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283284 Los(e)/Seite
Los 176
Studio of Daniel Mytens (?Delft 1590-1644 The Hague)Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside the Scottish crown laid on a table oil on canvas 109.2 x 83.4cm (43 x 32 13/16in).Footnotes:Although the composition of the present portrait does not appear to be directly derived from any hitherto known portrait of the King, it can be related to a number of portraits of King Charles I by Daniel Mytens. The head in the present work can be compared to the Mytens in the Royal Collection which is signed and dated 1628. The composition which shows the Great George suspended from the Garter sash is known through engravings, published by Franciscus van Hoeye after Mytens. Perhaps most interesting of all is the presence of what must be a representation of the Scottish royal crown, which is unique to the present portrait, all the other portraits of Charles I that depict him with a crown having shown him beside the Tudor Crown, otherwise known as the Crown of Henry VIII. Although Charles succeeded his father in 1625, his long-delayed and long-awaited Scottish coronation did not take place until he finally returned to his native Scotland in the early summer of 1633, making a magnificent civic entry, the first such royal pageant in Edinburgh since 1590. It is possible that the present portrait was commissioned to record this event and is a rare contemporary depiction of the Scottish crown. The regalia known as the Honours of Scotland, which include the Crown along with the Sceptre and Sword of State, unlike their English equivalent of the time, still exist. Following the Act of Union of 1707, which unified the Kingdom of Scotland and the Kingdom of England to form the Kingdom of Great Britain, and having no ceremonial role to play in the proceedings of the new Parliament of Great Britain in London, the Honours were locked away in Edinburgh Castle. There they remained all but forgotten in a chest until 1818, when a group of people including Sir Walter Scott set out to find them to great public acclaim. Charles's complicated relationship with Scotland was summarized by the historian C. V. Wedgwood: 'It was not the least of this king's misfortunes that he was always too much of a Scotsman for England and too much of an Englishman for Scotland. In many ways he was the type of the absentee Scot, rootless in England and uprooted in Scotland.'For further information on this lot please visit Bonhams.com
Los 200
Attributed to Henri Gascars (Paris 1635-1701 Rome)Portrait of a lady, said to be the Comtesse de Montdidier, three-quarter-length, in a white dress with a gold bodice and holding a jewelled mirroroil on canvas 91.6 x 70.7cm (36 1/16 x 27 13/16in).Footnotes:ProvenanceThe Collection of Baroness Goldsmith (according to a label on the reverse)Sale, Sotheby's, London, 8 November 1978, lot 51 (as P. Mignard)For further information on this lot please visit Bonhams.com
Los 204
Dutch School, 1671Portrait of a young man, half-length, in black inscribed 'AETATIS.17/ANo 1671' (upper left)oil on canvas74.2 x 62.2cm (29 3/16 x 24 1/2in).Footnotes:A comparable work, with an identical inscription and possibly of the sitter's younger brother, was offered at Christie's, London, 10 December 1993, lot 265 (see RKD no. 138927).For further information on this lot please visit Bonhams.com
Los 207
Circle of Sir Godfrey Kneller (Lübeck 1646-1723 London)Portrait of a gentleman, traditionally identified as John Churchill, 1st Duke of Marlborough, three-quarter-length, standingoil on canvas 126.5 x 102.4cm (49 13/16 x 40 5/16in).Footnotes:The pose and features of the present portrait may be compared to a portrait of the Duke wearing armour from the Studio of Kneller which is in the National Portrait Gallery's collection in London, which has been dated to circa 1700 (NPG 5740).For further information on this lot please visit Bonhams.com
Los 208
Circle of Sir Godfrey Kneller (Lübeck 1646-1723 London)Portrait of a lady, traditionally identified as Sarah Churchill, Duchess of Marlborough, three-quarter-length, seated, in a blue dressoil on canvas 126.3 x 101.9cm (49 3/4 x 40 1/8in).Footnotes:The present portrait is possibly related to a double portrait by an unknown artist of the Duke and Duchess of Marlborough which is in the National Trust's Collection, Chartwell House, Kent.For further information on this lot please visit Bonhams.com
Los 210
Follower of Giovanni Battista Gaulli, called il Baciccio (Genoa 1639-1709 Rome)Portrait of Cardinal Paluzzo Paluzzi Altieri degli Albertoni, bust-length oil on canvas66.7 x 50.6cm (26 1/4 x 19 15/16in).Footnotes:The present composition is based on Baciccio's original portrait now in the Ricci collection, Milan.For further information on this lot please visit Bonhams.com
