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A limited edition Halcyon Days enamels Box, to comprise a limited editions George Stubbs 'Self-Portrait on a Grey Hunter' (6/250), together with three other Halcyon Days of art subjects, comprising 'Still-Life with Blue Roses and Drapery'- Augustus John, another inspired by Monet and one other, all boxed, 'The Carousel' musical Box, two of horse scenes, a replica Bilston Box and one in the form of the Martin Behaim Globe, 9 in total (a lot)
A 19th century grand tour rolled gold and lava cameo bracelet - the five octagonal portrait cameos in polychrome lava composite, each 3.5 x 2.25cm, each inscribed to the reverse, 'Cimon'; 'Elena'; 'M. Antonio'; 'Coriolanus'; and 'Romulus', 'Elena' with filled loss to one corner.* Condition: 'Elena' with filled loss to one corner of the cameo. There is also a narrow chip missing from the upper right edge of 'Coriolanus' (see photos) and a flake missing from the two upper corners of 'Romulus'. The other cameos are in good condition. The clasp is working but is stiff and does not click when it is inserted fully. There is some wear to the rolled gold to the corners and edges.
[FORE-EDGE PAINTINGS]IRVING, WASHINGTON. The Sketch Book of Geoffrey Crayon, Gent. London: John Murray, 1820. Third edition. Bound in fine 19th century red morocco by White of Pall Mall (with their ticket), all edges gilt, with fine concealed two-panel double fore-edge paintings (for a total of four subjects), likely painted 1920s or earlier; slipcased. 8 1/2 x 5 1/4 inches (21.5 x 13.5 cm); with a complex double fore-edge painting, each side composed of four compartments. The first side has a portrait of Washington Irving, a view of New York, view of Liverpool from the Mersey and a portrait of Thomas Campbell. The second side has a portrait of Sir Walter Scott, a view of Jedburgh Abbey, a view of the Great Courtyard of Dublin and a portrait of Thomas Moore. Light wear, upper corners of boards very slightly bumped. Sold as a fore-edge painting not subject to return.Last sold Sotheby's York Avenue Galleries, June 25, 1982, lot 547. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
TWAIN, MARKThe Adventures of Huckleberry Finn. New York: Charles L. Webster and Company, 1885. First edition in publisher's blue cloth with the following first isue points: the frontispiece portrait with tablecloth visible; page [9] with "Decided"; page [13] illustration caption incorrect; page 57 ("with the was"); the title-page and 283 are cancels; in this copy page 155 has the last numeral slightly larger. 8 1/4 x 6 1/2 inches (21 x 17 cm); illustrated. Repair to spine and corner, some scratches, light spotting and toning within; Together with an externally bright copy in blue cloth of the 1880 edition of The Adventures of Tom Sawyer, hinges cracked, spotting; and a first edition of The Prince and the Pauper, Boston, 1882, publisher's green cloth, in a folding case, hinges cracked, somewhat shaken and worn, gift inscription dated Christmas 1881.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
PASTEUR, LOUIS Inscription dated 1884. Ink on a sheet inscribed in Latin "Des vias rectas [By the right roads]/L. Pasteur/16 Juillet 1884." The sheet 5 1/2 x 4 inches (14 x 11 cm); nicely matted and framed with a modern color portrait. Visibly fine, not examined out of frame, backlabel of Kenneth W. Rendell Gallery. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
MACHIAVELLI, NICCOLÒMachiavel's Discourses upon the First Decade of T. Livius, Translated out of the Italian. To which is added his Prince: With some Marginal Animadversions... by E. D. London: for Charles Harper and John Amery, 1674. The second edition, so stated (but see below). Modern paneled calf preserving an old red morocco lettering label. 6 3/4 x 4 1/4 inches (17 x 10.75 cm); [24], 686, [2] pp.; with a frontispiece portrait of Machiavelli. Occasional toning and soiling to the text, generally a crisp copy.The translation of The Prince by Edward Dacres first appeared in 1640. It is the first English edition of The Prince. An edition of the present work, with the Discourse on Livy and The Prince, appeared in 1661, published by Thomas Dring. The present edition, of which The Prince is again the second part, with a separate title dated 1673 is the third edition of The Prince, but is the second edition of the two works published conjointly.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
