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283284 Los(e)/Seite
Los 528
A late 19th century Victorian Henry Greener & Co press molded white glass political commemorative pedestal bowl having a portrait of Disraeli framed by laurels, inscription and emblematic foliage of the United Kingdom. Inscription reads Earl of Beaconsfield - Hero of the Congress Berlin 1878. Measures 14cm tall.
Los 3119
A collection of watercolours, oils, sketches and prints to include:G A Hadley, Barrow on Trent, watercolour, 22.5 x 37.5cm, framed - artist was a student of Harold Gresley together with Fred Archer - Autumn Swaledale, signed & dated, framed; Portrait of a Boy, pencil sketch; oil on board of Flying Boat - Milford Haven, S S Great Britain & Old Cromer by D C Birkinshaw, black & white photograph of Derby High School 1930, etc (1 box)
Los 260
A collection of assorted early 20th Century crested china to include W.H Goss, Carlton China, Victoria China, Willow Art China etc, forms to include tanks, pigs, kettles, a gramophone, a Welsh hat, vases, a First Aid vehicle etc, crests to include Bridgnorth, Torquay, Blackpool, Bridport, Wembley, Portishead and Merthyr Tydfil together with two W.H Goss cups and saucers 'A Trusty Servant's Portrait would you see ...' verse to the cups and Manners Makyth Man to the saucers. (qty)
Los 760
GILBERT SPENCER, RA (1892-1979) - 'Portrait of Mary Morris', pencil drawing, signed and inscribed 'to Professor E. de Selincourt, Christmas, 1942', framed, 33cm x 23.5cm, frame size 57.5cm x 46cm. NB - Professor Ernest de Selincourt was a literary scholar and editor of many works on the Wordsworths. He built the famous house Ladywood at Grasmere in the heart of the Lake District in 1904.
Los 108
17th century Spanish school. Circle of JUAN DE VALDÉS LEAL (Seville, 1622 - 1690)."Tobias and the Archangel Saint Raphael".Oil on canvas. Relined.Size: 71 x 51 cm; 83 x 74 cm (frame).Placed in a mountainous landscape and on the bank of what looks like a stream, two figures, the Archangel Saint Raphael and Tobias, are presented in the foreground. A dark wooded landscape adds a certain dramatic presence to this tranquil landscape. The deuterocanonical book of Tobit or Tobit tells the story of the two who share this name in the Bible, father and son. The latter is accompanied by the Archangel Raphael, sent by God to his aid, on a journey from which he returns with remedies (taken from a fish that the archangel makes him catch in the waters of the Tigris River) for his father Tobiah's blindness and to scare away the demon that killed all the men Rachel married. It is this fishing event that is depicted in the oil painting. Due to its formal characteristics, this work can be related to the circle of Valdés Leal, a prolific and powerfully inventive artist active in Cordoba and Seville. Despite the difficult character with which he is portrayed in the sources, the fact is that Valdés Leal's work is quite varied and is in line with the painting that was being done in his circle. We do not know when he moved to Córdoba, although it is likely that he had already trained as an artist in his native city. It has been speculated that he was influenced by the workshop of Herrera the Elder, and also by the art of the Cordovan Antonio del Castillo, as possible influences for his first known signed and dated work, the Saint Andrew in the church of San Francisco in Cordoba, dated 1647. In it he was able to combine the monumentality of the figure of the saint with a naturalistic approach with visible success. In 1656 he settled in Seville, where he spent most of his life. In 1660 he was one of the founders of the Academy of Drawing, of which he became president in 1663. The following year Palomino set out on his trip to the court and to El Escorial, a journey that can still be understood as an apprenticeship, driven by his eagerness to become acquainted with the works of the great masters in the royal collections. In 1667 he joined the Brotherhood of Charity in Seville, whose founder had been Miguel de Mañara, the noble visionary author of the eschatological Discourse on Truth, to which Valdés would remain attached from then on. In 1671 Valdés Leal had the opportunity to work as an architect on the ephemeral decorations that the Seville cathedral had installed to celebrate the canonisation of Saint Ferdinand. Thanks to these works Palomino defines him as "a great draughtsman, perspectivist and architect". He also produced two engravings, reproducing his works in the cathedral, for Fernando Torres Farfán's book celebrating this event, which gives us an insight into his work as an architect. These are his most important works as a printmaker, although his engraving of the cathedral monstrance, a self-portrait and the posthumous image of Miguel de Mañara are also known. In 1672 he was in Cordoba, and Palomino took the opportunity to meet him in person. This gives added value to the Cordovan treatise writer's affirmation of Valdés Leal's literary interest, as he describes him as possessing "the ornament of all good letters, not forgetting those of poetry". Shortly before his death he suffered an illness that prevented him from continuing to work, forcing him to leave his commissions in the hands of his son, a painter in his workshop.
