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Preisdatenbank abonnierenSir William Rothenstein (1872-1945) PORTRAIT OF HILAIRE BELLOC, HALF LENGTH, IN PROFILE Lithograph, signed and dated '96 in the stone image 25.3 x 22.7cm Joseph Hilaire Pierre René Belloc (1870-1953) was an Anglo-French writer and historian and one of the most prolific writers in England during the early twentieth century.
Josiah Boydell (British 1752-1817) - After Sir Peter Paul Rubens, interior scene with woman and child at a table piled high with fruit and vegetables, black and white engraving by Richard Earlom, published 1785, 48.5 x 90.5cm approx visible sheet size, together with a further 18th century, black and white engraving, half length portrait of Abraham Van Der Hulst, Vice Admiral, by Jan De Visscher, 50 x 35cm, both framed
A late 19th century wall mirror with rectangular bevelled edge mirror plate within an oak frame, with carved detail, fluted columns and raised pediment, 91 cm wide x 145 cm high, together with a reproduction late 18th century style half length portrait on canvas of a young woman in pink dress and orange shawl, with signature bottom right Leroy, 60 x 50 in wide moulded gilt frame (2)
Sir Geoffrey Kneller (18th century school) - Half length portrait of James, Earl of Berkeley, black and white engraving, by I Fiber, dated 1731, 38 x 28cm approx visible sheet size, a late 19th century sepia photograph of Charles John Travess, huntsman to the Cotswold Hunt, a mid-18th century black and white engraving of the Gloucester Cross after George Vertue, an 18th century map of Gloucestershire by Richard Blome, 34 x 29.5cm approx visible sheet size, also together with a late 19th century continental coloured etching of a town square at night, signed F Marriott, 50 x 55cm, all framed (5)
* Howard (Henrietta Elizabeth, circa 1806-1892, & others). A large family archive of sketchbooks and drawings, comprising approximately 50 sketchbooks, containing a wide variety of pencil sketches, pen & ink drawings, and watercolours, including: topographical scenes, including Gloucestershire, Berkshire, Yorkshire, Somerset, Wales, Scotland, etc., e.g. views of Castle Howard (one entitled 'From my window'), Siddington Manor, Newstead Abbey, Naworth Castle; many scenes of foreign travel, including France, Germany, Italy (Rome, Florence, Venice), Canada, and many other places; portrait sketches and figure studies; a few cartoons; landscapes and seascapes, and a number of sketches of mountains, including Mont Blanc; costume studies; architectural details and stained glass windows; animal studies, one album incorporating mounted pressed botanical specimens, mainly ferns, mosses, and seaweeds, some books with blank leaves, and many with manuscript notes, most albums with ownership names and some with inscriptions, many titles and dates to drawings, various bindings and sizes, some loose leaves, but generally in good condition, plus a number of loose watercolours and drawings (including some miniature drawings) and photographs (Qty: approximately 50)NOTESHenrietta Wright was the daughter of Ichabod Wright and of his wife Harriet (née Day). In 1824 she married The Very Rev. The Hon. Henry Edward John Howard DD (1795-1868), Dean of Lichfield and son of Frederick Howard, 5th Earl of Carlisle. Also included in the lot are works by their son, Captain John Henry Howard RN (1827-1925) and grandson Commander Robert John Howard RN (1878-1965), as well as other family members, such as Elizabeth Howard, Edith Howard and Emily G. Howard.
* Desvaux ( Auguste , born 1813). Portrait of a Young Lady, watercolour, gouache, and bodycolour, on ivory, laid down on thick card, half-length portrait of a girl seated in an interior, wearing a white lace-trimmed pale blue gown with low neckline, and a gold braclet and earrings set with pearls, her brown hair arranged in ringlets, signed to upper right-hand side, 7 x 5 cm (2.75 x 2 ins), brass frame glazed, with strapwork border in red and outer pierced floral border (Qty: 1)NOTESLittle appears to be known about this French painter who was born at Avranches in Normandy. Benezit notes that there is a Crucifixion painted by the artist in the church of Saint-Gervais at Avranches. A portrait miniature of a naval officer by Desvaux was sold at auction in 2011, and a smattering of larger oil paintings have surfaced at auction over the last couple of decades.