[ALDINE DEVICE - ROMAN COIN]Silver denarius, with a profile portrait of the Emperor Titus on the obverse, and the dolphin-and-anchor device on the reverse. [Roman Empire: 80 A.D.] 18 mm (5/8 inch) in diameter. Irregular edges, the strike slightly off-center, the impression a bit dulled with some losses to lettering around the edges from age and handling, however, the images in the center of either side of the coin are clearly readable. According to Erasmus' Adagiorum Chiliades, Pietro Bembo gave an example of this coin to the Venetian printer Aldus Manutius, who then began using The Dolphin and Anchor symbol found on the coin's reverse as his printer's device. The Dolphin and Anchor device also symbolizes Aldus' paradoxical motto Festina lente i.e. "Make haste slowly." It would become the most famous printer's device in history, always sought-after by book collectors.Emperor Titus minted the denarius as part of a series of coins commemorating the prayers voted by the Roman Senate following the eruption of Mount Vesuvius in 79 AD. The Dolphin and Anchor symbol represented Neptune.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
BRADY, MATHEWVignette portrait of Ulysses S. Grant. Albumen print mounted to a carte de visite, recto imprinted "Brady Washington" on the mount, the mount verso with the Brady's National Photographic Portrait Galleries imprint. Signed below the image in black ink by Grant: ''U. S. Grant, Lt. Gen. U.S.A." Housed in a protective plastic sleeve, the whole presented in an ornate union case. Fine condition.Grant was elevated by Lincoln to the rank of lieutenant-general in March of 1864, and became a full general in August 1866, so the present inscription is from that period of the Civil War.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
[TRAVEL - AFRICA]PARK, MUNGO. Travels in the Interior Districts of Africa performed under the direction and patronage of the African Association in the years 1795, 1796, and 1797. London: W. Bulmer and Co., 1799. First edition. Contemporary marbled paper boards, modern calf spine with gilt-lettered label. 10 1/2 x 8 1/2 inches (27.5 x 21 cm); xxviii, 372, xcii, [2], with three engraved folding maps, one of which is hand-colored in outline, five engraved plates, two of which are folding, and two leaves of engraved music. The boards are a bit rubbed and worn, the hinges reinforced, the title lightly toned, with offsetting, edge tears, and small losses in margins, the contents and plates with occasional spotting and toning, short edge tear to folding map, offsetting from plates, lacks the portrait plate. "Until the publication of Park's book in 1799 hardly anything was known of the interior of Africa... Park's Travels had an immediate success and was translated into most European languages... Park's career was short, but he made the first great practical advance in the opening-up of Central Africa" (Printing and the Mind of Man, p. 153).PMM, 253.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
STENDHAL, HENRY BEYLEAutograph note signed. [Paris: circa June 1827]. A one page autograph note in Italian signed “Beyle,” the letter to regarding the visit of a giraffe (sent by the King of Egypt to King Charles X in June 1827, also the year of Stendhal's first novel). 9 x 8 inches (24 x 20 cm); framed with a portrait. Folds and stains including one touching signature, not examined out of frame, backlabel of Kenneth W. Rendell Gallery. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
WARREN COMMISSIONReport of The President's Commission on the Assassination of President John F. Kennedy. Washington, D.C.: United States Government Printing Office, [1964]. Inscribed over two blanks by Lyndon B. Johnson, Earl Warren, Hale Boggs, J. Lee Rankin, Richard Russell, John Sherman Cooper, John J. McCloy, Allan Dulles, and Gerald Ford has also signed the volume which also bears his Presidential bookplate. Original dark navy pebbled morocco stamped with the presidential seal and lettered in gilt. 9 x 6 inches (23 x 15 cm); frontispiece portrait of President Kennedy, diagrams and illustrations throughout, 888 pp. Some light toning but fine overall.A significant artifact of the Warren Commission - Gerald Ford's copy of the final report inscribed and signed by President Johnson and each of the members of the commission including Ford. President Johnson has inscribed the volume "To Jerry Ford/With appreciation/Lyndon B. Johnson" above "In appreciation of our association in the preparation of this report/Earl Warren" followed by the signatures of the others and that of Ford. Hale Boggs has also signed his name again further into the volume.At the time of President Kennedy's assassination on November 22nd, 1963, Gerald Ford was serving as Congressman from Michigan as he had since 1949. On November 29th, President Johnson appointed Ford to the commission to investigate the assassination to be chaired by Earl Warren, Chief Justice of the Supreme Court. Ford was responsible for writing the biography of Lee Harvey Oswald and he and Warren jointly interviewed Oswald's killer Jack Ruby. While the conclusions of the commission have proven controversial, Ford defended them in his book A Presidential Legacy and The Warren Commission. We trace no other copy of the commission report inscribed between members of the Warren Commission.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
