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Preisdatenbank abonnierenTIM OKAMURA,EVERYBODY Vs INJUSTICE,Archival pigment print on 290 gsm, moab entrada fine art paper,35.5cm x 35.5cm,From an edition of 100Tim Okamura is a current Canadian artist known for his depiction of subjects who are African-American in urban settings, and for his combination of graffiti and realism. His work has been featured in several major motion pictures and in London's National Portrait Gallery.
KEV MUNDAY,THE MARCH,Giclee print on 350 GSM silk paper, signed and numbered,42cm x 59cm,Edition of 50Kev Munday creates colourful, utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages. Using bold lines and block colours, the vibrancy of Munday’s style creates an enthralling visual experience. His iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. Each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts.
KEV MUNDAY,PASSING STRANGERS,Giclee print on 350 GSM silk paper, signed and numbered,59cm x 42cm,Edition of 50Kev Munday creates colourful, utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages. Using bold lines and block colours, the vibrancy of Munday’s style creates an enthralling visual experience. His iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. Each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts.
KEV MUNDAY,RAINBOW FAMILY,Acrylic and ink on canvas, signed verso,20cm x 20cm,OriginalKev Munday creates colourful, utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages. Using bold lines and block colours, the vibrancy of Munday’s style creates an enthralling visual experience. His iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. Each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts.
CHRIS LEVINE,COMPASSION, 2016, Giclée Print, signed and dated, 43cm x 23cm,Edition of 500Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form. Levine’s work considers light not just as a core aspect of art, but of human experience more widely and a spiritual, meditative and philosophical edge permeates his work. Levine is perhaps best known for producing what is already being described as one of the most iconic images of the twenty-first century, Lightness of Being. He has recently completed another historic portrait to commemorate the Dalai Lama’s 80th birthday. He is only the second artist to take a formal portrait of His Holiness, the previous being Annie Leibovitz.
CALUM STEVENSON,FUN IN THE STREETS, Giclee print on 308gsm paper, signed, titled and numbered 1/1,42cm x 54cmCalum Stevenson (b. 1997, Falkirk, Scotland) graduated with a BA(Hons) in Fine Arts from Duncan of Jordanstone College of Art & Design in 2019. Stevenson went on to graduate from Glasgow School of Art with a MA in Fine Art Practice in 2020. In 2021, Stevenson became the youngest and first ever Scottish artist to win Sky Portrait Artist of the Year, a national televised competition. He was commissioned by the Scottish National Portrait Gallery to paint Nicola Benedetti, one of the most sought-after violinists of her generation. Stevenson’s work is now part of the permanent collection on display in Edinburgh. Stevenson’s work has been featured in numerous exhibitions and has been added to many private collections.
CALUM STEVENSON,NICOLA BENEDETTI PRELIMINARY DRAWING, Pencil on paper, signed and dated, 42cm x 30cm,OriginalCalum Stevenson (b. 1997, Falkirk, Scotland) graduated with a BA(Hons) in Fine Arts from Duncan of Jordanstone College of Art & Design in 2019. Stevenson went on to graduate from Glasgow School of Art with a MA in Fine Art Practice in 2020. In 2021, Stevenson became the youngest and first ever Scottish artist to win Sky Portrait Artist of the Year, a national televised competition. He was commissioned by the Scottish National Portrait Gallery to paint Nicola Benedetti, one of the most sought-after violinists of her generation. Stevenson’s work is now part of the permanent collection on display in Edinburgh. Stevenson’s work has been featured in numerous exhibitions and has been added to many private collections.
JULIAN OPIE,BIRDS,Limited Edition Fine Bone China Plate,31.8cm × 31.8cm × 5.1 cm,Artist proofJulian Opie lives and works in London, UK, and works in varied media: painting, drawing, sculpture, and film. He is best known for his simple graphic portraits and animated walking figures in black line drawing with minimal added detailing. Opie studied at Goldsmiths School of Art and has exhibited in both solo and group shows worldwide. His artwork is held in numerous collections, including, but not limited to, the Tate, British Museum, Victoria and Albert, National Portrait Gallery in London, and The Museum of Modern Art in New York.