Los 230
After Giovanni Battista Piazzetta, 18th CenturyA boy with a dog red chalk on paper39.5 x 29.7cm (15 9/16 x 11 11/16in).Footnotes:The present work is after a Piazzetta engraving (see: National Portrait Gallery, London, no. NPG D22306).For further information on this lot please visit Bonhams.com
Los 27
Jan Wyck (Haarlem circa 1652-1700 Mortlake)A Saracen on horseback before a cavalry skirmish; and An equestrian portrait the former signed 'JW**' (lower left)a pair, oil on canvas laid down on panel20.2 x 27.2cm (7 15/16 x 10 11/16in). (2)Footnotes:ProvenancePrivate Collection, UK since at least the 1970sFor further information on this lot please visit Bonhams.com
Los 36
Henry William Pickersgill RA (London 1782-1875)The Countess of Clanwilliam and her brother, seated in a garden, writing a letteroil on canvas 149.6 x 119.4cm (58 7/8 x 47in).Footnotes:ProvenancePrivate Collection, Calcutta, India, circa 1822 (according to a label on the reverse)Sale, Christie's, South Kensington, 5 December 2007, lot 181Private Collection, UKTraditionally identified as 'The Countess of Clanwilliam and her brother', it can be ascertained that the present portrait depicts Lady Elizabeth Herbert (1809-1858) and her only full brother, the Hon. Sidney Herbert (1810-1861). They were the children of General George Augustus Herbert, 11th Earl of Pembroke and his second wife, Catherine Woronzow. Lady Elizabeth married Richard Charles Christian Francis Meade, 3rd Earl of Clanwilliam in 1830. Sidney held the office of Secretary of the Admiralty between 1841 and 1845, Secretary for War between 1845 and 1846, between 1852 and 1855 and between 1856-61; and held the office of Colonial Secretary between 8 February 1855 and 22 February 1855. A Trustee of the National Portrait Gallery between 1856 and 1861, he was created 1st Baron Herbert of Lea, in 1861.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 58
Frans van der Myn (Dusseldorf 1719-1783 London)Portrait of a lady, three-quarter-length, in a grey and blue satin dress, holding a bouquet of flowers oil on canvas92.2 x 72.3cm (36 5/16 x 28 7/16in).Footnotes:ProvenanceSale, Sotheby's, London, 9 December 1987, lot 161 (sold £7,700)Sale, Christie's, London, 2 November 2001, lot 60For further information on this lot please visit Bonhams.com
Los 74
Peter Gertner (? circa 1495- after 1541 Nuremberg)The head of Saint John the Baptist oil on panel, a fragment19.2 x 44.8cm (7 9/16 x 17 5/8in).Footnotes:ProvenancePrivate Collection, Vienna, until 1908Private Collection, UKLiteratureK. Löcher, 'Peter Gertner - ein Nürnberger Meister als Hofmaler des Pfalzgrafen Ottheinrich in Neuberg an der Donau', in Neuburger Kollektaneenblatt, CXLI, Neuburg an der Donau, 1993, pp. 5, 44-7 and 54-5, fig. 29, ill.This image of John the Baptist's head is a fragment of a larger composition which was cut up at some point after 1908, the year in which it was first brought to scholarly attention in a private Viennese collection. The figure of Salome, whose gloved hands are visible holding the dish, was divorced from its original, biblical context by removing the present fragment and selling the bust-length portrait separately as a depiction of a princess from the House of Wittelsbach. This latter picture passed through the collection of Georg Schäfer in Schweinfurt (see: B. Bushart, Altdeutsche Bilder Der Sammlung Georg Schäfer Schweinfurt, Schweinfurt, 1985, figs. 10 and 11, p. 55) and was later sold at Koller, Zürich (22 September 2006, lot 3009).For further information on this lot please visit Bonhams.com
Los 79
John Hoppner R.A. (London 1758-1810)Portrait of William Gifford reading a book oil on canvas76.2 x 63.5cm (30 x 25in).Footnotes:ProvenanceSale, Christie's, London, 13 May 1899Collection of George W. Agnew With Agnew's London, 1966Collection of the Hon. Mrs. Price, Frankton Manor, Rugby, 1970ExhibitedBirmingham, Birmingham Museum and Art Gallery, 1903, cat. no. 3 (lent by George W. Agnew)LiteratureW. McKay and W. Robert, The Works of John Hoppner, R.A., London, 1909, pp. 96-7Engravedin line and stipple for The Gentleman's Magazine, in 1827William Gifford (1757- 1826), author of satirical poems The Baviad (1791) and The Maeviad (1795), was the first editor of The Quarterly Review (1809-1824). According to McKay and Roberts (see literature), Gifford and John Hoppner were good friends; The Maeviad was dedicated to the artist. Gifford left his house in London to Hoppner's widow and bequeathed a sum of money to the artist's children. Another portrait by Hoppner of the sitter, seated and holding a small book, was previously in the collection of John Murray. Lacelles Hoppner, John's son, exhibited a portrait of Gifford at the Royal Academy in 1812, cat. no. 311.For further information on this lot please visit Bonhams.com