TWAIN, MARK (=CLEMENS, SAMUEL LANGHORNE)Two autograph notes signed, framed together with a portrait. The first, addressed to Edward William Bok, is written on Twain's monogrammed notecard, 5 1/4 x 3 inches (7.5 x 13 cm) and is dated Hartford, November 20, 1880. It reads: "Dear Sir, You must pardon me, but I was so busy with the election, & I forgot all about this & a lot of other things. Truly Yours, S.L. Clemens, Mark Twain." The second, recipient unstated, is written on card stock, 3 1/2 x 4 1/2 inches (8.75 x 11.25 cm), and is dated October 5, 1897. It reads "'The proverb says, let a sleeping dog lie.' This is well - usually; but if it is a matter of large importance it is better to get a newspaper to do it for you. Truly yours, Mark Twain." The cards with minor soiling and toning, the right corner of the second creased, attractively matted and framed.The twice-signed note is to the young Edward William Bok (who would later become the noted editor of the Ladies Home Journal and the author of The Americanization of Edward Bok). He had just started an autograph collection with a letter from Garfield. The recipient of the second notecard is not known, but the quotation is from Twain's 1897 work, Following the Equator, where it appears with a slight variation as an epigraph to Chapter VIII: "The old saw says, Let a sleeping dog lie. Right. Still, when there is much at stake it is better to get a newspaper to do it. - Pudd'nhead Wilson's New Calendar."No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
[PRESIDENTIAL IMPEACHMENT]A framed display of impeachment artifacts from Andrew Johnson and Bill Clinton. A framed display housing on the left items relating to the impeachment hearings of Andrew Johnson, including: the clipped signature of Andrew Johnson; a ticket to the Senate Impeachment hearings of Andrew Johnson; a portrait of Chief Justice Salmon P. Chase; a note signed by George Brown, Sergeant at Arms for the hearings; a New York Tribune dated 25 February 1868 with news of Johnson's impeachment; the other side of the frame is devoted to the impeachment hearings of Bill Clinton, including: a 1999 ticket for the impeachment hearings; a framed New York Times dated 20 December 1998 with news of the hearing; and a note signed from Chief Justice William Rehnquist. The frame 30 x 39 inches (77 x 100 cm). No item examined out of frame, sold as a collection as is. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
PEPYS, SAMUEL; edited by RICHARD BRAYBROOKE. Memoirs of Samuel Pepys, Esq. F.R.S... London: Henry Colburn, 1825. First edition, two volumes. Modern brown calf over spines and corners, spines lettered and decorated in gilt, brown cloth over boards, top edges gilt, silk ribbons, custom slipcase. 11 x 8 1/4 inches (28.25 x 21.5 cm); vol I: xlii, 498, [2], xlix pp., with engraved portrait frontispiece, in-text illustration, tailpiece, and seven plates; vol II: [2], 348, [2], vii, [1, blank], [1], 4-311, [1, blank] pp., with engraved frontispiece, double-page map, and three plates. Light wear to spines and edges, spines faded, offsetting from plates, volume I with varying degrees of pale spotting throughout, volume II with occasional pale spotting, a small blemish to p. 2 in Volume I, marginal tears in leaves X4 and 2X2 of volume I, not affecting the text, a few small pencil annotations in the margins of volume II, without the half-titles, with all the plates called for in the contents list, book label of William M. Lese. The six volumes of Samuel Pepys' (1633-1703) diaries, "closely written in shorthand, belonged to the valuable collection of books and prints bequeathed by him to Magdalene College, Cambridge, and had remained there unexamined, till... the MS. was deciphered by Mr. John Smith, with a view to its publication" (preface, page v). Pepys had been secretary of the Navy under Charles II and James II and, in his diaries dating from 1660 to 1669, he described many of the major events of the time, including the Second Anglo-Dutch War and the Great Fire of London.Grolier, 100 Books Famous in English Literature, 75; Lowndes, 1828.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
