A portrait miniature pendant,the ivory panel painted with a young girl and signed Englehart(?), within a split pearl border with a ribbon, grain set with graduated rose cut diamonds. Chain drops, one with a rose cut diamond, to pearl pendant terminals, pearls untested, with a split pearl bale. Glazed locket, back marked 9ct. Fitted box with strut back
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283284 Los(e)/Seite
A Wedgwood sage green jasperware oval plaque of the Earl of Hillsborough, late 18th century, modelled by Charles Peart with a half-length portrait of the Earl of Hillsborough, turned to the left, impressed EARL OF HILLSBOROUGH, within an ormolu frame with ring suspension, impressed marks to back, 13cm high CONDITION REPORT: in good condition, light marking to sage green ground, body stains to back
A diamond set portrait pendant, 19th century, the unmarked yellow metal openwork frame set with rose cut diamonds, engraved to verso with floral and foliate motifs, centrally set with a painted porcelain image of a young woman with blue neck-ribbon and a bluebird perched on her finger, approx 4.3cm diameter, approx 15g Provenance: The property of the late Denisa, The Lady Newborough, wife of Thomas John Wynn, 5th Baron Newborough and thence by decent. CONDITION REPORT: Good overall condition,
Margaret Lindsay-Williams, British act. 1910-1960- Portrait of Amalia Acquaviva d'Aragona, head and shoulders with armorial; oil on panel, signed and dated indistinctly, bears inscribed name of sitter, 40.5x30.2cm, (may be subject to Droit de Suite) Note: Amalia Acquaviva d'Aragona was born 12 August 1811 Naples and died 9 July 1860 Sorrente, aged 48. CONDITION REPORT: mounted in a gilt composition frame with some minor losses darkened varnish, could perhaps benefit from a general clean pencil inscription to the reverse bearing artist name otherwise appears in overall good original condition
Attributed to William Derby, British 1786-1847- Portrait of a young girl, after Peter Paul Rubens; watercolour, 10x8cm: together with a watercolour study of an old man attributed to the same hand, 20x17cm., (2) CONDITION REPORT: Picture of young girl in gilded and moulded glazed frame with oval mount unexamined out of frame some time fadiing possible. otherwise in good general condition gilded and pierced glazed frame with gold oval mount unexamined out of frame some time fading possible otherwise in good general condition
American Provincial School, mid 19th century- Portrait of a man and a woman, pastel on paper, a pair, in matching glazed gilt composition ripple moulding frames, 47x40cm ea., (2) CONDITION REPORT: In gilt, glazed, composition ripple moulded frames unexamined out of frames glass slightly loose in frames air bubbles in one of the panes of glass no visible defects to pictures otherwise in good general condition
Sir James Jebusa Shannon RA RBA RHA, British 1862-1923- Portrait of a lady, quarter length, in a fur trimmed coat and feathered headdress; oil on panel, signed, 74x60.7cm, (unframed) Note: Born in Auburn, New York, Shannon came to London in 1878. He studied at the National Art Training School (later the Royal College of Art) under Sir John Poynter and made his debut at the Royal Academy in 1881 with "The Honourable Horatia Stopford", a portrait of Queen Victoria's Lady-in-Waiting, commissioned by the Queen herself. This marked the beginning of a highly successful career as a society portraitist for Shannon, competing successfully with artists such as John Singer Sargent for the leading commissions. CONDITION REPORT: unframed signed lower centre right 'Mrs Fay Lancaster' in pencil on reverse of board some knocks and scuffs to edge of panel minor loss to paint surface in top left corner areas of craquelure, predominantly in the background examined under uv lamp, some evidence of overpainting in the background and to her coat there also appears to have been some minor retouching to her feathered headdress otherwise in good condition
Zsuzsi (Suzanne) Roboz, Hungarian/British 1929-2012- Portrait of Paula Rego; oil on canvas, signed with initials, 71.5x91.7cm, (may be subject to Droit de Suite) Note: Zsuzsi Roboz is arguably best known for portraying the leading creative personalities of her time. In these portraits she wanted to go further than simple realism and tried to catch the creative aura of those she was depicting. Her work is held in a number of public and private collections including the National Portrait Gallery and Tate, London. CONDITION REPORT: in a green/blue stained reverse profile galllery frame inscribed 'Paula Rego by Roboz' in black pen on the reverse of the frame signed upper right minor scratches in the varnish otherwise in good condition
European School, mid 18th century- Portrait of a gentleman seated by a table reading; red chalk on paper, 28x20.5cm CONDITION REPORT: mounted in a glazed, wooden cassetta frame off white coloured card mount with lime decoration edges of sheet visible may or may not be stuck down as unexamined out of frame but appears to be stuck down at centres and corners sheet is very slightly ruckled overall very slightly grubby in places, predominantly on the right edge and corners slightly time faded otherwise in good condition