THE LONDON POLICE,BOND AT SEA,2 colour screenprint on Hahnemuhle 300 gsm paper, signed and marked AP,60cm x 60cm,Signed and marked Artists proofThe London Police is an art collective started in 1998 when two English geezers headed to Amsterdam to rejuvenate the visually disappointing streets of Hollands capital. They were part of a small group of artists at the end of the last century that helped pioneer the street art movement. After a few years of mixing traveling and making art in the street TLP began to receive worldwide recognition for their contribution to the graffiti/street art movement. The London Police are Chaz Barrisson who draws the iconic ‘LADS’ character and Bob Gibson whose tight portrait and architectural illustrations help marry the two styles to create an endearing, exciting fantasy world...
§ Edward Wolfe R.A. (South African / British 1897-1982) Portrait of a Lady, Purportedly Charlotte Haldane, 1932 signed and dated (lower right), oil on canvasDimensions:101cm x 75.5cm (39 3/4in x 29 3/4in)Note: Literature:Russell-Taylor, John, Edward Wolfe, Trefoil Books, London, 1986, p.126, no.107 (illustrated) as 'Portrait of a woman'. Charlotte Haldane was a British feminist author whose work included Man's World (1926) and Motherhood and its Enemies (1927). She became an advocate for divorce reform, married woman's employment and easier access to contraception.
§ Hermann Israel Fechenbach (German 1897-1986) Portrait of Mrs Esme Ablett signed (lower right), oil on canvasDimensions:59cm x 49cm (23 1/4in x 19 1/4in)Provenance:Provenance: Commissioned from the artist by the sitter's husband, by whom given to the present owner.Note: Fechenbach studied at the Academies of Art in Stuttgart, Munich, Florence and Vienna between 1919 and 1926. In 1939, fleeing the outbreak of World War Two, the painter emigrated to Buckinghamshire in England, where he continued to paint until his death. This portrait was executed in Oxfordshire.
A small wool carpet with an image of Princess Soraya, Iran, mid-20th century, of rectangular form, with fringing to edges, 64 x 54cm. Brought up between Europe and Persia, Princess Soraya was born on 22 June 1932 in Isfahan, hailing from an ancient aristocratic and nomadic family of central Persia. Having seen portrait photographs of Soraya, the Shah was captivated by her beauty and requested to meet her. She was first introduced to the Shah in October 1950 and shortly afterwards they were officialy engaged. During her married life, the Princess devoted her time to many charities. Sadly the marriage was overshadowed by a lack of children and thus the dynasty's future was at stake. Consequently the couple decided to part, although still very much in love and Soraya took leave of Iran in February 1958.Please refer to department for condition report
A portrait of Fath 'Ali Shah, Qajar Persia, early 19th century, oil on canvas, inscribed within a cartouche to left of figure, within gilt plaster frame, painting 81.5 x 51.2 cm., frame 97 x 69cm. Inscription in cartouche: al-Sultan Fath 'Ali Shah QajarInscription below left: ...Muhammad SadiqMore large-scale painting survive of Fath 'Ali Shah (r.1797-1834) than of any other Qajar monarch, the result of an enormous effort to replicate images of the ruler for display throughout his realm. The present painting appears to have been painted at the beginning of his reign. and towards the end of Muhammad Sadiq's career as painter to the court from the 1740s-90s..Muhammad Sadiq was known for his delicate facial features, including cherry lips and languid eyes, a landscape background and a room rendered in the European manner, with mottled walls representing marble. A number of his works were formerly in the Amery collection, now in the Negaristan Museum, Tehran Please refer to department for condition report
An English officer of the political service, after a portrait by Zoffany or Charles Smith, India, circa 1850, gouache on paper, depicted wearing a black jacket and trousers with gold trim and matching hat, holding a hankerchief, within black rule, 18cm x 8cm.Provenance: Private Collection of J.P. Losty (1945-2021), formerly curator of Indian Visual Materials at the British LibraryPlease refer to department for condition report