[VIRGIL]; translated by JOHN OGILBY The Works of Publius Virgilius Maro. London: Thomas Warren for the author, 1654. First illustrated edition. Contemporary panelled mottled calf, gilt, rebacked to style preserving original red leather spine label. 16 1/4 x 10 1/4 inches (41.5 x 26.5 cm); [8], 586 pp., with engraved portrait frontispiece by W. Faithhorne after P. Lely, additional title engraved by P. Lombard after F. Cleyn, title printed in red and black, double-page map engraved by W. Hollar, 101 full-page illustrations engraved by W. Hollar and P. Lombard after F. Cleyn, and with engraved initials, headpieces, and tailpieces. Scuffing, wear, and cracking to calf over boards, contents with occasional creasing, staining, spotting, and toning, closed tears to the margins of the portrait frontispiece and leaf E4, loss to upper corner of leaf 2C2 not affecting text, short edge tear to leaf 3L2, pale dampstaining along lower right margin affecting the first and last fifty or so leaves, with old ownership markings in ink to frontispiece and additional title, and with the armorial bookplate of Reginald Cholmondeley, Condover Hall. A lavishly illustrated folio-sized edition of John Ogilby's English translation of Vergil's works. This is a complete copy of the first illustrated edition - the translation was first published in octavo format in 1649. The 101 full-page illustrations that accompany the text are by two of the greatest engravers of the day, Pierre Lombart and Wenceslaus Hollar, after designs by Ogilby's frequent collaborator Francis Cleyn.Wing V-610. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
POLK, JAMESSignature within The National Portrait Gallery of Distinguished Americans. The volume The National Portrait Gallery of Distinguished Americans, Volume IV, Philadelphia, 1839, signed on the engraved title "James Polk" at upper right. Modern three-quarters tan calf over marbled boards, the spine with a red morocco lettering label and a green morocco band at foot gilt lettered "James Polk's Copy." 10 x 6 1/2 inches (26 x 17 cm); plates. The first plate detached and worn, the engraved title spotted and with a touch of dampstain to the upper margin, the plates and guards spotted throughout, an attractive binding on a scarce volume from the library of President James Polk.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
SHAW, GEORGE BERNARDEverybody’s Political What’s What? London: Constable, 1944. First edition, inscribed on half title: "Inscribed for Professor Chen Yuam/ G. Bernard Shaw / Ayot Saint Lawrence / 1st Nov. 1946." Publisher’s cloth in jacket, housed in a fine red morocco backed clamshell case. 380 pp., frontispiece portrait. Two faint pencil signature of Chen Yuan, a few nicks to jacket but a fine copy overall. Provenance: Kenneth W. RendellNo condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
HARDY, THOMASThe Dynasts. A Drama of the Napoleonic Wars, In Three Parts, Nineteen Acts, & One Hundred and Thirty Scenes... London: Macmillan, 1927. One of 575 copies, signed by Thomas Hardy, with the etched frontispiece portrait signed by Francis Dodd. Three volumes, vellum spines, batik paper sides. 11 x 7 1/2 inches ((27.5 x 19.25 cm); xii, 165; vi, 211; vii, 235 pp.; frontis. Slight bowing to the covers, wear to the fragile paper sides, the vellum on the third volumes lifting a little, but in all a sound set; together with ibid, idem. A second set. With more wear than the first, the vellum spines lifting and with some tears to the batik paper. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
[PRESIDENT - HARRY TRUMAN]TRUMAN, HARRY. Signed and inscribed portrait photograph to Frank S. Allison. Kansas City, MO: Henry Moore, [1945]. Gelatin silver print, signed and inscribed in ink by Harry Truman, signed by the photographer in gold, and with the photographer's ink stamp to verso. 9 3/4 x 7 3/4 inches (24.5 x 19.5 cm). Generally fine with some minor wear, light rippling, remnants of tape to verso. Frank S. Allison, the recipient of the signed photograph from Truman, was a Grand Council Deputy for the Missouri chapter of DeMolay, a Masonic youth organization. Truman, himself an active Mason from Missouri, was made an Honorary Grand Master of DeMolay in October of 1945. This photograph was likely gifted in connection with that honor.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
JONES, JOHN PAULCut autograph signature of John Paul Jones extracted from a letter (signed Jno P Jones," retaining the felicitation above "your most obedt & very humble servt.) A strongly penned signature in dark brown ink on an irregular rectangle of paper, approximately 1 x 3 1/2 inches (2.5 x 9 cm). Framed with an engraved portrait, not examined out of frame. Offered with a Certificate of Authenticity from University Archives, dated April 28, 2006, signed by John Reznikoff.A large, strong signature by the American naval commander (1747-1792) who earned immortal fame for his daring raids against the British, and for his (possibly apocryphal) statement that “I have not yet begun to fight!” made during the engagement between the Serapis and Bonhomme Richard. Documents and signatures by him are comparatively uncommon. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
