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283284 Los(e)/Seite
Los 764
A Tray of Box and Snapshot Cameras, comprising a Canadian Kodak No 0 Brownie, a boxed blue Coronet No 2, a brown Portrait Hawkeye A-Star-A and a black Portrait Hawkeye No 2 box cameras, together with a Coronet 44, a Coronet Flashmaster, a boxed VP Twin Pocket, a Bencini Comet S, a Bencini Koroll 24 S, a Kodak Colorsnap 35 and a boxed Sirius Beachcomber splashproof camera
Los 18
H.R.H.Elizabeth Duchess of York (later H.M.Queen Elizabeth The Queen Mother) Fine 1920s signed portrait photograph of the Princess with her infant daughter Elizabeth (later H.M.Queen Elizabeth II) by Speaight, London, signed in ink 'Elizabeth 1926' and signed by the photographer, mounted on card 36.5 x 26cm overall. Provenance: a gift to her former Governess and confidante Beryl Poignand.
Los 19
H.R.H. Elizabeth Duchess of York (later H.M.Queen Elizabeth The Queen Mother) charming 1920s portrait photograph of the Princess with her infant daughter Elizabeth (later H.M. Queen Elizabeth II) on her knee by Marcus Adams, signed by the photographer and dated 1926, mounted on card 37.5 x 30cm overall. Provenance: a gift to her former Governess and confidante Beryl Poignand
Los 20
H.R.H.Elizabeth Duchess of York (later H.M.Queen Elizabeth The Queen Mother) Two charming 1920s portrait photographs of the Princess with her infant daughter Elizabeth (later H.M.Queen Elizabeth II), both by Marcus Adams circa 1926. 23.5 x 17.5 and 21.5 x 17cm (2) Provenance: a gift to her former Governess and confidante Beryl Poignand
Los 21
H.R.H.Elizabeth Duchess of York (later H.M.Queen Elizabeth The Queen Mother) charming 1930s signed portrait photograph of the Princess with her infant daughter Margaret and five year old daughter Elizabeth (later H.M. Queen Elizabeth II) by Marcus Adams, signed in ink 'Elizabeth 1931' mounted on card, 30.5 x 38cm overall. Provenance: given by her to her former Governess and confidante Beryl Poignand
Los 22
T.R.H.The Duke and Duchess of York (later T.M. King George VI and Queen Elizabeth) charming 1930s portrait photograph of the Royal couple with their infant daughter Margaret and five year old daughter Elizabeth (later H.M.Queen Elizabeth II) 23 x 28cm. Provenance: given by the Princess to her former Governess and confidante Beryl Poignand
Los 23
H.R.H. Elizabeth Duchess of York (later H.M. Queen Elizabeth The Queen Mother) charming 1930s portrait photograph of the Duchess with her two daughters by Marcus Adams, signed by him and dated 1934, in original card mount 30 x 36cm. Provenance: a gift to her former Governess and confidante Beryl Poignand.
Los 24
H.M. Queen Elizabeth (later The Queen Mother), fine signed Cecil Beaton wartime portrait photograph of the Queen wearing a beautiful sequinned ball gown, a diamond tiara and diamond necklace, signed in ink 'Elizabeth R 1939' on card mount 41 x 29.5cm overall. Provenance: a gift to her former Governess and confidante Beryl Poignand
Los 25
H.M.Queen Mary, fine 1940s signed portrait photograph of the Queen wearing diamond and pearl jewellery by Hay Wrightson signed in ink on mount 'Mary R 1947', 33 x 24cm sold with letter from Queen Mary's Lady in waiting dated 28th May 1949, 'The Queen sends you the enclosed photograph as a souvenir of many days spent in the Wedding Department at St. James's Palace' and other correspondence with Queen Mary regarding art in Marlborough House.
Los 82
H.M Queen Queen Elizabeth The Queen Mother, signed presentation Cecil Beaton portrait photograph of Her Majesty wearing diamond tiara and jewels, Royal Family Orders, signed on mount 'Elizabeth R 1971' sold with letter from lady Ruth Fermoy The Queen Mother's Lady-in-Waiting thanking Mrs Hall for returning her cousins (Miss Beryl Poignands) personal correspondence with The Queen Mother and family and enclosing the signed photograph from Her Majesty. Sold with other correspondence from The Queen Mother to Beryl's family and thanking Captain Poignand (her brother) for returning photographs and other correspondence as well as a letter of condolence written on the Queen Mothers behalf by her Lady-in-Waiting.
