283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Verfeinern Sie Ihre Suche

Jahr

Sortieren nach Preisklasse
  • Liste
  • Galerie
  • 283287 Los(e)
    /Seite

Los 1685

AFTER SIR ANTHONY VAN DYCK (1599-1641) PORTRAIT OF THOMAS WENTWORTH, EARL OF STRAFFORD (1593-1641) Oil on canvas 37.5 x 30cm. * Derived from Van Dyck's original of c.1636-1639 (Petworth House, Sussex) ++ Lined; some associated retouching

Los 1508

GEORGE WATSON, PRSA (1767-1837) THE LADY ARTIST, POSSIBLY A PORTRAIT OF PEGGY SIMPSON Oil on canvas, period carved wood frame 74 x 61.5cm. Literature: David and Francina Irwin, Scottish Painters at Home and Abroad, 1700-1900 (London, 1975), pp. 215-16, illust. no. 80 Provenance: Marquis of Stafford (Irwin, p. 216); New York, Sotheby's, June 7th, 1978, lot 241. ++ Restored throughout; associated retouching; some craquelure

Los 1476

MANNER OF REMBRANDT HARMENSZ. VAN RIJN (1606-1669) PORTRAIT STUDY OF AN OLD WOMAN Oil on canvas 55.5 x 45cm. ++ Lined; retouching throughout

Los 1688

GEORGE MURRAY (1875-1933) PORTRAIT OF A LADY IN AN EVENING DRESS Oil on canvas, probably unfinished 106 x 72cm. ++ Needs a light clean

Los 531

ALISON TAYLOR (1928-2015); two embroideries mounted on board, including 'A Portrait of Helen', largest 48 x 43cm (2). (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Los 136

LAURENCE ALMA TADEMA, R. A. 'A Sketch of his Life and Work with a portrait, an autograph, and twenty-two illustrations', Berlin Photographic Company, 1895, Limited edition 266/400 Condition Report:Some pages detached Please note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information

Los 124

THE PORTFOLIO OF CHRIST CHURCH, OXFORD. A Series of High-class Illustrations in photogravure, &c. from original negatives.' together with 'Sir Benjamin Stone's Pictures', 1906, 'The Portrait Gallery', Vol. I 1853 engravings and a scrap book of 18th and 19th Century portrait engravings, some of Midlands interest (5)

Los 250

RAILWAY BOOKS : 60+ pb RUNPAST, FOXLINE, PLATFORM 5, PORTRAIT OF LINES, LOCAL & SPECIFIC RAILWAY BOOKS

Los 438

Two portrait studies of a lady and gentleman printed on cream silk panels

Los 478

RESCHEAU "Man seated", a portrait study chromolithograph, limited edition no'd 2/10, signed nad dated '90 bottom right in pencil to the mount

Los 416

An embossed silver backed dressing table hand mirror decorated with cupid and psyche, a silver backed dressing table mirror with engine turned decoration, a gilt brass dessing table mirror with guilloche enamel decorated back and hand painted oval portrait study of a lady, a silver pencil holder and a bone paper knife

Los 135

Herbal.- Gerard (John) The Herball, first edition, engraved title worn and laid down, numerous woodcut illustrations, lacking portrait and final leaf, leaves at beginning repaired and remargined with occasional loss of text, 4T3 woodcut cut out and replaced with new paper, a few woodcuts hand-coloured by an early hand, some staining and soiling, ink annotations from contemporary to 19th century, modern mottled calf, [STC 11750; Nissen 698; Henrey 154; Hunt 174], folio, 1597. ⁂ A well-loved and utilised copy of one of the great early herbals.

Los 52

Middle East.- English School (circa 1880-1890) A group of over 30 original works, including nine of North African and Egyptian scenes, the others of architectural studies, church interiors, pastoral scenes, still lifes and figure studies, watercolours on wove paper, the majority laid onto artist's board, many signed by the artist 'Caroline Turle', bearing dates from '1882-1897', various sizes, largest approx. 420 x 750 mm. (16 1/2 x 29 1/2 in), spotting and browning, surface dirt, some presented in mounts, all unframed, circa 1882-1897; together with a miscellaneous group of watercolours, and prints, including a pen and ink drawing after Fuseli, a well executed watercolour portrait drawing inscribed 'by [?]Bishop 1844', others variously signed and monogrammed, various sizes, all unframed, mainly late 19th early 20th century (approx. 45).