GRANT, ULYSSES Document signed appointing a customs collector. Washington: 14 July 1870. Partly printed document accomplished in manuscript and signed "U.S. Grant" as President, countersigned by the Secretary of the Treasury, the document appointing James Shaw Jr. Customs Collector at Providence, Rhode Island. 11 1/4 x 16 inches (28 x 40 cm); nicely framed with a portrait and two plaques, the overall framed display 27 x 25 x 2 inches. The document with folds, mat toned, unexamined out of frame. A fine, dark signature of Ulysses S. Grant as President.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
CROCKETT, DAVIDAn Account of Col. Crockett's Tour to the North and Down East, in the Year of Our Lord One Thousand Eight Hundred and Thirty-Four. His object Being To Examine the Grand Manufacturing Establishments of the Country, and Also To Find Out the Condition of Its Literature and Its Morals, the Extent of Its Commerce, and the Practical Operation of "The Experiment." Philadelphia & Baltimore: Carey & Hart, 1835. First edition. Publisher's cloth printed paper label on spine. 7 x 4 1/4 inches (17.5 x 11 cm); 234 pp., 34 pp. ads; engraved portrait frontispiece. Boards faded, rubbed and worn, a short split to the front joint, the label rubbed; scattered foxing internally, a few leaves soiled.Although billed as "written by himself," the text is usually attributed to Augustin S. Clayton or William Clark as ghostwriter. Rather enjoyable reading, especially for his account of New York; one auction description points out this was probably the first tourist description of the infamous Five Points neighborhood in New York, about which Crockett proclaimed "I would rather risque myself in an Indian fight than venture among these creatures after night." Howes C896; Sabin 17565.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
[SUPREME COURT]STORY, JOSEPH. Autograph note signed. No place: 4 March 1834. One page note signed "Joseph Story" requesting payment on a check, addressed to Richard Smith, Esq., cashier at Washington, and framed with the original cover in Story's hand. Framed with a portrait; the overall display 16 x 20 inches (40 x 53 cm). Lightly toned and faded, not examined out of frame. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
FAY, CHARLES, ERNESTThe Archives of the alpinist Charles Ernest Fay (1846-1931), retained in thirteen three-ring folders, together with a group of loose materials. The folders are as follows:Folder I: Approximately 200 original photographs, variously unmounted albumen and gelatin silver prints, many annotated, and a few photographic postcards with original gelatin silver prints. Various sizes (most approximately 3 x 4 inches or the reverse but some larger, and a few smaller), the majority with annotations in pencil or ink by Charles Ernest Fay (and others). Included are mostly views of the Canadian Rockies, but there are some views from Fay's European alpine excursions interspersed. The images appear to be mostly from 1900 and before.Folder II: Early printed ephemera of the Appalachian Mountain Club, most published 1880s, Charles Fay's copies, pertaining to meetings and outings etc., many of these exceptionally fugitive; additionally maps, original correspondence, and a few photographs of later AMC outings, some of this latter material into the 1920s.Folder III: Early printed ephemera of the Appalachian Mountain Club, most published 1880s, Charles Fay's copies, pertaining to meetings and outings etc.; approximately thirty letters addressed to Fay about various matters pertaining to the AMC, Alpinism, etc.Folder IV: More early printed ephemera of the Appalachian Mountain Club, most published 1880s, Charles Fay's copies, pertaining to meetings and outings etc.; some newspapers and clippings.Folders V, VI: Two folders containing Charles Fay's correspondence to his wife (and a few other family members), 1880s-1920s, many hundreds of pages in total.Folder VII: Approximately 25 publications by Fay, many separately published offprints from magazines etc. (together with a few duplicates).Folder VIII: Approximately 20 publications (often for the Canadian Rockies) by tourist organizations, most for the Rockies, many with Fay's ownership notationsFolder IX: Typed and autograph manuscripts signed by Charles Fay, including correspondence on the Pequawket-Kearsage controversy.Folder X: Correspondence and other materials pertaining to Fay's various lectures.Folder XI: A miscellany, including a signed portrait of Edward Whymper and an inscribed geological monograph from him; various American Alpine Club matters; material relating to his