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Postcards, Silks, a Christmas selection of 6 embroidered silk cards. 'To my dear sister' showing head and shoulders of child with French flags either side, Merry Christmas dog cart pulling whisky and pudding, 'Am cheery how's yourself' whisky bottle and pudding on table with vase of flowers and bowl of fruit, 'A Happy Christmas' with Xmas tree to centre and flags of the allies either side, 'A Happy Christmas' art nouveau portrait of lady to centre with mistletoe decoration and flags below, and folded Xmas card with parade of 3 chicks marching 'A Joyful Christmas' (mainly gd)
Postcards, Silks, 3 patriotic designs of military embroidered silks. 'God Save the King' showing 2 soldiers either side of musical notation, 1 in khaki the other in guards uniform, 'Never say Die' with portrait of Tommy smoking a pipe and surrounded by wreath/garland of flowers and crossed flags above, and 'To my Dear Wife' vertical card showing yellow lion holding weather vane, with flags attached at top (some light foxing o/w mainly gd)
Trade cards, albums etc, a mixed selection of items inc. Typhoo Premium Cards (8), inc. George Best, Alan Ball, West Ham Utd Team Group etc. FKS Soccer Stars in Action Album 1969/70 complete, Cleveland, Golden Goals Album (complete), a selection of Aston Villa (AV 40) signed player portrait cards, various reference books inc. an A-Z Football Collectibles by Carl Wilkes, 3 different editions of 'The Got, Not Got, Football Gift Book' by Derek Hammond & Gary Silk and various other items (vg/ex)
THREE EARLY-19th CENTURY PORTRAIT MINIATURES Painted on ivory, depicting respectively a red-haired gentleman wearing a dark jacket and white cravat, inscribed in ink verso "A. Stewart"; a young red-haired boy reclining on red fabric cushions and wearing a blue sash, signed "Gerard" and inscribed in pencil verso "Roi de Rome"; and a lady with ringleted brown hair, wearing a pink dress and pale blue bonnet, within a naturalistic setting, signed indistinctly lower right, inscribed in ink verso "Miss Charlotte Legge" (3) Ivory declaration reference: MPPRDLBZ Condition Report:Portrait of gentleman is split cleanly down its full height, with the two pieces held together by the paper backing. Surface is generally dirty and dull. Paper backing is glued round edges of portrait and visible at points in frame. Considerable wear to guilt oval border. Multiple chips and knocks to ebonised frame.Portrait of lady is in good overall condition. Portrait itself is sealed in the frame by the paper backing, so cannot be removed for inspection. Ebonised frame is extensively scratched and bumped. Portrait of child is in very good overall condition. Painted panel is affixed directly to glass with a paper backing (which is bubbled). Ebonised frame is in fair overall condition, with wear to corners and small chips here and there. Some surface dirt to top right corner. "607 Roi de Rome" scored into the frame verso.
Violet Manners, Duchess of Rutland (1859-1937) Portrait of Sir John Martin-Harvey (1863-1944) in character as Sydney Carton in the play 'The OneWay', initialled and dated 1899 lower left, drawing, 37 x 27 cm (SH), frame 59 x 46 cmOld label and auction stencil versoCondition:The drawing is a work on paper, framed under glazing, not examined external to the frame. The sheet does not show obvious evidence for losses or damage, there is some ageing (browning) to the paper and some staining. There are a few isolated and sparsly distributed spots of foxing to the centre-right. Frame has general wear and tear.
After George Dance R.A. (1741 - 1825) Portrait of Hester Lynch Thrale, Mrs Piozzi (1741-1821) pencil drawing, 22.5 x 17.5 cm (SH), frame 43 x 36 cmHester Lynch Piozzi (nee Salisbury) married Henry Thrale in 1763, then Gabriel Piozzi in 1784.Provenance: Collection of Peter Roberts, purchased from Wigs on the Green gallery York in 2015Peter Roberts was born in Shropshire and brought up in the market town of Shrewsbury. He attended the Priory Grammar School before leaving for Cambridge University where he studied Classics and English. He qualified as a teacher, working first at Rydal School in North Wales before being appointed Head of English at Oundle School in 1982 where he remained until his retirement in 2007. Later in life he returned to his roots in Shropshire and spent his time pursuing his love of the arts, and built up a very carefully curated collection of antique furniture, antiquarian books and in particular, 19th Century English Watercolours. Roberts had a keen eye and focused on some of Britain’s best loved landscape painters such as David Cox, John Varley, Paul Sandby, Peter de Wint and William Leighton Leitch.
