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Preisdatenbank abonnierenCharles Dickens Little Dorrit with Illustrations by H.K. Browne, published Bradbury Evans 1857 first edition with engraved title, frontispiece and other plates bound in half leather gilt spine. The Mystery of Edwin Drood with 12 illustrations by S.L. Fildes and Portrait Chapman & Hall 1870 first edition with vignette title page bound in half leather with gilt leather label (2)
Anthony Buckley three black and white photographic portraits of HRH Prince Philip, Duke of Edinburgh, the first a head and shoulders portrait, 14.5 x 11cm, on card mount signed 'Philip' and with Anthony Buckley number 5172-4 in pencil verso; the second another larger head and shoulders portrait, 25 x 20cm, on card mount signed by the photographer, with number 4591-54 in pencil verso and the third a portrait in uniform, 25 x 20cm, on card mount signed by the photographer with number 4591-27 in pencil verso
Anthony Buckley two black and white photographic studies of Her Majesty Queen Elizabeth II and HRH Prince Philip, Duke of Edinburgh, the first a portrait of Queen Elizabeth II seated, 25 x 20cm in card mount signed by the photographer, number 4474-14 in pencil verso, the other a three quarter length portrait of Prince Philip in military dress uniform, 25 x 20cm, in card mount signed by the photographer, number 4850-10 verso.
Anthony Buckley three black and white photographic portraits of HM Queen Elizabeth II and HRH Prince Philip, Duke of Edinburgh, the first a head and shoulders portrait of Queen Elizabeth in tiara and sash, 26 x 20cm on card mount signed by the photographer, number 4474-3 verso; the second an identical black and white image named Anthony Buckley and with Anthony Buckley stamp and number 4474-3 in pencil verso, the third a head and shoulders portrait of Prince Philip, 19 x 15cm, with Anthony Buckley stamp and number 5172-4 in pencil verso
Anthony Buckley two black and white photographic portraits of Her Majesty Queen Elizabeth the Queen Mother, the first a seated portrait in tiara and ermine, 25 x 20cm, in card mount signed by the photographer, with number 4733-25 in pencil verso, the other a full length seated portrait, 25 x 20cm, in card mount signed by the photographer, with number 4733-32 in pencil verso
After Harvey Thomas (20th Century Welsh), a group of limited edition uncoloured prints depicting agricultural characters including; Llandeilo Mart, George Capel Isaac Llandeilo, Ffairfach mart x 2 and another portrait study 'Griffiths ?' with his pony. All signed in pencil by the artist. Limited editions of 75. Framed and glazed. (5)(B.P. 21% + VAT)
Sir Anthonis van Dyck (1599-1641)-studio, Life size portrait of King Charles I in landscape, with servants and horse, oil on canvas, framed; probably a large version of the King’s portait for representation use which is currently smaller in size and was originally on another larger stretcher, a part of the painted canvas is folded around the stretcher and visible on the reverse; damages. Provenance; Castle Gösting before 1970 information by the consignor. 256X208cm
St. Andrew holding his cross, in a large initial on a cutting from a Gradual, illuminated manuscript on parchment [Italy (Lombardy), mid-fifteenth century] Nearly square cutting, enclosing a large initial 'M' (most probably opening "Mihi autem nimis ...", the introit for the Feast of St. Andrew) in pink arches with rows of circles picked out along their edges in shading and white penwork, these lined with green foliage with delicately painted green vine leaves emerging on shoots and surrounding the saint, all on deep blue ground, the saint shown as a full length portrait of a bearded man, dressed in a red tunic and wrapped in pink and green robes, the whole on burnished gold grounds, with hairline-thin yellow painted foliage overlaid, reverse with two lines of text ("[Do]mine. Di[cit andreas si]moni fratrisu[o]", the end of the Offertory and the beginning of the Communion on the Feast of the Vigil of St. Andrew on 29 November), with music on a 4-line stave (second from top red, else brown; rastrum: 44mm.) and a red initial with ornate penwork in more muted version of same colour, gold crackled in places with some small losses, a few tiny chips here and there, stave shining through in middle of saint's body, some paper hinges adhering from old mounts, overall good and glittering condition, 175 by 158mm. Provenance:1. Already cut from its parent codex in the nineteenth century at least, with remains of a blue edged paper collection label pasted to reverse.2. Rolf Werner Rosenthal (1928-2009) and his wife Elizabeth; their sale at Eldred's, East Dennis, MA., 28 October 2016, lot 40; acquired there by Roger Martin. Artist:This miniature is by an accomplished northern Italian artist who appears to have thus far evaded study. The facial modelling, especially around the eyes and beard, echo the cuttings attributed to Stefano da Verona by P. Palladino (Treasures of a Lost Art, 2003, no. 52a, there dated c. 1430-35), but this is later than those and has a bolder, less muted palette. The treatment of the gold leaf, heightened with yellow brushstrokes, points towards the early work of the Milanese artist, Giovanni Pietro da Birago (fl. 1470-1513), and suggests our artist's contact with illuminators there. The delicately painted vine-leaves within the framework around the saint have great visual appeal, but have yet to be found by the present cataloguer in any other choirbook or cutting from one.