* Embroidered picture. A late 18th century picture of a lady, hand-stitched and painted picture on coarse linen, head and shoulders portrait of a lady, wearing a wig and a wide-brimmed hat trimmed with ostrich feathers, worked in silk threads in black, brown, and cream, with a touch of red, wig stitched with strands of hair, mainly using long and short stitch and buttonhole stitch, some loss of stitching, hat embellished with spangles, face carefully drawn in, 17.5 x 12.5 cm (7 x 5 ins), framed and glazed, together with a Victorian tapestry picture depicting two children in the garden of a house, 21 x 16 cm (8.25 x 6.25 ins), framed and glazed (Qty: 2)
* After Nicholas Hilliard (1547-1619). Portrait of Queen Elizabeth I, early 20th century, circular head and shoulders portrait set into a powder compact, watercolour and bodycolour on ivory, depicting a young Queen Elizabeth I, signed 'Hilliard' to right-hand side, diameter 5 cm (2 ins), glazed and inset into the lid of an ivory powder compact, lid with inset black and red stained ivory roundels, diameter 8 cm (3.25 ins), base with old paper label inscribed in manuscript 'Queen Elisabeth' (Qty: 1)
* Burgess (William, 1748/49-1812). Croyland Abbey, Lincolnshire, circa 1815, fine pen, black ink and grey wash view on paper, inscribed by the artist to lower left 'Sketch'd on the spot, by W. Burgess.' and 'Drawn by W. Burgess.' to lower right, image size 54.5 x 42 cm (21.5 x 16.5 ins), with margins, modern gilt frame, glazed, with Abbott and Holder label to verso, together with a late 18th-century black chalk portrait of an artist seated on some rocks in a landscape with dog and folder of drawings, 54.5 x 42 cm (21.5 x 16.5 ins), modern gilt frame, glazed (Qty: 2)NOTESProvenance: Estate of Michael Jaffe (1923-1997).
* English School. Portrait of Captain Follett Walrond Pennell, in Royal Navy uniform, circa 1828, oil on canvas full length portrait, relined, 76 x 63cm (30 x 25ins), gilt moulded frame with later paper label to verso (Qty: 1)NOTESFollett Pennell (1804-1876) was the son of William Pennell, who served as His Majesty's Consul-General at Rio de Janeiro. Follett entered the Royal Navy as midshipman on board the Impregnable 104, bearing the flag of Viscount Exmouth, at Plymouth in February 1818. He advanced to the command of the Fly 18, on the East India station in November 13th, 1826 and was commissioned as captain in July 14th, 1828. From 31 May, 1834, until July 1837, he served in South America in the Talbot 28. Pennell married Catherine Anna, daughter of Colonel M'Murdo, of Lotus, Dumfriesshire in 1838, and they had one daughter.
