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283287 Los(e)/Seite
Los 229
English School, early 19th centuryPortrait of a lady, traditionally identified as Sarah (née Crundel), wife of John Brook, half-length, in a silver-grey dress and capoil on canvas laid on board64.5 x 50cmCondition ReportOverall 69.5 x 55.5cmThere are some age cracks throughout, there is a small loss to the lady's cap which has been overpainted with a further small area of overpainting also visible on the left hand side of the dress and possible restoration to the upper right corner with some surface abrasions. Unexamined under UV light, for a full report please contact the department.
Los 233
Continental School, 19th centuryPortrait of an officer, half-length, in dress uniformoil on canvas26.5 x 22cmCondition Reportoverall: 36.5 x 32.8cmThe painting is executed in oil on a canvas support which is unlined. An old damage has been repaired from the reverse with a canvas patch which is evident in the texture of the paint layer. The background has an uneven surface texture formed as the paint layer has dried. There are numerous small deformations and impact knocks to the surface. Overall the paint layer is currently stable. There are touches of overpaint present across the surface which are matte in appearance. The varnish is glossy and clear.
Los 83
A vintage white gold & carved cameo ring. The ring having a rectangular cut orange & red bezel set stone carved to depict a knight's profile to etch detailed shoulders & tapering shank. Unmarked, surface tests indicate 14ct gold. Stone measures approx 19.5x14.5x6mm. Total weight approx 13.1g. Approx size P. Evidence of possible resizing & damage to stone & portrait.
Los 1036
PETAVIUS, D. Rationarium temporum, libros tredecim, distributum. In quo aetatum omnium sacra profanaque historia chronologicis probationibus munita summatim traditur. Leyden, Van der Aa, 1710. 2 vols. (32), 425, 491, (9) pp. W. frontisp. portrait, engr. title, 4 fold. maps & 10 (fold.) plates & maps. Cont. cf., spine raised in compartments, blindtooled sides, speckled edges. (1 label lacks, leather loose at hinges, though still firmly attached, (glue?-)staining on paste-down & first free endpaper, maps delicate at attachment points, otherwise a good set).
Los 1043
HOUWAERT, J.B. De Vier Wterste, van de Doot, van het Oordeel, van d'Eeuwich Leven, van de Pyne der Hellen. Waerinne een jegelijck (als in eenen claren spiegel) mach sien en leeren, hoe hy wel en deugdelijck leven, salich sterven, en in d'eeuwihe glorie comen sal (...). The Hague, H. Jacobsz., 1605. (16), 224 pp. W. engr. ti.-vign. w. oval portrait of the author. Skillfully rebound in fine old h. vellum. (Margins a bit frayed/dam. at the beginning (sl. affect. text), tiny wormholes in lower margin, inner margin first quire rep. (w. some minor loss of text), some faint marg. stains, sl. browned). NOTE: Johan Baptista Houwaert (1533-1599) was a Dutch humanist poet and playwright. He belonged to the patrician family Sweerts. - Extremely rare edition. First published in Antwerp in 1583. - Bibliotheca Belgica H21; Waller 840 (ed. 1613); Scheepers 38 (1st ed.).
Los 1054
CERVANTES SAAVEDRA, M. de. Oeuvres. Amst./Lpz., Arkstée & Merkus, 1768. 8 vols. (14), 370; (6), 369, (1); (8), 371, (1); (8), 453, (1); (6), 420; (8), 422, (2); xliv, 358; (2), 396 pp. W. 8 engr. title-p. & 46 plates by Coypel Cochin & Boucher, engr. by Folkema & Fokke. 12º. Cont. cf., spine dec. in gilt w. red labels, gilt emblem on sides, edges of binding dec. in gilt diagonals. (Spines chafed, shelfwear to extremities, modest tickets on paste-downs, some yellowing & waterstaining throughout, however a charming set). NOTE: Vols. 1-8: Histoire de l'admirable Don Quichotte de la Manche. Vols 7-8: Nouvelles. This set without the portrait in vol. 1. - Cohen 217 & 221.
Los 1118
GROTIUS, H. De iure belli ac pacis libri tres (...). Traiecti ad Rhenum (Utrecht), J. a Schoonhoven, 1773. 2 parts in 1 vol. (86), 1034; 43, (33) pp. W. engr. portrait of Grotius and front. by W. d. Broen. Cont. vellum w. blindst. gilt dec. coat of arms of Arnhem in center on both sides. (Binding lacks ties, sl. waterst./foxing). NOTE: Copy with handwritten school prize to Johannes Matthias Langendonck, dated 1783. - Spoelder 506 (Arnhem 2); Ter Meulen/Diermanse 611.