Los 1039
English School, early 18th century, oil on canvas laid on board - half length portrait of a Gentleman in red coat, painted within an oval, 74cm x 61cm, in period carved giltwood frameCondition report: The work has been stuck down on a piece of hardboard, some areas are not as flat as they could be. There are areas of overpainting and some scratching to the paint in the lower left corner. The frame has some losses. All that being said, the work still has a good look and could be hung straight away. Please see close up images to illustrate the issues.
Los 1051
19th century French School oil on canvas- half length portrait of a young lady, unframed. 47 x 38cm.Condition report: Please note that this picture is now described as 19th century and not 18th century as before. There are numerous scratches and scuffs across the surface which can be seen in the images. Stretcher marks visible on all four sides. There is no apparent overpainting visible under a uv light.
Los 1111
Janos Marschalko (1819-1877) oil on canvas portrait of an artist, signed. 65cm x 54cm. Believed to be a self-portrait by this Hungarian ArtistCondition report: Condition generally good overall. The work has been re-lined and some evidence of overpainting restoration on the outer edges. A slight dent and scuff to the paint on the lower edge, showing white in the images.
Los 1171
17th century English School, oil on canvas, Portrait of Sir Thomas Craig of Riccarton 1538-1608, holding a scroll, titled, 60.5 x 74cm, in period carved gilt frame. NB:Sir Thomas Craig of Riccarton (c. 1538-1608) was a notable Scottish jurist and poet. In 1564, he was appointed justice-depute. In this capacity he presided at many of the criminal trials of the period in Edinburgh. He was well known for his poetry and his 1603 ‘Jus Feudale’. This book was the first comprehensive legal treatise to be written in Scotland and its object was to assimilate the laws of England and Scotland, but, instead of this, it was an important factor in building up and solidifying the law of Scotland into a separate system.Provenance: Removed from The Garden House, HampsteadCondition report: Re-lined and restored in 1955 as per the label verso. Some overpainting on the outer edges visible under a UV light and the dates look to have been strengthened on the top right corner when the restoration was carried out. Some minor losses to the frame but nothing serious. Please see further images at www.reemandansie.com.
Los 1203
18th century English School, oil on canvas - portrait of a Lady, 72cm x 58cm, in gilt frameCondition report: Re-lined 50-70 years ago. Paint flaking and cracking particularly on skin sections of the portrait. Also paint chips as seen in images. See all images which best show the paint condition.
Los 16
H.R.H. Elizabeth Duchess of York (later H.M.Queen Elizabeth The Queen Mother) fine 1920s signed portrait photograph of the Princess wearing a fox fur stole and pearls by Navana, signed in ink 'Elizabeth 1925', mounted on card, the image 22x16.5cm, 35.5 x 25.5cm. Provenance: A gift to her Governess and confidante Beryl Poignand.
Los 17
H.R.H.Elizabeth Duchess of York (later H.M.Queen Elizabeth The Queen Mother) fine 1920s portrait photograph of the Princess looking to her side and wearing pearls by Vandyk, London 28.5 x 21cm with original Vandyk folder. Provenance - a gift to her Governess and confidante Beryl Poignand sold with a handwritten affectionate letter from the Duchess to Beryl Poignand dated October 17th 1923 in which Elizabeth describes her busy life and signs it with 'Your always devoted Henry' (a nickname they used) (2)
Los 1543
ENGLISH SCHOOL - 19TH CENTURY; oil on canvas, portrait of Richard Rippon (1767-1835), 126cm x 100cm, framed.PROVENANCE: By descent of the Buckney family. This portrait is featured on Page 49 (Plate 1) of ‘Edward John Dent and his Successors’, by Vaudrey Mercer.Richard Rippon was the cousin of Edward John Dent, the celebrated chronometer and clockmaker responsible for building the largest and most accurate public clock in the world known as Big Ben. Dent learnt his skills as a maker of watches and clocks at the beginning of his career from Richard Rippon, who was an expert watchmaker.Following his death Elizabeth Rippon married Edward John Dent – the founder of E. Dent & Co Ltd. His stepson Frederick William (Rippon) Dent completed the construction of Big Ben.Additional InformationVerso there is a label for 'Conservation Matters' dated 2002/3. Tears to the canvas were carried out by Richard Watkins and the painting was relined onto linen. The frame was conserved by Yvonne Jarzebowska. (Please see images of this label)The painting has some craqueleur, some edge wear, a small white paint spot to the lower right and a small chip to the lower left. The right ear of the sitter may also have some later painting.
Los 1585
19TH CENTURY ENGLISH SCHOOL; oil on canvas, portrait study of a seated woman wearing a bonnet, unsigned, 58 x 48cm, framed.Additional InformationCraquelure throughout, some very small old patches visible from the reverse and some over paint in areas. There is also a surface blemish to the right hand side of her head and several other scuffs.
