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A Staffordshire Thomas Parr portrait group figure of Jessica and Lorenzo seated in an arbour, from the play The Merchant of Venice Circa 1860 size 23.5cm high Condition. Jessica- right hand reattached, Lorenzo-end of left foot missing, worn gilding to both, some nibbles to arbour Provenance. The Late John McDowell Collection. Derek Hays
A Staffordshire portrait figure of Ellen Bright in the role of Death of The Lion Queen, standing with a lion at her feet and a Tiger at her waist, Titled Death of The Lion Queen in gilt script Circa 1850 size 36cm high 23cm wide Condition. Some paint flakes, scuffs and crazing Provenance. The Late John McDowell Collection, Bearnes Torquay
A rare pair of Staffordshire portrait figures of a sailor (jack tar) and his lady companion and child, both standing in boats, with tar barrels at their feet. Circa 1855. Size 27cm high Condition. Few paint flakes, otherwise good Provenance. The Late John McDowell Collection, A. Haughton. Nick Burton.
A pair of Staffordshire portrait figures of The Duke and Duchess of Cambridge on horseback Circa 1854 size 22.5cm high Condition. Duke. Scuffs to nose, hat plume, paint flakes to hair & horses’ nose. Duchess. Crack to horses rear right leg, paint flakes Provenance The Late John McDowell Collection. Harry Ryans
A pair of Staffordshire portrait figures of Highland dancers, dressed in Scottish attire each with a stringed instrument. Circa 1860. Size 27cm high Condition. Girl- crack to base, some paint flakes. Boy-some paint flakes Some crazing and wear to gilding on both figures. Provenance. The Late John McDowell Collection. Patti Loane
A Staffordshire portrait figure of Giuseppe Garibaldi, seated with a spade resting on his leg and his pointed hat to the side. Titled Garibaldi at Home Circa 1864 size 24.5cm high Condition. Old repair to neck, orange jacket and black overpainted Provenance The Late John McDowell Collection. Madelena Antiques
A Staffordshire portrait figure of Jealous Wife, portraying a courting couple being spied upon by his wife, Titled ‘Jealous Wife’ in black raised capitals Circa 1850 size 31cm high Condition. Scuffs to wife’s face, some cracks, staining and crazing Provenance. The Late John McDowell Collection. Harry Ryans
A Staffordshire Alpha portrait figure of Queen Victoria, seated on a chair holding a book in her hand and her foot resting on a cushion on a round base. Titled Queen in gilt, Circa 1847, size 18.5cm high. Condition, Small chip to crown and some staining otherwise good. Provenance The Late John McDowell Collection, Harry Ryans
A Staffordshire portrait figure of a sleeping Scottish soldier, his head resting on his hand and arm on the drum, known as ‘Soldiers Dream’ Circa 1855 size 26cm high Condition. Factory flaw to back of coat, scuff to end of scarf, paint flakes to his hair Provenance The Late John McDowell Collection. Oliver-Sutton label
A Staffordshire portrait figure group of Shakespeare standing above a clock with two ladies seated either side, representing Tragedy and Comedy, Circa 1848, size 28.5cm high 21cm wide. Condition: Book in ladies hand cracked, some paint flakes, wear to gilding and some crazing. Provenance. The Late John McDowell Collection. Harry Ryans
A Staffordshire portrait figure of a man standing on a grassy mound, dressed in a kilt, holding a gun in his right hand and a knife in his left hand, with two barrels at his feet. Circa 1845. Size 30cm high Condition. Some paint flakes Provenance. The Late John McDowell Collection. Harry Ryans
A Staffordshire portrait figure of The Prince of Wales, dressed in Scottish attire, with his dog standing alongside. Titled. Prince of Wales in raised gilt capitals. Circa 1852. Size. 35.5cm high Condition. Paint flakes to black enamel and to orange on the dog Provenance. The Late John McDowell Collection. Ray Walker
Roe-Byron Collection (The): Newstead Abbey, portrait frontispiece, ex-library with ink-stamp to title verso and remnants of labels, original paper wrappers, rubbed, creasing to corners and extremities, [Nottingham], Corporation of Nottingham, 1937 § Biographical Catalogue of First Editions Proof Copies & Manuscripts of Books by Lord Byron ..., one of 500 copies, ex-library with usual labels and ink-stamps, original cloth, paper label to upper cover, a little rubbed, slight bumping to corners and extremities, First Edition Club, 1925 § Byron: An Excerpt from the General Catalogue of Printed Books in the British Museum, ex-library with ink-stamp, original paper wrappers, a little rubbed, housed in twentieth-century cloth folder, rubbed, 1939; and others relating to Byron, v.s. (15).
