Experiments', saying that he well remembers their life on Capri, referring to Coleman and Miss Neville, before asking whether he will ever come to Europe again, one page, 4to, publisher's printed pink slip tipped-in at front, original printed wrappers in original mailing envelope addressed to Julian Street in Princeton, New Jersey, plus a second Autograph Letter Signed from Douglas to Mrs Andrews, Florence, 12 October 1927, asking her to welcome Julian Street to Capri who she may 'remember meeting, in the good old Booth Tarkington days', one page, 4to, plus: [Magnus, Maurice], Memoirs of the Foreign Legion by M.M., with an Introduction by D.H. Lawrence, 1st edition, Martin Secker, 1924, rough-trimmed, a little spotting, original cloth (a little marked) in rubbed and soiled dust jacket with tape repair at foot of spine verso, 8vo, the items in a purpose-made cloth chemise and red quarter morocco gilt book box, cloth sides somewhat damp marked, plus a second copy of the Douglas pamphlet (privately printed, 1925), original printed wrappers, some soiling and slight wear, spine crudely taped, 8voQty: (4)
Fermor (Patrick Leigh). A Time of Gifts, 1st edition, London: John Murray, 1977, portrait frontispiece, double-page map, inscription erased at head of front endpaper, original blue cloth gilt, price-clipped dust jacket, spine a little faded and rubbed at ends with small tears, 8vo, signed by the author to title, together with Psychoundakis (George). The Cretan Runner. His Story of the German Occupation, translation and introduction by Patrick Leigh Fermor, 1st edition, London: John Murray, 1955, map and half-tone illustrations, a little light spotting, original cloth, price-clipped dust jacket, small repairs to verso, signed to title by Patrick Leigh Fermor, plus Thesiger (Wilfred). Arabian Sands, 1st edition, London: Longmans, 1959, folding map contained in rear pocket, maps and illustrations, original cloth, price-clipped dust jacket, edges slightly rubbed, 8vo, signed by the author to the folding map in rear pocket, 8vo, plus In Tearing Haste. Letters between Deborah Devonshire and Patrick Leigh Fermor, edited by Charlotte Mosely, 1st edition, 2008, signed by Patrick Leigh Fermor, Deborah Devonshire, Charlotte Mosely and Tom StoppardQty: (4)
Fleming (Ian). On Her Majesty's Secret Service, 1st edition, limited issue, London: Jonathan Cape, 1963, colour frontispiece portrait of Ian Fleming from the painting by Amherst Villiers, top edge gilt, original parchment-backed black cloth, upper cover with 'ski-track' design in white, original acetate wrapper, tiny nicks at foot of spine and folds, 8voQty: (1)NOTESGilbert A11a. Limited edition 150/250, signed by the author. A fine copy of the only limited signed edition 'James Bond' book.
Lewis (Clive Staples, 1898-1963). British Author and Theologian. Religio Medici and Other Essays by Sir Thomas Browne, [The Books of the Verulam Club], Chapman & Hall, [1910?], portrait frontispiece, [231] pp., occasional marginal pencil lines in an unidentified hand throughout, and one pencil note 'Antinomies Page 41' to rear endpaper verso, seemingly in Lewis's hand, small brown spot to lower outer corners of pp. 60-63, dated ownership signature of 'C.S. Lewis [April 1919]' in brown ink to front free endpaper, partly uncut, original boards with gilt motif to upper cover and printed paper label to spine, rubbed and partly browned, spine darkened and missing uppermost compartment, 8voQty: (1)NOTESThe numbered ink footnote on p. 29, written in C.S. Lewis’s small and exceptionally neat hand, is a quote from St Augustine’s Confessions: ‘Et eunt homines mirari alta montium et ingentes fluctus maris et latissimos lapsus fluminum et oceani ambitum et gynos siderum et relinquunt se ipsos nec mirantur. (Augustin.Conf.X.viii.15). Cf Davies Nosce Teipsum. Introd.p.49.’ Saint Augustine wrote his autobiographical work, Confessions, between CE 397 and 400. The Loeb Classics translates this phrase as: ‘People go off to marvel at the height of mountains and the great waves of the sea and the broad courses of rivers, and the flow of the ocean, and the circuits of the stars: but they neglect themselves.’ Sir John Davies (1569-1626) was an English poet, lawyer and politician. His most famous poem, Nosce Teipsum (Know thyself), was published in 1599. The pencil marks and notes are also believed to be in Lewis’s hand, though the notes at the end of Religio Medici, ‘Read the second time Oct. 26th 1924’ (p. 136) and Hydriotaphia, ‘Oct 26th 1824 2nd time. Feb 26th 1926 3rd time’ (p. 198) are less typical of his hand. The final pencil note, ‘Antimonies p. 41’ on the rear endpaper verso is more clearly in Lewis’s hand with the exaggerated upstroke of the letter 'p'. The Marion E. Wade Center at Wheaton College, Illinois, has a marked-up 3-volume Works edition of Thomas Browne, edited by Charles Sayle, Edinburgh: J. Grant, 1927 (PR3327.A16 S3 1927), and it is probable that Lewis let this earlier edition go after he acquired the newer and more complete edition. Lewis was a life-long fan of Thomas Browne and considered his writings among the 'great triumphs' of English prose. It is not surprising to therefore see so many marginal pencil marks.