Los 1151
ACCOUNTING -- WANINGHEN, H. Tresoor van't Italiaens boeck-houden, waer in begrepen staet, een memoriael, Iournael, ende Schult-Boeck: Inhoudende 100 schoone pertijen, noch 530 Vraghen ende Antwoorden, staende elck onder sijnen Tytel, verciert met schoone verklaringen. Oock omme Boeck te houden voor Coninghen ofte Princen, voor groote Compagnien ende voor de Commisen daer voor varende, (…). Van nieus oversien, en ghecorrigeert, door J. Buninga (=Buingha). Amst., W.I. Stam, 1624. (8), (148) pp. W. engr. portr. of the author on ti-p. Fol. Mod. hcl. extra. (First and last lvs. (incl. ti.) severely dam./frayed by humidity (w. loss of text), stained throughout, some minor moulding in a few places). NOTE: Hendrick Waninghen (van Campen),(Kampen c. 1570 - c. 1630), was a bookkeeper based in Amsterdam, where he taught arithmetic and bookkeeping. He wrote two manuals on this subject. - Extremely rare accounting book, first published in 1607. All editions are exceptionally scarce. This edition not in NCC, only 1 copy found (Stockholm Kungliga Bibl.). Cf. Hoogendoorn, Bibliogr. of the Exact Sciences, (p. 970-971), but he does not mention this edition at all. - For the portrait see Hollstein Dutch 36; Lugt 2228; Muller, Portretten, 5940. - Sold w.a.f., not subject to return.
Los 275
FRANK, A. Het Achterhuis. Dagboekbrieven van 12 juni 1942 - 1 Aug. 1944. Met een voorw. d. A. Romein-Verschoor. Amst., 1947. ix, 253 pp. Illustr. w. front. portrait of the author, 2 photographic reproductions of the interior of the house, 1 floor plan, and 2 facsimiles from the diary. Obrds. (Binding w. the usual discolouring/browning). NOTE: "Ik bewaar alles voor Anne totdat ze terugkomt" ("I'm saving everything for Anne until she comes back"), is what Miep Gies said to Bep Voskuijl after she picked up Anne Frank's diary and other personal papers from the floor where they were scattered after the family Frank was arrested (S. v. Beek, Geschiedenis van het Dagboek, p. 30). That Miep Gies (1909-2010), whose real name was Hermine Santrouschitz, donated a first edition of 'Het Achterhuis' so shortly after its publication is rather spectacular. The book is signed Miep [Gies], 'Wil' and 'Greet' and was apparently donated to the Amsterdam resistance hero M[artin] Mobach on 13 July 1947, shortly after publication (ascertained by a letter by family member Marten Mobach, see the website further down). The identity of the other two women, 'Wil' and 'Greet', has not yet been determined. According to a ticket on the upper paste-down, this copy was bought in the bookshop of W. ten Have, Amsterdam. The book was restored by Wilma van Ipenburg. For further information on this copy please also go to: www.paulabels.nl/2021/04/anne-frank-in-de-goudse-sint-janskerk/
Los 290
KOMRIJ, G. Op de planken. Amst., C.J. Aarts, 1973. 32 pp. W. etched front. by Ch. Hofman. Owrps. One of 15 copies, especially printed for Wim Zaal and his partner. -- Added: Id. Letter to "Lieve vrienden". Alvites (Portugal), 5 March 1985. Typed letter, r° only, signed. Thank you letter to all contributors of the special issue of Maatstaf which was dedicated to Gerrit Komrij (Nr. 11-12, 1984). The Maatstaf issue also added. -- W. ZAAL. Portrait of Gerrit Komrij in green ink, on paper. Annotated on v°: "Gerrit Komrij, naar het leven, ± 1972". 180 x 123 mm. -- And 6 o. works by K. (9).
Los 343
HORST, H. v.d. Kareol, ondergang van een monument. (1980). 8°-obl. Ocl. w. dust-j. -- N. PANZINI. Characteristics of modern religous construction. The ordinary and the timeless in the buildings of Hans van der Laan. (2020). 4°. Owrps. (Italian/Engl. text). -- H. de HAAN & G. KAREOLA. Le jeu des marges. Portrait of House Jan de Jong in Schaijk. (2021). 4°. Obrds. -- H. OLDEWARRIS. Lambertus Zwiers: Ontwerper & cultureel entrenpeneur. 2020. Lge-8°. Owrps. -- S. v. FAASSEN & H. v. BERGEIJK. De kleur lost de architectonische ruimte op. de briefwisseling tussen Theo van Doesburg en architect C.R. de Boer, 1920-1929. (2019). Lge-8°. Owrps. -- EIGENBOUWER. Tijdschrift voor de goede smaak. Nrs. 1-13 & 15. 2013-2022. 14 issues. Owrps. -- And 5 o. (24).
