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283287 Los(e)/Seite
Simon van de Passe (German c.1595-1647) Edward VI - Edwardus Sextus Dei Gratia Angliae Franciae et Hyberniae Rex etc. Engraving Plate 18.5 x 11.5cm (7¼ x 4½ in.) This engraving comes from the publication titled Bazilologia, published by Compton Holland. The original frontispiece dated 1618 stated 'a Booke of Kings, beeing the true and lively effigies of all our English kings from the Conquest untill this present with their severall coats of armes, impreses and devises and a brief chronologie of their lives and deaths. After Holland's death a second edition was published and later the plates were acquired by Thomas Geele who published a third edition in 1630. Additional portraits were added to each new edition. This work is from a later edition. Together with portrait of Sir Walter Raleigh in a decorated oval cartouche, engraving by Simon van de Passe (c.1595-1647), from Walter Raleigh's 'History of the World,' plate 18.5 x 11.5cm (7 1/4 x 4 1/2in.) and a sketch book depicting ink and watercolour drawings of famous Royal portraiture held in public collections. This lot also includes a large quantity of miscellaneous prints and engravings mainly royal and court portraiture to include Thomas 7th Earl of Northumberland, engraving after Francesco Bartolozzi and Henry VII, engraving by Pieter Stevens van Gunst, after Adriaen van der Werff (large quantity)
Y Bernard Lens III (British 1682-1740) A lady, wearing royal blue satin open gown with celadon green lining fastened with gem-set gold and pearl strand closure, ruffled linen shift, gold embroidered gauze mantle, her dark curling hair falling over her left shoulder Watercolour on ivory, oval Signed with monogram (lower right) 7.5cm (2¾ in.) high In a painted and gilt wood frame Provenance: Sale, Christie's, London, Important Portrait Miniatures and Gold Boxes, 9 December 2008, lot 216 From the Collection of the late Timothy Clowes Condition Report: Light surface dirt throughout. The background pigment is a little uneven in places but it is not clear whether this is intentional or due to retouching. This is most notable to the area above the sitter's hair at '1 o'clock'. Unexamined out of glazed frame. The frame with a number of cracks (recto), as well as scuffs, surface scratches, and other general wear. Condition Report Disclaimer
Y Penelope Carwardine (British 1730-1800) A gentleman, wearing blue-edged lilac coat, white waistcoat and frilled chemise, his natural hair worn en queue Watercolour on ivory, oval 4cm (1½ in.) high In a rectangular Papier-mâché frame Provenance: Sale, Bonhams, London, Portrait Miniatures, 13 June 1994, lot 46 From the Collection of the late Timothy Clowes
Y Charles Forrest (British fl. 1765-80) A lady wearing, low-cut pale pink dress with white lace trim, her hair upswept Watercolour on ivory, oval Signed and dated 1776 (lower left) 4.6cm (1¾ in.) high In a gilt metal frame engraved with scrolls and foliate Provenance: Sale, Bonhams, London, Fine Portrait Miniatures, 18 November 2003, lot 58 From the Collection of the late Timothy Clowes
Richard Cosway (British 1742-1812) Clive Thomas Esq, wearing blue coat, red waistcoat, white stock and frilled chemise Watercolour and pencil on paper, oval 9.5cm (3½ in.) high In a wood turned frame Provenance: Admiral Lord Cuthbert Collingwood Lady Louisa Manners Sale, Bonhams, Fine Portrait Miniatures, 25 November 2009, lot 168 From the Collection of the late Timothy Clowes Clive Thomas Esq was the son of Captain R. Thomas, friend and flag captain to Lord Collingwood, Captain of the Ville de Paris, 110 guns, and later Captain of the same ship after Collingwood's death in 1810. Condition Report: The sheet has been laid down to card and appears to have been previously restored. There are several flattened creases to the outer edges, as well as what looks like a repaired tear to the upper right of the sitter's head (approx. 1cm) and to the right framing edge (approx. 1cm). There is some discolouration to the sheet and staining to the outer edges. The overall colour is a little muted and appears to have lost a bit of definition. Some light wear to the extreme edges. Condition Report Disclaimer
Y Solomon Polack (British 1757-1839) A gentleman, wearing blue coat, white waistcoat, lace cravat and tied stock, his powdered hair worn en queue and tied with a black ribbon Watercolour on ivory, oval Signed (lower right) 4.2cm (1½ in.) high In a gilt metal frame Provenance: Sale, Bonhams, Fine Portrait Miniatures, 18 November 2003, lot 64 (part lot) From the Collection of the late Timothy Clowes
Y William Naish (British c.1767 - 1800) Portrait of a gentleman, traditionally identified as Joseph Badeley (1772-1838), wearing brown coat, white stock and chemise, his hair powdered Watercolour on ivory, oval 7.8cm (3 in.) high In a gold frame, glazed reverse Provenance: Sale, Bonhams, Fine Portrait Miniatures, 24 June 2004, lot 113 From the Collection of the late Timothy Clowes Condition Report: Light surface dirt throughout but most concentrated around the framing edges where there is also some associated rubbing. Perhaps some slight fading / discolouration to the sitter's coat but this is minimal. Otherwise the work appears to be in good condition commensurate with age. Unexamined out of glazed frame. Condition Report Disclaimer
