TWO INTERESTING EARLY 20TH-CENTURY SOUVENIR ALBUMS CHARTING A ROUND-THE-WORLD VOYAGE ON BOARD AN OCEAN-GOING LINER, S.S.Militiades of the Aberdeen Line, the voyage commenced on 11th April 1906, the first album, of landscape format with black morocco covers, comprising annotated photographs of the voyage, the route taking in Tenerife, Cape Town, Sydney, Melbourne, a tour of the Blue Mountains, Fiji (Suva), Honolulu, and a tour through Canada by rail, the second album, of portrait format with red morocco covers, comprising postcards, cuttings, pamphlets and other ephemera matching the first, together with two tinted photographs of S.S.Militidaes, one with surrounding autographs of the crew, the other with autographs of the Quoits teams on-board, dated April 25th 1906, with records of results, (a lot)
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Catherine Gertrude Cruikshank, London, (Exh.1868-1889). A portrait miniature on ivory of a young girl "Lizzie", seated beside a red squirrel, oval, 13cm x 9.7cm, (5in x 3.8in) in gilt slip and ornate gilt frame within a plush-lined glazed mahogany box-frame, 29.5cm x 25.5cm, (11.5in x 10.2in) overall, (labelled verso in ink in a contemporary hand: "No 3./Lizzie a Portrait/Painted by Miss C G Cruikshank,/20 Clarendon Road/S.Kensington")
![Adriaen Hanneman, (1604-1671) [Attrib.]. A PORTRAIT OF MARIA HENRIETTA STUART, (1631-1660), PRINCESS OF ORANGE, seen half-le](http://lot-images.atgmedia.com/SR/10038/1692529/499-4-10038_468x382.jpg)
Adriaen Hanneman, (1604-1671) [Attrib.]. A PORTRAIT OF MARIA HENRIETTA STUART, (1631-1660), PRINCESS OF ORANGE, seen half-length beside a table, her elaborate coiffeur with fringe of curls and wearing a double pearl drop ear-rings, pearl necklace and various pearl and gem -set adornments to her silk dress. Her right hand rests on a jewelled crown and in her left she holds a rose. Behind her to her left an open window shows a landscape with trees beyond. Apparently unsigned, 103.5cm x 82cm, (40.75in x 32.3in), in later ripple-mounted ebonised frame, with gilt hanging label insc ribed: "MARY PRINCESS OF ORANGE - DAUGHTER OF CHARLES I -BY ADRIAAN HANNEMAN - 1611-1680" (sic)
Large French clock garniture, circa 1900, the four-glass clock striking the half with an enamelled portrait and diamante pendulum, porcelain face painted with swags and set with a diamante ring, in a gilt brass and champleve case, together with a pair of matching candelabra side ornaments. Clock height 64cm
James Ward (1769-1859), Study of a white fox terrier; Study of a fox terrier with brown ears, each oil on canvas, the first 14 x 19.5cm, the second 16 x 19cm, the second with a label verso stating artist and Formerly property of Issac Chambers, (?) Expectant, Cumberland, believed portrait of one of his own dogs
James Loder of Bath (1784-1860), Portrait of Colonel Bouverie on Mr. Hobson's Challenger, oil on canvas, signed and inscribed Bath 1837 lower right, 58.5 x 76.5cm, bears paper label verso inscribed General (then Colonel) Everard William Bouverie on Mr. Hobson's ch. colt 'Challenger' with which he won four races in 1836, and a second paper label with indistinct inscription.
