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283284 Los(e)/Seite
Los 576
EXTRA LOT: Miss Ellen White, an oval bust portrait miniature, A Victorian Actor-Sir Squire Bancroft, watercolour, signed, 7.5 x 5.5 cm, and four others (three unframed) (5) Condition report Report by GH No other inscriptions with the exception of signatures. The second framed miniature has memories 'a study from life' Miss Ellen White with her address.
Los 10
GILBERT MASON A.R.C.A., R.B.S.A. (1913 - 1972) Framed, signed in pencil to margin, drypoint etching on paper, three quarter length portrait of seated woman holding flowers, dedicated in pen to margin, 'to Jenefer 1965'. Mason was friend and lodger the sitter Jenefer Reeves. Mason was head of the school of painting at the Birmingham College of Art, as well as exhibiting internationally, including at the R.A. in 1935 and again posthumously in 1973, 34cm x 22.1cm.
Los 165
MARIAN HARBORD. Framed, signed, 20th Century oil on canvas, bust length portrait of a lady with red and white floral blouse and blue jacket, together with TOM ROBBINS (b. 1936) Framed, signed, oil on canvas, three quarter length portrait of a gentleman sat in wooden chair smoking a pipe, wearing green jumper and glassed, 45cm x 34.7cm and 83cm x 52.6cm, (2).
Los 227
T. L. Rectangular framed, oval portrait miniature on ivory, signed with initials, 'T. L', c. 1815, bust length portrait of a young Regency woman in white lace trimmed dress and roses in her curled hair, indistinctly inscribed in pencil to verso, together with a rectangular framed, oval portrait miniature on ivory, c. 1820's, portrait of a Regency lady in white dress and embroidered shawl, with ringleted hair, inscribed to backing paper verso, 'B. Waddington', possibly name of sitter,
Los 228
THOMAS CLEMENT THOMPSON R.H.A. (c. 1773 - 1857) Rectangular framed, oval portrait miniature on ivory, signed, dated 1805, portrait of a young Regency lady with dark hair in a white dress with blue ribbon, inscribed to verso, possibly in artist's hand, 'Painted by/ T. Clement Thompson/ 1805/ Belfast'. Thompson studied as a miniature painter in Belfast and Dublin. From 1809 onwards, it appears he abandoned miniature painting and focused on portrait painting in oil, later becoming a founding member of the Royal Hibernian Academy in 1823, 7.4cm x 5.9cm.
Los 306
A 9ct yellow gold framed cameo pendant, set with an oval cameo depicting a female portrait in profile with bright cut engraved frame, hallmarked Birmingham 1946, on a yellow metal curb link chain, stamped 9K, together with a 9ct yellow gold framed cameo ring, set with an oval cameo depicting a female portrait in profile, with scalloped open metal work frame, hallmark rubbed, ring size T½, along with a yellow metal banded hardstone locket and two cameo brooches depicting female portraits, gold items weight approx. 8.2g, (5).
Los 328
COLLECTION OF CINEMA PORTRAIT POSTCARDS 1930/50's, includes Marlene Dietrich, Clark Gable, Joan Crawford, Charles Chaplin, Dolores Del Rio, Robert Donat, Ginger Rogers, Douglas Fairbanks Jr, Greta Garbo, Charles Laughton, Myrna Loy, Edward G.Robinson, Katharine Hepburn, Tyrone Power, Claudette Colbert, Errol Flynn, Deanna Durbin, Leslie Howard, Phyllis Calvert and Fred MacMurray, approximately 110, viewing required
Los 118
Dora Gordine (British, 1906-1991), a bronze portrait head of a child, with dark brown patination, mounted to a wooden plinth base, signed by the artist and stamped Valsuani foundry mark, the head alone 20cm high 32 x 14cm (12 x 5in) Literature: Illustrated in Dora Gordine by Brenda Martin. Publ. Bond & Coyne Association 2005. Dora Gordine : sculptor, artist, designer by Jonathan Black and Brenda Martin 2007 Born in Estonia, Dora Gordine (1895 - 1991) achieved critical acclaim in 1926 with her bronze Head of a Chinese Philosopher exhibited at the Salon des Tuileries. She married Richard Hare and in the 1930s they built Dorich House in Kingston, South West London where she lived until her death in 1991. Dorich House is now a museum housing a permanent collection of her work and her husband's extensive collection of Russian Imperial Art. Her work is also on display in Tate Britain and Tate Modern. A modeller rather than a carver Gordine's work engages key themes of portraiture, iconic "racial" heads, and the occasional mask. She was a contemporary of Jacob Epstein and exhibited with him in 1928 at the Leicester Gallery. Baby's Head, one of her pieces at that exhibition, is close in concept to Epstein's earlier models of Baby Asleep. Dora Gordine's work at the Tate reflects her importance as a major presence in 20th century European sculpture.