Los 91
Circle of Willem Key (Breda circa 1515-1568 Antwerp)Portrait of a lady, bust-length, in a white headdressoil on panel 41.1 x 31.7cm (16 3/16 x 12 1/2in).Footnotes:ProvenanceThe Collection of Major Trevor Cox, Salisbury, Wiltshire, by whom offeredSale, Christie's, London, 18 March 1955, lot 12 (bt. J. Smith)Another version of the present composition was offered at Christie's, South Kensington on 21 April 1988, lot 74 as Manner of Quentin Massys.For further information on this lot please visit Bonhams.com
Los 99
Netherlandish School, 16th CenturyPortrait of Richard Reynell MP, half-length, in black costume holding gloves bears date and inscription 'Anno. 1559.' (upper left) and ':Aetatis: sue: 40:' above his coat-of-arms (upper right)oil on panel39.8 x 29.6cm (15 11/16 x 11 5/8in).Footnotes:We are grateful to Prof. Sir John Baker for identifying the sitter of the present portrait as Richard Reynell MP (1519-85).For further information on this lot please visit Bonhams.com
Los 105
AN OVAL KPM BERLIN PORCELAIN PLAQUE painted with a portrait of Beatrice Cenci, 14.5cm x 11cm, impressed KPM to reverse Beatrice Cenci was a young Roman noblewoman who murdered her abusive father, Count Francesco Cenci. The subsequent, lurid murder trial in Rome gave rise to an enduring legend about her. She was condemned and beheaded for the crime in 1599. Condition Report : tiny chip to rim on back, just visible from front bottom left, otherwise fine Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 307
AFTER SIR THOMAS LAWRENCE (1769–1830) Portrait of Mary Coppendale, Mrs Joseph May Oil on canvas 92cm x 71cm Condition Report : VERY dusty/dirty, canvas pierced in several places, overall craqueleure. canvas not re-lined. some old worm to the pine stretchers. unframed Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 325
A GROUP OF EIGHT 19TH CENTURY PORTRAIT MINATURES including four silohuettes and a painted portrait of a young lady, each in papier mache/ebonised frames with acorn or thistle suspension mounts Condition Report : a few chips and knocks, but generally good Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 348
VICTORIAN SCHOOL Half length portrait of a gentleman, oil on canvas, 73.5cm x 61cm Condition Report : generally good, very dusty/dirty. a couple of areas of paint loss, generally good. Frame has some knocks, but nothing major. Family tree inscribed verso Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 41
A VICTORIAN LARGE YELLOW METAL SWIVEL BROOCH the central oval swivel comprising a shell cameo portrait to one side and picture compartment to the other with a hollow tubular surround, 6cms x 5cms Condition Report : good overall, no obvious damage or repair. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 426
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Portrait Study', oil on canvas laid to panel, signed lower right, titled to label verso, 33.25cm x 24cm, framed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good. Fly dirt / brown spotting across surface. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 436
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Male, oil on panel, unsigned, 40cm x 24.5cm, framed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Fly dirt to surface. Gouges to panel lower centre and lower right. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 440
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female Nude, oil on canvas, unsigned, 50.5cm x 45.5cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Large flake of loss below right elbow; over-painted flake lower centre; further cracking, mainly upper and lower area horizontal. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 441
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female Nude, oil on canvas, unsigned, 51cm x 41cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. Craquelure to centre. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 442
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Three-quarter Portrait of a Standing Female Nude, oil on canvas, unsigned, 56cm x 46cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 445
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Bust Portrait of a Dark-haired Female, oil on canvas, unsigned, 35.5cm x 30cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. Some fly dirt / brown spotting. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 447
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Bust Portrait of a Blonde Female, oil on canvas, signed upper right, 36cm x 30.5cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 451
