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Preisdatenbank abonnieren19TH CENTURY ENGLISH SCHOOL "Gentleman in black coat and white stock" and "Lady in black dress and white bonnet", portrait studies, half length, oil on board, a pair, unsigned, 21 cm x 19 cm CONDITION REPORTS Both pictures with wear, dirt and scuffs. Craquelure to the paint. Under UV light both pictures appear to have had quite a lot of restoration, stabilising of craquelure and re-varnishing. Frames with various cracks and scuffs.
SCHOOL OF SIR PETER LELY "Carolus Secundus Rex", portrait study of Charles II, seated wearing robes of the Order of the Garter, three quarter length, oil on canvas, unsigned, 122 cm x 96 cm CONDITION REPORTS The canvas has been glued onto hardboard and the hardboard has warped. Various rips and tears to the canvas and some holes including hole to left side. Various areas of damage and repair and overpainting. Craquelure and cracking to paint. Appears generally to have had quite a lot of restoration and crude repairs to holes and splits. Some tattiness and paint losses to edges. Frame with cracks and splits and quite a lot of losses to the mouldings. We believe the picture to have been painted in the period of (ie that it is contemporary with) Sir Peter Lely , but that it is NOT painted by the artist himself.
19TH CENTURY ENGLISH SCHOOL "Young girl as a wood nymph", portrait study, head and shoulders, oil on canvas, unsigned, inscribed on old label verso, 50.5 cm x 40.3 cm CONDITION REPORTS Overall with quite heavy wear, large areas of flaked paint missing, quite extensive craqueleur, particularly visible to hair, dirt, scuffs, areas of lifting to paint, overall in need of some restoration, painting is unframed.
Herbert E Butler, a half length portrait of a gentleman with a moustache, oil on canvas, 75 x 50 cm, and his companion (2) Condition report Report by JB No major damage would appear present to the surface of the painting. Some light discolouration around the face region. Back would suggest re-lining at some point. The female companion is in similar condition, slight indentation to the canvas around the right ear, almost forming a hole, again back would suggest re-lining at some point Please see illustrations for details
After Thomas Gainsborough, The Honble Mrs Henry Fane, oil on canvas, a painted oval, inscribed, 90 x 69 cm, and its companion, The Honble Mr Henry Fane, 75 x 62 cm (2) See illustration Condition report Report by JB The image of the young lady displays varying levels of wear. There is light cracking/crazing to the bottom right region, and around the left shoulder. Slight discolouration to skin regions, marks and chips, with some loss to the surface, most noticeably to the top left, cracking and marking running along the top section of the frame. Surface feels rather smooth, suggesting a cleaning, and the rear of the painting would also suggest that as well. The frame also displays noticeable wear, with some loss around the top left hand side and bottom, along with general cracking and splitting. The portrait of the young gentleman also displays light discolouration to skin areas and white collar region. General markings and scratching also present to surface. Painting is smooth to the touch, suggesting cleaning at some point, which is consistent with cleanliness and tautness of the rear. Frame in similar condition, with the areas of loss concentrated to the centre right and bottom Please see illustrations for details