Los 231

Camden (William) Remaines concerning Brittaine, fourth edition, title with woodcut ornament, woodcut head-pieces and decorative initials, contemporary ink marginalia, some water-staining, 18th century calf-backed marbled boards, corners worn, rubbed, [STC 4524], Printed by A.I. for Symon Waterson, 1629 § Cave (William) Scriptorum Ecclesiasticorum Historia Literaria, engraved portrait frontispiece, water-stained, [STC 12586], folio, Printed by Tho. Cotes, for William Cooke, 1640; and 23 others, 17th century English Literature & History, v.s. (25)

Los 306

Library sets.- Milton (John) The Prose Works; The Poetical Works, 2 vol. in 1, engraved portrait frontispiece, contemporary calf, gilt, spine richly gilt, 1847 § Milner (Rev. Thomas) The Gallery of Geography, additional engraved title, double-page colour maps, engraved plates, wood-engraved illustrations, occasional foxing, contemporary fine polished tree calf, gilt, by F.Bedford, spine richly gilt, London & Edinburgh, [1864]; and 34 others, nicely bound, mostly individual volumes, 4to and 8vo (36)

Los 238

Raleigh (Sir Walter) The History of the World, 'mind of the frontispiece' leaf, engraved portrait frontispiece, additional engraved title, printed title in red and black, 8 double-page engraved maps and plates, all loose, extra map of Sicily by Cluverius also loosely inserted, 'To the Reader' leaf misbound at end, a few paper flaws, occasionally slightly affecting text, broken, some leaves loose, contemporary calf, worn, [[Wing R167], for Robert White [&c.], 1677; The Marrow of Historie, engraved portrait frontispiece, contemporary calf, rubbed, [Wing R172], by W.Du-gard, for John Stephenson, 1650, folio and 12mo (2)

Los 136

Herbal.- L'Ecluse (Charles de) Rariorum Plantarum Historia, first collected edition, engraved title, numerous woodcut illustrations, some foxing, contemporary half pigskin over boards, lower cover fore-edge worn, [Hunt 180; Nissen 372], folio, Antwerp, Ex officina Plantiniana Apud Joannem Moretum, 1601. ⁂ This copy with the "Privilegium" leaf but without the portrait (as with the Arents and Macclesfield copies). This work includes the first edition of Fungorum in Pannoniis Observatorum brevis historia, the first monograph on Fungi.

Los 179

Newton (Sir Isaac).- Hatton (Edward) An Intire System of Arithmetic, first edition, list of subscribers, engraved portrait frontispiece, 3 folding engraved plates at end, one torn, a few minor stains, contemporary calf, 4to, 1721. ⁂ The list of subscribers includes Sir Isaac Newton, Dr Edmund Haley, Christopher Wren and Dr. John Keill (the dedicatee). On the front pastedown is a contemporary inscription and a 10-line poem entitled "On Sir Isaac Newton".

Los 299

Library sets.- Gibbon (Edward) The Miscellaneous Works, 5 vol., engraved portrait, foxing, contemporary sprinkled calf, gilt, spines gilt with triple morocco labels, 1814 § Goldsmith (Oliver) The Miscellaneous Works, 4 vol., engraved portrait and plates, foxing, contemporary calf, gilt, spines richly gilt with black and tan morocco labels, 1820; and 62 others, handsomely bound in full or half leather, 8vo (71)

Los 139

Herbal.- Parkinson (John) Paradisi in Sole Paradisus Terrestris, first edition, fine woodcut title with margins repaired, numerous full-page woodcut illustrations, lacks woodcut portrait and Qq5, Aaa4 with lower corner repaired with loss of woodcut to recto and text to verso, a few other repairs, mostly marginal but on last two leaves just affecting text in places, slight worming to first half of book, affecting text and illustrations in places, some foxing and browning, later ink annotations to front endpapers, 18th century reversed calf, rubbed and rebacked, [Hunt 215; STC 19300; Henrey 282; Nissen 1489], folio, 1629. ⁂ First edition of "the earliest important treatise on horticulture published in England" (Henrey).