19TH CENTURY SCHOOL "The children of Reverend John Harrison - William, Kate and Sissy Jane", silhouette, depicting three young children, one playing with a hula hoop, another holding a basket of flowers, another seated on a stool, bears label verso, 15 cm x 20 cm, a further 19TH CENTURY SCHOOL "Family group depicting gentleman, lady and two children", silhouette, 18 cm x 25.5 cm and a further EARLY 19TH CENTURY portrait silhouette "Lady with lace-trimmed cap", 9 cm x 8 cm (3)
MARGARET MILNES (1908-1998) "Portrait study of young girl in red", signed lower right, 30 cm x 25 cm, CIRCA 1900 "Young woman scantily dressed, reading a book at table with remains of dinner", oil on board, 26 cm x 21 cm, PR DIMENT? study of a young woman with her hair up, watercolour heightened in pencil, indistinctly signed lower right, 37.5 cm x 30 cm (3)
19TH CENTURY ENGLISH SCHOOL "Portrait study of a young girl with blue ribbon in her hair", watercolour heightened with white, unsigned, 17 cm x 13 cm, 19TH CENTURY ENGLISH SCHOOL "Study of a young woman in black dress with lace trim", watercolour on card, card bears inscription verso but cut, 14 cm x 12.5 cm (2) CONDITION REPORTS There are indeed two paintings in this lot, please see images of second portrait, arguably the better of the two!
A modern 18ct gold miniature brooch, the plastic backed embellished portrait of an elegant lady with clear stone and gold dot embellishments as jewellery, on an 18ct gold blue enamelled fancy mount, 3.6 x 3.1cm, approx. 6.6g.Condition Report: The portrait is not on ivory - it is too modern. The back has been removed, and the portrait is quite clearly plastic or plastic-type material. There is no glass, but otherwise good and bright.
A RARE QUEEN ANNE CUT PAPER PORTRAIT OF JOHN CHURCHILL, 1ST DUKE OF MARLBOROUGHAFTER JOHN CLOSTERMAN (1660-1711), DATED '1705'the pencil bust inside an oval frame and foliate spandrels above a crest and titled boxes inscribed 'John Churchill, Prince of the holy Empire & Duke of Marleborough, Anno 1705', in a glazed ebonised frame38.5 x 31cmProvenancePurchased from Jeremy Ltd.The property of a Nobleman.
A MEZZOTINT PORTRAIT OF THOMAS CHUBBAFTER GEORGE BEARE (act.1743-1749)a black and white mezzotint engraving by Gerhard Bockman (1686–1773), 'Mr. Thomas Chubb Aetat: 68, A:D: 1747.', in a glazed ebonised frame46.8 x 38.8cmProvenanceThe property of a collector, Stirling House, Salisbury.Catalogue NoteThomas Chubb (1679-1747) was a Deist writer, native to Salisbury. His key work 'A Collection of Tracts on Various Subjects' (1730) is illustrated in the mezzotint offered here, the spine of the book to right of the sitter bearing the title 'CHUBBS TRACTS'.
A RARE ITALIAN MOSAIC PANEL IN THE MANNER OF FILIPPO COCCHI (ITALIAN 1762-1818)VATICAN MOSAIC WORKSHOP, ROME, LATE 18TH CENTURYthe central oval panel depicting a bacchante holding grapes in her left hand with a vine leaf in her hair, with Siena marble borders and with sixteen rondels of differing micromosaic butterflies in the manner of Giacomo Raffaelli, all inset into black marble67.6m high, 77.2cm wide, 3.4cm deep Catalogue NoteThe Vatican Mosaic Workshop was established for the embellishment of St. Peter’s, creating altarpieces and other magnificent mosaics. The mosaicists copied famous Old Master paintings by well-known Baroque artists such as the likes of Carracci, Domenichino, Guido Reni and Poussin. Hardstone and coloured glass tesserae were carefully selected and arranged to give the impression of the chiaroscuro effects of the original paintings, in Vasari’s words to ‘appear at a distance as genuine and beautiful pictures.’Rome soon became renowned for the technique and mosaics became the diplomatic gifts of the Papacy. Demand grew from royal travellers, connoisseurs and collectors visiting Rome on the Grand Tour, to quench this thirst artisans started to produce mosaici in piccolo or micromosaics. Initially the subject matter was religious but later in the 18th century classical subjects became popular like the Bacchante portrait in the present lot. A Bacchante or Maenad is a devotee of Bacchus, the god of wine and a symbol of revelry and festivity. The source for the present lot remains elusive but portraits of Bacchantes were popular in the 18th century with similar works painted by Angelica Kauffman and Joshua Reynolds. For a micromosaic plaque of the Muse Euterpe by Filippo Cocchi, dated ‘1785’ see Carlo Bertelli, Mosaics, p.72.