Amedeo Modigliani, Italian (1884-1920) Circa 1916 Tip of Lead on Paper "Portrait of Poet Blaise Cendrars". Unsigned. Inscribed by Blaise Cendrars "Mon portrait par Modigliani en 1916 Blaise Cendrars" (my portrait by Modigliani in 1916, Blaise Cendrars). Embossed Mark with Ostrich to Paper. Restored Condition, Creasing. Please Examine this Lot Carefully Before Bidding. Sheet Measures 16-1/4 Inches Tall and 9-3/4 Inches Wide. Shipping $48.00 Starting Price: $5,000.00
FONTAINE ET SON BASSIN en bronze finement gravé et ajouré pour la fontaine, simplement gravé pour le bassin. Le bassin s`accroche au mur par une applique ornée d`une tête de chien stylisé et reposant sur un fond en forme d`écu. Le bassin est ajouré et gravé de dessin représentant des bustes de chimères et de dragons entourés de rinceaux de feuillages, le bassin est gravé en son centre d`un portrait du doge Andrea Gritti avec la date "anno 1538", autour de ce buste des rinceaux feuillagés ornés de quatre mascarons puis sur le bord un autre ensemble de rinceaux avec des oiseaux, des armoiries, deux chimères et le Lion de Saint-Marc dans un ovale. Le bassin repose sur un piédouche qui se visse sur son fond. (Deux fentes sur l`intérieur du marli du bassin). XIXe siècle. HAUT. DE LA FONTAINE : 38 cm - DIAM. 38 CM - HAUT DU BASSIN : 14 cm
Sèvres (PORCELAINE) Médaillon circulaire en porcelaine dure à décor en léger relief d`un portrait d`homme en buste de profil tourné vers la gauche, portant la croix et le cordon de l`ordre du saint-Esprit, probablement Henri-Léonard Bertin, filet or sur le bord. Marqué : LL entrelacés bleu, marque du doreur Weydinger. XVIIIe siècle, vers 1775. Diam. 9 cm
ÉMILE WOLFF Portrait présumé de l`artiste Buste en marbre blanc, signé E WOLFF FC (fecit) et daté Romae 1835. HAUT. 70 cm - HAUT. PIÉDOUCHE : 15 cm Emil Wolff, né à Berlin était le neveu et l`élève de Johann Gottfried Schadow, il fit une belle et importante carrière à Rome. Figure incontournable de la société des grands amateurs d`art de la cité papale au milieu du XIXe siècle, il en dirigea la prestigieuse Académie de Saint-Luc. Inspiré par Canova et Thorvaldsen, il est l`un des chefs de file du néoclassicisme allemand. Admirateur de Winckelmann, l`inventeur de l`archéologie moderne et le théoricien du mouvement néoclassique, il sculpta son portrait aujourd`hui conservé à la Villa Albani. Ayant acquis une importante stature et une reconnaissance internationale, Wolff voyagea et sculpta pour les différentes cours européennes. Ainsi il travailla pour le Tsar Nicolas 1er et séjourna en Angleterre ou l`on retrouve, conservé dans les collections royales plusieurs de ses oeuvres, dont un important portrait en buste du Prince Albert sculpté à Rome en 1839 que la reine Victoria appréciait tout particulièrement et qu`elle garda longtemps à son chevet. Dans un parfait état de conservation, notre buste, bien qu`idéalisé et traité à l`antique est vraisemblablement un autoportrait de l`artiste dont on retrouve les traits, plus âgé, dans un autre autoportrait conservé à l`Académie de Saint-Luc à Rome, ou encore dans le tableau le représentant dans son atelier en 1850, peint par G. Mancinelli (1813–1875).