Los 269

Garrick (David) The Private Correspondence, 2 vol., second edition, engraved portrait frontispiece, contemporary tree calf, gilt, a few scuffs, 1835 § Watt (Robert) Bibliotheca Britannica, 4 vol., contemporary calf, spine gilt, Edinburgh, 1824; and 5 others, nicely bound, 4to (11)

Los 208

Bible (Greek) Divinae Scripturae, nempe veteris ac novi testamenti, double column, Greek text, Latin footnotes, title and first leaf remargined with slight loss of a few letters and partially affecting woodcut initial, title and fourth leaf laid down, final leaf (blank except for woodcut device to verso) present, later portrait of Erasmus mounted as frontispiece, later calf, gilt, g.e., a little scuffed, folio, Frankfurt, Heirs of Andreas Wechel, 1597; and 3 others, early printed continental books, folio (4)

Los 241

Religion.- Stillingfleet (Edward) The Unreasonableness of Separation, slight water-staining, contemporary calf, spine gilt, lacking label, [Wing S5675], by T.N. for Henry Mortlock, 1681 § Hale (Sir Matthew) Contemplations Moral and Divine, 2 parts in 1, engraved portrait frontispiece, later calf, rubbed, [Wing H226], for William Shrowsbury and John Leigh, 1679 § Bible, English. The Holy Bible, 2 parts in 1, woodcut titles, bound with The Booke of Common Prayer (1620) and The Whole Book of Psalmes (1621), ruled in red throughout, later panelled calf, worn and crudely rebacked, 1621; and 30 others, Religion, mostly 17th century, v.s. (33)

Los 107

Botany.- Boissier (Edmond) Flora Orientalis, 6 vol., vol.6 with portrait and 6 plates, some foxing, contemporary half calf, spines gilt, upper joint vol.5 cracking, 8vo, Basel and Geneva, 1867-88.

Los 15

Asia.- Veitch (James Herbert) A Traveller's Notes, first edition, folding map, plates and illustrations, some foxing, original pictorial cloth, fine copy, For private circulation only, 1896 § Brooke (Sir James) Narrative of Events in Borneo and Celebes, 2 vol., edited by Capt. Rodney Mundy, first edition, 5 folding maps (1 hand-coloured), engraved portrait, 17 plates (tinted lithographs and wood-engravings), some foxing, mostly at beginning and end, contemporary half calf, rubbed, spines faded and worn, 1848; and 8 others, China, Japan and S.E. Asia, 4to and 8vo (11)

Los 22

Europe.- Beattie (William) The Waldenses, additional engraved vignette title, portrait, folding map and 70 plates, some foxing, contemporary half calf, spine gilt, a little rubbed, 1838; and 5 others similarly illustrated with steel-engravings, 4to (6)

Los 230

Chaucer (Geoffrey) [The Workes], second Speght edition, double column, black letter, lacks title and final leaf, engraved portrait frontispiece (defective and remargined, misbound within preliminaries, but coloured by a contemporary hand), a few other leaves with similar modern repairs, sometimes with loss of text, some other tears and defects with occasional loss to text, lacking fol.351 and 352, ownership inscription of Anne Holland at head of dedication leaf, modern front pastedown with small window cut out to reveal original pastedown with early intials "E.B." in ink, modern calf with binder's note/invoice loosely inserted, [STC 5080], folio, [Adam Islip, 1602]; sold not subject to return

Los 134

Herbal.- Dodoens (Rembert) A Niewe Herball, or Historie of Plantes, first English edition, translated by Henry Lyte, title within ornate woodcut historiated border and with woodcut arms of Henry Lyte to verso, woodcut portrait of the author, numerous woodcut illustrations, a few coloured by an early hand, final leaf laid down thus obscuring colophon and printer's device to verso, with "my" corrected to "me" in imprint, a few early ink annotations, title with a few small repairs to verso, some minor marginal worming, marginal browning and soiling, some light marginal water-staining, a few other stains, 20th century vellum, a little soiled, [Henrey 110; Hunt 132; Nissen 516; STC 6984], folio, At London [Antwerp], by me Gerard Dewes, 1578. ⁂ A very good copy of this important Renaissance herbal. Dodoens served as court physician to Emperor Rudolf II of Austria before becoming Professor of Medicine at Leiden University in 1582. Provenance: Thomas Plumpton (contemporary ink inscription to title).

