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Preisdatenbank abonnieren*Peter Walbourn (1910-2002) Portrait of a gentleman, bust-length in a blue suit and tie with red jumper signed with monogram l.r., oil on board 50.5 x 41cm Peter Walbourn was the President of the Bishops Stortford Art Society, and was invited to paint a portrait of the Queen Mother. *Artist's Resale Right may apply to this lot.
*Sylvia Bergin Rowley (1904-1999) 'Young Girl', c.1970s signed and inscribed on exhibition label verso, oil on board 51 x 40cm Exhibited: The Royal Society of Portrait Painters. *Artist's Resale Right may apply to this lot. Read more about the artist on our website: https://www.sworder.co.uk/news/the-works-of-sylvia-bergin-rowley/?pc=3948Condition report: Small paint losses please refer to additional images, surface dirt, not viewed under UV light, please contact the department for a full condition report.
Edward Heeley (1935-2011) Two oil on canvas paintings, one a portrait in creams and pale yellows of a child wrapped in towels, signed and dated 1970 to lower left and titled David verso 61cm 51cm, in painted frame. The other an abstract landscape signed and dated 1990 to the lower right 35.5cm x 45.5cm, in gilt frame
After Sir Joshua Reynolds, PRA, FRSA, 1723-1792 (English),Portrait of Andrew Grote,half length, wearing a wig and brown coatoil on canvas76xm x 62cmAndrew Grote was one of the founder members of Prescot, Grote, Culverdale & Hollingsworth private bank in Threadneedle Street in 1766. This eventually became a constituent bank of NatWest.Inscribed on note to reverse.Believed to be circa 1830-40 (Cowen & Waring Caoutchouc canvas)Condition reportSurface of canvas is very dirty with what I assume is nicotine. The surface is lightly cracked as I would expect for a portrait of this age, but the canvas appears to be generally good. There is a 3 inch apparent repair on left edge about a third of the way up. Under black light the repaint is clear. There is also some signs of repainting above his right shoulder. The face and coat seem to be unaffected, apart from very small scuff of repaint on right side of the wig. As I said in the note this appears to be a later copy. With a little cleaning and some better framing it will make a handsome portrait.
Various wall hanging pictures and prints etc. to include an oval, late 18th century-style framed, oil on canvas still life study of flowers, one other ornately framed floral still life print, a Hogarth framed and glazed and hand-coloured coaching engraving, a silver framed coloured silkwork depicting a Georgian party and one further, smaller early mid 19th century gilt framed and glazed oval portrait study of a military-style gentleman with white powdered wig and black tunic (5)
A Vienna style cabinet plate painted with a portrait of a maiden, two Continental porcelain figures of Marley Horses, two Dresden quatrefoil boxes and covers and a pair of Carltonware ewers (one tray)Condition report: Vienna plate free from damage but with a wire plate hanger attcahed.Marley Horses, on groom with a re glued arm, both horses with ear chips.Dresden boxes, one good, the other with heavy loss to the cover flange and the base badly broken and re stuck.Carltonware ewers both free from chips, cracks and repair but with some crazing and wear.
A papier-mache bonbonierre, the pull-off cover painted with a portrait of the young Queen Victoria, 7.5cm diameter; together with a papier-mache cheroot case, shaped oblong painted on one side with a courting couple in a landscape and with a lady in Elizabethan costume, 13.5cm long (2)Condition report: Both free from cracks and repair. Some edge chips, overall wear and surface scratches to both.
Three scent bottles, comprising: a clear glass example in double-hinged leather cased bottle, a green glass example in gilt-metal stand and a circular bottle with inset picture of Queen VictoriaCondition report: Cased example with expected wear only. Green axample with chipping to the stopper. Queen Victoria with chips to the stopper, the portrait is clearly viewable head-on but from the sides, it is visible that the print is coming away from the glass.
Two enameled purses and a compact, one purse enameled with flowers, the other parcel-gilt steel centering a portrait of a young girl, the compact enameled with a lake scene (3)Condition report: Enamel compact with very minimal edge chips to the enamel, some wear and discolouration to the fitting, clasp functions correctly. Steel purse with some light pitting, again with discolouration and wear, clasp functioning properly. Compact with a repaired chip to the landscape, other slight chips to the enamel edges throughout, the circular compartment and cover loose from the main body so rotates freely within.