A Sèvres portrait cup and saucer (gobelet 'litron' et soucoupe), dated 1810Of the second size size, the cup painted by Mme Marie-Victoire Jaquotot, signed on right, with a portrait after Leonardo da Vinci within a gilt band, the blue ground decorated in gilding and platinum with foliate scrollwork and formal borders, the saucer with a gilt flowerhead and similar borders, the interior of the cup and underside of the saucer rim gilt, the underside of the cup inscribed in iron-red 'Mme Victoire Jaquotot pinscit/ d'après/ Leonardo da Vinci', the cup: 6.5cm high, the saucer: 13.5cm diam., 'M.Imp.le/ de Sevres/ 10' stencilled in iron-red, incised Rd and other marks, inventory mark 10.a in green (2)Footnotes:Provenance:Sèvres Porcelain from an International Private CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen group of 'Europa and the Bull', circa 1770Modelled by J.J. Kaendler, the nude Europa draped in a yellow cloak embellished with indianische Blumen and a blue lining, seated on a white bull with a flower garland draped on its head, two maidens seated on the ground beside them, the base moulded with gilt-edged scrollwork and applied with leaves and flowers, 22.2cm high, crossed swords and dot mark in underglaze-blue (two haircracks to base, some losses)Footnotes:Another example is illustrated in L. and Y. Adams, Meissen Portrait Figures (1987), p.86.For further information on this lot please visit Bonhams.com
3 Tassen mit UntertassenPorzellan, glasiert, farbig staffiert, z. T. vergoldet; weißer Grund mit Schmetterlingen, Blüten- und Golddekor; mittig jeweils ein Portrait, an den Seiten 2 Schwäne; auf der Unterseite gemarkt: roter Manufakturstempel "M. Imp. de Sevres/7", div. Ritzzeichen und gemalte NummernH. 11 cm (Tasse), Dm. 15,2 cm (Untertasse)
wohl Joachim HenneMiniaturreliefElfenbein, geschnitzt; fein gearbeitetes und mit reichem Blätterkranz umrundetes Portrait einer Dame; auf der Vorderseite rechts monogrammiertH. 6,9 cmElfenbeinkunst fasziniert durch die Kombination aus kunsthandwerklichem Raffinement und der Feinstofflichkeit des edlen Materials. Joachim Henne (1635-1707) gilt als Meister im Umgang mit dem kostbaren Werkstoff. Der in Süddeutschland ausgebildete Künstler brilliert mit realistischen Darstellungen, die höchst expressive Momente in Relief- oder Skulpturform festhalten. Den Hauptteil seiner Schaffenszeit verbrachte Henne am königlich-dänischen Hof in Kopenhagen und in Hamburg, wo er für das Herzogtum Holstein-Gottorp tätig war. Höchstwahrscheinlich handelt es sich bei der im Miniaturrelief dargestellten Dame um ein Mitglied der Familie Schleswig-Holstein-Gottorp (vgl. Jørgen Hein, Joachim Henne i Den Store Danske på lex.dk, 2021).
'GEORGE IV' A LACQUERED PAPIER-MACHE SNUFF BOX IN THE MANNER OF SAMUEL RAVEN, C.1825-30 the pull-off cover painted with a portrait of George IV after Sir Thomas Lawrence, together with an oval horn snuff box, the lid with a faceted jewel cabochon, a birch snuff box with initials 'A M J' possibly Swedish and a continental porcelain scent bottle (4) 10.3cm (max) Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.
λ AN ITALIAN WATERCOLOUR AND CUT-PAPER DEVOTIONAL PICTURE 18TH CENTURY with a central oval portrait of St Augustine of Hippo, with elaborate Rococo decoration, with an eagle on a table, with an oval panel, inscribed 'St Augustinus', in a glazed wood frame (cracked), together with an Italian lacca povera snuff box, painted with figures, with a tortoiseshell lining (2) 17cm (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).
TWO WHITE GLASS PASTE PORTRAIT RELIEF BUSTS IN THE MANNER OF JAMES TASSIE (SCOTTISH 1735-1799) probably depicting Baron Kreeft and another member of his family possibly his son, each signed with a 'T', in glazed ebonised pearwood moulded oval frames, the back inscribed with family notes on ancestry (2) 9x 5.5cm
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