Y Walter Stephens Lethbridge (British 1771-1831) A gentleman, wearing black coat, matching waistcoat, frilled white chemise and tied stock Watercolour on ivory, rectangular Signed and inscribed W.S.Lethbridge, Pinxit, 321 Strand London (verso) 8.7 x 7cm (3¼ x 2¾ in.) In a gilt metal frame with velvet backing Provenance: Sale, Bonhams, London, Portrait Miniatures and Silhouettes, 5 September 2006, lot 199 From the Collection of the late Timothy Clowes
Y English School (19th century) Cupid Bound, a lady, seated in a landscape with Cupid upon her knee, she binds Cupid's arms with blue ribbon from her mauve lace trimmed robes, she also wears straw hat with blue ribbon and lace decoration Watercolour on ivory, oval 14.5cm (5½ in.) high In a gilt metal frame with pierced spiral cresting, the reverse with glazed oval cartouche revealing green fabric. Provenance: Sale, Bonhams, Fine Portrait Miniatures, 22 November 2006, lot 119 From the Collection of the late Timothy Clowes The present lot has previously been erroneously attributed to Samuel Shelly (1750/56-1808), who also painted this type of large scale allegorical subject. The scene depicted represents the myth of Chastity binding Cupid. In this instance the purpose being to convey the lady's purity and restraint.
English School (17th century) Portrait of a gentleman in a red coat and armour Oil on canvas, feigned oval 76 x 64cm (29¾ x 25 in.) Condition Report: Relined. Crauqluere and surface dirt throughout. An area of repair to the lower left quadrant visible in natural light. Inspection under UV reveals scattered retouching and extensive repair to the lower left quadrant. The stretcher is coming loose in the frame and may need refixing. Condition Report Disclaimer
English School (Late 19th century) Portrait of an explorer Oil on canvas 54 x 39.5cm (21¼ x 15½ in.) Provenance: Property sold to benefit a charitable trust created by the late William de Gelsey Condition Report: The canvas has been lined and the paint surface appears to be in good condition. There are minor abrasions to the edges. Inspection under UV reveals small areas of retouching to the sitter's shirt and in other background areas. There is a layer of discoloured varnish and some surface dirt. Condition Report Disclaimer
British School (19th century) Portrait of a boy and girl resting by a stile Oil on canvas Indistinctly signed M [?] (lower left) 129.5 x 85cm (50 x 33¼ in.) Condition Report: The canvas is slack and has not been relined. There is surface dirt and yellowing varnish throughout causing some discolouration. Light rubbing with some associated losses to the extreme edges. One small white blemish to the upper right edge. Horizontal stretcher marks visible across the centre of the canvas. The paint surface is quite uneven. Inspection under UV reveals patches of a green masking varnish which may be concealing extent of retouching or repair. Condition Report Disclaimer
Continental School (19th/20th century) Portrait of a lady, seated Oil on canvas 67 x 59.5cm (26¼ x 23¼ in.) Provenance: The collection of Eardley Knollys (1902-1991), friend and associate of the Bloomsbury Group, artist, critic and owner of the Storran Gallery, London, from 1936 to 1944 Bequeathed to Mattei Radev (1927-2009) and, subsequently, to the present owner Eardley Knollys (1902-1991) was born in Alresford, Hampshire. He studied at Winchester College and continued his education at Christ Church College in Oxford. Knollys interest in the arts and his reputation as an art critic grew during the 1920s and in 1936 Knollys opened The Storran Gallery, opposite Harrods with his partner Frank Coombs. The gallery exhibited renowned artists such as Amedeo Modigliani, Maurice Utrillo, Ivon Hitchens, Pablo Picasso and Victor Pasmore to name just a few. Coombs tragically passed away in an air raid during World War II in Belfast in 1941. Knollys closed the gallery shortly afterwards. In 1945, Knollys along with music critic and novelist Edward Sackville-West and music critic Desmond Shawe-Taylor purchased a Georgian rectory in Long Crichel, Dorset. Along with James Lees-Milne, literary critic Raymond Mortimer and gay activist and eye surgeon Patrick Trevor-Roper, the house became a centre for young creatives, where these young men and their friends could immerse themselves in books, music, art and poetry. These passionate young men hosted guests such as Ben Nicholson, Duncan Grant, Sibyl Colefax and film director Anthony Asquith. Knollys joined James Lees-Milne working for the National Trust during World War II and published diaries recording their trips to some of the most renowned British country houses. In 1965, Knollys, a well respected art critic and member of the Bloomsbury art group inherited a collection of artworks which had belonged to Edward Sackville-West. In 1967 Knollys and Mattei Radev purchased a hunting lodge in Hampshire and they both painted and worked in the artist's studio attached to the lodge. Knollys' interest in the arts continued and he added to the collection right up until his death in 1991. Knollys' collection was bequeathed to Mattei Radev, who continued