Los 19
Spanish school, ca. 1850."Portrait of a lady with a fan.Oil on canvas.Signed A. M. Esquivel on the table.Measurements: 102 x 82 cm; 114,5 x 94 cm (frame).We are in front of a portrait of a lady of the XIX century, represented in three quarters and in a relaxed position, seated and looking at the spectator. The woman, with details that make it clear that she is a lady of the high society of the time, is dressed in a distinguished dress and rich jewellery. She also holds a handkerchief in her left hand and a fan in her right. The background is resolved by a subtle curtain on the left-hand side, while on the right a vase of flowers can be seen.Portraiture became the leading genre of painting in Europe in the 19th century as a result of the new social structures that were established in the Western world during that century, embodying the ultimate expression of the transformation in the taste and mentality of the new clientele that emerged among the nobility and the wealthy gentry, who were to take the reins of history in this period. While official circles gave precedence to other artistic genres, such as history painting, and the incipient collectors encouraged the profusion of genre paintings, portraiture was in great demand for paintings intended for the more private sphere, as a reflection of the value of the individual in the new society. This genre embodies the permanent presence of the image of its protagonists, to be enjoyed in the privacy of a studio, in the everyday warmth of a family cabinet or presiding over the main rooms of the house.
Los 3
Spanish school of the 19th century. Following models by JUAN DE PAREJA (Antequera, c. 1610-Madrid, 1670)."Portrait of José Ratés".Oil on canvas.Size: 107 x 83 cm.The work in question follows the models of the portrait of José Ratés painted by Juan de Pareja, a Spanish Baroque painter of Moorish origin and a slave of Velázquez, in whose workshop he trained. Palomino wrote of this work: "he had a singular skill for portraits, of which I have seen some very excellent ones, such as that of José Ratés in which the manner of Velázquez is so well known that many consider it to be his own". The original portrait by Ratés, executed around 1670, is housed in the Seville Museum of Fine Arts.
Los 149
Y SIR WILLIAM CHARLES ROSS, RA (1794-1860) PORTRAIT OF THOMAS COCHRAN INGLIS IN THE UNIFORM OF THE 69TH REGIMENT Watercolour on ivory, signed and date verso 1839. Painted by W. C. Ross, RA, Miniature Painter to The Queen 9.2cm x 7.1cm, rectangular In a gilt brass frame engraved Thomas Cochran Inglis, Capt.2nd Battn. Rifle Brigade. Born May 22 1819. Died Aug. 12 1906. Son of John, 3rd Bishop of Nova Scotia, in a green velvet lined brown leather covered easel case; TOGETHER WITH THOMAS COCXHRAN INGLIS'S SILVER MOUNTED TRAVELLING TOILET SET Frances Douglas, London 1845, stamped for T. Briggs, 27 Piccadilly as retailer, with seven silver lidded glass jars, two bottles and a shaving brush, all engraved with a crest; the cover with a mirror and remaining accessories, the leather covered case with an outer protective case 27.7cm (11in) long The crest for INGLIS. Sold with a typed potted family history and brief service records of Captain Inglis Condition Report: Miniature and case all in good order Toilet set in good order, missing two toothbrush holders and about half of the accessories in the lid, both leather cases scuffed with breaks and losses Condition Report Disclaimer
Los 266
TWO GEORGE III ENAMEL PATCH BOXES SOUTH STAFFORDSHIRE, C.1770-80 one with a portrait rondel of George III, inscribed 'The Gift of a Friend', the other of navette shape with a tomb, inscribed 'Remembrance of Friendship', each with a mirror to the lid (2) 5cm wide (max) Provenance 'A Lifetime of Collecting' - The Property of a Gentleman.
