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283287 Los(e)/Seite
Los 620
BRADMAN DON: (1908-2001) Australian Cricketer. Book signed, a hardback edition of Farewell to Cricket, First Edition published by Hodder and Stoughton, May 1950. Signed by Bradman in blue fountain pen ink with his name alone to the lower white border beneath his portrait on the frontispiece. Together with a hardback edition of Our Cricket Story by Alec and Eric Bedser, published by Evans Brothers Ltd., London, n.d. (1950?), signed by both individually in fountain pen ink with their names alone to their image on the frontispiece. Both accompanied by the dust jackets (minor wear). About VG, 2
Los 647
ROBINSON EDWARD G.: (1893-1973) American Actor, Academy Award winner. Series of four T.Ls.S., Edward G. Robinson, each one page, small 4to, Beverly Hills, California and n.p., 15th December 1941 to 15th February 1944, all to Clyfford Trevor. In the first letter the actor thanks his correspondent for offering his services as an art consultant although explains that, `because of the present emergency, I have discontinued collecting for a while.` In the following letters Robinson states that he likes to make his own selections for his art collection and thanks him for photographs of Scene de Couloir au Palais by Jean Louis Forain (`…the painting is a fine example…`) and portraits by Vuillard and Segonzac (`If I didn`t already have a powerful Segonzac….I would be very much interested in "Ma Petite Cherie", which is a splendid picture. The portrait of Mlle. Germain Feydeau is a little too personal for my collection, as I have tried to concentrate on expressions that have universal concepts rather than individual`). VG, 4 Robinson was a noted art collector and when he died in 1973 left an estate valued at $2,500,000 which largely consisted of rare paintings. This was achieved despite having to sell many pieces from the collection in 1956 to fund a divorce settlement.
Los 952
English School (late 17th century). The Seven Bishops Committed to the Tower in 1688. Seven portraits on one canvas, each in a mitred named oval, oil on canvas, 106cm by 89cm, unframed, In 1688 William Sancroft, Archbishop of Canterbury, with six other bishops, petitioned James II against the Declaration of Indulgence which suspended the Test Act. They were sent to the Tower and tried for seditious libel, of which they were acquitted, becoming popular heroes and serving to undermine the King`s authority. A comparable, although slightly smaller, version of this subject, by an unknown hand, is in the collection of the National Portrait Gallery (NPG 79), at Beningborough Hall. The NPG also possesses a number of prints from the period, all of variation sof this same theme.. See illustration
Los 958
Frank Samuel Eastman (1878-1964). "Constance", portrait of a lady, seated, wearing a black chiffon dress, holding a necklace, the daughter of E.S. Goodes Esq.. Signed and dated (19)03, also inscribed with the artist`s name and further inscriptions on the stretcher verso, also inscribed Alfred Robins EsqÉ. , oil on canvas, 91.5cm by 71.5cm, The work was exhibited at the RA in 1903, no 487, Constance, daughter of E S Goodes Esq., Born in London in 1878, Frank Samuel Eastman studied at the Croydon School of Art and the Royal Academy Schools. He exhibited with the Royal Academy of Arts in London from 1902-1940. His primary subject matter was portraiture, landscapes and figurative work. His wife Maud and daughter Edith were also artists., The work is contained within its original elaborately decorated gilt plaster and wooden frame with foliage and acorn decoration.. See illustration
Los 965
Miss Mary Annie Sloane A.R.E. (c.1870-1961). Portrait of a Young Lady, three quarter length, wearing a blue dress and large bonnet. Inscribed with the artist`s name and the title Portrait on an exhibition label verso, oil on board, 30.5cm by 24.5cm, The artist was born in Leicester and studied art at Leicester Art School and at Bushey under Herkomer, as well as at the Royal College of Art under Short. She exhibited at the leading London galleries from 1889 onwards, was a member of the Leicester Society of Artists and lived at Enderby and London.