English School (18th century) 'Portrait Miniature of an elegantly dressed gentleman, head and shoulders, wearing period costume and powdered wig, also a companion, a portrait of a lady, possibly his wife, wearing period costume, watercolour, possibly on ivory, oval, each 4cm x 3cm (a pair) *Contained within carved wooden frames attached to red velvet oval boards
English School (Early 19th century) 'Portrait miniature of Joseph Glancy (Solicitor) (1768-1841), part of the Glamies of Glenville, County Down, descended from 'Sir David Kennedy', he married Mercy Bourcicault, extensively inscribed verso, watercolour on ivory, oval (with twisted hair decoration inset into the frame), 5cm x 4cm, also a companion , 'Portrait of Mercy Glancy, nee Bourcicault, descended from Jean Le M.De Bourcicault (Senior), called 'Le Brave', Marshall of France, died 1367, etc. etc, extensively inscribed verso (a pair)
Attributed to Carl Fiegel (1824-1869) Portrait Miniature of Karl Hutmacher, head and shoulders dressed in military uniform, decorated with three medals, also a companion, a portrait of his wife, Caroline Von Wevers, wearing a white dress and red shoulder drape, watercolour, possibly on ivory, oval, each 5cm x 4cm (a pair)
Roberto Bompiani (1821-1908) Portrait of Mercy Bourciault Casey (Nee Glenny) (1819-1880), married George Casey in 1845, head and shoulders, wearing period Victorian costume, adorned with a jewel, signed and dated 1864, also inscribed 'Rome', with later inscription on a label verso, oil on canvas, oval,also a companion, portrait of her husband, George Casey, wearing a black jacket 65cm x 52.5cm (a pair)
Edward Vaughan [c.1772-1814]- Miniature portrait of a boy, head and shoulders with fair hair and brown eyes,wearing a brown smock with lace collar:- signed with initials EV bottom right oval 6cm, together with a miniature of a gentleman by a different hand and a miniature of a girl in an oval paste set and silver frame. [3]
William Oliphant Hutchison [1889-1970]- Portrait of Helen Elizabeth Anne Hutchison, the artist`s daughter:- three-quarter length seated in a fauteuil, wearing a long cream silk dress, in a salon interior signed and dated W.O. Hutchinson 1949 top right oil on canvas 117 x 98cm, in a scroll and acanthus carved wood frame. Society of Scottish Artists and Paris Salon 1962 labels attached to the reverse
Heywood Hardy [1842-1933]- Riders on the Shore:- signed Heywood Hardy bottom right oil on canvas 48 x 66cm. *Provenance. With Sothebys Lot 85, 5th June 1996, sold for £9200 * Biography. Heywood Hardy [1843-1933] Painter and watercolourist of animals, hunting and sporting scenes, genre and portraiture. He popularised the genre piece in out of period (18th century) costume giving a very romanticised view of his subject. Hardy was born in Chichester, West Sussex, a son of the artist James Hardy senior (1801-1879) and younger brother of the artist James Hardy Junior (1832-1889). He painted from an early age with the encouragement of his father and was at this time largely self taught, showing great skill at his craft and gaining commission work in some numbers. In 1864 he went to Paris to study at the Ecole des Beaux Arts. He remained for four years and on returning to London in 1864 he gained quick recognition for his preferred subjects and was employed by some of the large country estate owners to paint their horses and domestic animals. In 1870 he moved to St.John`s Wood an area popular with fashionable artists of the time and wealthy patrons. His work was also popularised by his contributions to the Illustrated London News and Graphic magazine. In 1909 he moved to East Preston, Sussex where at the age of eighty three he was commissioned to paint eight panels for the famous Climping Church set high on the South Downs to commemorate it`s 700th anniversary. These proved very controversial as they depicted Christ walking the Downs with local village inhabitants in a very modern setting. They can be seen to this day within this delightful church. Hardy exhibited frequently at the Royal Academy, the R.O.I. and the Royal Society of Portrait Painters.
* Eileen Agar[1899-1991]- Portrait:- signed AGAR bottom centre watercolour on cut and shaped paper 35.5 x 30cm overall *Provenance Christies, 2010 Lot 530, 14th December 2010 * Biography Surrealist painter in oils watercolour and acrylic, collagist and object-maker. Born in Buenos Aires, she came to England in 1911. Studied at the Byam Shaw School and later at the Brook Green School and the Slade with Leon Underwood. Studied for two years in Paris and was introduced to Surrealism. Moved in circles with Ezra Pound, Evelyn Waugh, Pablo Picasso, Man Ray, Henry Moore and Paul Nash, whom she counted amongst her friends. Had first oneman show at the Redfern Gallery in 1942 and a retrospective at Birch & Conran in 1988. There was a centenary show at the Scottish National Gallery of Modern Art and also at the Redfern. The Tate Gallery hold her work, which has in part a strong jokey element. Elected a Royal Academician shortly before she died.
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