Los 1603
MANNER OF FRANCIS JOHN WYBURD; oil on canvas, portrait of a maiden in thought, initialled and dated 1893, 34.5 x 45cm, framed.Additional InformationThe frame is a later replacement and the canvas appears to have been relined, there is possibly some repainting around the eye and forehead but essentially image is clean and bright.
Los 2122
An early 19th century woven hair portrait on silk, after Rembrandt, in gilt wood and gesso frame, 25 x 24cm.Additional InformationThe silk backing with some foxing and discolouration and the silk has torn and perished in parts and appears to have been laid onto a further material backing, overall measurements including frame 24x23cm.
Los 2643
A late 19th century Continental porcelain oval plaque painted with the head and shoulders portrait of a young girl wearing a white ruff and bonnet, indistinct impressed mark to the reverse, 8 x 6.25cm, framed, also a decorative small circular portrait miniature signed Nived (2).Additional InformationThe porcelain plaque is in good condition, very much in the style of a portrait miniature. The circular miniature is also in good condition with a few small scuffs to the frame.
Los 472
An interesting early 20th century autograph album including signatures of Sir Ernest Shackleton dated February 1910, Clara Butt the singer, William Booth founder of the Salvation Army, Andrew Carnegie American philanthropist who largely funded the Torquay library, T.R. Allison founder of Hovis, Dame Nellie Melba singer, Marie Corelli novelist and Colonel Charles R Burn MP who entered parliament on 3rd December 1910 representing Torquay.The vendor's great grandfather was a portrait photographer on 34 Union Street in Torquay with the business being retained within the family. J.C. Dinham was awarded a Royal Warrant in 1907 and several of his images have been donated to the National Portrait Gallery and Devon Heritage. The vendor's mother was also a professional singer and used the album to record the leading musicians of the time with whom she performed circa 1950-1960.
Los 506
STAR TREK; THE NEXT GENERATION; a portrait panel of Captain Jean-Luc Picard, signed in silver pen, limited edition 4938/5000, 38 x 30.5cm, together with a print of four Captains from the Star Trek franchise, dated '96, with 21 Hamilton Collection Star Trek collectors' plates, and four other collectors' plates. Additional InformationThe panel of Jean-Luc Picard is worn and scuffed along the edges and with some surface scratches, also lightly grubby in parts, the other frame print is better.
Los 516
CAVE (W), HISTORY OF THE LIFE AND DEATH OF THE HOLY JESUS, engraved half title and frontis plate, other engraved plates and text illustrations, seventh edition, London Macock, 1684; A COMMENTARY UPON THE HISTORICAL BOOKS OF THE OLD TESTAMENT, engraved portrait frontis, two vols, fifth edition London, 1738, with companion volume on the prophets, 1739, and a fourth volume on the books of Job and Psalmes, London 1743 (5).
Los 1005
ALEX RUSSELL FLINT (born 1974); oil on board, 'Camille', portrait study of a young woman, signed, bearing Reuben Coley Fine Art of Birmingham label verso, 40 x 48cm, in heavy gilt frame. (D)Footnote: Accompanying the painting is a letter from the artist to the vendor discussing the sitter within the portrait.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 1059
DAVID PEARSON; oil on canvas, self portrait, 33cm x 25.5cm, unframed, with three painted cardboard collages by Pearson (4). (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 1063
STANLEY DOBBIN (1932-2021); oil on canvas, portrait of a lady in a hat, 53cm x 45cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 1171
SAM RABIN (1903-1991); chalks, study of a seated figure, signed, 17.5 x 17.5cm, a study of a standing female figure, 21.5 x 9cm, and a loose sketch portrait of a gentleman, signed and dated 1952, 24 x 21cm, all framed and glazed (3). (D)PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 1222
ATTRIBUTED TO THOMAS GEORGE; watercolour, portrait of Mrs Samuel Davis, 39.5 x 23.5cm, framed and glazed, with an early 20th century watercolour portrait of a maiden with long hair, with label verso attributing it to Duckett Harrison (2).Additional InformationThe portrait of Mrs Davis is apparently faintly signed lower left, there is a very faint pencil mark here, the paper to the this portrait is generally toned with some darkening at the edges, the other portrait appears to have a scratch which runs from the bottom right corner upwards and some foxing to the paper also.
Los 1297
SIAN NOLAN; black and white etching, portrait study of a man, signed and dated 1990, 27.5 x 20cm, framed and glazed. (D)PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 1298
FREYA MAYNE; black and white etching, portrait study, signed, 25 x 17.5cm, framed and glazed.PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.
Los 1452
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Portrait (L.W.)”, signed and titled in pencil, 50cm x 48cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
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283284 Los(e)/Seite