Los 278

Economics.- Bentham (Jeremy) Defence of Usury, fourth edition, ?lacking half-title, foxing and marginal browning at beginning and end, later calf, worn, part of backstrip missing, 1818 § Franklin (Benjamin) The Life and Works, engraved portrait frontispiece and vignette-title, occasional foxing, contemporary tree calf, worn, upper cover detached, Bungay, [1815], 12mo and 8vo (2)

Los 138

Herbal.- Parkinson (John) Theatrum Botanicum, first edition, additional engraved title by W. Marshall incorporating portrait of the author (trimmed and bound as frontispiece), over 2700 woodcut illustrations, errata leaf at end, 4L1 with 2" piece missing from upper edge with loss to headline on both sides, a couple of other leaves trimmed close at head and just touching headline, 6J6 with tear (partially repaired) affecting woodcut on both sides, occasional light water-staining and a few minor burn-holes, generally clean and crisp, later blind-stamped red morocco, spine ruled in gilt and with gilt stag device at foot, a little rubbed, headcaps worn, [Henrey 286; Hunt 235; STC 19302; Nissen 1490], folio, by Tho. Cotes, 1640. ⁂ A very good and complete copy of one of the great early English herbals. Provenance: contemporary ink ownership signatures of Robert Parker (head of engraved title, trimmed), John Hyphantos (title), later signature of Samuel Hadfield and date 1812 (front free endpaper) and bookplate of Old Hall (probably Mottram Old Hall in Longdendale).

Los 177

Mining.- Pettus (Sir John) Fodinae Regales. Or the History, Laws and Places of the Chief Mines and Mineral Works..., first edition, engraved portrait frontispiece laid down, 2 engraved plates trimmed at fore-edge as often, 2 engraved illustrations, corrigenda leaf at end, several leaves with marginal pen and ink sketches for portraiture, some light water-staining, last few leaves foxed, contemporary sheep, later endpapers, foot of spine repaired and chipped, spine a little faded and rubbed, [Wing P1908], by H.L. and R.B. for Thomas Basset, 1670. ⁂ A very good copy of the standard 17th century English work on mining. The fine portrait by W. Sherwin is here in the rare first state with reading "W. Sherwin ad vivum facibat".

Los 190

Loudon (John Claudius) The Landscape Gardening and Landscape Architecture of the late Humphry Repton, engraved portrait frontispiece, wood-engraved illustrations, 1840 § Price (Sir Uvedale) On the Picturesque, wood-engraved vignette title, frontispiece and illustrations, Edinburgh & London, 1842 § Flaxman (John) Lectures on Sculpture, second edition, engraved portrait frontispiece, 52 lithograph plates, some foxing, 1838 § Landseer (John) A Descriptive...Catalogue of Fifty of the Earliest Pictures contained in the National Gallery, 1834, uniformly bound in contemporary tree calf, gilt, richly gilt spines with morocco labels, fine copies; and 10 others, 19th century architecture, 4to and 8vo (14)

Los 243

Waring (Robert) Effigies Amoris in English: or the Picture of Love Unveil'd, first edition, contemporary calf, gilt, [Wing W866], by M. White, for James Good, 1682 § Aesop. Fables, 2 parts in 1, engraved portrait frontispiece by White after Kneller, engraved plate, part 2 foxed and browned, contemporary calf, worn, 1704-1699; and 3 others, 17th and early 18th century literature, v.s. (5)

Los 23

Europe.- Continental School.- A large mixed group of mainly French and German interest, with a good group of genre and everyday subjects, including an original bound group of 'Rustic Groups of Figures by Gavarni' published by George Rowney & Co. 1850, a lithographic portrait of Victor Hugo by Motte, and a large mixed group of approx. 45 works after Greuze, Vernet, Aubrey, and many others, with several of carriages and horse drawn transportation, including Middle Eastern subject matter, lithographs, engravings, some printed in colour, some with hand-colouring, several groups bound in original printed wrappers, various papers but mainly cream wove, various sizes, but many approx. 500 x 400 mm. (19 3/4 x 15 3/4 in), occasional spotting, browning and surface dirt, some nicks and tears, all unframed, [mainly 19th century], (Qty.).

