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283284 Los(e)/Seite
Los 125
Charles Jervas (1675-1739) SIR EDWARD WORTLEY MONTAGU (1678-1761) oil on canvas titled on label on reverse 49½ x 40½in. (125.73 x 102.87cm) Sotheby's, London, 12 April 1995, lot 41, as 'Edward Wortley Montagu Wearing Brown Coat'; Private collection A portrait of the siter's wife, Mary Wortley Montagu, of a similar size and also by Jervas sold through Whyte's (28 September 2015 as lot 25). Mary was the subject of two works by Jervas one of which can be found in the collection of the National Gallery of Ireland, Dublin (NGI.4341). Jervas was an Irish born artist and successful portrait painter who succeeded his master, Sir Godfrey Kneller, as Principal Painter to King George I; a position he retained under King George II. Sir Edward Wortley-Montagu (8 February 1678 – 22 January 1761) was British Ambassador to the Ottoman Empire, husband of the writer Lady Mary Wortley Montagu and father of the writer and traveller Edward Wortley Montagu. Son of Sidney Wortley Montagu and grandson of Edward Montagu, 1st Earl of Sandwich, a Cambridge graduate and lawyer, Wortley Montagu was educated at Westminster School, Trinity College, Cambridge (1693) and trained in the law at the Middle Temple (1693), was called to the bar in 1699 and entered the Inner Temple in 1706. He was best known for his correspondence with, seduction of, and elopement with the aristocratic writer, Mary, daughter of Evelyn Pierrepont, 1st Duke of Kingston-upon-Hull. They married in 1712. He succeeded his father in 1727, inheriting Wortley Hall. Montagu himself was a prominent Whig politician, and was MP for Huntingdon before eventually becoming a Lord Commissioner of the Treasury from 1714 to 1715. He was elected by the Levant Company on the king's nomination on 10 May 1716. He arrived at Adrianople on 13 March 1717. He was not Ambassador to the Ottoman Porte in Constantinople before he was recalled in October 1717. As Ambassador, he was charged with pursuing the ongoing negotiations between the Ottomans and the Habsburg Empire. He left Turkey on 15 July 1718 and for some time travelled in the East. Upon his return from Constantinople, he fell out with the Whig hierarchy but remained a Member of Parliament for Huntingdon (1722–1734) and Peterborough (1734 until his death in 1761).
![Brian Maguire (b.1951) PORTRAIT OF A WOMAN oil on canvas signed and titled on reverse; also numbered [85/90] on reverse 62 x](https://cdn.globalauctionplatform.com/4e4d2c0a-3417-48a6-b001-a6b800d7356f/48d568f9-524a-44de-8fa4-5097d22c9b02/468x382.jpg)
![Patrick Swift (1927-1983) STILL LIFE, c.1960-1961 oil on board numbered [104] in red on reverse; with the remains of a portra](https://cdn.globalauctionplatform.com/4e4d2c0a-3417-48a6-b001-a6b800d7356f/8cb30c00-f6b1-4d07-b26c-a6b900c9e831/468x382.jpg)
Los 63
Patrick Swift (1927-1983) STILL LIFE, c.1960-1961 oil on board numbered [104] in red on reverse; with the remains of a portrait on reverse 48 x 30in. (121.92 x 76.20cm) The artist's studio; Private collection; Private Collector Gallery, Cork; Whence purchased by the present owner. 'Patrick Swift 1927-1983', Irish Museum of Modern Art, Dublin 2, December 1993 to 13 February 1994, catalogue no. 43 'Patrick Swift 1927-1983', Irish Museum of Modern Art, Dublin, 1993, no. 43 (illustrated p.72) The exhibition catalogue for the 1993 retrospective situates the present work in the artist's London period from 1955-1962 and notes: Painted in his later sketchy style, this still-life gives a suggestion of light shining in from a window. Swift does not usually attempt to represent the effects of light and shade in a realistic manner, in fact his earlier paintings show his use of light in an arbitrary manner to create particular effects.
Los 835
ROCK/FOLK ROCK - Great collection of 40 x LPs. Artists/titles include Bob Dylan (x10) inc. Freewheelin' (32390 1 EU RE), Highway 61 Revisited (62562 RE), Dylan & The Dead, Self Portrait and Shot Of Love, John Renbourn - The Hermit, Horslips - The Tain, Incredible String Band - The Big Huge (EKS 74037), Wee Tam and Relics Of, Richard Kerr - From Now Until Then, Little Feat, Runrig and The Strawbs. Condition is generally VG to Ex.