Robert Lewis Reid, American 1862-1929- Portrait of a girl, quarter-length, in a white dress; oil on canvas, signed and dated 1919, oil on board, 44x33.8cm CONDITION REPORT: in a frame with decoupe finish and beige linen fronted slip signed 'Robert Reid' and dated lower right 'Mrs B Flagg' written in pencil on the reverse examined under uv lamp, there is no evidence of overpainting or restorations there apppears to be some ingrained dirt arced score marks. the most prominent to the right of the girl's head it appears to have been subject to a light clean in good condition
Henry Fryer Tidey, British 1814-1872- Portrait of a North African girl; watercolour, feigned oval. signed and dated 1864, 45.3x35cm (mounted, unframed) CONDITION REPORT: stuck down to a sheet of mount card with two sections of brown tape top left and right corners edges of the sheet are cut to a slightly irregular shape some old yellow and mottled brown staining throughout somewhat time faded overall brown spotting lower centre left abrasion far lower right in fair to good condition
British School, early 19th century, a Portrait Miniature, depicting an officer, quarter-length turned to the right in uniform, oval, within a rectangular ebonised frame, 6.5x5cm: Attributed to Albin Roberts Burt, British 1783-1842, a portrait miniature, depicting a gentleman, quarter-length turned to the left in profile, oval, within a rectangular ebonised frame, back board with printed Mr Burt, Miniature Painter and Portrait Engraver at Mr Dimond's No 2 Union Street Bath Drawing & Miniature Painting taught, bears inscription Count Davies Granville, 7x5.5cm: British School, early 19th century, a pair of portrait miniatures, depicting young girls, both half-length, one turned to the right and one to the left, both ovals, within ebonised rectangular frames, 6.7x5.5cm., ea., (4) Provenance: Acquired privately in 1958 by a family member of the former owner where they were included with a folio of pencil drawings and engravings relating to the works of Albin Roberts Burt, Robert Thew and Benjamin Smith CONDITION REPORT: All the miniatures are in ebonised frames with oval glazed mounts. Two of the frames have the same decorative metal hanging device and the other two vary slightly, but both retain the acorn motif in the centre of the design. Three of the miniatures appear to be on ivory, but have not been examined out of the frames, so this is not certain. The fourth is on paper, and signed below the shoulder A R Burt. There is discolouration on three of them. Time-fading on all. The portrait on paper, the paper has yellowed. The portrait of the man in uniform has had paint rubbed off on the top left hand corner. More significantly both the portraits of the children have suffered cracks down the centre and centre right of the images. Otherwise in good general condition
AMENDMENT: Should read 'Follower of Mather Brown' rather than Circle of Mather Brown, American 1761-1831- Portrait of a Naval officer traditionally held to be Rear Admiral Thomas Tudor Tucker 1775-1852, quarter-length turned to the left; oil on canvas, 56.7x45.8cm, (unframed) Provenance: The family of the sitter; thence by descent Note: The sitter wears a uniform of a Post Captain of three years seniority, 1812-15. He has been made a military Companion of the Bath and wears a Naval General Service Medal. This medal was instituted in 1846 and the present work was therefore painted after this date. The uncle of the sitter remains as the longest standing Treasurer of the United States. CONDITION REPORT: Note amendment to lot, follower of not circle of the canvas has been relined, circa late nineteenth century verso: retains what appears to be the original stretcher with central horizontal cross member retains what appear to be the original wedges reverse edge of stretcher chamfered old taping to edges is somewhat rubbed and frayed tacking edge top right and bottom left and right, frayed and with losses recto: the old canvas edge is visible within the outer dimensions of the stretcher old tear and flaking top left corner small puncture lower left and scratch under inspection with uv lamp, there is much old varnish still present on the paint surface some rubbing to the varnish over the medals and to the sitter's face, particularly in the shadows some pigment separation in the medals overall in good general condition
Mary B Barnard, British 1870-1946- Portrait of a lady sewing; oil on canvas, signed, 64.4x47.5cm, (may be subject to Droit de Suite) CONDITION REPORT: in a gilt composition frame modern reline signed lower right inspection under UV lamp reveals no signs of over painting or retouching but the picture appears to have been revarnished overall appears in good condition with no noticeable signs of defects
A George III portrait miniature, forming the cover of a contemporary circular tortoiseshell box with yellow metal mount, half-length female inscribed and dated Noel, 1814, 3.25in., together with a 19th century portrait miniature, bust of a boy within an oval, yellow metal strut frame, 2.25in.

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