Bayle (Pierre). The Dictionary Historical and Critical of Mr Peter Bayle, 2nd edition in English, London: for J. J. and P. Knapton [and others], 1734. 5 volumes, 4to, 19th-century maroon half morocco, half-titles, title-pages in red and black, without the portrait frontispiece, together with: Thomas Wallis, The Farrier's and Horseman's Complete Dictionary, 1st edition, London: for W. Owen, and E. Baker, 1759. 8vo, contemporary sheep (covers detached), early manuscript notes pinned to endpapers; and others, miscellaneous antiquarian; the lot sold as seen (qty: 1 box)
Pressendrucke.- Chiron (d.i. Richter, Peter). Asi se toca. Portrait des Manitas de Plata. Traditionelle Flamencotexte. Freiburg, Syrinx Presse, 1968. 12 nn. Bll. Mit 5 farb. Linoldrucken sowie 1 Original-Radierung von Chiron. OEngl.-Brosch. mit farb. Deckelillustr. u. Schutzumschl. (HDeckel des Schutzumschlags mit kl. Einriss und Tesastreifen). Eines von 20 signierten und nummerierten Exemplaren der Vorzugsausgabe (GA 105) mit signierter, datierter und nummerierter Radierung.- Band 4 aus der Reihe 'Quadrate'.- Grafik und Text wurden handgedruckt auf der Kniehebelpresse.
Pferde.- The Portraiture of Basto, the Property of His Grace the Duke of Devonshire. Altkolor. Kupferstich von Seymour aus T. Butlers 'Portraits of race horses with their pedigrees, achivements...'. London, Butler, 1753. Darstellung 17,5 x 18,5 cm Blattgr. 34 x 40 cm. Zentral das Portrait des Pferdes mit Reiter, umgeben von Texttafeln, die Abstammung und Auszeichnungen beschreiben. Mittig in unterer Texttafel das Wappen der Cavendish.- Leicht gebräunt, 2 kleine Randeinrisse.
Pferde.- The Portraiture of Mr. Meredith's Bay Horse Bandy. Altkolor. Kupferstich von H. Roberts nach J. Roberts aus T. Butlers 'Portraits of race horses with their pedigrees, achivements...'. London, Butler, 1753. Darstellung 17,5 x 24,5 cm. Gerahmt. Zentral das Portrait des Pferdes mit Reiter, umgeben von Texttafeln, die Abstammung und Auszeichnungen beschreiben. Mittig in unterer Texttafel ein Wappen.- Leicht gebräunt.
Pferde.- The Portraiture of Bay Bolton Originally call'd Brown Lusty, and afterward Whitefoot, and Bay Bolton. Altkolor. Kupferstich von Seymour aus T. Butlers 'Portraits of race horses with their pedigrees, achivements...'. London, Butler, 1753. Darstellung 17,5 x 18,5 cm. Gerahmt. Zentral das Portrait des Pferdes mit Reiter, umgeben von Texttafeln, die Abstammung und Auszeichnungen beschreiben. Mittig in unterer Texttafel ein Wappen.- Leicht gebräunt.
Brod, Max (Prag 1884 - 1968 Tel Aviv). Eigenhändiger Brief an Unbekannt. Mit Unterschrift. (Prag), 22/2 (19)18. 2 Seiten auf Doppelblatt. 'Sehr geehrter Herr, absichtlich ließ ich Ihren Brief, durch den ich mich beleidigt fühle, liegen - um nicht übereilt zu scheinen. Nein, auch bei nochmaliger Durchsicht meines Beitrags bleibt mit Ihr Vorgehen unverständlich. Als Sie mich einluden, müßte es Ihnen doch wohl klar sein, daß meine Art von dem allgemein Üblichen ziemlich abweicht, und Sie durften kein 'Portrait' wie das anderer Autoren von mir erwarten. Besonders wenn Sie ein 'Kenner' meiner Worte sind, wie Sie mir schreiben.- Meinen Sie vielleicht, ich lese meine Beiträge nicht einigemal durch, ehe ich sie einschicke? Was für einen Sinn hat also Ihr Antrag, ich solle Ihnen bei 'nochmaliger Durchsicht meines Portraits beistimmen'?? Ich habe auf Ihre Aufforderung und eigens für Sie hingesetzt, nachgedacht und gefeilt - ich finde meine Arbeit durchaus nicht 'skizzenhaft', sondern im höchsten Grade charakterisch für alle Seiten meiner Person, gut stilisiert, knapp und aufklärend. ... Ihre Ablehnung hat mich auf das Peinlichste verstimmt'.- Gelocht, dort mit kleinen Randläsionen.
