An 18th century portrait of “Gentleman in formal attire”, “Lock family of East Sussex”., believed to be by Peter Toms R.A. (1726-1777), oil on canvas, showing a gentleman seated with a glass and decanter on table, framed 84cmWx105cmH including frame, (see previous lot for valuation report from 1992. Peter Toms was a founding member of the Royal Academy and was a specialist drapery painter for other artists. He worked with Francis Cotes, Sir Joshua Reynolds and Benjamin West, amongst others. A particular work by Sir Joshua Reynolds ‘Portrait of Lady Elizabeth Keppel’, one considered one of his best, was finished by Peter Toms in his fashion. Provenance: Also see the following lot. By descent through the Streater family of East Sussex.
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"FINDEN'S LANDSCAPE ILLUSTRATIONS TO MR. MURRAYS'S FIRST COMPLETE AND UNIFORM EDITION OF THE LIFE AND WORKS OF LORD BYRON", published by John Murray, Albemarle Street 1832, 42 engravings comprising 37 topographical and five portrait, "ALFRED IN INDIA or Scenes In Hindoostan", published by William and Robert Chambers 1848, rebound and various other books (7)Condition Report:Finden's has foxing, name on endpaper Margite Barabas (Gitta Ogg)
19th Century Magic, 8 volumes, comprising Anderson, J.H. The Fashionable Science of Popular Magic. Published by the Great Wizard of the North at his Royal Psycomantheum, [c.1850-60], 8vo illus., modern green morocco, corner of title worn away (without loss of text); The Parlor Magician. New York: Dick & Fitzgerald, [?1863], 8vo, illus., original wrappers bound in (upper wrapper with some loss), modern quarter black morocco; Blitz, Signor. Fifty Years in the Magic Circle. Hartford, Conn., 1871, portrait, frontispiece, plates, illus., original green cloth, rubbed; Garenne , H. [i.e . F. Lind] The Art of Modern Conjuring, Magic and Illusions. [?1886], 351pp., original pictorial green cloth gilt; Hoffmann, Professor. Modern Magic. London, 1877. Second edition, frontispiece, illus., original blue pictorial cloth gilt, neatly rebacked retaining original spine; Joyce, J. Scientific Dialogues for the Instruction & Entertainment of Young People. London: Bohn, 1852, 8vo, original red cloth, rebacked retaining original spine, corners slightly rubbed; Greenwood, James. Silas Horner's Adventures, or the Captive Conjurers. London: Ward Lock, [c.1874], original pictorial cloth, lacks front free endpaper, slightly rubbed; Hercat. Latest Sleights, Illusions, Mind Reading... London, 1906, frontispiece, illus., modern cloth (8)Footnote: Provenance: From the collection of the Late Trevor Dawson
Wilkins, John Mercury, or the Secret and Swift Messenger London: R. Baldwin, 1694. 12mo [xiv, 172, 4 (adverts)], Second edition, engraved portrait, woodcuts in text, contemporary calf, some browning, rebacked, [Toole Stott 732]Footnote: Provenance: From the collection of the Late Trevor Dawson Note: "One of the earliest books in the English language dealing with the secret conveyance of information such as codes, cryptograms, signs and other methods later used for so-called "thought reading" acts". (Toole Stott)
Scotland, 18 volumes, comprising Brome, James Travels over England, Scotland and Wales. 1707. Second edition, 8vo, contemporary calf, some spotting and staining, worn; Loch, David A Tour through Most of the Trading Towns and Villages of Scotland. Edinburgh, 1778, later half morocco, spotting and staining, rubbed; [Grant, John] A Survey of the Province of Moray. Aberdeen, 1798. 8vo, folding engraved map, 1 plate, modern calf; Ross, Charles The Traveller's Guide to Loch Lomond. Paisley, 1792. 8vo, frontispiece & folding map, modern boards, some spotting; [Anon.] Voyages aux Montagnes d'Ecosse. Geneva. 1785. 2 volumes, 8vo, folding map and 8 plates, contemporary half calf, worn; Hill, Rowland Journal of a Tour through the North of England and parts of Scotland. London, 1799. 8vo, half calf, modern quarter calf, red morocco label; The Itinerary of Scotland Edinburgh: E. Monteith, 1816. 12mo, modern calf, spotted; Thomson, J., publisher The Traveller's Guide through Scotland and its Islands. Edinburgh, 1811. 12mo, plates and maps, later half calf; [another copy] The Traveller's Guide through Scotland and its Islands. Edinburgh, 1818, 7th edition, 2 volumes, 12mo, plates and maps, contemporary half calf, large folding map slightly crudely repaired, very neatly rebacked, spines gilt; Western Highlands Observations on a Short Tour made in the Summer of 1803, to the Western Highlands of Scotland. London: for the author, 1804. 12mo, contemporary calf, rubbed; Lumsden, James, publisher A Guide to the Romantic Scenery of Loch Lomond. Glasgow, 1825. Second edition, 12mo, 2 folding maps, contemporary half calf, slightly rubbed; Maxwell, W.H. Wanderings in the Highlands and Islands. 1844. 2 volumes, 8vo, engraved portrait, modern quarter calf, morocco labels; Somerset, Duke of The Tour of the Duke of Somerset and the Rev. J.H. Michell, through Parts of England, Wales and Scotland, in the year 1795. 1845. 8vo, contemporary maroon morocco gilt; Bristed, John A Pedestrian Tour through Part of the Highlands of Scotland in 1801. 1803, 2 volumes, 8vo, 1 hand-coloured engraved plate, contemporary calf, neatly rebacked, red morocco labels (18)