Los 4021
Otho Denarius, Rome mint, 15 Jan - 8 March 69 ADObv. Bare head of Otho right. IMP OTHO CAESAR TR PRev. Pax standing left holding olvie branch and caduceus. PAX ORBIS TERRARVMRarer type with no M between IMP and OTHOStrong portrait, slight wear on hair, otherwise very fine and nicely toned with full legends21mm/3.22gRIC -; RSC 4a
Los 244
Sutphen, Van Tassel - "The Nineteenth Hole, Being Tales of the Fair Green" 1st edition 1901 second series published Harper and Bros New York and London in the original cloth and marbled gilt boards and spine, c/w 8x inserted plates with halftone illustrations by A. B. Frost, Howard Chandler Christy and Edward Penfield, and a hand-tinted inserted frontispiece portrait of the author with tissue guard, Harpers portrait collection of short stories volume 3 series, gilt top lined pages internally very clean and tight, finger wear to the top and tail of the spine otherwise hence overall (G)
Los 1
GERARD BURNS,SALTIRE IN WINTER,oil on canvas, signed60cm x 40cm Framed .Note: In 2003, Gerard Burns was the inaugural winner of 'Not The Turner Prize' for his figurative oil on canvas, 'Labyrinth'. His painting 'A New Journey' appeared on the First Minister's Christmas Card in 2009 and featured Burns' niece holding a saltire. In 2014, his '14 for 14 Exhibition' was launched during the XX Commonwealth Games in Glasgow. His Painting 'The Rowan' hung behind Alex Salmond's desk in the Scottish Parliament for the duration of his tenure as First Minister. His portrait of Alex Salmond was unveiled in the Scottish Portrait Gallery in Dec 2015. In April 2015, on the occasion of Scotland Week, he opened the exhibition 'A Brush with Inspiration' in New York, USA featuring 16 paintings of notable Scots, from Ewan McGregor to Nicola Sturgeon. Gerard has donated substantial proceeds from his works for charity. His painting 'Road to Emmaus' raised awareness of the work of Emmaus, a charity helping homeless people. His portrait of Alex Salmond raised £50,000 for CLIC Sargent, a charity supporting children and young people with cancer and their families. The acclaimed portrait of Billy Connolly raised £40,000 for the National Trust for Scotland. Burns launched a special collection of prints to raise money for Mary's Meals, a charity setting up school feeding projects in some of the world's poorest communities. Numerous other charities have benefitted from Gerard's generosity and support. His paintings are held in many corporate and public collections including RBS, Standard Charter Bank, The Hunterian Gallery, The Scottish Parliament & Accenture. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics.
Los 273
* GEORGE DEVLIN RSW RGI RBA ROI ARWS FRSA (SCOTTISH 1937 - 2014),ARRANGING THE FLOWERSoil on canvas, signed61cm x 66cmFramed and under glass.Artist's printed label verso with title, price of £4750 and artist's address of Rosebank, 6 Falcon Terrace Lane, Glasgow.Note: Works in National Collections Scottish National Gallery of Modern Art; National Portrait Gallery, Edinburgh; Scottish Arts Council; Aberdeen Art Gallery; Lillie Art Gallery, City of Dinan, France. Corporate Collections inlude De Beers (South Africa and Switzerland); Robert Fleming Holdings; Dutch Water Board; London Stock Exchange; Arthur Andersen and Co; Scottish Television; Univerities of Leicester, Glasgow and Strathclyde, Essex, Dunbartonshire, Argyll and Tayside; Edinburgh City Collection; Royal Bank of Scotland; Clydesdale Bank; Lloyds TSB; Bank of Scotland; J. O. Hambro; Mason Owen; Dunedin Trust Management; Dunfermline Building Society; Argyll Group; Scottish Friendly Society; United Distillers; Teachers Whisky; Edrington Group and Clan Donald Centre; Cunard (QM2), Dunbartonshire Educational Trust.