* Rokotov ( Fyodor , 1736-1808, after). Catherine the Great, Empress of Russia, early 20th century, oval painted enamel, head and shoulders profile portrait to left, signed lower right in Cyrillic ('O. Sur'), set into an oval silver gilt frame, hallmarked 'LK 56 84' and with a horse and rider (St. George and the dragon?), frame with laurel wreath pattern and set with diamond chippings, overall size (excluding metal hanging ring) 8 x 7 cm (3 x 2.75 ins) (Qty: 1)
* Miniature. Portrait of a Young Lady, circa 1830s, watercolour and bodycolour on ivory, laid down on leather, oval half-length portrait of a young lady, wearing a white gown trimmed with pale pink ribbon to waist and neckline (latter terminating in shoulder rosettes), with high frilled neck and muslin fichu, her curly brown hair ornamented with flowers and a diaphanous veil, 10 x 8 cm (4 x 3 ins), glazed ebonised frame with acorn hanger (lacking additional stand on verso) (Qty: 1)
* Miniature. Portrait of an Infant, thought to be Queen Victoria as a child, 19th century, watercolour on ivory, half-length portrait of a small girl seated, wearing a white gown and bonnet trimmed with purple ribbon, and a purple necklace, two left-hand corners slightly chipped, vertical split 7 mm in along blank right-hand margin (with rubbed initials in red lower right 'ED'?), with adhesive tape repair on verso, sheet size 12 x 10 cm (4.75 x 4 ins), framed, inscribed on backboard 'Queen Victoria' in a 20th century hand (Qty: 1)
* English School. Study of Queen Charlotte, mid 18th century, half-length oil on canvas portrait, captioned to lower edge, relined, 76 x 64 cm (30 x 25 ins), stencil auction sale number 663TZ to stretcher, contemporary frame with acanthus leaf gilt moulded decoration and gilt moulded crown on cushion at head of frame, Parker Gallery picture dealer label to verso (Qty: 1)NOTESSimilar to a mezzotint portrait of Queen Charlotte (of Mecklenburg-Strelitz, wife of George III) (1744-1818) by Thomas Frye (Dublin 1710 - London 1762).
* Jones (John Edward, 1806-1862). Head of an Old Testament Prophet, graphite miniature on card (to verso of a visiting card of the artist, Mr. J. E. Jones, Cannon Row, Westminster), 74 x 37 mm (2.9 x 1.5 ins) (Qty: 1)NOTESAccording to Strickland, the irish artist John Edward Jones, son of the miniature painter Edward Jones, was born in Dublin on 2 May 1806. Trained as an engineer under Alexander Nimmo, he was engaged in many important works in Ireland, including the building of Waterford Bridge between 1829 and 1832, of which he had charge. He also followed his profession in London. A taste and aptitude for sculpture induced him, about 1840, to relinquish his prospects as an engineer, and he commenced practice in London as a sculptor. He achieved considerable success, especially in portrait busts. He is listed in the Royal Academy List of exhibitors for 1844 with the address 8 Cannon Row, Westminster, matching the visiting card here.
* Miniature. Portrait of a Gentleman, circa 1790, watercolour, gouache, and bodycolour, on ivory, oval head and shoulders portrait of a bewigged gentleman wearing a brown coat, 6 x 4.5 cm (2.5 x 2 ins), contained in a contemporary oval rose gold pendant frame, glazed, with blue enamel border decorated with gilt dots, overall size (excluding hanging ring) 7 x 6 cm (2.75 x 2.25 ins) (Qty: 1)
* Miniature. Portrait of Madame de Montesson , early 19th century, watercolour and bodycolour on ivory, oval half-length portrait of a young lady wearing a salmon-pink gown with white ruffle around the low neck, and a matching pink ribbon in her ringletted powdered wig, 6.5 x 5.5 cm (2.5 x 2 ins), glazed ebonised frame with thistle, rose, and shamrock hanger, verso with the subject's name in early manuscript and a printed paper label 'Dempster' (Qty: 1)NOTESCharlotte-Jeanne Béraud de La Haye de Riou (1738-1806), known as Madame de Montesson, was mistress, and later wife, to Louis Philippe d'Orléans, Duke of Orléans. She established a small theatre for the enjoyment of family and friends, and wrote and acted in a number of plays.
* Circle of Anthony van Dyck (1599-1641). Scene of a Roman Martyrdom, 17th century, pen and brown ink, and brown wash, with touches of red ink, on laid paper (with indistinct watermark), arched top, inscribed in brown ink in an early hand to lower margin 'A. Vandike', stamped in black ink lower right R [collector's mark of Jonathan Richardson, Junior, Lugt 2170], 30.5 x 21 cm (12 x 8.3 ins), window-mounted (Qty: 1)NOTESProvenance: Collection of Johnathan Richardson, Junior (1694–1771), portrait painter, collector and critic, London; Estate of Michael Jaffe (1923-1997).