Los 266

Puckle (James) The Club; a Dialogue between Father and Son, one of 500 copies, in an edition of 734, initial title / justification f., engraved portrait frontispiece, wood-engraved pictorial title and vignettes, some foxing, contemporary red straight-grain morocco, gilt, g.e., 1817 § [Combe (William)] The Tour of Doctor Syntax in Search of the Picturesque, third edition, hand-coloured aquatint frontispiece, vignette title and 29 plates, all by Rowlandson, some light browning or staining, contemporary half calf, spine gilt, [Abbey, Life 265; Tooley 427], a good copy, R. Ackermann, 1813 § Campbell (Thomas) Gertrude of Wyoming; A Pennsylvanian Tale, occasional spotting, contemporary half calf, gilt, 1809; and 63 others, 19th century Literature & History, v.s. (66)

Los 178

Mining.- [Shiers (William)] A Familiar Discourse or Dialogue concerning the Mine-Adventure, 2 parts in 1, first edition, 'An Abstract of the Present State of the Mines of Bwlchyr-Eskir-Hyr' with separate title, contemporary ink inscription on front pastedown "Tho. Husband 1700 Ex dono Sr Humphrey Mackworth" with long explanatory note on the work on versos of title and second title and facing leaves, a little worming to lower margin, light water-staining, mostly marginal but for last few leaves, contemporary panelled sheep, rubbed, upper joint split, lower cover detached, gouge to spine, [Wing S3458], 1700 § Pettus (Sir John) Fodinae Regales. Or the History, Laws and Places of the Chief Mines and Mineral Works..., first edition, lacking engraved portrait but with 2 engraved plates, 2 engraved illustrations in text, corrigenda leaf at end, title soiled and frayed at inner margin (reinforced), marginal water-staining to last two leaves, engraved bookplate of Sir George Beaumont Bart., contemporary sprinkled sheep, spine faded and chipped at head, [Wing P1908], by H.L. and R.B. for Thomas Basset, 1670, both a little worn, 8vo & folio (2) ⁂ The first relates to an early 18th century industrial scandal. Through his wife Sir Humphrey Mackworth had inherited an estate with coal mining rights in Wales. Following the demise of the Society of Mines Royal in 1694 he established the Company of Mine Adventures and began to smelt copper but this was declared bankrupt in 1709 and he was accused of fraud, although with a change of government the charges were dropped. The contemporary note comments that the work was probably written by Mackworth himself, although attributed to his secretary William Shiers "a creature of Sir Humphrey's". The writer continues, "...William Waller, the mineral projector & manager of the company's mines in Cardiganshire appears to have stood high in Sir H's favor [sic], but they afterwards quarrelled" and in 1710 he "published a pamphlet intitled the ''Mine adventure laid open', wherein he endeavoured to blacken the character of Sir Humphrey".

Los 197

Ward (William, 1766-1826) Christ in the Garden, after Correggio, plate 26 from the series 'Gems of Art', lettered state, mezzotint and etching, a rich velvet-like impression, on wove paper without watermark, plate mark 215 x 215 mm. (8 1/2 x 8 1/2 in), sheet 445 x 310 mm. (17 1/2 x 12 1/4 in), minor surface dirt and spotting, unframed, published by Cooke, 1825; together with Ward's Daniel in the Lion's Den, after Rubens, mezzotint, on thick cream laid paper, without watermark, trimmed to image, sheet 480 x 610 mm. (18 7/8 x 24 in), some nicks and tears and curling to lower edge, several light handling creases, published by Thomas Simpson, circa 1789 § Turner (Charles, 1774-1857) Rembrandt's Mill, and Maecenas' Villa, Tivoli, two works, the first after Rembrandt, the latter Richard Wilson, both from 'Gems of Art', mezzotints, on wove paper, one with Whatman watermark and dated '1820', each plate mark approx. 175 x 200 mm. (6 7/8 x 7 7/8 in), both with wide margins, minor spotting and browning, 1823 § Reynolds I (Samuel William, 1773-1835) Georgius Quartus, portrait of George IV after a bust by Sir Francis Chantrey, mezzotint and etching, plate mark 230 x 150 mm. (9 x 5 7/8 in), sheet 435 x 290 mm. (17 1/8 x 11 1/2 in), some spotting and surface dirt, 1825; together with David Lucas's etching and mezzotint after Constable's 'Spring', and John Young's mezzotint after Zoffany's 'Flower Girl', all unframed, (7).