knighthood in Monaco.Folder XII: More on the Monaco knighthood, miscellaneous travel receipts etc.Folder XIII: A miscellany of letters to Fay, manuscripts (some extensive, possibly in his hand on the Pequawket-Kearsage controversy), and some printed materials.Loose materials include a collection of photographs both formal and incidental of Fay; a leatherbound Tufts University commemorative prepared for him; receipts from his travels; and a small quantity of miscellaneous papers.Condition is generally attractive throughout the archive.Charles Ernest Fay graduated from Tufts College in 1868, and taught there as a professor of modern languages for sixty years thereafter. He was one of the founders of the Modern Language Association of America, but his avocation was as an alpinist and outdoorsman. In this arena, he was an enormously influential figure, an honorary member of all the leading Alpine Clubs including the English, Italian, and Canadian. He was a founder of the Appalachian Mountain Club (AMC), serving as its president for several terms, and he was a founder and the first president of the American Alpine Club. He was an avid mountaineer in the Canadian Rockies and the Selkirks, and his writings popularized excursions to these areas. He made over a dozen first ascents of western Canadian peaks. Mount Fay in Banff National Park is named for him. The present collection contains much material relevant to the development of American alpinism, the early history of the AMC, and the history of outdoor recreation in North America. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
LINCOLN, ABRAHAMA carte-de-visite portrait of Abraham Lincoln. A bust length albumen portrait of Lincoln mounted to card, without backstamp, 4 x 2 inches (10 x 6 cm), light soiling and bumped corners, mounting residue to verso; Together with an Abraham Lincoln mourning card, circa April 1865, embossed with a relief image of a tombstone over a black ground, headed "In Memory of Abraham Lincoln" and with the quote from his second inauguration speech "With malice towards none, with charity for all" above "Requiescat in Pace!" 5 x 3 1/2 inches (13 x 9 cm), small losses to edges, some light soiling, lightly handled. This portrait of Abraham Lincoln was taken by Matthew Brady Studio photographer Anthony Berger on February 9, 1864, and is also the image used on the original $5 bill. Lincoln’s son, Robert Todd Lincoln, stated that “…this view is the best likeness of my father.”Edgewear and stainsEdgewear and stainsAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
WARREN COMMISSIONA signed official portrait of the Warren Commission. A mounted vintage gelatin silver print depicting the eight members of the Warren Commission seated around a large table and under a portrait of President Kennedy. The portrait is signed in ink below the image by Gerald Ford, Hale Boggs, Richard Russell, Earl Warren, John Sherman Cooper, John J. McCloy, Allan Dulles, and J. Lee Rankin. The photograph signed in the print "ACKAD/Washington." 8 1/4 x 13 inches (21 x 33 cm); nicely matted and framed. A minor visible crease in lower corner of image but fine overall.A fine, signed photograph depicting the Warren Commission seated under a portrait of President Kennedy.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
RANE, JOEL J. illustrations by RAYMOND PETTIBON AND CRISTIN SHEEHAN SULLIVAN. Scream at the Librarian. Sketches of Our Patrons in Downtown Los Angeles. Brooklyn, NY: The Brooklyn Artist's Alliance, 2007. Limited edition, signed by the author and artists, copy number 8/50. Publisher's inverted blue cloth library-style binding, with various stickers, stamps, and a library card pocket on the cover, the card inside the pocket is signed and numbered, housed in the original gray archival-style box with ties. 9 1/2 x 6 1/2 inches; 90 pp., color-screenprinted illustrations after Raymond Pettibon and Cristin Sheehan Sullivan. Light wear to the box, with a bumped corner and a small nick in the cardboard, the book itself is pristine. The author, Joel Rane, worked as a reference librarian in the Literature and Fiction Department of the Central Library in Downtown Los Angeles between 2001 and 2006. "When I began my Downtown adventure, most of the older buildings in the center of the city were empty, and hundreds of people wandered the filthy streets, homeless or just one government check from that fate... The library is their refuge, four stories up, four stories down into a dark hole. This is the Downtown Los Angeles I knew." Rane's artist's book, a dark humor memoir of his time at the library, contains a series of character sketches of various eccentric library patrons, including "The Screamer, "Miss Information," and "The Devil," each accompanied by a portrait by either Raymond Pettibon or Christin Sheehan Sullivan.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