Los 951
GOGH, Vincent van (1853-1890). ("Pensioner drinking coffee"). The Hague, c. 20 November 1882. Transfer lithograph in black ink on wove paper. Signed on the transfer paper at lower left. 433 x 264 mm (image size), 542 x 374 (paper size). NOTE: Lithographed portrait of the Dutch war veteran Adrianus Jacobus Zuyderland - note the decoration pinned to his lapel - who was Van Gogh's favorite model during his The Hague period. It is one of only three known impressions: two are now in the collection of the Van Gogh Museum at Amsterdam. An impression that was offered for sale at Sotheby's in 2016 turned out to be a reproduction printed on Japanese paper. All three impressions are mentioned in Van Heugten & Pabst in their 'The Graphic Work of Vincent van Gogh' (1995), and with reference to the third (this) copy they write "Present whereabouts unknown" (p. 92). As the other known impressions, this lithograph is retouched by the artist in places with light grey colour wash and black ink. Furthermore, the underlining of the signature, 'Vincent', is extended by hand with a thin line of black ink. Van Gogh produced only nine lithographs during the period 1882/1883 and most of the prints had very small runs, in several cases only three or four impressions are known. It was Van Gogh's intention to make a much larger series of 30 prints consisting of similar figures, but he never reached that goal. The 'Pensioner drinking coffee' represents a group of five lithographs depicting 'ordinary people' and the reason why he chose to use lithography as a medium, was that it enabled him to produce prints for (and of!) the ordinary man at affordable prices, 10 to 15 cents each. Prints like the 'Pensioner drinking coffee' fit into a stream of social realism that was popular around 1880: "Van Gogh's lithographs were deliberate attempts to emulate French and above all English artists, (…). The series of illustrations of working-class characters that appeared in the English periodical 'The Graphic' under the collective title 'Heads of the people' was a prime source of inspiration for van Gogh." (Van Heugten & Pabst, p. 11). - Condition: margins possibly cropped but the paper size of this impression seems to be larger than the other known impressions, margins on v° show very faint traces of earlier glueing to passepartout, upper margin hinged to passepartout, some unobtrusive water staining in right outer/lower half, paper a bit age-toned, else fine. - Provenance: Anthon van Rappard? > Collection De Kanter > Kunstzaal/Art Gallery d'Audretsch (inventory ticket with nr. 5737 available) and subsequently through descent within the family. This lot comes with a recent certificate of authenticity issued by the Van Gogh Museum.
Los 974
UNIVERSITY -- LEIDEN -- "STUDENTEN SOCIETEIT "MINERVA" 1874". (Leiden, P. Somerwil, c. 1874). Fine plain lithogr. by and after (photographs by) J.C. Greive depicting the interior of the 'Old' Club Minerva with students reading, playing cards and billiards, etc. 495 x 675 mm. (Recently framed and glazed). -- Added: "SOCIETEIT MINERVA van de H.H. Studenten te Leyden Gezien op het Rapenburg". [Leiden, F. Desterbecq, n.d. (c. 1840)]. Partially cold. lithogr. after M. Mourot in decorative border representing i.a. the portrait of William I of Orange. 345 x 427 mm. Older framing, glazed and under passepartout. (Address invisible/gone (?), a bit browned, tear visible in lower margin, unexamined out of frame). -- (2). NOTE: Ad 1: Printed by Tresling & Co. at Amsterdam. Muller, 7493a. Rare.
Los 30
BILL EVANS/ BUD POWELL - LP COLLECTION. A quality collection of 19 jazz LPs by Bill Evans and Bud Powell, mostly reissue pressings. Records are generally VG+ to Ex+, sleeves VG to Ex.. BE titles include Time Remembered (68.150), The Village Vanguard Sessions (47002), Everybody Digs Bill Evans, The Interplay Sessions. Bud Powell inc The Genius Of (MV 2545), Moods (MV 2570), The Lonely One (CLP 1294), A Portrait Of, In Paris, Swingin With Bud Vols 1 & 2, Jazz Giant, Bud Powell 57, Blues In The Closet, Piano Interpretations, In Concert, The Invisible Cage, The Best Years & The Genius Of.
Los 321
BOB DYLAN - BOX SET COLLECTION. A collection of 3 x box sets by Bob Dylan (2 x LP, 1 x CD). Titles are Tell Tale Signs (2008 CD Set, 8697357972, Ex+/Ex Box), The Whitmark Demos: 1962-1964 (2010 US Box Set, 8697782501, As New/ Ex+) and a US stock copy of Another Self Portrait (1969-1971). This set is not issued with CDs. The contents of the box set is in Ex+/ As New condition and the box is in Ex+ condition with the original shrink wrap still on.