O'Brian (Patrick). Patrick O'Brian. Critical Appreciations and a Bibliography, edited by A.E. Cunningham, Boston Spa, Wetherby: The British Library, 1994, colour portrait frontispiece, half-tone illustrations, all edges gilt, original half morocco by Cedric Chivers, Bath, slipcase with mounted colour illustration, 8voQty: (1)NOTESLimited edition 36/50, signed by the author from a total edition of 1300.
Saville (Malcolm). Lone Pine adventure series, complete in 20 volumes, mixed editions, 1943-2005, comprising Mystery at Witchend, 1st edition. 1943; Seven White Gates, 2nd edition, 1945; The Gay Dolphin Adventure, 1st edition, 1945; The Secret of Grey Walls, 4th impression, 1954; Lone Pine Five, 1st edition, 1949; The Elusive Grasshopper, 1st edition, 1951; The Neglected Mountain, Children's Book Club edition, circa 1953; Saucers Over the Moor, 1st edition, 1955; Wings Over Witchend, 1st edition, 1956; Lone Pine London, revised edition, 1970; The Secret of the Gorge, 1st edition, 1958; Mystery Mine, 1st edition, 1959; Sea Witch Comes Home, 1st edition, 1960; Not Scarlet But Gold, 1st edition, 1962; Treasure at Amorys, 1964; Man With Three Fingers, 1966; Rye Royal, 1st edition, 1969; Strangers at Witchend, 1st edition, 1970; Where's My Girl, 1972, and Home to Witchend, 4th edition, Richard Griffiths, 2005, illustrations by G.E. Breary, Bertram Prance, Terence Freeman and Michael Whittlesea, map endpapers, occasional minor spotting, one or two previous ownerr inscriptions, original cloth, some light spotting and fading to a few spines, dust jackets (except for Mystery at Witchend, Lone Pine Five, The Secret of the Gorge and Not Scarlet But Gold), a few tears, losses and creases to early titles, Strangers at Witchend jacket adhered to covers with clear tape, Sea Witch Comes Home price-clipped, 8vo, together with 15 others by Malcolm Saville plus a George Newnes collotype publicity portrait card of the author, signedQty: (36)
TUNNICLIFFE, CHARLES FREDERICK; a group of books and related publications, including 'Shorelands Summer Diary', 'Shorelands Winter Diary', 'Mereside Chronicle', 'Tunnicliffe's Bird Life' by Knowle Cusa, a Sotheby's hardback catalogue for a C.F. Tunnicliffe sale dated 22nd November 1995, 'Portrait of a Country Artist' by Ian Niall, 'Lorna Doone' by R.E. Blackmore, The story Babar Jean De Brunhoffand further books including a run of Ladybird nature books.Additional InformationMixed condition, some bindings heavily worn, dust jackets where applicable with tears, creasing, dirt and discolouration, etc.
ATTRIBUTED TO SAM PROUT; watercolour, ‘Chartres Cathedral’, unsigned, 18 x 13.5cm, together with a 19th century oil on board depicting a portrait of a young boy, bears ‘Improved Flemish Ground Millboards’ label verso, 25.5 x 20cm and a watercolour by W Sands of St Ives, Cornwall (3).Additional InformationThe small oil with central scratch, craquelure to the oil, it is unframed, there is an edge which has been folded and touched up, traces of tape to the bottom edge. The watercolours with general wear, especially to the frames. The Prout example with a couple of areas of foxing.