A collection of books 13 bindings Green, J.R. A Short History of English people. London: Macmillan and Co.,1892-94. 4 volumes, 8vo, contemporary half calf; Johnson, S. The lives of the most Eminent English Poets. London: C. Bathurst, 1781, 4 volumes, 8vo, portrait, contemporary calf, joints split; Doyle, James E. A Chronicle of England. London: Longman, Green, Longman, Roberts and Green, 1864. Large 8vo, contemporary green straight-grained morocco gilt; Wheater, W. Some Historic Mansions of Yorkshire, and their Associations. Leeds: Richard Jackson, 1888. 2 volumes, Large 8vo, original brown cloth gilt; [Idem] Handbook for Tourists in Yorkshire. Leeds: Richard Jackson, 1891. 2 volumes, large 8vo, number 109 of 200 copies, original cloth gilt (13)
Edward Lewis (1936-2018) "Portrait of a Nude Woman", oil on canvas, monogrammed and dated lower right, dimensions approximately 41cm x 29cm; attributed to Edward Lewis (1936-2018) "Portrait of a woman", oil on canvas, dimensions approximately 60cm x 44cm; Edward Lewis (1936-2018) "Church in Springtime", oil on board, monogrammed and dated lower right, dimensions approximately 80cm x 60cm; attributed to Edward Lewis (1936-2018) "Still Life with Daffodils", oil on board, dimensions approximately 70cm x 60cm; attributed to Edward Lewis (1936-2018) "Abstract", oil on board, dimensions approximately 39cm x 30cm (5)
Edward Lewis (1936-2018) "Portrait of a Man in hat", chalk on paper, monogrammed and dated lower left, dimensions approximately 41cm x 27cm; "Sleeping Woman", chalk on paper, unsigned, dimensions approximately 29cm by 20cm; "Coastal beach scene with solitary figure", chalk on paper, unsigned, dimensions approximately 24cm x 23cm (3)
Benjamin Robert Haydon (British, 1796-1846),Portrait of a lady, seated, three-quarter length, in a white lace cap with roses, white ruff, black dress, gold chatelaine, and holding a fan and rosesoil on canvas89 x 70cmCondition report: Lined and cleaned.No known provenanceRelined.Not signed, only on modern frame, restored/crazing in areas.
A carved cameo conch shell, depicting a portrait of a centurion, 14cm x 10cm, a mid century horn naturalistic inkstand with glass well and hardwood cover, 17cm wide, 11cm deep, and a graduated set of three burr walnut spherical containers housed within each other, largest 10cm diameter (5)Condition report: Split to cover of inkstand, no other visible damage
Mark Thomas "What Should I call you" Portrait of a woman painted on sheet music, titled and signed verso; Brian Elwell "Northampton Guildhall Ex: Banking Hall, ink and watercolour, signed and titled; Peter Davies "The Red Life Belt, St Ives" linocut 5/10, titled and signed in pencil; Edward Lewis (1936-2018) Fishing in the Sea, watercolour, Edward Lewis (1936-2018) series of four preparatory sketches (5)
Collection of paintings to include Edward Lewis (1936-2018) Portrait of a woman, charcoal sketch, signed verso; together with a portrait of a woman, oil on canvas, initialled EL; Edward Lewis, Still Life with St Pauls, Artists Proof, signed, dated and titled in pencil; Edward Lewis, Man, Woman and Bird, watercolour, monogrammed and dated lower right; Fiona Payne (British, 20th century) Still life of Irises, watercolour, signed lower right, Harbour scene, sail boats and figures swimming, oil on board, dimensions approximately 49cm x 54cm (6)
Christine Partington (British 20th century), portrait of Private James Ellaway, First Batallion, Grenadier Guards WWI. Signed with monogram, pastels. 45 x 57 cm approx. Provenance: consigned from his family. It seems that James Ellaway served in the Grenadier Guards and the Welsh Guards becoming a Corporal field medic. He was captured by the Germans. He lived in Cwmbran before the war. He survived and this portrait was made from an original hand-touched photograph. It is believed he died in the 1930's at a relatively young age.(B.P. 21% + VAT) In good condition and is included with a photocopy of a letter from James Ellaway.
A group of four 18th century and late miniature portraits, comprising a brass framed painting on ivory, possibly George I, initialled 'M.D.', 7.5 cm diameter, together with two portraits on porcelain, one in a ceramic frame, an early 20th century portrait of a beauty in profile (American) and afurther framed 19th century allegorical work, pencil and watercolour on paper, unsigned.Qty: 5
A 17th century oval portrait miniature of a gentleman, bust length wearing a white lace collar, oil on copper, 7.5 cm x 6.3 cm, indistinct handwritten text verso, in a scrollwork giltwood frame, 25 cm x 17 cm.Condition report: Some wear to the frame, with losses to edges. Picture with surface marks and scratches.

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