to grow the important collection. Mattei Radev became an iconic member of the artistic and literary Bloomsbury group. Radev was a Bulgarian émigré who settled initially in Glasgow after escaping Bulgaria through Turkey. When he first arrived in London he started working at Whittington Hospital as an orderly and met eye surgeon Patrick Trevor-Roper. Trevor-Roper was a gay activist and introduced Radev to likeminded friends in London. Influenced by these new acquaintances in artistic circles Radev decided to pursue an apprenticeship in framing. In 1960 he set up his own workshop in Fitzrovia with the help of a financial loan from Eardley Knollys. Clients included John Banting, Graham Sutherland and Duncan Grant. The framers continued under Radev's management until the 1990s. Radev visited Long Crichel many times and met his life-long lover E.M. Forster, the notable novelist and literary critic. The Radev collection represents the three strong individuals involved, Sackville-West who championed Modernism, Eardley Knollys whose passion for French Impressionism shines through and Radev for his loyalty to British artists with whom he was friends and in business with. Condition Report: Relined. Light surface dirt and fine craquelure throughout. Condition Report Disclaimer
Terence Cuneo signed coloured print titled 'Out Of The Night'. Approx 21 x 25. Limited Edition 160/500. Hand signed in pencil. Portrait of a working King, Great Western Railway- one of the great aristocrats of Britain's Steam Era. Printed In England. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £7.99, Rest of World from £9.99
ASSORTED YELLOW GOLD JEWELLERY comprising 9ct gold signet ring with engraved rampant lion, 14K gold oval portrait frame, 9ct gold cameo brooch, 14K gold mother of pearl bar brooch, 9ct gold amber ring, 9ct gold floral brooch, 9ct gold coral ring, 9ct gold necklace, yellow metal enamel and seed pearl mourning brooch, 38.6gms gross (9)Provenance: deceased estate London, consigned via our Cardiff Office
A Boer War Relief of Ladysmith gallantry medal group, comprising a Distinguished Conduct Medal and Queen's South Africa medal with five clasps, to 3589 Sgt / Clr Serjt N Sparke, 1st Border Regt, together with a portrait miniature of Norman Sparke in uniform, watercolour on ivory, and period press cuttings. ["After the Relief of Ladysmith Sit Redvers Buller brought the following among other officers and men to the attention of the Secretary for War through Lord Roberts...Sergeant Norman Sparke and Lance-Sergeant Munro; December 15, Colenso - Displayed great gallantry and excellent management of their men dander severe fire. Segt Sparke is the youngest son of the late Rev Wm Sparke, of Kirkwall." Colour Sergeant Sparke died of enteric fever at Johannesburg.]
[Amendment: this is now considered to be a father and son group.] An exceptional Royal Navy long service medal group, spanning the reigns of Queen Victoria through to Queen Elizabeth II, comprising a 1914-15 Star, British War and Victory medals, Royal Navy Long Service and Good Conduct Medal with clasp, 1939-45 War and Defence medals, and the British Empire Medal, those of Edwin Charles Guy who volunteered for service in 1883, served during both World Wars and whilst recruiting for the Royal Navy, was awarded the British Empire Medal during the present Queen's coronation year, 1953, he served as a cook during the first years of his service, is rated a Boy 1st class on his 1914-15 Star, Able Bodied Seaman on the British War and Victory medals, and Petty Officer ( HMS Victory ) on the long service medal, the group includes service and medal related documents, two extensive photograph albums depicting service between the Wars, portrait and group photographs, a silver cigarette case engraved "Presented to CPO Guy in appreciation of service as President of CPOs' Mess, HMS Excellent, 1937-38, and a Master of the Watch telescope by Ross and engraved "Awarded to E C Guy, Advanced Class, Royal Hospital School, Greenwich, July, 1912
[ Victoria Cross / Medal ] A Cardette photographic portrait of Petty Officer Alfred Sephton, VC, Royal Navy, together with a large group of personal photographs, many depicting Sephton and his fellow sailors aboard vessels and relaxing ashore, also images of marine actions and studio portrait photographs of Sephton in uniform with family members. ["On 18 May 1941 in the Mediterranean, south of Crete, Petty Officer Sephton was a director layer on HMS Coventry when she went to the assistance of a hospital ship which was being attacked by German dive-bombers. When the enemy engaged Coventry, strafing her with machine-gun fire, Petty Officer Sephton was mortally wounded, a bullet actually passing through his body and injuring an able seaman beside him. Although in great pain and partially blinded, nevertheless he stuck to his instruments and carried out his duties until the attack was over. He died of his injuries next day."]
GABRIEL NICOLET (FRENCH, 1856-1921)Portrait of two ladies wearing bonnetscolour lithograph34 x 25cm Provenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer and screenwriter, best known for his 007 James Bond movies and Alfie.

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283287 Los(e)/Seite