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Continental School (19th century) - portrait of an Elizabethan lady wearing a black dress with lace accessories, a ruff and lace bonnet, oil on canvas, 22.5" x 18.5" **Provenance: with Phillips auctioneers in Bath, lot 405, sale no. B1138 Contained within a partially carved and giltwood plaster frame
Frederick Charles Thomas Bagust (1901-1985) - portrait of a black woman, wearing an orange dress, blue apron and white necklace with a green ribbon decorating her hair, flowers in a vase nearby, oil on canvas, 24" x 20" *There is a further study of two girls on the reverse of the picture, inscribed with the artist's name and his dates on the stretcher verso, possibly by a later hand
Edward Charles Barnes (Ex. 1856-1882) - portrait of a young boy, head and shoulders, reading a book, signed, oil on board, oval, 7" x 5.5" *The artist painted mainly domestic and genre scenes often featuring young women and children, he also painted some Spanish subjects in the manner of John Phillip Burgess, he exhibited at Suffolk Street and at The Royal Academy from 1856-1882 and at The British Institute, a work entitled 'The Seducer', is illustrated in Christopher Wood's book of Victorian painters volume IV, the historical survey and plate (page 125)
Fine late Victorian diamond set gold mounted circular miniature pendant, inset with a portrait of a lady wearing a bonnet within a surround of graduated old-cut diamonds, the reverse with inscription 'Anne Eliza Fell. Wife of G.A Haig. Penithon. B.31. May 1822. D.10 April 1894', 14.6gm, 35mm diameter
Attributed to Jacques Gabriel Huquier (1725-1805) French - portrait of a young boy with his pet spaniel, trees beyond, bears a signature, pastel, oval, 18" x 14" *Attached to the reverse of the picture is possibly a catalogue entry describing the work as a boy rather than a girl and originally estimated at £400-800
A late Victorian Doulton Lambeth salt glazed stoneware cylindrical jug, Worlds Columbian Exposition 1893, sprigged with an American eagle flanked by portrait cartouches of George Washington and Christopher Columbus, further applied in low relief with bands of stars within a border of cobalt blue, scroll handle, 19cm, impressed mark, pattern 8886; a Doulton Lambeth salt glazed stoneware ribbed cylindrical jug, in shades of brown and tan, the central oval reserve applied with a ship at full mast, flanked with the motto, Christopher Columbus Sighted America, October 12 1492, single loop handle, 23cm, impressed mark, pattern 8388, c.1890; etc (3)
Attributed to Joseph Highmore (1692-1780) Portrait of a gentleman, possibly Lancelot Lee (1719 - 1759) or Thomas Lee (C.1690 - 1750) oil on canvas 50 by 40 cm Provenance: Coton Hall, Alveley, Shropshire, the ancestral home of the Lee family. Coton Hall passed out of the Lee family in 1821. The portrait remained at Coton Hall until the house was sold in 2003 (see image of drawing room) Lancelot Lee (1719-1759) of Coton Hall was the eldest son of Sir Eldred Lancelot Lee and his wife Isabella (1690-1767). The Lee family were great patrons and friends of Joseph Highmore. He painted them many times including the ambitious group portrait which hung in the drawing room at Coton Hall (see illustration) and now resides in the Wolverhampton Museum (It was sold to the museum in 1984). Lancelot Lee is the most prominent figure in the painting and is being presented by his sister Dorothy as heir to the estate. Eldred Lee had died by the time the painting was completed and is depicted in an oval portrait on the left hand side Thomas Lee (c.1690-1750) was the president of the Colony of Virginia and builder of Stratford Hall, Virginia, in the 1730s. His son Richard was one of the signatories on the Declaration of Independence and the confederate General Robert Lee a direct descendent. His grandfather, Colonel Richard Lee, founded the Lee family in Virginia when he emigrated from Shropshire in 1639. As distant cousins Lancelot and Thomas Lee corresponded to each other at least once and there is a recorded letter from Lancelot dated the 21st May 1745. It is also believed that Thomas travelled to England twice around 1715 and it is possible that he could have met and sat for Joseph Highmore on one of those trips. Literature. This portrait is illustrated on page 114 of the book ' The King's Ley' by G.Howard Thompson and is titled the Hon Thomas Lee. A copy of the book is included in this lot.
Manner of Sir Thomas Lawrence (1769-1830) Portrait of Sir Robert Peel, full length standing wearing a black coat bears inscription on the reverse, 'Sir Rob Peel Bart' oil on canvas 80 x 51cm Provenance: The portrait was originally owned by Mr Albert Henry Weale; a photographer based at 23 Victoria Road, Tamworth in the 1920s. It then passed by family descent to the present owner. Mr Weale worked as a photographer for the Peel Estate at Drayton Manor and painting may well have been gifted to him in lieu of payment in the late 1920s when the estate was been broken up and sold. This lot also includes a copy of the book 'Sir Robert Peel' by Justin Maccarthy.
Manner of Pompeo Batoni (1708-1787) Portrait of Leopold, 1st Grand Duke of Tuscany oil on canvas 84 x 70cm Notes: Leopold II, Holy Roman Emperor 1790-1792, Grand Duke of Tuscany 1765-1790. Leopold II was seen as an 'enlightened' ruler who to some extent supported the emancipation of the peasantry and encouraged a more liberal approach to non-Catholics. His 25 year rule as Grand Duke made Florence a citadel of the enlightenment.
Anton Hahnisch (1817-1897) A group portrait of family members of Sir Arthur James Rugge-Price, 5th Baronet, (1808-1892) signed and dated 1850 lower right watercolour over pencil 35 x 29cm Provenance: By direct descent to the present owner. Note: Sir Arthur Rugge Price had three children; Mary, Augusta and Charles.
A collection of five 18th/19th century engraved printing plates after George Richmond RA, comprising of a copper plate, the Good Shepherd, a steel plate, portrait of Mrs Richmond, inscribed Mrs Ann Richmond, Born 1st Aug 1772, died 30th Dec 1860, a copper plate inscribed masaccio, a steel plate inscribed Faraday, 27 Mar 1852 and a copper plate, portrait of a gentleman (5)

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