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283287 Los(e)/Seite
Los 1
British School late 18th century - Portrait of a clergyman, traditionally held to be the Rev Marmaduke Mathews, Vicar of Warwick, St. Mary Church, seated quarter-length turned to the right; black and coloured chalk on laid, oval, bears inscribed label attached to the reverse of frame, 20 x 15.3cm
Los 1
British School circa 1860 - Portrait of a gentleman, traditionally held to be John Goodward Williams, 57 Gt. George St. Liverpool & Andover Terrace, Cheltenham, seated half-length holding a book, and a companion portrait of a lady seated half-length, possibly the sitter’s wife; a pair, both oil on panel, 29 x 24cm., ea., (2)
Los 1
Russian School late 20th century - Monastery; oil on canvas, signed and dated 67, bears inscribed label on the reverse, 64.8 x 49.8cm., (unframed): Russian School late 20th century - Portrait of a girl seated full-length holding a fan; oil on canvas laid down on board, inscribed on the reverse, 47.2 x 28.5cm., (2)
Los 1
George Denholm Armour, 1864 -1949 - ‘Gambler’ and ‘Cloister’, studies of hounds; pencil on paper, a pair, both titled and signed, one dated 11/11/18 and inscribed ‘Salonich’, 13 x 9cm., ea: British school early 20th century - Portrait of a Jack Russell Terrier; oil on canvas: European school 19th century - Still Life of Flowers and fruit; oil on copper panel: together with a photograph of a polo player, inscribed ‘Malta 1901’, (6), (part unframed)
Los 1
A portrait miniature British School 19th century, Portrait of an officer half-length turned to the right, in full dress uniform, traditionally held to be a member of the Banks family, Aghadown, Rectory, Skibbereen, Co. Cork, according to inscription on the reverse; on ivory, in a gilt reeded and ribbon tied frame, 9 x 7cm: British School 19th century, A Portrait Miniature of a gentlemen, head and shoulders turned to the right in a blue coat; traditionally held to be Nichols Esq., on ivory: together with one other 19th century portrait miniature of a young lady, (3)
Los 1
Attributed to Edward Villiers Rippingille, 1798-1859 - Portrait of a lady, traditionally held to be Jane Moresley, daughter of the late Mary Halifax Moresley of Stow House, Staffordshire, seated full-length in a garden; black ink and wash and bodycolour on grey coloured laid paper, 40.6 x 32.7cm
Los 1
A Portrait Miniature, British School, depicting an officer quarter-length turned to the right, hand-coloured stipple engraving, tondo, in circular gilt gesso moulding frame, 2cm: together with one other portrait miniature in simulated ivory frame, late 20th century, and three small framed 19th century prints, (5)
Los 1
European Secessionist School late 19th century - Portrait of a girl, seated three-quarter length on a fence in a landscape with a village in the distance; pencil and watercolour, signed and dated 95, 45.8 x 37cm: together with a mountain river landscape study in pencil and watercolour by the same or similar hand, signed and dated 1901, 57 x 42.2cm., (2), (unframed)
Los 1
A FINE LUDWIG BOROVNIK (FERLACH) 6.5x57R SINGLE-BARRELLED BOXLOCK NON-EJECTOR DOUBLE RIFLE, serial no. 40.4257, 24 1/2in. nitro octagonal to round barrel with matt sight rib, open sights and ramp-mounted bead foresight, the breech-end mounted with a Carl Zeiss Diavari D 1,5-6x telescopic sight in quick-detachable mounts, scroll-back quadruple-grip action with side-bolsters, pierced toplever, manual safety, gold-washed set trigger, carved and engraved with acanthus scrolls, with gold details, the underside with the portrait of a deer, 14 1/2in. very highly-figured pistolgrip stock with sculpted cheekpiece, engraved and blued pistolgrip-cap, sling swivels and 1/2in. rubber recoil pad, weight 7lb. 12oz. The rifle was completed in December 1979 and appears to be little used
Los 1
AN EXQUISITE MALCOLM APPLEBY-ENGRAVED PAIR OF JOHN WILKES 12-BORE SIDELOCK EJECTORS, serial no. 15122 / 3, 29in. nitro chopperlump barrels (new by the maker's in 2003), ribs gold-inlaid 'JOHN WILKES' and engraved '79, BEAK STREET. LONDON. W1.', and with fine scroll details at the breech and muzzle-ends, 2 3/4in. chambers, bored approx. 1/4 and imp cyl choke, gold-inlaid cocking-indicators, automatic safeties, rolled-edge triggerguards, the fences relief engraved with swans, the toplevers deeply carved with thistle and stylised acanthus scrollwork with depictions of a hunter 'hiding' behind them and a swan transforming into scrollwork, the lockplates exquisitely engraved with best fine bouquet and scrollwork, merging with images of cranes plucking flowers and with deeply carved miniature masks with beards forming cartouches gold-inlaid with the maker's name, gold line bordering, the actions with deeply carved bolsters of floral and scroll design, miniature portraits of running spaniels at the knuckles, the undersides with stylised swan designs, with partially obscured spaniels faces atop and the portrait of a damsel beneath, symmetrically flanked either side with images of hares, pheasants, pigeon and peacock, the whole surrounded and invaded by best bold stylised acanthus scrollwork, the triggerplates signed with the monogram MA, the triggerguards with lion, hare and pheasant portraits intermingled with floral and scroll motifs, with gold line bordering, retaining virtually full colour-hardening and finish, the fore-end irons with pheasant head, floral and scroll engraving, Anson push-rods carved in the shape of an english rose, the finial forming the profile of a duck in flight, the undersides finely scroll engraved and with miniature scenes of dog chasing cat (No.1) and cat turning on dog (No.2), 15in. highly-figured stocks inlaid with the monogram of a crowned P, weight 7lb. 1oz., in their fine brass-cornered oak and leather case with canvas outer and complement of ivory-handled and engraved gilt accessories. The original 27in. nitro reproved barrels (wall-thicknesses at 18 and 19) with 2 3/4in. chambers and multi-chokes come with the guns. Malcolm Appleby has kindly confirmed that he engraved the guns on commission in 1977 at a cost of #1,400 (cost to day would be approximately #30,000 per gun). Regarding the guns, he states: "I was not given any written brief for the pair and no indication for whom they were for. There was no price mentioned. I was asked to use a bit of gold but being wary of flashiness, I restricted gold to the metal borders that touched the wood and gold name. I was keen to use fauna combined with floral motifs with birds that today are not usually considered birds of the chase as well as today's game. The guns for me were to be a challenge of fine detail - bold polished carving of fences and rugged deep carved detail and yet retaining the integrity of the best British pair of guns. There is no real theme, only that we are all part of nature and we should all have respect for it. There is only one pair like these and no other single sidelock gun is similar”. Footnote: Malcolm Appleby is one of the United Kingdom's foremost gun engravers, his most famous commission being the Raven gun, housed at the Royal Armouries. Gun engraving forms just a part of his repertoire and he has engraved approximately sixty guns since 1968. Other noted commissions he has undertaken are those of the engraving of the orb on the Prince of Wales Coronet, the 500th Anniversary silver cup for the London Assay Office (hallmarked in Edinburgh), the seal for the Victoria and Albert museum, the silver centrepiece for the New Scottish Parliament and the King George VI and Queen Elizabeth Diamond Stakes Trophy for De Beers.
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283287 Los(e)/Seite