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283284 Los(e)/Seite
A Victorian diamond set locket, central old cut diamond approx 0.50ct, surround by rose cut accents, total estimated diamond weight approx 1.0ct, unmarked gold coloured metal frame, engrave initials verso, the inside with two over painted photograph portrait miniatures, Gentleman and Lady, 34.3g gross
An 18th century Admiral Rodney slipware jug, applied with leafy swag and two roundels, with portrait and inscribed The hero who having spent his youth in the serving of his country is amply repaid by the capture of St Eustatius Feb 3 1781, agate ground, ribbed borders coloured in green, 16.5cm high, 1781
A "Green Bag Crew" Queen Caroline commemorative jug, printed in puce with portrait inscribed "God Save Queen Caroline!" the verso with "As for the Green-Bag Crew ...As for the Green Bag crew, Justice will have it due, God Save the Queen! Confound their politicks, Frustrate their Knavish tricks On HER our hopes we fix, God Save eh Queen!" framed with a foliate ribbon inscribed "Long Live Caroline, Queen of England" and with the names Brougham, Wood, Lushington, Denman, Waithman and Williams, the neck and upper handle in copper lustre, pink lustre lines, 12.3cm high, unmarked, c.1820
An early 19th century commemorative jug, transfer printed in monochrome with portrait of 'George IV', Royal Crest and inscribed 'To the memory of his late Majesty King George IV born Aug 1st 1762.......departed this life June 16 1830 aged 68 years' the rim with flowers of the British Isles, 17 cm high, marked G.B.H.
A 19th century pearlware mug, printed in brown with a portrait of Queen Caroline watched over by an angelic Charlotte with a banner inscribed 'Protect my mother', the rim with a wide copper and pink lustre band, 9cm high. c.1820Cf. John & Jennifer May, Commemorative Pottery 1780-1900, pl.59.
An early 19th century commemorative jug, printed with portrait of Queen Caroline, the verso with verse from Anne Boleyn, Try me good King, but let me have a lawful trial; and let not my sworn enemies sit as m accusers and Judges: let me haven open trial, for my truth shall feat no shame, Sunderland lustre borders, 11.5cm high, c.1820
An early 19th century commemorative mug, transfer printed in monochrome with portrait of 'George IV', Royal Crest and inscribed 'To the memory of his late Majesty King George IV born Aug 1st 1762.......departed this life June 16 1830 aged 68 years' the interior rim with flowers of the British Isles, 9.75cm high, 1830
After Godfrey Kneller (1646-1723)Oval portrait of a nobleman wearing a green frockcoat, oil on canvas, unsigned, in oval gilt frame, 76cm x 62.5cmRelined. Overall wear, marks and losses to the frame. The frames are partially carved wood and plaster and have been regilded. We do not know if they are the original frames but they do have some age. There is crazing and overall wear to the painted canvas.
After Godfrey Kneller (1646-1723)Oval portrait of a nobleman wearing armour and a lace neckerchief, 77cm x 63cmRelined. Overall wear, marks and losses to the frame. The frames are partially carved wood and plaster and have been regilded. We do not know if they are the original frames but they do have some age. There is crazing and overall wear to the painted canvas.
Group of portraitsIndian, comprising of a portrait of Jagat Singh I, depicted holding a sword to one hand walking in traditional robes, gouache on paper, framed and glazed 23cm x 16cm, a half portrait of Krishna, depicted wearing green hardstone earrings, gouache on paper, 18cm x 12cm and a portrait of a lady dressed in formal robes with a monkey, watercolour, framed and glazed, 18cm x 10.5cm (3)Small insects under glass which has caused some damage to the paperGeneral wear but seems fine
§ Ellen Kuhn. Portrait1 and Portrait 11, colour lithographs, pencil signed and numbered 1/10 and 1/21 respectively, Pl.37.5 x 24.2cm , unframed, (with margins 66.1 x 49.1cm) two (2)This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgIn generally good condition
A late 19th century chinoiserie 4-fold screen, each section with an arched top above two portrait panels, the upper ones decorated with figures and pagodas, the lower with tropical birds, within a garlanded border, some damage, each section 168cm high x 47.5cm wideLacking 5cm x 1cm piece from the base of one arch. 5 panels with hairline cracks, but one end fold with both panels badly cracked and resultant lossin some decoration. Chips, exspecially edges and corners.
Meissen blue ground porcelain cup19th Century, decorated with an en grisaille portrait, 6cm high, together with a Berlin porcelain 'Gotzkowsky' cup 7cm high and a 'Gotzkowsky porcelain saucer 13.5cm across (3)Wear to the gilt and painted decoration throughout. The Berlin cup with hairlines to the foot/underside.
Continental School circa. 1870. Portrait of a Gentleman, said to be a member of the Henckell von Dommersmarck family, quarter length, wearing a black coat, oval, oil on canvas, 68.1 x 56.1cmSchloss Wolfsberg / Henckel-Donnersmarck, thence by descent to the vendor.The vendor's late wife was a Henckel von Donnersmarck and whose home was, for a time, Wolfsberg Castle in the Austrian state of Carinthia. She had inherited a number of works of art and furnishings from the castle, which she brought to England when she emigrated here.