Los 133

Cattle.- Cooper (Thomas Sidney) [Studies of Cattle], 2 suites comprising 32 and 40 tinted lithograph plates respectively, no title or letterpress, first suite published by Charles Tilt, second suite by S and J Fuller, plate 10 in second suite torn and creased, occasional foxing elsewhere, contemporary green half calf, gilt, rubbed, oblong folio, c.1840. ⁂ Abbey cites two works by Cooper [Life, 113 and 114], but this work does not tally with either, not least because the publishers are different. Some of the plates are signed in the plate by Cooper and a few are dated (c.1837). The subjects, whilst mostly of cattle, also include other livestock - sheep, goats, horses, pigs, donkeys - and deer, dogs and human figures (including possibly a self-portrait).

Los 168

Bryan (Margaret) Lectures on Natural Philosophy, first edition, engraved portrait frontispiece and 36 plates, uncut in original pink boards, worn, 4to, sold for the Authoress, 1806. ⁂ Ownership signature of Charles Cookson, Woolwich Common (possibly the subscriber "Colonel Cookson, Royal Artillery"). Margaret Bryan opened a school for girls near Hyde Park Corner in the early 1790s, relocating to Blackheath in 1795. Unusually she focussed her pupils' education on mathematics and science. In 1797 she published A Compendious System of Astronomy.

Los 228

Law.- Jenkins (David) Jenkinsius redivivus: or The vvorks of that grave, learned, truly-loyal, and courageous. Judge Jenkins, whilst a prisoner in the Tower, and Newgate, by command of the rebellious-Long-Parliament, first edition, engraved portrait frontispiece, final f. blank, contemporary sheep, small worm trace near foot of spine, rubbed, Printed for Jo. Hindmarsh, 1681 § Hale (Sir Matthew) Pleas of the Crown, engraved portrait frontispiece, occasional spotting, contemporary calf, [Wing H255A], Printed by the Assigns of Richard Atkyns and Edward Atkyns, 1682 § Mainwaring (Sir Thomas) The Legitimacy of Amicia, Daughter of Hugh Cyveliok Earl of Chester, Clearly Proved, first and only edition, title in red and black, occasional spotting, lightly browned, contemporary calf, rubbed, [Wing M301], Printed for Sam. Lowndes, 1679; and 16 others, Law and Trials, 17th to 19th centuries, v.s. (19)

Los 194

Reynolds (Sir Joshua) The Works, 3 vol., engraved portrait frontispiece by Caroline Watson after Reynolds, contemporary calf, gilt, 1801; and 18 others, Art and Portraits, including 2 sets of Hogarth works, 4to and 8vo (21)

Los 301

Library sets.- Huskisson (William) The Speeches..., 3 vol., engraved portrait frontispiece, contemporary calf, gilt, spines gilt with red and green morocco labels, very slightly rubbed, 1831 § Pinkerton (John) The Literary Correspondence, 2 vol., engraved portrait frontispiece, contemporary calf, gilt, spines gilt with double green morocco labels, slightly faded, scuff to upper cover vol.2, 1830; and 63 others, attractively leather-bound volumes and sets of mostly 19th century English literature, history etc., 8vo (68)

Los 27

Europe.- Paget (John) Hungary and Transylvania, 2 vol., first edition, engraved portrait, folding hand-coloured engraved map, one engraved and 2 lithograph plates, wood-engraved illustrations, contemporary polished tree calf, gilt, spines richly gilt but faded, 1839 § Bury (Lady Charlotte) The Three Great Sanctuaries of Tuscany, Valombrosa, Camaldoli, Laverna..., additional etched title, engraved portrait, 6 sepia-printed aquatint plates, some foxing, contemporary blue half calf with gilt-lettered red morocco label to upper cover, 1833 § Wilson (Rev. S.S.) A Narrative of the Greek Mission; or, Sixteen Years in Malta and Greece, first edition, Baxter-printed colour frontispiece (detached), upper hinge broken, original cloth, spine torn, 1839 § Price (Edward) Norway. Views of Wild Scenery: and Journal, first edition, 21 fine mezzotint plates, tissue guards, occasional foxing, contemporary (?original) cloth, 1834; and 11 others, European travel, v.s. (16)