* Leoni (Ottavio, circa 1578-1630). Portrait of Galileo Galilei, 1624, copper engraving on laid paper, trimmed to plate margins, 14 x 10.9 cm (5.5 x 4.3 ins), together with Hogarth (William, 1697-1773). [View of Ranby´s House], publish´d as the Act directs by Jane Hogarth at the Golden-Head Leicester Fields 1st May 1781, etching and engraving, the second state of two, discolouration from old mounting glue to upper outer corners, trimmed to margins, sheet size 10.1 x 15.2 cm (4 x 6 ins), plus six copper engravings from the series Balli di Sfessania by Jacques Callot (1592-1635), all later issues in reverse on laid paper, without captions below the image and with plate number to top right corner, with wide margins, sheet size 10.5 x 17 cm (4.2 x 6.7 ins) (Qty: 8)
* Duke of Wellington. Victories in the Peninsula, a tubular bronze box inscribed 'British Victories' by Thomason & Jones circa 1815, the lid set with a portrait of the Duke of Wellington and the base with a counter recording the first and last battle of the campaign, the box containing 14 counters, recording the main events of the Peninsula with a winged angel on the reverse, with the legend 'By the Mercy of God', together with an early 20th century Anglo-Indian carved wood box, the inner lid carved with the badge of The Duke of Wellington's Regiment, 8cm high x 28cm wide x 18cm deep (Qty: 2)
* English School. Girl with Dog, circa 1660-1700, oil on canvas, full-length portrait of a young girl seated in a landscape against a backdrop of trees with a sunset vista of a large parapeted country house beyond, wearing a blue-green silk gown with white cuffs and frilled neckline, a scarlet cloak, and a triple-strand pearl necklace, with a King Charles spaniel nestling in her lap, her left hand indicating a vase of Dutch School-style flowers, including tulips and roses, some light surface marks and unobtrusive craquelure, late 19th or early 20th century re-lining, old Christie's auction stencil number on stretcher '304VA', 105.5 x 83.5 cm (41.25 x 33 ins), period gilt frame (Qty: 1)NOTESProvenance: Believed to have been part of the collection of Sir Robert Peel, 1788-1850, Dosthill Hall, near Tamworth, Staffordshire. Tolson Family (resident at Dosthill Hall from the 1850s onwards), by descent to Rodney Tolson Gausden (1923-2015), of Sutton Coldfield.
* Miniature. Portrait of a Naval Officer, circa 1790, oval watercolour, gouache, and bodycolour, on ivory, laid down on card, head and shoulders portrait of a gentleman with grey curly hair in a blue coat with anchor-embossed buttons, 6 x 4.5 cm (2.25 x 1.75 ins), contained in an early 19th century oval two-tone gold locket frame, glazed, the front set with a border of diamond chippings, the reverse with embossed trophy of love birds and harvest emblems, within a green enamel laurel wreath enclosed by a border of seed pearls, a wide border of engine-turn blue enamel, and a narrow border of white enamel (chipped with slight loss in a couple of places), embossed pattern to edge, overall size (excluding hanging ring) 6 x 5.5 cm (2.5 x 2 ins) (Qty: 1)