A GEORGE III SILHOUETTE PORTRAIT OF JOHN FORDYCEBY J. MIERS (1756-1821)in a pressed brass glazed frame, the verso with a printed Miers label, together with two other silhouettes, one of a young man and a hand-coloured print of Major Hungerford Rickard Elers 43rd Rgt (3)10.5 x 7cm (max) ProvenanceA private collection, Salisbury.
A GEORGE III WAX PORTRAIT BUST OF SIR JOSEPH BANKSAFTER JOHN FLAXMAN JR, C.1780-90in an oval carved oak frame11.5 x 9.5cm maxProvenanceA private collection, Salisbury.Catalogue NoteWedgwood made a near identical portrait medallion in both blue and lilac jasper quite possibly using the same mould. See: Bindman (D) Ed. John Flaxman RA, published by the Royal Academy of Arts, 1979, p. 51, pl. 21a.
A SET OF TEN PORTRAIT ENGRAVINGS18TH CENTURY AND LATERportraying 'The Right Honourable William Pitt Esq', 'Regina Anna D.G. Angliae Scotiae Franciae et Hibern.', 'Ernestus Gideon Baro de Laudon', 'Rudolphus L.D.G Romanorum Imperator', 'Justus Henningus Boehmerus', 'The Right Noble Charles Marquess of Rockingham', 'Leopoldus S.R.I. Comes de Daun', 'Franciscus I Roman. Imper.' and two others, each in a glazed Hogarth type frame, the backs with stencil marks for 'J. & W. VOKINS, MAKERS, 14, GREAT PORTLAND ST.' (10)41.9 x 24cm (max)ProvenanceSotheby Parke Bernet, Mentmore House, May 1977.A private collection, Salisbury.
A SET OF SIX PORTRAIT ENGRAVINGS18TH CENTURY AND LATERportraying 'Josephus II Augustus Leopoldus A.A. Magnus Dux Etruriae', 'Conradus Detlev A Dehn', 'The Right Honourable Georgiana Lady Viscountess Spencer and Her Daughter', Empress Elizabeth Alexeievna, a double portrait of King Charles I with Queen Henrietta Maria, and one other, in glazed Hogarth type frames (6)75 x 50.6cm (max)ProvenanceA private collection, Salisbury.
Royal Doulton Stoneware commemorative Admiral Lord Nelson two handled loving cup, decorated by Bessie Newberry, with two applied rope handles, modelled in low relief with portrait roundel, the reverse with plaque England Expects Every Man Will Do His Duty, incised rope borders, in colours, impressed factory marks, 14 cm high
A Royal Doulton Stoneware commemorative Admiral Lord Nelson Jug, swollen cylindrical form with applied rope handle, modelled in low relief with portrait panel flanked with sailing ships, with inscription, England Expects Every Man WillDo His Duty, in colours, on a blue ground impressed marks, height 20cm
Royal Doulton Stoneware commemorative Admiral Lord Nelson jug, swollen cylindrical form with applied rope handle, modelled in low relief with portrait panel flanked with sailing ships, with inscription England Expects Every Man Will Do His Duty, in colours, on a blue ground impressed marks, height 20cm, production orange peel glaze fault lower section.
Nelson and His Captains, a Royal Doulton Stoneware commemorative Admiral LordNelson Jug, cylindrical form with applied strap handle, printed with Admiral Nelsonportrait roundel flanked with four smaller portrait roundels and two sailing shippanels, in black between two blue bands, impressed factory marks, height 21cm, tiny chip to upper rim
Allan Cownie (Welsh 1927-2015), 'Julia', pastel portrait of a young woman (37cm x 47cm), signed 'ALN COWNIE' to lower left, framed and glazed (43cm x 53cm), together with a signed limited edition lithograph after E Scott Jones, 'St. Andrew's' (48cm x 33cm), 3/25, framed and glazed (66cm x 52cm).
An impressive pair of Victorian Bristol blue table lustres, each having a band of portrait panels and gilded decoration, with arrowhead lustre drops, H27cm, diameter 19cmBoth in good overall condition, no obvious chips cracks or repairs, the gilding does have some rubbing to both, 1 arrowhead lustre missing, several of them do have minor chips
Box of assorted GB and foreign coinage, banknotes including The Japanese Government 10 Rupees etc. (B.P. 21% + VAT) There is one 10 Rupee note, it is Japanese (see photo), all others have been torn out. There is one Rs1 containing a side portrait of King George V in the folder, No. F83 J24479 to the back.

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