Los 1077
Mary Stork (1938-2007). "Lu", abstract portrait of a girl`s head and shoulders. Signed and dated 27.3.94, mixed media, 58cm by 39cm See illustration, Painter and draughtsman whose figurative pictures had a strong linear dynamism. She studied at West of England College of Art in Bristol and at Slade School of Fine Art. Showed widely in London, Edinburgh and the provinces and was a member of Penwith Socety of Arts and Newlyn Society of Artists. In 1994 she was included in Three Painters from Penwith at David Messum Fine Art., Provenance: David Messum Fine Art, The Studio, Lordswood, Marlow, Bucks SL7 2QS Mary Stock 89. Lu Summer 1994.
Los 4
A Ruby Glass, Painted and Parcel Gilt Trumpet Vase, Bohemia, circa 1870, with flared bracket cut rim, the applied oval panel painted with the bust length portrait of a pretty maiden with downward pensive expression, against a gilded scroll and leaf ground, swept circular foot, 30cm high; and A Ruby Cameo Glass Slender Ewer, with clear glass ropetwist handle, the body with five narrow lozenge cut panels, leaf applied swept and panelled foot, 31.2cm high (2)
Los 6
A Ruby Glass, Painted and Parcel Gilt Two-Handled Pedestal Vase, Bohemia, circa 1870, of baluster shape, applied with a circular plaque painted with the bust length portrait of a young auburn haired boy against a dense leafing ground, 20.5cm high; A Similarly Decorated Trumpet Vase, the plaque painted with a bust length portrait of a pretty young woman, 29cm high; and A Similarly Decorated Small Vase, cut down, 9.5cm (all a/f) (3)
Los 10
A Turquoise Opaque Glass Two-Handled Pedestal Baluster Vase, France or Bohemia, circa 1870, the cover with pointed finial, the front of the vase with an oval reserve painted with the bust length portrait of a young woman wearing a headdress, circular foot, 24cm high; A Ruby Flash Glass Pedestal Circular Bowl, Bohemia, circa 1870, engraved with four panels depicting stags, a hound and a fox, against a gothic strapwork gilded ground, 20cm high; and A Blue Cameo Glass Beaker, 20th century, painted with an oval plaque depicting a couple dancing, 15.4cm high (3)
Los 14
An Emerald Green Glass, Painted and Parcel Gilt Pedestal Vase, Bohemia, circa 1870, of Islamic inspiration, the cylindrical neck with flared rim from a compressed semi-ovoid body, solid gilded shoulder handles, frontally applied with an oval panel painted with a beautiful young girl holding a flaming torch, against a background of large leaf fronds and dots, circular foot, 25cm high; and A Ruby Glass Example, the ovoid body panel painted with the bust length portrait of a pretty woman in medieval costume, against a fern gilded background, 20.5cm high (2) See illustration
Los 15
An Emerald Green Glass, Painted and Parcel Gilt Trumpet Vase, Bohemia, circa 1870, applied with a panel painted with a spray of summer flowers in vivid enamel colours against a gilded densely arranged leaf ground, on a panelled swept circular foot, 41cm high; and Another, applied with a panel painted with the bust length portrait of a pretty young woman with a veil in her hair, against a gilded leaf and dot background, swept circular foot, 36.5cm high (2) See illustration
Los 401
A French Parcel Gilt Chalice and Paten, Choiselat-Gallien, Paris, mid 19th century, the gilded bell bowl within a plain pierced "armature" of wheatsheaves, grapes, stylised florets, anthemion and portrait oval medallions, on a multiple knopped stem, the domed base with three shaped scenes and the Stations of the Cross, divided by dribbling bunches of grapes, on a swept circular foot, 30cm high, the paten plain circular, engraved on the reverse IHS, 16.1cm diameter, in the original chamois leather lined case See illustration
Los 580
An English Pressed Oxhorn Snuffbox, Commemorating Caroline, Queen of England, Wilson, Sheffield, circa 1820, of concave sided circular form, the lid heat embossed with the bust portrait of the queen wearing a feather plumed hat, with inscription (as above) and Wilson Sc Sheffield, the underside with a trophy of agricultural and musical instruments within an undulating thistle band, 8.6cm diameter See illustration