* Amling, (Karl Gustav, circa 1650 - 1703). Nox [Night], 1698, copper engraving on laid paper, after Pieter de Witte (1548-1628), trimmed just inside the platemark, a very good impression, sheet size 26.5 x 15.9cm (10.5 x 6.3ins), window-mounted, together with Edelinck (Jan, circa 1643 - 1680). Statue de Galatée, de marbre blanc...dans la grotte de Versailles, [Paris circa 1675] , fine copper engraving on laid paper by Edelinck after a drawing by H. Watelé, off the sculpture by Jean-Baptiste Tuby, plate size 38.5 x 29.7cm (15.25 x 11.7ins), with margins, a very good impression, window-mounted, plus Fantetti, (Cesrae, circa 1660-?). Adam and Eve, circa 1680-1700, copper engraving on laid paper by Fantetti after Raphael, published by De Rossi, Rome, numbered five to lower right hand corner, plate size 24 x 25.8cm (9.5 x 10.2ins), with margins, window-mounted, and other Old Master prints including a hand coloured woodcut illustration from a book signed in the image V S, German gothic printed text to verso, Willem Panneels, Mary Magdalene in the House of Simon the Pharisee, copper engraving after Rubens, trimmed to image, sheet size 14.2 x 17.1cms (5.6 x 6.8ins), a mezzotint portrait of Lucas Holstenius, Vatican Librarian, by Haid, copper engraving of a Roman marble frieze by Giovanni Battista Galestruzzi after Polidoro da Caravaggio (numbered 2 lower right corner), and a further group of 16th century German woodcut illustrations with printed text to versos (Qty: 16)
* Silhouette. Oval Portrait of Harriet Ray (1807-1897), circa 1830s, black scissor cut heightened with gilt, half-length portrait of a young lady profile to right, wearing a gown with low neckline and large blouson sleeves, and pendant earrings, her hair in a tall bun with forehead curls, 13 x 9.5 cm (5 x 3.5 ins), oval ebonised frame, glazed, paper label on verso with notes pertaining to the sitter in early (and later) manuscript, together with Oval portrait of Reverend John Mead Ray, (1753-1837), circa 1800, reverse painting on convex glass, half-length portrait of a gentleman profile to right, 8.5 x 7 cm (3.25 x 2.5 ins), original ebonised frame, with acorn hanger, various manuscript notes on verso pertaining to sitter (Qty: 2)NOTESThe first item with details on verso of frame as follows: 'Catherine Mary Jackson. Your gt. gt. Aunt Harriet Ray, Grandma Burton's sister who loved & cared for us all in our childhood and was kind to you. She died at the age of ninety, 1897, a true Christian woman.' The notes on the second item indicate that the sitter married Elizabeth Shepherd, whose father, William Shepherd of Coxside, married Mary Gainsborough, daughter of Thomas Gainsborough's elder brother, John.
ARR * Marr (Leslie, 1922-), Self Portrait, 1946, oil on board, signed and dated in red lower right, additionally signed and dated to verso in black, 49.5 x 36.5cm (19.5 x 14.3 ins), framed (Qty: 1)NOTESAfter his war service in the RAF, Leslie Marr attending life classes at Heatherley's Art School in Pimlico, and at the Borough Polytechnic under David Bomberg who became his teacher and mentor. Marr exhibited with the Borough Group in 1947 at the Everyman Cinema Gallery, London, and the following year was elected founder member and secretary. His work was recently shown alongside Bomberg's at Piano Nobile Gallery in London, Spirits in the Mass, (17th November 2017 - 19th January 2018).