Los 37
70s/ 80s JAZZ LP COLLECTION. A quality collection of around 112 jazz LPs, mostly reissue pressings. Records are generally VG+ to Ex+, sleeves VG to Ex. Artists/ titles include Freddie Hubbard/ Woody Shaw - Double Take, Eric Dolphy - Out There, Lou Donaldson Quartet - Forgotten Man, Chick Corea - The Song Of Singing, Richie Kamuca - Drop Me Off In Harlem, Stan Levey - Stanley The Steamer, Cedar Walton Quartet inc First Set, Third Set. Doug Raney inc Introducing, Cuttin Loose. Al Haig inc A Portrait Of Bud Powell, Piano Interpretation. Terry Gibbs inc The Latin Connection, Chicago Fire. Tommy Flanagan - Eclypso. Kenny Drew Trio, Milt Jackson, The Per Husby Orchestra, Bill Holman Band, Ronnie Mathews, Sal Salvador Sextet, Bud Shank, Idrees Suliman, Warne Marsh Quintet, Frank Morgan, Vic Lewis, Howard McGhee, Charlie Rouse Clifford Jordan Thad Jones, Joe Albany, Benny Bailey, Barry Harris.
Los 47
NUCLEUS/ JOE HARRIOTT - BRITISH JAZZ LP RARITIES PACK. A quality pack of 2 British Jazz LP rarities. Artists/ titles include Nucleus - Elastic Rock (6360 008, 1970 UK pressing on Vertigo. Large swirl labels are bright and clean. The record is in superb Ex condition, displaying a couple of wispy/ light paper marks. The gatefold sleeve with die-cut window on the cover is nice VG+ condition, displaying some edge storage wear and minor ring wear) & Joe Harriott - Personal Portrait (SX 6249, 1968 UK stereo pressing on Columbia. Black/ blue lettered labels are bright and clean. Side 1 is wonderful Ex/ side 2 is strong VG+, displaying a couple of light/ hairline paper marks. The sleeve has a bright glossy cover, the top flap on the rear is a little creased/ torn and has some writing at the top of the paper area, strong VG).
Los 65
BILL EVANS - LP COLLECTION. A super selection of 23 LPs by jazz pianist Bill Evans. Titles include How My Heart Sings (RM 473, record Ex/ sleeve VG+), His Last Concert In Germany (West Wind 0022), You Must Believe In Spring (WB 56879), S/T (673 008), Interplay (SMJ-6150), We Will Meet Again (WB 56 807), The Paris Concert Edition Two (960 311-1), Quiet Now (AFF73), Symbiosis, Intuition, Spring Leaves, The Village Vanguard Sessions, California Here I Come, Trio (Motian, Peacock). The Interplay Sessions with Freddie Hubbard And Zoot Sims, Explorations, Sunday At The Village Vanguard, New Jazz Conceptions, Portrait In Jazz, Everybody Digs Bill Evans, Since We Met, Alone Again and Re: Person I Knew. Condition is generally VG+ to Ex+.
Los 94
LADIES OF JAZZ - LP COLLECTION. A quality collection of around 47 jazz LPs, all female. Artists/ titles include Sheila Jordan - Portrait Of Sheila (BLP 9002, 1962 US og with New York USA labels. VAN GELDER stamped matrix. Record Ex/ sleeve strong VG+), LaVern Baker - Sings Bessie Smith (Atlantic 1281), Betty Roche - Singin' & Swingin' (Prestige 7187, sleeve has fully split edge seams), Ruth Brown - Late Date With (LTZ-K 15187), Morgana King - I Know How it Feels TO Be Lonely. Esther Phillips inc Performance, Black-Eyed Blues, Confessin The Blues, Burnin'. Amanda Ambrose, Timi Yuro, Nancy Wilson, Diahann Carroll, Miss Ernestine Anderson, Clea Bradford, Carmen Jones, Susannah McCorkle, Billie Poole, Donna Hightower, Freda Payne, Anita O'Day, Jerri Winters. Condition is generally VG+ to Ex+. Sleeves generally VG to Ex.
Los 534
A collection of eight 19th century and later mourning brooches. Including a gold-plated shaped-oval example with a tubular frame and a central glazed panel with arranged hair bound by 'half-pearls'; a similar round double-sided locket; a purple paste oblong cluster brooch; two black enamelled brooches; another inset with a printed picture of a 16th century queen; and a small oval locket with an inset portrait
Los 561
A French silver cased open face keyless fob watch. The white enamelled dial with black Roman numerals, the frost-gilded bar cylinder movement signed 'C.Crettiez', the case chased in high relief with a flower, French marks, 3cm diameter, in a box marked inside 'A Rayssal, Montauban'; together with a German .800 standard oval portrait miniature brooch
Los 200
MARYAN HATTON oil on canvas – portrait study of a lady exhibited at The Royal Cambrian Academy 1955, various labels verso including ‘RCA’, original price £45.00, signed lower right, 49.5 x 39.5cms and O STEPHENS oil on board – impressionistic still life, signed lower right, 42 x 51cms
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283287 Los(e)/Seite