A Mughal portrait of a nobleman smoking, India, 17th century, gouache on paper heightened with gold, the sitter depicted on a terrace facing right, his right arm resting on a balustrade, wearing a deep red sash, the face finely painted, within an oval frame and green ground, blank inscription cartouches above and below, within a border of gold flowers on a blue ground, the folio with gold grape bunches and flowering plants within a lattice design, glazed and framed, folio 39.3 x 25cm., image 18 x 12cm. Please refer to department for condition report
Four portraits of women, Lucknow, North India, late 18th century, opaque pigments on paper heightened with gold, arranged in a square, the portraits of oval form and each depicting a regional beauty, pasted down on a red ground with gold floral lattice, between each a border of meandering gold leaves on blue, a larger gold flecked folio, each portrait approx. 5 x 6.5cm.; painting 18.7 x 21.2cm. and folio 35.1 x 23cm. Please refer to department for condition report
A seated portrait of a Maharaja, signed Nanak, probably Alwar, North India, late 19th century, gouache on paper heightened with gold and silver, the ruler depicted haloed and kneeling on a gold embroidered carpet with cushions either side and behind, a green curtain behind him and white marble pillars either side, an orange canopy rolled up above him, within a wide outer border containing lozenges of blue and green on a gold vegetal ground, with Persian inscription in white nasta'liq above and below, 35.5 x 27cm. Provenance: Ex-Collection Gunther HeilThis portrait display the interesting mix of the traditional arts of miniature painting with the increasing use of photography to capture the portraits of rulers in the mid- late 19th century. Please refer to department for condition report
An equestrian portrait of a lady, Mewar, Rajathan, India, circa 1820, opaque pigments on paper heightened with gold, the lady depicted on a grey horse which has been dyed orange for its regal rider, she hold a spear to one hand and carries a sword at her waist, depicted in a green field and with the palace walls and palace to the background above, mounted, framed and glazed, painting 37 x 25cm. Provenance: Private UK Collection Please refer to department for condition report
PROPERTY FROM AN IMPORTANT PRIVATE COLLECTIONA portrait of the Mughal Emperor Humayun (1508-1556), North India, circa 1780, opaque pigments heightened with gold on paper, the emperor Humayun identified by his distinctive taj-i izzat turban, kneeling on patterned carpet with marching bolster cushion behind, his hands crossed before him, and wearing a dark blue floral jacket, an open book on a stand before him, mounted and under plexiglass, painting (visible) 12.8 x 8.5cm. Provenance: The Estate of the late designer Anthony Powell (1935-2021)To lower left side of painting significant loss to pigments and surface of the paper in several areas
An equestrian portrait of Shri Hogha, Raghogarh, North India, circa 1700, gouache on paper heightened with gold, with identifying inscription in devanagari to reverse, shown seated and holding a delicate blossom, his resplendent white horse rearing up displaying dyed feet and tail, red and white blossoming flowers beneath him, 28cm. x 19cm. Provenance: John Kasmin since 1970'sAlthough its monochromatic light green background is a feature of the Deccani style, the painting shows the influence of the Rajput Bundi and Kotah schools. This particular equestrian portrait is one of few surviving from Raghugarh in Central India. It compares closely with one in the Howard Hodgkin collection published in G. Filippi, Indian Miniatures and Paintings from the 16th to the 19th Century in the Collection of Howard Hodgkin, 1997, p. 81, no. 34.losses to upper left and right parts of the page and lower left
A Jharokha portrait of a prince, Jaipur, North India, circa 1800, opaque pigments heightened with gold on paper, depicting facing left, with single pearl earring and nose ring, his luminous skin and finely arched brow denoting his youth, an elaborately pattered border below, within gold outer rule, on a speckled folio, painting 19 x 10cm. Provenance: Malletts, London, 1970s; the collection of Captain Jan Vlug (1918-76); Baron Michel Pilette de Kinnear, Belgium, by descent, 1976-2018 Please refer to department for condition report