Los 436

§ Paul Lucien Dessau (British, 1909-1999) A collection of studio portraits and landscapes, mostly oils on artist's board, few oils on canvas, one oil on paper, various sizes (22) Other Notes: At the start of World War II, Paul Dessau and his brother Bernard joined the Auxiliary Fire Service, which in 1941 became the National Fire Service. A number of artists had joined the National Fire Service and a Firemen Artists' Committee was formed which included Bernard Hailstone, Leonard Rosoman, Norman Hepple and Robert Coram, as well as Dessau. After the war, Dessau and his wife, whom he had married in 1935, moved out of London and settled in the country where he pursued a career as a successful portrait painter. Condition report: Condition varies. Mostly oils on artist's board. Some surface dirt. Two oils on canvas - one without a stretcher. One oil on paper. Some edges worn. Some paint chipping to the oil on canvas of a landscape. All except for one unframed. Oil on canvas without a stretcher - Portrait of a woman - left hand edge damaged. Please refer to images or email us to request the images in high resolution.

Los 357

Mark Gertler (British, 1891-1939) Harlequin watercolour, unframed 34 x 27cm (13 x 11in) Provenance: A gift from Mark Gertler to Professor and Mrs John Mavrogordato, with whom he stayed at Charmouth, Dorset, and by descent within the Mavrogordato family Other Notes: In 1908, Mark Gertler enrolled at the Slade School of Art, University College, London. During the four years he spent at the Slade, Gertler was a contemporary of Paul Nash, Edward Wadsworth, Christopher Nevinson, Dora Carrington and Stanley Spencer. The present watercolour shows Gertler's use of colour and enthusiasm for fairgrounds. His painting, "Merry-Go-Round" (now at the Tate), and another painting from 1915 entitled "Swing Boats" - now sadly lost - may have been inspired by rides at the annual fair on Hampstead Heath. Mark Gertler was a friend of John Mavrogordato (1882-1970), the Greek scholar, and his wife, Christine, and spent holidays in Charmouth, Dorset, with the family. Gertler's portrait of John Nicolas Mavrogordato is at Exeter College, Oxford (1926). Unframed and on buff paper.

Los 439

§ Derek Hill (British, 1916-2000) Portrait of Charles Farrell oil on canvas 44 x 54cm (17 x 21in) Charles Farrell was Head of Christie's Contemporary Art Department, London. Condition is fine.

Los 424

§ John Bellany, CBE, RA (Scottish, 1942-2013) Salome (A double portrait of the artist and his wife) signed on the reverse "Bellany" oil on canvas 149 x 119cm (59 x 46in) Provenance: Beaux Arts, London Susan Kasen Summer collection Bonhams, Edinburgh, sale Fine Paintings, 5 December 2002 where purchased by the present ownerOther Notes: The creation of this work was recounted by the artist and reported in the Glasgow Herald. 'A visit to the opera at the Edinburgh International Festival produced devastating results for Scottish artist John Bellany. Within hours of John the Baptist's head almost landing on his lap, he had rushed to the studio to produce a Salome which he considers among his best works for years. ''I had been at the Folkopera production and I found the whole thing so uplifting from the first to the very last, so moving and inspiring, that at the end I got into the car and straight to the studio,'' he said. Sitting in the front row for the production of the Strauss opera, based on the play by Oscar Wilde, Bellany was so inspired by the experience that he worked through the night and produced the work, which is 5ft by 4ft, by 11am the next day.' An exhibition of the work of John Bellany RA, including a self-portrait of the artist with his friend David Bowie, opened in September 2017 at Fortnum and Mason, Piccadilly, curated by former head of British Art at the Tate, Robert Upstone. The exhibition will show works by John Bellany hung around the Piccadilly store and will run until the end of October 2017.

Los 170

A Limoges enamel brooch, depicting a pre-raphaelite female portrait, signed to reverse 'Betourne,Limoges' 4cm (2in)

Los 361

§ John Ward, CBE, RA, RWS, VPRP, NEAC (British, 1917-2007) Portrait of Charlotte Ward, the artist's daughter, playing the flute signed lower left "Johh Ward 1975" watercolour 47 x 32cm (18 x 12in) Dirt under the glass.