GEFFROY, GUSTAV; Illustrated by AUGUSTE BROUET L’Apprentie. Paris: Frédéric Grégoire, 1924. Copy number 32 of 40 on Japon Impériale paper, from a total edition of 162 copies. Full taupe crushed morocco, with gilt lettering and a pictorial inlay of a red flower growing in a rocky landscape to the front board, spine with four raised bands, gilt turn-ins, lavender morocco doublures, green silk endpapers, all edges gilt, the spine of the original wrapper bound in, protected in chemise and slipcase, the binding gilt-stamped "ex libris Henri Vever" on the front pastedown, and signed "J. Chadel Del. Rel. E. Maylander Dor." on the rear. 10 1/2 x 8 inches (27 x 20 cm); [2], viii, 185, [3] pp., with engraved portrait vignette, an engraved title page vignette, two original ink drawings signed A. Brouet, twelve engraved plates, engraved head and tailpieces, an extra suite of all the plates and illustrations, a supplemental plate, a preliminary sketches, one in gouache on paper, the other in ink on onionskin, for the binding design signed by Chadel, and with a 4 pp. publisher's ad at rear. Light wear to the slipcase's extremities, the leather spine of the chemise sun-faded, faint spots to the Brouet drawings, otherwise near pristine. Provenance: Henri Vever (1854-1942), the prominent French jeweler and collector; sold Sotheby's New York, Fine Books & Autograph Letters, December 6, 1977, Lot 210.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
MONTAIGNE, MICHEL EYQUEM DE [JOHN FLORIO, trans.]Essayes written in French by Michael Lord of Montaigne, Knight of the Order of S. Michael, gentleman of the French Kings chamber: done into English, according to the last French edition... London: Melch. Bradwood for Edward Blount and William Barret, 1613. Second edition in English. Period calf, traces of ties on fore-edge. 11 3/8 x 7 1/2 inches (28.75 x 19 cm); 11 1/4 x 7 inches (28.5 x 18 cm); [xii], 630 pp., collating A-2L6 2O-3I6, 3K4 [-K4, blank] (pagination continuous, as in all copies 2M was not used by the printer); engraved portrait of Montaigne on A6v engraved by William Hole (this does not appear in the first edition). Front board detached, binding worn with extensive restoration, spine defective; the title leaf is a little soiled with a number of ink notations, the portrait of Montaigne with an interesting verse couplet in a period hand in ink at the foot ["This is no world for [vertuous] men to thrive/Tis work enough to keep thy selfe alive"), other notes on Q6, occasional underlining and marginalia, a few rust spots, some very occasional staining etc. a couple of minor marginal chips, repaired tear on G1, but generally a sound, unwashed copy internally. Lacks the terminal blank. Bookplate of Thomas Phillips, the slaveowner turned educational philanthropist; this one of the books given to St. David's College, Lampeter, with his bookplate to that effect. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
LINCOLN, ABRAHAMCarte-de-visite portrait in a framed display with a Memorial Ribbon. The carte-de-visite after the portrait taken by Anthony Berger at Brady's Washington Studio in February 1864, this being the portrait used on the 1928 $5 bill; framed with a silk memorial ribbon, 10 inches in length. The overall framed display 27 x 14 x 2 inches. Some visible spotting and the cdv partially slipped in frame. Not examined out of frame. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
LIVINGSTONE, DAVIDMissionary travels and researches in South Africa; including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda on the west coast; thence across to the continent, down the river Zambesi, to the eastern ocean. London: John Murray, 1857. First edition N.B. The first edition of this book is bibliographically complex, with no very clear sequence of issues. This copy belongs to the state that has a tinted lithographic frontispiece after T. Pickens and two tinted lithographic plates, all printed by Day & Son. The letterpress ends on p. 687. Publisher's brown cloth stamped in blind. 8 3/4 x 5 1/2 inches; [x], 687, [1] pp, 8 pp. publisher's advertisements (dated November 1, 1857); folding frontispiece, engraved author's portrait by William Holl, 23 plates (1 folding), 1 folded map at rear and 1 folded map in the back pocket, several illustrations in the text. Generally a very attractive copy externally, with light wear, some fading to spine; a few leaves with minor foxing, but a fresh copy internally overall; Together with BARTH, HEINRICH. Travels and Discoveries in North and Central Africa being a Journal of an Expedition undertaken under the auspices of H.B.M.'s Government, in the years 1849-1855. London: Longman, Brown, Green, Longmans, & Roberts, 1857-58. Mixed second editions (I, II, III) and first editions (IV, V). Five volumes, three-quarters tan calf, marbled edges. 