19TH CENTURY ENGLISH SCHOOL; oil on canvas, portrait of a gentleman, 76.5 x 63.5cm, unframed.Additional InformationThe oil is very very dirty indeed, losing a lot of the definition in the mage. It does not appear to be signed, it is original, has not been messed about with, but is very dirty with craquelure and lots of surface wear.
W MASON; chalk and pastels, portrait of a young girl, signed, 27.5 x 21cm, framed and glazed. (D)Additional InformationImage slightly rippled but appears to be in good condition. Some scuffs to frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
18th Century English School Portrait of Samuel Foote (1720-1777), pastel, the sitter with a raised right hand in a contemplative pose, 58cm x 47.5cm in original gilt frame, with loose paper label verso with hand written inscription '' Samuel Foote (1720-1777) Actor and Dramatist, Student at Worcester College, Oxford and at the Temple, London; Built the New Haymarket Theatre, 1767, Buried in Westminster Abbey.''
French - Early 19th Century Superb Quality - Signed Portrait Miniature on Ivory of A French Noble Lady. Signed to Bottom Right. The Miniature Painting Is Inlaid to Cover, of a Superb Quality Carved Ivory Ladies Powder Bowl, Dating From Around the 1850's or Earlier. All Aspects of this Item Shows Top Quality. Size Top Cover Painting on Ivory 4.5 x 4.5 Inches - 11.25 x 11.25 cms. Height of Box 2 Inches - 5 cms. This Item Cost £1,500 In The 1990's and Is Offered at Low Estimate.
Ogilby (John). THE WORKS OF PUBLIYS VIRGILIUS MARO..., second edition, title in red and black laid down on later paper, engraved portrait frontispiece, engraved plates throughout, woodcut vignettes and historiated initials, slight damp-staining to extremities, endpapers replaced, 18th century calf over patterned boards, heavily worn, boards detached, folio, T. Roycroft, 1668.
Various military history books, to include Hackett (General, Sir John), The Profession of Arms, Turner (F.S.), A Portrait of a British Officer: 1600-1956, etc. (6) Provenance: The library of the late Colonel D. Walton, CBE MCTD, 230 Battery, 58th Suffolk Medium Regiment, Royal Artillery in North Africa, Italy and Austria 1941-45. Accepted the surrender of ten thousand German POW, and surrender of General Dieter Von Arnim.
English School 18th century, Rev. Thomas Sheridan bust length portrait, pastel or chalks on laid paper, oval, 24 x 19.5cm, gilt framed CONDITION:On laid paper. Little surface dirt under glass. A small stain below the sitter's shoulder near the left margin. Slightly creased paper along the right edge. Framed dimensions 29.5 x 25.5cm
Portrait miniature of a young lady, in white, signed with a monogram lower right, inscribed to the reverse 'R. S. Jeffcock', watercolour on ivory, 6.3 x 4.9cm; with another Portrait miniature of a lady in black, possibly an overpainted print, 4 x 3.2cm; and Miss Minnie E. Clarke (fl. 1892-1901), Portrait miniature of a young man in uniform, watercolour on ivory, with backing paper printed 'Miss Minnie Clarke', 6.1 x 4.8cm (3)
Portrait miniature of Mme de Sevigne (1626-1696) wearing a blue dress, her hair in ringlets, 6 x 4.5cm; Mme de Montespan (1640-1707) in a blue dress with frilled edge, her hair adorned with strings of pearls, 5.2 x 4cm, both inscribed to the reverse with the sitter's identities, both enamel on copper inset into oval orange enamelled bordered frames; together with - Attributed to David Boudon (Swiss/American, 1748-1816) Portrait miniature of a gentleman in a black coat and white stock, signed lower right 'Boud o(e?) n pinx.', watercolour on ivory, 3.8 x 2.8cm; with another signed indistinctly along the right margin, 2.5 x 2cm; and another of lady, oval, 4.5 x 3.5cm (5)
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283287 Los(e)/Seite