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female, oil on canvas, unsigned, 76.5cm x 63.5cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 452
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Tina', Half-length Portrait of a Seated Girl with a Doll, oil on canvas, signed lower left, titled to remnants of label verso, 60cm x 44.5cm, framed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. Minor paint loss towards upper left corner background. Slight craquelure. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 454
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female, oil on canvas, signed lower right, 60cm x 44cm, framed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 457
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female Nude, oil on canvas, unsigned, 54.5cm x 34cm, framed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 469
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female Nude, oil on canvas, unsigned, 61cm x 46cm, unframed and unsupported (no longer on stretchers). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Some craquelure, particularly to lower half. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 470
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female Nude, oil on canvas, unsigned, 50.5cm x 45.5cm, unframed and unsupported (no longer on stretchers). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Three surface scratches, one of them with shallow over-painting. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 472
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female, oil on canvas, unsigned, 55cm x 45cm, unframed and unsupported (no longer on stretchers). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Light craquelure, notably to hair. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 473
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Female Nude, oil on canvas, unsigned, 50cm x 35cm, unframed and unsupported (no longer on stretchers). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. Paint applied thinly in certain areas. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 474
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Seated Male, oil on panel, unsigned, 36cm x 22cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Panel slightly bowed, with opened graining. Pressure mark to reverse and associated split across lower shoulder / upper back area. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 476
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Young Lady, oil on board, signed lower right, 36.5cm x 31.5cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Some foxing / browning to bare or thinly painted areas. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 477
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Portrait of a Girl', oil on board, signed lower right, Daily Express Young Artists' Exhibition, 1955 label verso, 36cm x 31cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Some foxing / browning to bare or thinly painted areas; notch to upper edge. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 480
RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of a Lady Looking Downward, oil on board, unsigned, 40.5cm x 38cm, unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 483
ARTHUR RALPH MIDDLETON TOOD, R.A., R.W.S., N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of an Elderly Man, etching (first state), signed lower right, remnants of Royal Society of Painter-Etchers & Engravers label verso, 17cm x 15cm, framed and glazed. Provenance: Rachel Ann Le Bas, N.E.A.C., R.E. (1923-2020). *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 522
EPHEMERA - ASSORTED comprising watercolour paintings, including those of Trent Park, East Barnet, Hertfordshire (21cm x 31cm) and The Gatehouse, Stokesay Castle (23cm x 16cm); a woven silk portrait of 'The Good [Prince] Albert', 20cm x 10.75cm; a French fashion plate; four prints after Feliks Topolski, 'Old People', each 25cm x 14.25cm, all unframed, (total approximately 30 items; ring binder).
![ROYAL MEMORABILIA - ASSORTED comprising a clipped autograph of Queen Mary [of Teck] (1867-1953), mounted with a printed port](https://cdn.globalauctionplatform.com/51259f05-0d95-447b-9efb-acde00b55ab1/bc9583ee-56b0-42bf-83f1-ad0800dee281/468x382.jpg)
Los 565
ROYAL MEMORABILIA - ASSORTED comprising a clipped autograph of Queen Mary [of Teck] (1867-1953), mounted with a printed portrait photograph; a Christmas card signed by Prince Henry, Duke of Gloucester (1900-1974); a carte de visite portrait photograph of Edward VII as Prince of Wales, by Downey, London; a small quantity of press photographs; programmes; souvenir supplements; and other items, (box).