Los 17

A collection of six sulphide glass paperweights, including a small antique French weight with a bust of Napoleon after Andrieu, another with a young Queen Victoria, a third depicts Robert Burns, a facetted Cristal d'Albret weight with bust of Albert Schweitzer, a modern Baccarat Zodiac weight with Cancer the crab and an antique Belgian weight with an annonymous portrait bust on a mottled ground (6) There are chips to the Baccarat Zodiac weight, Robert Burns has been broken though the neck of the sulphide, there are light bruises to the surface of Napoleon and Victoria, but not serious.

Los 437

§ John Ward, CBE, RA, RWS, VPRP, NEAC (British, 1917-2007) Portrait of Lucy Freeman, half length, in the artist's studio signed and dated "John Ward / '68" oil on canvas 76 x 50cm (30 x 20in) Provenance: By descent within the family of the sitter Exhibited: Royal Academy, 1969

Los 147

EDWARD VI 1547-51. AV HALF SOVEREIGN. In the name of Henry VIII. Southwark mint, mm. E. Obv: Portrait of enthroned boy King facing. Rev: Crowned Shield supported by lions, E below shield. c.6g, AF, some clipping. (1 coin) Provenance: Detector find, Buckland Newton, Dorset

Los 154

HENRY VIII, 1509-47. GROAT. Third coinage, mm. lis. Obv: Facing portrait. Rev: Shield on cross. c.2.5, weak in areas but details F. (1 coin) Provenance: Detector find, Cheselbourne, Dorset

Los 28

EDWARD IV, FIRST REIGN 1461-70. GROAT. Norwich mint, mm. obscured. Light coinage issue, N on breast, quatrefoil each side of neck, reads NORWIC. c.3.1g, portrait details AVF. With a collection label. (1 coin)

Los 356

MEDAL. VICTORY OF THE NILE, 1798. Struck in AE. By C. H. Küchler. Obv: Peace holds shield with medallic portrait of Nelson. Rev: Panorama of the British Fleet going into action in Aboukir Bay. Edge impressed "A TRIBUTE OF REGARD FROM ALEX DAVIDSON ESQR. ST. JAMES'S SQUARE". 49mm, c.39.6g, EF with attractive toning. BHM.447; Eimer 890; MH.482; Pollard 15. (1 coin)

Los 357

MEDAL. VICTORY OF THE NILE, 1798. Struck in gilt AE. By C. H. Küchler. Obv: Peace holds shield with medallic portrait of Nelson. Rev: Panorama of the British Fleet going into action in Aboukir Bay. Edge impressed "A TRIBUTE OF REGARD FROM ALEX DAVIDSON ESQR. ST. JAMES'S SQUARE". 49mm, c.39.6g, GVF, some surface marks and wear to gilding, pierced. 500 copper gilt medals were issued to Petty Officers. BHM.447; Eimer 890; MH.482; Pollard 15. (1 coin)

Los 443

A MEDIEVAL GLAZED POTTERY TILE, decorated with the facing portrait of a King with both hands raised, possibly Edward VI. 115mm x 113mm, c.623.3g.

Los 121

KINGS OF WESSEX. EDWARD THE ELDER, 899-924 A.D. Penny. Portrait type. Moneyer Burhelm. Obv: Bust left within legend +EADVVEARD REX. Rev: Legend in two lines divided by three crosses, BYRHELM MO. c.1.5g, portrait struck weakly but VF. (1 coin)

Los 153

ELIZABETH I, 1558-1603. SHILLING. Sixth issue, mm. anchor. Obv: Crowned bust left. Rev: Shield on cross. c.6.4g, AEF, a slightly porous surface in areas, an exceptional portrait. (1 coin) Provenance: Detector find, Cheselbourne, Dorset

Los 156

HENRY VIII, 1509-47. PENNY. Sovereign type. First coinage, mm. lis. Obv: Enthroned facing portrait. Rev: Shield on cross, TD above. c.0.7g, GVF. (1 coin)

Loading...Loading...
  • 283287 Los(e)
    /Seite

Kürzlich aufgerufene Lose