Los 326
Donald Friend (Australian, 1915-1989) Portrait of Adung, a Balinese youth, 1977 signed upper right "Adung, Donald Friend, Bali" pen, ink and watercolour 29 x 23cm (11 x 9in) Provenance: From the collection of the late Christopher Hogwood, CBE. Donald Friend was born in Sydney and from a young age proved to be talented both as an artist and a writer. He grew up in the artistic circle of his bohemian mother and studied with Sydney Long and Dattilo Rubbo, and later in London at the Westminster School of Art with Mark Gertler and Bernard Meninsky. He served as a gunner with the Australian Imperial Force during World War II, and while stationed at Albury began an important friendship with Russell Drysdale which was to culminate in their joint discovery of Hill End, a quasi-abandoned gold mining village near Bathurst, New South Wales, which was to become something of an artists' colony in the 1950s. He also served as an official war artist in Labuan and Balikpapan in 1945. Much of Friend's life and career were spent outside Australia, in places as diverse as Nigeria (late 1930s, where he served as financial advisor to the Ogoga of Ikerre), Italy (several visits in the 1950s), Sri Lanka and Bali from 1968 until his final return to Sydney in 1980. Condition is fine.
Los 355
§ Joseph Edward Southall (English, 1861-1944) Portrait of Ted Allen, the artist's nephew, Oct. 1900 signed lower left in monogram "4.1.1900 JS" and inscribed lower left in pencil "Ted" pencil 17 x 12cm (7 x 5in) Provenance: The Fine Art Society, 148 New Bond Street, London, W1. From the collection of the late Christopher Hogwood, CBE. Condition appears fine.
Los 360
§ Michael Quanne (British, b. 1941) "The House of Honesty", named after a song by Leonard Cohen, 1979 signed and dated lower left "'Quanne '79' oil on canvas board, unframed 48 x 64cm (19 x 25in) Literature: "Prison Paintings - Michael Quanne," with an Introduction by John Berger, Published John Murray 1985, illus. Michael Quanne was championed by author and art critic John Berger and had his first major, sell out, show in 1985 at the Camden Arts Centre. His earlier works were mostly street scenes set in the East End of London. Although styled as "naive or "primitive" his paintings are subtle; each figure, however minor, is a portrait. By the time he painted "The House of Honesty" he had spent most of his adult life in prison. He often listened to music in his prison cell and it gave inspiration for paintings. Unframed and fine.
Los 362
§ William Dring, RA, RWS, RP (British, 1904-1990) Head of a Girl, signed lower right "Dring", pastel, 26 x 22cm; and Small boy resting on a striped rug, signed lower right "William Dring", pencil and watercolour on buff paper, 22 x 30 cm (2), William Dring studied at the Slade under Henry Tonks where he won several scholarships. Known for his fine draughtsmanship and portraits, he became an official war artist and his work is in the Imperial War Museum and the National Portrait Gallery. He had a number of Royal commissions including painting the christening of HRH Prince Charles the Prince of Wales. In 1990 Agnew's held a major retrospective exhibition of his work which unfortunately he was unable to attend due to illness. One small foxing spot to the background of the Boy.
Los 370
Harry John Pearson, RBA (British, 1872-1933) Portrait of Miss Audrey Hughes in boy's dress signed lower right "to my friend Steve, H John Pearson, RBA" oil on canvas, unframed 40 x 33cm (16 x 13in) Provenance: A gift to Steven Spurrier from Harry John Pearson, and by descent. Harry John Pearson, RBA (1872-1933) was known mainly for his portrait and figure subjects, especially of children and society women, many of which were illustrated in periodicals of the day such as Colour Magazine and Woman’s Pictorial. He trained at The Royal Academy Schools and spent some time working in The Netherlands prior to World War I. Pearson exhibited at the Royal Academy 1916-1927, and extensively with the Royal Society of British Artists of which group he was elected a full member in 1915. Pearson also showed his work with the Royal Society of Portrait Painters, the Royal Institute of Oil Painters, the Royal West of England Academy, the International Society, the Walker Art Gallery Liverpool and he was President of the Langham Sketch Club. He lived in Ealing, west London and died in March 1933 aged 61 Unframed and with a scratch approx. 3in horizontally across the sitter's shorts. Scuffed around the edges. Inscribed with the artist's address of 23 Fitzroy Square to the reverse.
Los 397
Peter Lloyd-Jones (British, 1940- 2001) Portrait of a Young Girl, head and shoulders, in a grey silk dress oil on canvas, oval 13 x 9cm (5 x 4in) Provenance: Bought directly from the artist by Nicholas and Elisabeth Luard. From the collection of Elisabeth Luard, Brynmeheryn. Unframed and fine.
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283284 Los(e)/Seite