* Sadeler ( Aegidius , 1570-1629). Portrait of Johann Matthaus Wackenfels von Jungfrauendorf (1550-1619), circa 1614, pen, brown ink and grey wash on laid paper, 24.8 x 16.7 cm (9.8 x 6.6 ins), mounted on 19th century backing card, with collectors stamp CA within an oval to lower right, window-mounted (Qty: 1)NOTESProvenance: Estate of Michael Jaffé (1937-1997). A copper engraved portrait of Wackenfels after Sadeler, based on the same image, but with different border ornamentation, was published in Prague in 1614. Johannes Matthaeus Wacker von Wackenfels (1550–1619) was a diplomat, humanist scholar, courtier and author, with an avid interest in history and philosophy. Wacker became Johannes Kepler's patron, and it was he who first brought Kepler the news of Galileo's telescopic discoveries. Kepler dedicated his 1611 pamphlet Strena seu nive sexangula ( The Six-Cornered Snowflake ) as a New Year gift to his friend. The Kepler conjecture, as it is known, is a mathematical theorem about sphere packing in three-dimensional Euclidean space. Wacker was born in Konstanz in 1550 into a Lutheran Protestant family and studied in Strasbourg, Geneva and Padua. He was supported and promoted by Johannes Crato von Krafftheim, who introduced him into the circle of Renaissance humanism in Northern Europe in Breslau. In 1575 he received his doctorate in Padua, and in 1576 he returned to Breslau and became the confidant of Bishop Andreas von Jerin. In 1583 he married Sophie Poley (1563-92), the sister of Wroclaw businessman Christoph Poley. Wackenfels converted to the Catholic faith in 1592, and in 1595 he married his second wife, Catherine of Troilo, allying himself with one of the most influential families in Wroclaw.
* Calvaert Denys, circa 1540-1619, Danae, circa 1590, red chalk on laid paper, with touches of opaque grey wash, squared for transfer, collectors mark PL (Lugt 2094) to lower right corner, 160 x 138mm (6.25 x 5.5 ins), mounted on old laid backing paper, with red ink ruled borders, inscribed in brown ink to lower margin A. Carracci, window mounted (Qty: 1)NOTESProvenance: Sir Peter Lely (1618-1680), court painter to Charles II of England. Apart from his role as the leading portrait painter of his day, Sir Peter Lely is famous as one of the first great collectors of art in Britain, amassing an important collection that included 10,000 prints and drawings and nearly 600 paintings. Estate of Michael Jaffe (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge. Flemish painter Denys Calvaert travelled to Italy to continue his artistic training, and spent most of the rest of his life in Bologna. Well-known for his highly finished copies of paintings by Renaissance masters, he opened a school for young artists in 1575 centred on the study of fifteenth and sixteenth century works of art, often in the form of prints. In this way he influenced younger Bolognese artists such as Guido Reni and Domenichino. Red chalk drawings such as the present work were apparently kept for use in the artists workshop. See Furio Rinaldi, Denys Calvaert in Rome, Burlington Magazine, March 2016, volume 158, number 1356, pages 182-88. This drawing may be a study of the oil painting of the same subject, now in the Ferens Art Gallery, Hull.
* Cox (Harold, active 1921 -). George Edgar Joseph Proudman, crayon on paper, portrait drawing, initials 'E.P.' lower left, together with two further portraits by the same artist of George Proudman's two sons Christopher John and John Bailey Proudman, 50 x 38cm (19.75 x 15ins), oval mount aperture, framed and glazed (Qty: 3)NOTESDrawn by the artist while the Proudman family were on holiday in Lyme Regis in 1938.