Los 78
ANDY WARHOL (USA 1928 - 1987),ABSOLUT VODKA (1985)offset lithograph in colours on wove paper signed in pencil, from the unnumbered edition of 100 printed by Rupert Jasen Smith, New York, published by Absolut Vodka,114.5cm x 94.1cm, sheet (45.08 x 37.01 inches)Float mounted full sheet, framed and under glassNote: In 1985 Warhol became the first artist commissioned to create a portrait of the Absolut Vodka bottle in what would become one of the most successful advertising campaigns of the twentieth century. Following the triumph of the 'Absolut Warhol' ads, the president of the company that owned Absolut, Michael Roux, encouraged Warhol to suggest other artists which could be used in the campaign. Over the years more than three hundred and fifty artists have been commissioned, including Keith Haring, Ed Ruscha, Damien Hirst, Spike Jonze, Swedish House Mafia and Lady Gaga. In 1988, alongside the famous names, Roux also began to select less well-known artists, viewing the commission as an opportunity to launch their career. Interestingly, although Warhol never usually drank alcohol, he did use Absolut as a perfume. One of only 100 Warhol posters that Absolut Vodka's U.S. distributor Carillon originally printed and that Andy Warhol pencil-signed for senior management and for its most important clients.
Los 9
* VINCENT BUTLER RSA RGI PAI (BRITISH b 1938 - ),SEATED WOMANbronze sculpture mounted on a hardstone plinth, signedapprox 38cm highNote: Vincent Butler's work has been widely exhibited throughout Scotland and England as well as in Europe. A number of his statues are in public museums in Edinburgh, as well as various public commissions in Edinburgh and Glasgow. He has also undertaken many portraits including of HRH Duke of Edinburgh, Lord Sutherland, Cardinal Gordon Gray, the poet laureate for Scotland Liz Lochhead, and other notable figures, several of which are in the Scottish National Portrait Gallery. Much of his work over the years has been sold through the Open Eye Gallery (Edinburgh) and Cyril Gerber Fine Art (Glasgow).
Los 468
A Pair of Late 17th/Early 18th Century Portuguese Tooled Leather Chairs (A/F). The tall hump-topped backs & seats embellished with intricate scrolling foliate decoration incorporating winged cherubs and portrait cartouches to the backs, edged in large brass studs and surmounted by brass finials. The baluster & reel turned legs united by turned side stretchers and a pierced front rail of entwined scrolls, terminating on briganza feet, 53 ins (135 cms) high, 21 ins (53 cms) wide.
Los 529
English School. An 18th Century Oil on Canvas: Half length portrait of a be-wigged Gentleman wearing a brown tunic over a white shirt with cravat and frilly cuffs. The subject depicted holding a book, 36 ins x 28 ins (91.5 cm x 71 cms) in an 18th century carved gilt wood frame 43 ins x 35 ins (109 cm x 89 cms).
Los 531
After Anthony van Dyck. A Large Oil on Canvas, probably 18th century; portrait of Charles I stood against a stormy sky and curtain holding a mystical sphere aside an imperial crown and sceptre, his left hand holding a baton. After a lost original. 50½ ins x 41½ ins (128 cm x 105 cms), in an 18th century carved frame 54½ ins x 44½ ins (139 cms x 113 cms).
Los 535
Scottish School. A Late 17th/Early 18th Century Oil on Canvas laid onto board: Portrait of Louisa Mary Stuart (1692-1712) dressed in bejewelled finery holding a posy and stood aside a basket of flowers, 28½ ins x 24½ ins (72 cms x 62 cms). Contained in a 17th century carved giltwood frame, 34 ins x 29 ins (86 cm x 74 cms).
Los 536
French School. A 17th Century Oil on Canvas; Three-quarter length portrait of an aristocratic gentleman aged 38 wearing a black tunic and broad white collar & cuffs, stood beside a table with a coat of arms and indistinct inscription dated 1639 top left, 41 ins x 33 ins (104 cms x 84 cms). Contained in a pierced & carved gilt frame 48 ins x 39 ins (122 cm x 99 cms).
Los 590
A 17th Century Oak Coffer of Sussex Origin, Circa 1660 with lock and original key. The planked top with incised border lines above a five panel facade richly carved with a portrait medallion amidst foliage to the centre panel and flowering plants either side 32¾ ins (83 cms) high, 68 ins (173 cms) long, 23¾ ins (60 cms) deep.
Los 619
A 16th Century French Panelled Oak Coffer Front. The four panels richly carved with Romayne portrait roundels above stems of scrolling foliage incorporating face masks. The dividing muntins embellished with pendant garlands, the central divide depicting a naked king stood beneath the iron lockplate, 34 ins x 64 ins (86 cm x 163 cms).
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283284 Los(e)/Seite