![[CLASSIC LITERATURE] Eliot, T.S. The Dry Salvages, first edition, Faber & Faber, London, 1941, stiff paper covers (non p](https://cdn.globalauctionplatform.com/51259f05-0d95-447b-9efb-acde00b55ab1/79c61552-b560-41cf-ab04-ad0500e17500/468x382.jpg)
Los 573
[CLASSIC LITERATURE] Eliot, T.S. The Dry Salvages, first edition, Faber & Faber, London, 1941, stiff paper covers (non price-clipped), octavo; together with Brooke, Rupert. Democracy and the Arts, first edition, Hart-Davis, London, 1946, original green cloth, portrait frontispiece, octavo; Austen, Jane. Volume the First, printed from the Manuscript in the Bodleian Library, first edition, Clarendon Press, Oxford, 1933, original cloth-backed boards, octavo; and Wells, H.G. The History of Mr Polly, first edition, Nelson, London, 1910, original green cloth, colour frontispiece, ten-page publisher's list, octavo, (4). Condition Report : Eliot: generally good, with only very slight fading and toning to covers nearest spine; Brooke: good; Austen: good, with only light, even browning to spine; Wells: loss to white blocking of spine title; foxed, particularly to fore edges and end papers. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![[MODERN FIRST EDITIONS] Waugh, Evelyn. Scott-King's Modern Europe, first edition, Chapman & Hall, London, 1947, navy blu](https://cdn.globalauctionplatform.com/51259f05-0d95-447b-9efb-acde00b55ab1/c661d97a-ba3c-4bab-9dcd-ad0500e1787b/468x382.jpg)
Los 577
[MODERN FIRST EDITIONS] Waugh, Evelyn. Scott-King's Modern Europe, first edition, Chapman & Hall, London, 1947, navy blue cloth, dustjacket (non price-clipped), octavo; together with Waugh, Evelyn. The Loved One. An Anglo-American Tragedy, Chapman & Hall, London, no date, blue cloth, octavo; Waugh, Evelyn. A Tourist in Africa, first edition, Chapman & Hall, London, 1960, blue boards, dustjacket (non price-clipped), frontispiece and further plate illustrations (as called for), octavo; Waugh, Evelyn. When the Going was Good, first edition, Duckworth, London, 1946, yellow cloth, colour portrait frontispiece, folding map, octavo; Waugh, Evelyn. A Little Learning, the First Volume of an Autobiography, first edition, Chapman & Hall, London, 1964, grey cloth, dustjacket (non price-clipped), portrait frontispiece and further plate illustrations (as called for), octavo; and Waugh, Evelyn. Ronald Knox, first edition, Chapman & Hall, London, 1959, blue cloth, dustjacket (non price-clipped), frontispiece and further plate illustrations (as called for), octavo, (6). Condition Report : Scott-King: jacket rubbed and torn, with loss at spine ends and corners, ink ownership inscription to front free endpaper; Loved One: lacking jacket; Tourist: jacket with browned edges and tape-repaired tear at head of spine; When the Going: lacking dustjacket; Knox: jacket faded over spine. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![[MISCELLANEOUS] Wilde, Oscar. Salome, A Tragedy in One Act, translated from the French, Bodley Head, London, 1908, pictorial](https://cdn.globalauctionplatform.com/51259f05-0d95-447b-9efb-acde00b55ab1/04348c6d-0960-44fa-b9e6-ad0500e17a3e/468x382.jpg)
Los 582
[MISCELLANEOUS] Wilde, Oscar. Salome, A Tragedy in One Act, translated from the French, Bodley Head, London, 1908, pictorial boards, small octavo; Tennyson, Alfred. Enoch Arden, Moxon, London, 1866, original decorative bevelled blue cloth gilt, all edges gilt, tissue-guarded portrait frontispiece, illustrations by Arthur Hughes, sixteen-page publisher's list dated December 1865, square octavo; and three other decorative cloth-bound works, (5). Condition Report : Wilde: covers slightly soiled; ink ownership inscription to front free endpaper; Tennyson: frontispiece detached; ink gift inscription to front free endpaper. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![[MISCELLANEOUS] Thirty-nine assorted works, including Graves, Robert. Lawrence and the Arabs, first edition, Cape, London, 1](https://cdn.globalauctionplatform.com/51259f05-0d95-447b-9efb-acde00b55ab1/e7948d9f-eea2-4dce-a488-ad09014006c8/468x382.jpg)
Los 32
Victorian Period - 9ct Gold Mounted Large and Impressive Oval Shaped Shell Cameo, Depicting Well Carved Classical Mother and Child Portrait In Great Detail. Marked for 9ct to Mount. Excellent Condition In All Aspects - Please Confirm with Photo. 20.6 grams. Approx Size Height 2.5 Inches - 6.25 cms & Width 2.25 Inches - 5.75 cms.
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283284 Los(e)/Seite