Bird Union Cases, 2-63, Scarce, G, some chipping, one hinge loose and cracked nearby, Littlefield Parson & Co, Nesting Birds, late 1850s, 95mm x 84mm, Daguerreotype, sixth-plate, Portrait of teenage boy; 1-128/3-320, Scarce, VG, Littlefield, Parsons & Co, 'Union Forever', circa 1859, 64mm x 76mm, Ambrotype, ninth-plate, three-quarter seated portrait of young man, tinted and gilded; 1-131, Common, VG, Littlefield, Parsons & Co 'Constitution and the Laws', circa 1859, 65mm x 76mm, Ambrotype, ninth-plate, seated young lady, tinted and gilded
Floral Union Cases, 2-5, Scarce, G, one flake by catch, Holmes Booth & Hayden, Bountiful Harvest, circa 1860, 160mm x 100mm, Ambrotype, double sixth-plate, lady holding 2-51, gentleman seated, probably husband and wife; 3-184, Common, F, cracking and repair, Samuel Peck & Co, Geometric Pattern,circa 1858, 95mm x 86mm, Ambrotype, sixth-plate, Mr C Timms, 41 Newington Causeway, London (from 1858-63), portrait of young lady seated in bonnet and shawl with folding silk parasol
Floral Union Cases, 2-42R, Rare, G, small chip to catch, Holmes, Booth and Hayden, Vase with Mixed Flowers, after 1857, 93mm x 83mm, Ambrotype, sixth-plate, nanny or wet nurse with small baby; 2-56, Common, G, some distortion, Samuel Peck and Co (in Krainik as Scovill), Grapes and Lilies, Frederick C Key, before 1857, 85mm x 95mm, Ambrotype, sixth-plate, Old lady in lace bonnet, possibly grandmother, with baby; 2-59S, Common, VG, one corner chip to back, Samuel Peck and Co, Birds and Fountain with floral surround, before 1857, 94mm x 84mm, Ambrotype, sixth-plate, Portrait of young lady in ornate dress, delicately tinted; 3-388, G, small repair, Rare, Samuel Peck and Co, Geometric Scroll/Floral, circa 1859, 64mm x 74mm, ninth-plate
Figural Union Cases, 1-104/2-23, Common, VG, Samuel Peck & Co, The Calmady Children, Hiram W Hayden, Painting by Sir Thomas Lawrence, before 1857, 98mm x 87mm, Ambrotype, sixth-plate, Portrait of Young Man, gilt highlights; 1-181, Scarce, VG, Littlefield, Parsons & Co, The Sleeping Friar, circa 1860, 54mm x 49mm, Ambrotype, sixteenth-plate, Portrait of elderly lady
Geometric Union Case, 2-17, Rare, G, Littlefield, Parsons & Co, Strawberries & Flowers, 1857-1861, 83mm x 94mm, Ambrotype, sixth-plate, Bullock & Co, Photographic Portrait Gallery, Royal Assembly Rooms, Bedford St, Leamington Spa (at address 1855-1861), Outdoor portrait of young policeman No.222, rare, face in focus, G, emulsion detaching to right side of image and near head
Geometric Union Cases, 3-91, Common, P-F, cracked and repaired, Samuel Peck and Co, Scroll/Hatched Oval, before 1857, 94mm x 83mm, Daguerreotype sixth-plate, seated portrait of bald middle-aged man with long 'tonsure' hair, image G-VG; 3-106, Common, G-VG, one small crack, Littlefield Parsons and Co, Floral Geometric, circa 1858, 85mm x 95mm, Tintype, sixth-plate, Portrait of Young Gentleman; 3-175, Common, F-G, Littlefield, Parsons and Co, Scroll/Geometric, circa 1858, 84mm x 95mm, Tintypes, sixth-plate double portrait, mother and child
Geometric Union Cases, 3-25 Scarce, overall G, one side of back replaced, Samuel Peck & Co, Scroll/Geometric, Frederick Key, before 1860, 125mm x 101mm, Ambrotype, quarter-plate, Profile portrait of languid gentleman, leaning on table with top hat on it; 3-154, Scarce, F,repaired, A P Critchlow & Co, Geometric, late 1850s, 84mm x 95mm, Ambrotype, sixth-plate, young woman in wrought iron garden chair