An 18th century portrait miniature of Andrew Hill (1795), 60mm high in a yellow metal frame with plaited hair to the reverse, engraved with 'ANDY HILL M.D GREENOCK VOLUNTEERS 1795' to the front and 'ANDY HILL & JANE CLARK' to the reverse, with original fitted case.Condition:- General wear through age, some small areas of wear to case, no sign of any major damage or repair.
§ JAMIE SHOVLIN (BRITISH 1978-) VOTIVE (25TH AUGUST, 19:22) - 2021-22 Pencil on paper mounted on canvasDimensions:15cm x 10cm (6in x 4in)Provenance:Provenance: To be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: Jamie Shovlin was born in Leicester and graduated from the Royal College of Art in 2003. His first exhibition after graduating was Naomi V. Jelish (2001-4), a fabricated archive of drawings attributed to the titular young girl. His work often features elements of autobiography and family history. For In Search of Lost Harmony (2003-6), displayed at Tate Britain in 2006, Shovlin used his mother’s bird watching as a starting point to examine about histories of amateur and scientific classification.Shovlin has explored the use of archives and structures that underpin ideas of subjectivity and history through a variety of forms, including Lustfaust: A Folk Anthology 1976-81 (2003-12), another large-scale project centred around a fictional archive of music memorabilia, and Hiker Meat (2009-14), a collection of material related to fictional film of the project’s title. Jamie Shovlin lives and works in London.Votives is an ongoing series of pencil drawings mounted to canvas that each depict a solitary candle drawn from life. Titled after the date of each drawing’s conclusion, the works form a collective portrait of time and the fixing of an instant in a concentrated act of observation. The series exists as both singular works and as components of a collective display with the life-size images taking the candle as subject matter in reference to its prominent place within art historical symbolism, acting as a metaphor for time, history, life, and mortality.
§ NICOLAS PARTY (SWISS 1980-) PORTRAIT WITH A MOUSTACHE - 2013 Offset lithograph with screenprint , 1/50, numbered in pencil verso, published by Centre for Contemporary Arts, GlasgowDimensions:the sheet 119.5cm x 84cm (47in x 33in), unframedNote: Note: This work is sold with an accompanying 'Letter of Provenance' from CCA Galleries, Glasgow confirming that it was initially sold by them as part of their Editions sale to support Glasgow International Festival, 2014.
After William Dring (20thC School). Four portrait studies, comprising mother brushing child's hair, print, signed limited edition dated 1981, 45cm x 33cm, grandmother holding baby, signed limited edition print dated 1981, 44cm x 32cm, two sisters, signed limited edition print dated 1981, 45cm x 32cm, and mother breast feeding child, signed limited edition print dated 1981, 45cm x 32cm.
Cased pair of Mabel Hobson, later Hankey (1867-1943) Victorian 9ct gold and gilt metal mounted portrait miniatures on ivory of Charles Henry and Emmeline Marion Fairfax, with plaques verso relating to them being presented in 1894 by the parishioners of Hackthorn and Cold Hanworth, Lincolnshire, each also with the sitters named to the top and painter's name to lower edge, on 9ct gold bow hanging clips, maximum diameter of portrait miniatures 6.5cm, in original fitted case, width 18cm, with ivory licence
[Antiquarian] Defoe The Life & Adventures of Robinson Crusoe 1838; Mrs Elizabeth Hamilton The Cottagers of Glenburnie 1837; Goldsmith The Vicar of Wakefield 1838; Mrs. Brunton Self-Control 1839; Life & Travels of Mungo Park with Progress of African Discovery illustrated with a Map 1838; Paul & Virginia and Elizabeth published William & Robert Chambers and bound together in half leather with gilt leather title label. The Pictorial History of Scotland by James Taylor illustrated with engravings on steel published Virtue bound in 3 volumes in half leather. Edwards Gibbon's History of the Decline & Fall of the Roman Empire published Jones & Company 1825 in 4 volumes with engraved titles, folding maps & portrait bound in half leather with raised bands and gilt title labels. Gladstone & His Contemporaries by Thomas Archer illustrated with portraits in 4 gilt decorated volumes (12)
[Lucius Annaeus Florus] L. Annaei Flori Epitome Rerum Romanarum, Cum Integris Salmasii, Freinshemii, Graevii et Selectis Aliorum Animadversionibus...edited Carolus Andreas Dukerus (text in Latin) published Lugduni Batavorum, Apud Johannem vander Linden 1722 volume 1 only with engraved frontispiece, folding engraved maps of the Roman Empire and Triumphs of the Roman Empire bound in full leather with simple gilt tooling, raised bands, leather gilt labels and panel devices. EX LIBRARY OF AUGUSTUS HENRY FITZROY, 3rd Duke of Grafton (1735-1811 - British Prime Minister 1768-1770) SIGNED on title page 'D of Grafton 1777' with bookplate pastedown and engraved portrait loosely inserted

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