Los 594
A Scrimshaw Sperm Whale Tooth, probably American, 19th century, incised on one side only with a full length portrait of a pretty young woman, her long hair in ringlets wearing a red trellis patterned blouse, an apron on her voluminous skirt, upholding her left hand in a waving gesture, attractively patinated, 14cm high
Los 633
A Group of Three Decorative Miniatures, comprising a French example, circa 1850, oval, depicting a lady bust length, she wears roses in her hat, in a parcel gilt steel decorative frame, a portrait of a princess, oval, 6.5cm, and an overpainted photographic portrait of a young girl, reputed to be Princess Maud of Wales (3)
Los 634
English School, circa 1800: Portrait of a Gentleman, half length, wearing a brown jacket with black collar, oval, 7cm, the reverse with a pearl trimmed hair locket on opaline glass; and English School, circa 1909: Portrait of a Young Woman, bust length, with brown eyes and wearing a lace trimmed pink off-the-shoulder dress, oval, 7cm, in a garnet enriched ebonised frame (2)
Los 635
Charles Bestland: Miniature Portrait of a Young Woman, 1802, half length, seated and gazing to dexter, her head resting on her right hand, wearing a white veil and dress, in a wooded landscape, signed and dated 1802, oval, 7.6cm, in gilt brass gadroon embossed and beaded frame, and inscribed in ink on the reverse Painted by Bestland, West End, Hampstead, 1802 See illustration
Los 636
Continental School, 20th century: Miniature Half Length Bust Portrait of a Young Woman in Elizabethan Costume, her plaited hair bedecked with pearls, wearing a ruff and black and burgundy dress, indistinctly signed Deimalon Dal Pinx, circular, 7.5cm, in a gilt and gesso scroll and beaded frame
Los 637
William Derby (1786-1847): Portrait Miniature of The Lady Caroline Anne Edgcumbe, painted half length in the character of Hebe, with long brown hair and turning with surprise to sinister to observe the head of a large eagle representing Jupiter, rectangular, 12cm by 9cm, with ink inscription on a card within the glazed reverse of the gilt metal frame The Lady Caroline Anne Edgcumbe, painted by W.Derby 1824 from the original by Mrs Mee 1817 See illustration
Los 638
American School (Attributed), late 18th century: Portrait of a Gentleman, his hair en queue, facing to dexter, wearing white jabot and brown broad lapelled jacket, oval, 5.7cm, in modern gilt metal frame, together with a later associated two-miniature presentation case enclosing mother-of-pearl backed frames; and English School, circa 1830: Portrait of a Lady, wearing an embroidered mob cap in her curly brown hair, wearing a blue dress, oval, 6.6cm, in ebonised frame, with original label on the reverse, engraved Painted by A Stewart, London (2) See illustration
Los 774
William Moore (1790-1851). Portrait of a Lady, seated, three quarter length, wearing a black dress trimmed with lace;. Portrait of a Young Man, seated, three quarter length, wearing a black coat and waistcoat. Both signed and dated 1838, extensively inscribed on exhibition labels verso, pencil and watercolour, each 26.5cm by 21.5cm (a pair), Exhibited at the City of York Art Gallery, Exhibition of Pictures by the Moore Family 1912, and loaned by Henry Birch , The artist was a provincial portrait painter. Four of his fifteen children were artists, Albert Joseph Moore being the youngest.
Los 776
Follower of Giovanni Battista Cipriani (18th century). Figurative and Portrait Studies. Preparatory unfinished sketches, inscribed on the front of the album Bought at Bologna in 1834 IH, pen, ink and sepia wash with further pencil drawings, crayon drawings and examples in coloured chalks, various mediums, various sizes, all contained within a worn album, album size 30cm by 21cm
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283287 Los(e)/Seite