Pferde.- The Portraiture of Young Cartouche, ye Property of the Rt. Honble. the Earl of Portmore. Altkolor. Kupferstich von Seymour aus T. Butlers 'Portraits of race horses with their pedigrees, achivements...'. London, Butler, 1753. Darstellung 17,5 x 19 cm. Gerahmt. Zentral das Portrait des Pferdes mit Reiter, umgeben von Texttafeln, die Abstammung und Auszeichnungen beschreiben. Mittig in unterer Texttafel ein Wappen.- Leicht gebräunt, 1 kleiner Randeinriss.
Pferde.- The Portraiture of Little Driver the Property of Mr. Josiah Marshall of Newmarket. Altkolor. Kupferstich von H. Roberts nach J. Roberts aus T. Butlers 'Portraits of race horses with their pedigrees, achivements...'. London, Butler, 1753. Darstellung 17,5 x 25,5 cm Blattgr. 25,5 x 36,5 cm. Zentral das Portrait des Pferdes mit Reiter, umgeben von Texttafeln, die Abstammung und Auszeichnungen beschreiben. Mittig in unterer Texttafel ein Wappen.- Komplett hinterlegt, leicht gebräunt, 1 kleiner Randeinriss.
A John Pinches commemorative set of fifty silver ingots, '1000 Years of British Monarchy', 'Sterling Silver Mint Edition', issued 1973, each '1000 grain' ingot struck with a 'magnificent cameo portrait of the ruler surrounded by a scene of a significant event particularly associated with that time', from Edgar in 973 to Elizabeth II in 1973, each ingot 45 by 23 by 6.7mm, 66.0g, each ingot hallmarked, all in fitted wooden presentation box, 61.5 by 23.7 by 8cm high, together with an additional Edward IV (1461-1483) ingot, in plastic case, total silver weight 3366g.
A group of five Elizabeth II Royal Mint UK proof coin sets, comprising 'The 2017 United Kingdom Proof Coin Set Collector Edition', 'The 2015 United Kingdom Definitive Proof Coin Set', 'The 2015 United Kingdom Proof Coin Set Commemorative Edition', 'The Fourth And Fifth Circulating Coinage Portrait Collection', and 'The Fourth Circulating Coinage Portrait', each coin set in a black case or box, and with outer cardboard sleeve. (5)
An Elizabeth II gold proof sovereign five coin set, comprising 1989 Tudor Rose proof sovereign, 2002 Royal arms shield proof sovereign, 2005 Timothy Noad St George and the dragon design proof sovereign, and 2012 Paul Day St George and the dragon design proof sovereign, each being a proof example of one of the only four years in which the sovereign reverse design had changed during Queen Elizabeth II's reign, together with 2016 limited release proof sovereign with a portrait of Queen Elizabeth II by James Butler, each with certificate from The London Mint Office, each coin in plastic case, and all in a wooden presentation case, and outer box.
A small group of five Elizabeth I and later coins, including a Elizabeth I silver sixpence, possibly 1561, heavily rubbed portrait with rosette to its right, rubbed long cross shield back, 25mm diameter, 2.9g, a possible James II 1689 gun money shilling, 25mm diameter, 5.7g, a 1652 Bristol farthing, a George III 1762 silver three pence, and a copper cartwheel penny. (5)
Two Victorian gold mourning brooches, one with painted portrait miniature dated 1859, the other with glazed hair work panel, may also be worn as pendants, lengths 4.1 and 5.1cm, total weight 29gCondition- Overall fair to good condition- Scratches and discolouration in keeping with age- Hair work panel is in fair to good condition, with surface dirt- Portrait miniature is in fair condition, with a few areas of flaking- Reverse of portrait miniature engraved 'Nancy Ingham 1859, Nancy Picketts born April 20th 1765'- Glazed hair work panel to reverse of portrait brooch- Brooch and pendant fittings are present- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
JOHN WESLEY INTEREST - CARVED WOODEN MALLET an interesting wooden mallet possibly made in Lignum Vitae, the handle and body with engine turned decoration, the handle unscrews to reveal a cavity inside. The base with a portrait of John Wesley, marked John Wesley, M A, Born June 17th 1703, Died March 2nd 1791. 19.5cms high
Charlie Johnson Payne "Snaffles" (1884-1967) - Fusilier - An original watercolour on paper caricature full body portrait painting study depicting a Light Infantry Fusilier in full military dress with bearskin hat, hackle cloth dipped in blood, medals pinned to chest and holding a sword. Signed and titled by the artist in black ink. Framed & glazed. Measures approx; 41c x 33cm.
An 18th Century large size portrait miniature on ivory study painting depicting General Sir Charles Stewart (1753-1801). Depicts Stewart in full military dress jacket and white curled wig. The portrait set within a boulle work brass and tortoiseshell frame. Label to verso. Measures approx; 19cm x 17cm.
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