Los 325
A BRONZE AND MALACHITE TAZZA POSSIBLY RUSSIAN, SECOND QUARTER 19TH CENTURY the patinated bowl cast with portrait medallions and ribbon tied laurel wreaths, one centred with a crowned 'H' and the other with interlinked capital 'D's, the stepped plinth applied with empire style stars, wreaths and rosettes 42.2cm high, 26cm diameter
![[Joseph Pitts] Album of ink and pencil sketches of Greek Gods & Warriors, Kings, Medieval Knights, Biblical scenes, Greek](https://cdn.globalauctionplatform.com/653c5cde-4c3a-4e6f-98f3-adec00b5bd90/0a5c4199-9c65-45c2-8695-ae0100ddfa41/468x382.jpg)
Los 223
[Joseph Pitts] Album of ink and pencil sketches of Greek Gods & Warriors, Kings, Medieval Knights, Biblical scenes, Greek Legends, cherubs, Serpents, Maidens, Mural designs etc on tissue and tipped into album, some larger pieces on folded paper loosely inserted. Half leather album worn and broken, ink name on front board reads Joseph Pitts May 26th 1836. Additional ink note dated 1946 by Francis Cutler presenting the album to the Thanet School of Arts & Crafts [Kent]. Possibly the work of Joseph Pitts, sculptor who in 1852 produced a marble portrait bust to commemorate the Duke of Wellington’s death, Pitts exhibited at the RA 1842-1870 and as a sculptor produced busts of other famous personalities including Nelson and Prince Albert
![[SIGNED] Dylan Thomas Collected Poems 1934-1952 published J.M. Dent 1952 first edition, this copy one of only 65 printed on m](https://cdn.globalauctionplatform.com/653c5cde-4c3a-4e6f-98f3-adec00b5bd90/40052f1e-83a8-44a9-a7ef-ae0100dded46/468x382.jpg)
Los 225
[SIGNED] Dylan Thomas Collected Poems 1934-1952 published J.M. Dent 1952 first edition, this copy one of only 65 printed on mould-made paper and SIGNED by Dylan Thomas on limitation leaf (copy 20) with frontispiece portrait of the author by Augustus John and bound in full Morocco leather with gilt title
Los 350
Suffragette interest Edwardian scrapbook relating to Inspector Scantlebury, who was part of the House of Commons Police, including press cuttings, small watercolour of a police officer with Votes for Women poster behind, marked below as being from Kathleen King (possibly the adopted daughter of Pankhurst), letter dated 26th September 1899 from the Social Democratic Federation relating to his "courageous and most honourable efforts" in Trafalgar square during the previous Sunday, signed by ten people including H.W.Hyndman, Herbert Burrows, Mary Gray and Harry Quelch, Dinner invitation from the Mayor and Mayoress, Letter from Lewis Harcourt, Secretary of State for the Colonies on Scantlebury's retirement (Harcourt has his windows broken by Suffragettes in 1911), together with a further small photograph album including a portrait of a Police officer, likely Scantlebury
Los 721
A cast bronze tazza, probably French, second half 19th century, of circular form and cast in the Rennaissance style with a portrait roundel to the centre, within a broad border of neoclassical figures in panels with scrolling foliage and strapwork, 33.5cm dia.Condition report: Fair patina in mid-brown with yellow/bronze areas. Some very small/tiny dints and nibbles to the rim edge. General surface wear and signs of age.
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283284 Los(e)/Seite