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283284 Los(e)/Seite
Los 1
Pair of silhouette portraits of a lady and gentleman, each of oval format, painted on card, 14cms x 10cms, (5½" x 4"), in reeded ebonised frames and a watercolour miniature half-length portrait of a gentleman wearing a black coat and white stock, signed Waite and dated 1817, 14cms x 11cms, (5½" x 4½") in ebonised frame, (3).
Los 1
Pair of 19th Century half-length portrait studies, the lady with a rose in her hair and wearing a white dress, the gentleman with a black jacket and white stock, both oil on canvas, laid on board, unsigned, 72cms x 60cms, (28½" x 24"). Provenance Footnote: Purchased at the sale at Staunton Harrold.
Los 1
VAN ROSSEM, R. (ill). 'The Song of Songs', Folio Society 1967, in slipcase. Tog.with SALAMAN, Malcolm, C. 'The Woodcut of Today at Home and Abroad', ed. Holme, The Studio, 1927. cl. bd. 4to. Plus HASSALL, Joan, (Ill.) Portrait of a Village', by Francis Brett Young. Heinemann, 1937. plus other illus. 15
Los 1
ENGLISH SCHOOL (EARLY 20TH CENTURY) - Portrait of the Honourable Lavinia Talbot, (neé Lyttleton) wife of Edward Stuart Talbot, first Warden of Keble College and later bishop of Winchester, seated by a fireplace in a room setting, oil on canvas, 28" x 36". (see illustration). Our attention has been kindly drawn to a work by Sir William Rothenstein (1872-1945) 'Mother and Child' in the Tate Collection Ref. T05075 which bears striking similarities to this work.
Los 1
Frederick William Elwell (1870 - 1958), portrait of Mrs Rosemary Adams, three quarter length, depicted wearing a red dress, seated at a writing bureau, Bar House, Beverley, signed on board, 29 1/2" x 24 1/2", gilt frame . This painting is reputed to be the last work executed by Fred Elwell at the age of 86 in 1956, it was exhibited at the Royal Academy 1956/7
Los 217
Ophelia, William Henry Goss Ltd, circa 1885, the young girl seated on a tree stump encrusted with leaves flanked by bulrushes, on a circular base, titled to the front, impressed "W H Goss", 51cm high In The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, pg.244 it is noted that Jewitt, a friend of W H Goss, noted in 1883; "In Parian, for which Mr Goss ranks deservedly high, busts, statuary, vases, tazzas, scent-jars, bread platters and many other ornamental goods are made ... portrait busts ... rank far above the average, and are, indeed, perfect reproductions of the living originals".
Los 238
The Riverside, after Owen Hale, Copeland, circa 1885, as an almost nude young girl dipping her toes in a stream by a tree stump, impressed "Copeland", 46cm high See illustration A similar figure is illustrated in a page from a Copeland trade catalogue of the 1880's. See The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.485, pg.138. The figure is also illustrated in fig.501, where is it described as being published in 1881. There is a rather similar companion figure to this (illustrated in Copeland (Robert) Parian, Copeland's Statuary Porcelain, Antique Collectors Club, p.172, S142a. Owen Hale. Sculptor and watercolour painter working in London in the last quarter of the 19th century. He was a member of the Royal Society of British Artists, exhibiting his works regularly at the RA and elsewhere. His sculptural works were chiefly portrait busts in terracotta, shown at the RA from 1884 onwards.
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283284 Los(e)/Seite