Figural Union Cases, 1-35, Common, G, Littlefield, Parsons & Co, Alone at the Rendezvous, prob. Anthony Schaefer, Mezzotint by Sartain, painting by A de Dreux, late 1850s, 124mm x 101mm, Ambrotype, quarter-plate, Portrait of two ladies, one seated, one standing, gilt highlights; 1-38, Common, A P Critchlow & Co, Sir Roger de Coverly and Gypsies, Silver Statue by Joseph Angell (Krainik Collection), before 1858, 123mm x 98mm, Ambrotype, quarter-plate, seated gentleman, tinted, with gilt highlights
Figural Union Case, 1-46, Very Rare, overall G, few chips, some blemishes and crack to front, one hinge loose, Samuel Peck and Co, The Horse Race, Frederick P Goll, early depiction of horses with all feet off ground, before 1857, 122mm x 100mm, Ambrotype, quarter-plate, Portrait of young lady in crinoline with book in hand, gilt highlights
Geometric Union Cases, 3-265, Rare, F-G, Smith's Patent Improved Union Cases, Diamond Cut Oval, circa 1860, 76mm x 67mm, Ambrotype, ninth-plate, Portrait of seated young lady, gilt highlights; 3-279, Common, VG, Samuel Peck & Co, Geometric, circa 1859, 66mm x 76mm, Ambrotype, ninth-plate, Robert Armstrong, 63 Princes Street, Edinburgh, Portrait of seated lady, tinted and gilded; 3-251, Scarce, G, corner chip, Geometric with grape and vine border, circa1860, 65mm 76mm, ninth-plate, Portrait of a Lady, F; 3-286, Common, VG, Scovill Manufacturing Co, Geometric Scroll, Frederick Key, circa 1862, 75mm x 65mm, Ambrotype, ninth-plate, Portrait of seated old lady, tinted
Geometric Union Cases, 2-33, G, chip to one corner, Rare, Scovill Manufacturing, Vine and Fruit Motifs around Geometric Centre, Frederick Key, circa 1860, 95mm x 84mm, Ambrotype, sixth-plate, Seated Bearded Gentleman with walking cane in left hand; 3-377, Common, VG, A P Critchlow and Co, Linen Oval, before1858, 76mm x 64mm, Ambrotype, ninth-plate, portrait of lady, gilded; 3-296, Common, F, some cracks, Holmes, Booth, and Hayden, Scroll, circa 1860, 64mm x 76mm, Tintype, ninth-plate, seated bearded gentleman; 3-316, Common, VG, Scovill Manufacturing Co, Geometric/Scroll, circa1858, 65mm x 77mm, Ambrotype, sixteenth-plate, Portrait of young man
Floral Union Case, 2-30, Scarce, G, Holmes Booth and Hayden, Wreath of Fruit, W E Houston engraved in die, thus in reverse, after 1857 95mm x 84mm, Ambrotypes, double sixth-plate, trade label for Downie's Portrait Rooms, West End of Market Street,St. Andrews, double portrait of young, one solo and one with small daughter
Geometric Union Cases, 3-218, Scarce, G-VG, Scovill Manufacturing Co, Geometric/Scroll, circa 1856, 81mm x 96mm, Daguerreotype, sixth-plate, Portrait of gentleman, gilt highlights; 3-214, Common, G, some edge wear, Samuel Peck & Co Octagonal Scroll & Oval, before 1857 95mm x 85mm; 3-259, Common, F, Littlefield, Parsons & Co, Geometric/Scroll, circa1860, 65mm x 76mm, Tintypes, double ninth-plate, double portrait of young soldier in uniform, two different poses, gilt highlights; 3-387, Common, F, Samuel Peck & Co, Octagonal Scroll, Ambrotype, ninth-plate, seated bearded gentleman
Floral Union Cases, 2-16R, Scarce, Samuel Peck and Co, Bunch of Fruit, Hops, Vines and Grapes, before 1857, 95mm x 84mm Ambrotype sixth-plate, portrait of gentleman with blue-tinted cravat; 2-24, Common, Samuel Peck and Co, Two Bunches of Grapes, 1860s, 88mm x 97mm, later Ambrotype, sixth-plate, three girls on rocky hillside
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![* Amling, (Karl Gustav, circa 1650 - 1703). Nox [Night], 1698, copper engraving on laid paper, after Pieter de Witte (1548-16](https://cdn.globalauctionplatform.com/c63196c6-290a-4918-92fb-aae10104027c/5363983c-dadd-42ca-9f71-aae30118f551/468x382.jpg)