A group of three Pahari school drawings, North India, late 18th century, pencil on paper, the first an unfinished standing portrait of a nobleman wearing a pearl earring, with black devanagari inscription above; the second a drawing of Krishna, Brahma with a sadhu and two visitors, possibly a scene from the Ramayana, mounted on a gold speckled folio; the third a finely drawn composition from the Ramayana of Durga attacking the demons, traced in pencil and red ink, 28.5 x 19cm. (3)Please refer to department for condition report
A bronze oval medallion After The AntiqueWith the bust of a Roman lady of high birth, with ornately bound hair, with lettering around the edge, 5.7cm, ink inscribed on the reverse ‘Woodhouse Coll, 1907’.Provenance: The Estate of costume designer Anthony Powell (1935-2021). For the type, cf. a medallion described as a profile portrait of Marciana, elder sister of Emperor Trajan, in Wilhelm Bode, Die Italienischen Bronzen (Berlin 1904), no.601, pl.XLI. Please refer to department for condition report
A portrait of Maharaja Ranjit Singh on a terrace, Sikh school, North India, circa 1850, opaque pigments heightened with gold on paper, depicted haloed and seated on a European style chair, holding a sword, an attendant with fly whisk behind him, to their feet an orange flowered carpet, a pavilion and water in the background, 21.5 x 18cm. With minor areas with loss of paint
A portrait of Tipu Sultan (1751-1799), Ruler of Mysore, mid-late 19th century, opaque pigments on ivory, in gilt frame, portrait, with lengthy 19th century inscription to reverse signed and dated September 14th 1885, 8.6 x 7 cm. Provenance:Sir John Hay Williams (1794-1859), 2nd Baronet of Bodelwyddan, and of Rhianva, Anglesey.; By descent to the present owner. Ivory registration submission reference: 4A2QNLASPlease refer to department for condition report
An equestrian portrait of a ruler, Jodhpur, Rajasthan, India, circa 1820, opaque pigments heightened with gold and silver on paper, depicted on a grey, and holding a spear, foot soldiers in before and behind him, single line of devanagari script above, mounted, glazed and framed, painting 24.6 x 20.3cm. Provenance: Private Collection, LondonWith some light staining, minor paint loss, unexamined out of frame
A portrait of a kneeling lady, Safavid Iran, 17th century, gouache on paper, depicted kneeling and resting against a vivid blue bolster cushion with gold embroidery, holding a cup between two fingers and a metal bottle in the other hand, a bowl of oranges before her, in a landscape covered with flowers and bushes, within a border of cut and pasted panels containing empty gold cartouches on a cobalt blue ground with delicate floral detail, 21.5 x 14cm. Provenance: The Estate of costume designer Anthony Powell (1935-2021)Please refer to department for condition report
John Keates. The Letters of John Keats. Complete revised edition with a portrait not published in previous editions. With 24 contemporary views of places visited by John Keates. Edited by H Buxton Forman. 1st edition. Published by Reeves and Turner, London, 1895. 522 pages. Inscribed on front free end-paper by Editor / Author Holbrooke Jackson, 1936. Publishers red boards, dec. and titled in gilt. Very good condition. All books can be shipped worldwide, UK from £5.99, Europe from £6.99, ROW £9.99. 30kg Box up to 20 books UK £16, Europe £34.99, ROW £69.99
LIMOGES - an Antique enamel and garnet pendant/brooch, unmarked yellow metal settings with hand painted watercolour on enamel and copper portrait of a girl, signed Louis Clement, pendant height 62.1mm, 9.6gNo damage or repairs, no enamel loss, settings slightly worn on high points with a few soldered clips on backing to keep enamel panel stable, brooch fitting working, unmarked
A rare 9ct gold George Washington Bicentennial of American Independence box, with relief portrait cameo by Wedgwood, Churchill Mint limited edition no. 3, hallmarks Sheffield 1976, diameter 4.2cm, 45.6g grossNo damage or repair, only light surface wear and abrasions, thumbpiece slightly bent downwards, hallmarks clear, stamped 375
A Pair of Watercolour Portrait Miniatures, 19th century, depicting a Lady and Gentleman in interior settings, with gilt frames; together with a similar pair in parcel gilt rosewood frames, a further two naive portrait miniatures of children, and a further two titled prints after Richard Hurst, "Billy Purvis" and "Cuddie Willie" and a quantity of prints and maps (22)
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