Monro, Harold, & David Jones (illustrator), The Winter Solstice, London, Faber & Gwyer Ltd., 1928, 8vo (215 x 135mm.), illustrated half title, and colour plate, original stiff backed boards, front cover lettered in gilt, No. 86 of 500 Limited Edition large-paper copies signed by the author. Reed, Jeremy, Vicissitudes, London, Morgue at Zero, 1972, 8vo (210 x 135mm.), half title, presentation inscription from the author to Hugo Manning, original red cloth, spine lettered in gilt, dust-jacket, First Edition. Housman, A. E., More Poems, London, Jonathan Cape, 1936, 8vo (205 x 140mm.), half title, frontispiece portrait of the author, original blue cloth, spine and front cover lettered in gilt, First Edition. With eight other works including Howard Sergeant's (editor) 'For Those Who Are Alive - An Anthology of New Poetry' (London, 1946), and a signed copy of Claude Houghton's 'The Tavern of Dreams' (London, 1919).
Wilson, Romer, The Hill of Cloves, London, William Heinemann Ltd, 1929, 4to (215 x 150mm.), half title, contemporary cloth backed spine, spine lettered in gilt, No. 66 of 750 Limited Edition copies signed by the author. Joyce, James, and Dodie Masterman (illustrator), A Portrait of the Artist as a Young Man, London, The Folio Society, 1965, tall 8vo (220 x 135mm.), half title, frontispiece, original decorative cloth, slip-case. With a number of other works, including a cheap edition of Joyce's 'Ulysses' (London, 1949), and F. T. Prince 'Soldiers Bathing and other poems' (London, 1954).
Lee, Laurie, The Sun My Monument, London, The Hogarth Press, 1944, 8vo (180 x 115mm.), half title, signed and dated by Iris Murdoch on the front free endpaper, stiff board wrappers, dust-jacket, First Edition. Auden, W. H., The Enchafed Flood or The Romantic Iconography of the Sea, London, Faber & Faber, 1951, 8vo (218 x 130mm.), half title, original blue cloth, spine lettered in gilt, dust-jacket, First Edition. Myers, Frederic W. H., Fragments of Prose & Poetry, London, Longmans, Green, and Co., 1904, 8vo (220 x 140mm.), half title, frontispiece portrait of the author, and 3 portrait plates, original cloth, spine and front cover lettered in gilt, First Edition. Spark, Muriel, Doctors of Philosophy A Play, New York, Alfred A. Knoff, 1966, 8vo (215 x 135mm.), half title, printer device on title, dedication inscription from the author to Hugo Manning on front free endpaper, original blue cloth, spine lettered in gilt, dust-jacket, First Edition. With a number of other works a limited edition of F. E. Budd (editor) 'Lullabies' (London, 1930), Sidney Keyes 'The Cruel Solstice' (London, 1943), and Elizabeth Jennings 'Recoveries' (London, 1964).
Lawrence, Thomas Edward (1888-1935), Seven Pillars of Wisdom a Triumph, London, Jonathan Cape, 1935, 8vo (250 x 180mm.), half title, frontispiece portrait of the author, plates, and maps, original cloth gilt, spine and front cover lettered in gilt. With other works including J. T. Nettleship's 'George Morland and the Evolution from Him of Some Later Painters' (London, 1898)
The Complete Works of William Hogarth, London & New York, London Printing and Publishing Company, [n.d.], large 4to (305 x 210mm.), engraved portrait frontispiece of Hogarth, additional illustrated title, plates, and illustrations, contemporary red morocco gilt, inner gilt dentelles. With a number of other works including 'The Rake's Progress' (London, n.d.)
Butler, Arthur Gardiner (1844-1925), British Birds' Eggs: A Handbook of British Oology, London, E. W. Janson, [n.d.], 8vo (220 x 135mm.), half title, chromolithographed frontispiece, and 37 plates, ownership signature on front free endpaper, booksellers stamp of R. H. Porter of Cavendish Square, half red morocco, spine lettered in gilt. Seebohm, Henry (1832-1895), & Richard Bowdler Sharpe (editor), Coloured Figures of the Eggs of British Birds, Sheffield, Pawson and Brailsford, 1896, 8vo (250 x 160mm.), engraved portrait frontispiece of the author, and 59 chromolithographed plates, later ownership inscription on front free endpaper, original red cloth gilt, t.e.g.
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