8 1/2 x 5 1/4 inches (21.5 x 13 cm); xxxvi, 578 pp.; xii, 676 pp.; xii, 635, (1) pp.; xiv, 642 pp.; xii, 694, [2] pp.; with 15 folding maps and 60 tinted litho plates. Light wear, minor crease to the lower corner of the first 20 ff. of the first volume; and two other travel titles.The first work is Abbey Travel 347; Czech (Africa), p. 168; Mendelssohn I, pp. 908-910; Henze III, p. 270; Gay 3034; PMM 341; cf. Kainbacher p. 87; the second Abbey Travel 274; Hilmy I, p. 53. The two other works include Dinning and McBey Nile to Aleppo. With the Light Hore in the Middle East, (1920), and Bartlett Forty Days in the Desert, 1870s. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
[FINE BINDINGS]HAMILTON, NIGEL. Monty: The Making of a General 1887-1942. London: Hamish Hamilton, [1981]. First edition, copy number 10 of 25 copies specially bound by Zaehnsdorf, signed by Montgomery of Alamein on the foreward and the author on the title page. Full tan morocco with black morocco inlay, the cover with the facsimile signature of Montgomery of Alamein, raised bands, all edges gilt, marbled endpapers, slipcase. 9 x 6 inches (23 x 15 cm); illustrated after photographs, 871 pp., with an inserted colophon leaf at front. Fine; Together with Mountbatten: Eighty Years in Pictures. London: MacMillan, [1979]. First edition, copy number 20 of 25 copies specially bound by Zaehnsdorf. Full red morocco with inlaid portrait on paper inset to cover under glazing, all edges gilt, housed in morocco backed clamshell case. 9 1/2 x 7 1/2 inches (24 x 18 cm); illustrated after photographs and with color copies of letters mounted, two folding charts, 224 pp., with an inserted colophon leaf at front. The volume fine, some wear to case. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
EVELYN, JOHN Memoirs Illustrative of the Life and Writings of John Evelyn, Esq. FR.S. Author of the 'Sylva'... Comprising His Diary from the Year 1641 to 1705-6. London: Henry Colburn, 1818. First edition. Two volumes, extra-illustrated. Full brown paneled crushed morocco, gilt lettered and decorated, boards ruled in black and gilt, all edges gilt, signed by Bayntun Binder. 11 1/2 x 9 inches (29.5 x 23); Volume I: [i-v], vi-ix, [2], xxiii, [1, blank], 620 pp., with half-title, hand-colored engraved portrait frontispiece, and four plates, including a folding genealogical table, a folding plate, and a map, and with 20 extra-illustrations, two of which are hand-colored; Volume II: viii, [4], 366, [2], 335, [1, blank] pp., with half-title, hand-colored engraved portrait frontispiece, and three plates, and with 20 extra-illustrations, including one folding and one hand-colored. Both volumes are discretely rebacked, with a few small spots of wear to their extremities, the front joint and both hinges on volume I starting, the contents of both volumes with occasional pale spots, the tissue guards faintly toned, minimal dampstaining, and a few dog-eared page corners, book label of William M. Lese, altogether an attractively bound complete copy, with wide margins, half-titles, all the plates called-for, and forty additional plates. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
BEECHER, HENRY WARDAutograph letter signed. No place: 13 September 1881. Two pages in ink signed in full. The overall display 14 x 22 inches (35 x 58 cm); framed with a portrait. Fine and not, examined out of frame, backlabel of Kenneth W. Rendell Gallery. A late letter from the abolitionist, social reformer, and clergyman Henry Ward Beecher unafraid of a threatening but unnamed visitor: "I do not fear them! I will repel them with with pecans, comfort them with apples... why am I to be distressed by them? Am I in anybody's way? Am I propagating a false doctrine? I am a hermit and recluse retired from care, and yet, you invade me!"No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
A collection of various works comprising, unknown artist, Red Crane Study, watercolour, unsigned, framed (20cmx13cm), After David Roberts (British, 1796-1864), Lower Portion of El-Khasne print, framed (24.5cmx18cm) and a Chinese School, Portrait of a young girl, charcoal on paper, with characters to side, framed (38cmx26cm). (3)
An Italian white metal oval pendant/ brooch set with turquoise coloured beads with a portrait on clear acetate of the Madonna: h. x 4.5cm, an Italian white metal filigree bordered oval pendant/ brooch of the Madonna on opaque acetate: l. x 5cm and a Madoin of Isreal 950 standard rounded filigree and wire brooch set blue foiled stone: h. x 3cm l. x 3cm stamped verso (3)

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