Wilde (Oscar) The Ballad of Reading Gaol, one of 450 copies, half-title, woodcut illustrations by Frans Masereel, ink ownership inscription to pastedown, endpapers browned, original cloth-backed boards, dis-coloured in places, 1924 [but 1925] § The Arabian Nights Entertainments, illustrations by W.H. Robinson, Helen Stratton, et al., half-title, with ink ownership iscription, original pictorial cloth, extremities rubbed, 1899 § Lawrence (T.E.) Revolt in the Desert, fourth impression, portrait frontispiece, ink ownership inscription to pastedown, endpapers browned, original cloth, edges uncut, 1927; and 2 others illustrated by Peter Scott, 4to & 8vo (5)
Byron (George Gordon Noel, Lord) Poems on his Domestic Circumstances...To which is Prefixed, the Life of the Noble Author, fourth edition, initial advertisement leaf, portrait frontispiece, ex-library with ink-stamp to frontispiece and p.23, p.7 tiny hole within footnote, some light soiling, spotting, lightly browned, chip to lower joint, [cf. Wise II, pp.67-68], for R. Edwards, 1816; Poems on his Domestic Circumstances...With his Memoirs and Portrait, thirteenth edition, portrait frontispiece, edges a little dust-soiled, some spotting, original printed wrappers bound in, small chip to spine head, uncut, for W. Hone, 1816; English Bards and Scotch Reviewers, half-title, ex-library with occasional ink-stamps, including to title, ink reference to foot of title verso, bookplate removed from front free endpaper, original wrappers bound in (some soiling, small ink inscription to foot of lower wrapper), later half cloth, library bookplate to upper cover, extremities rubbed, uncut, for Hodgson and Co., 1823, all but last in later half morocco, library blind-stamp to upper cover, joints and corners rubbed; and others by the same, including multiple editions of several works, 8vo & 12mo (c.70) ***The first and second mentioned an unauthorised publication containing two spurious poems (the Ode "Oh, shame to thee, Land of Gaul!" and Madame Lavalette). A number of editions were published from 1816 by various publishers.
Spenser (Frank H.) Handbook to the Tellurium, illustrations, ex-library with usual label and ink-stamp to title verso, original cloth, rubbed, bumping to corners and extremities, [1879] § Goodacre (Robert) A Brief Explanation of the Principal Terms made use of in Astronomy, folding frontispiece, ex-library with usual label and ink-stamps, original printed paper wrappers, upper cover detached, rubbed and worn, 1822 § The United New and Much Admired System of Arithmetic and Mental Calculations ..., portrait frontispiece, scattered faint spotting, ex-library with ink-stamp to title verso, contemporary cloth, printed paper label to upper cover, rubbed and worn, bumping to corners and extremities, Derby, 1843; and others, science and educational, v.s. (14).
Morley (Thomas) The Cause of the Charge of Balaclava, portrait plate trimmed and pasted inside upper cover, illustrations, original paper wrappers bound in, expert tissue repairs and strengthening to wrappers and one or two leaves, ex-library with occasional ink-stamps, modern cloth, Nottingham, c.1860 § Cantlie (James) First Aid to the Injured, folding illustration pasted to front pastedown, illustrations, lacking front free endpaper, original cloth, a little rubbed, slight bumping to corners and extremities, n.d. § Fellows (George) History of the South Notts. Yeomanry Cavalry 1794 to 1894, portrait frontispiece, plates, ex-library with usual labels, original cloth, a little rubbed, slight bumping to corners and extremities, Nottingham, 1895; and others, military, v.s. (8).
Judaica.- Levi (David) The Form of Prayers...According to the Custom of the German and Polish Jews, 6 vol., second edition, revised by Isaac Levi, engraved portrait frontispiece of Chief Rabbi Solomon Hirschell to vol. 1, additional engraved pictorial titles, text in Hebrew and English, vol. 6 with 15pp. List of Subscribers at end, vol. 4 & 6 lacking additional engraved titles, vol. 4 also lacking ?one preliminary leaf, vol. 6 with Hebrew ink inscription to front free endpaper, vol. 1 front free endpapers and frontispiece nearly loose, vol. 4 p.4 detached and loosely inserted, some spotting, light browning, vol. 1 upper hinge broken, some other hinges cracked, contemporary straight-grain red morocco, gilt, upper covers with "J.E. Samuel" in gilt, vol. 3 spine starting to peel away from lower joint and with small chip to foot, rubbed, g.e., E. Justins, 34, Brick Lane, Spitalfields, A.M. 5567 [1807]; and others, most Judaica, including additional copies of the first mentioned (a defective set, some vol. lacking, some in duplicate), 8vo & 12mo (c.20) *** Rare, we can trace only one complete set of this edition at auction.
Byron (George Gordon Noel, Lord).- Thirty Illustrations of Childe Harold. The Original Drawings Produced Expressly for the Art-Union of London, frontispiece portrait and 30 engraved plates, each with library ink-stamp, one leaf of letterpress with marginal tear, occasional light soiling, some light foxing or scattered spotting, original printed boards, rebacked and recornered in cloth, printed library label to upper cover (obscuring some text), boards soiled, quite worn, 1855 § Byron (George Gordon Noel, Lord) Marino Faliero, Doge of Venice, one of 275 numbered copies signed by the illustrator, 13 etched illustrations by Sepp Frank, all but the title vignette initialed in pencil by the artist, ex-library with embossed stamp to head of title and ink reference to foot to verso, some light dust-soiling to first few leaves, original half vellum, library blind-stamp to upper cover, some light soiling, lightly rubbed, t.e.g., others uncut, Vienna & Leipzig, 1922; and others Byron related, v.s. (c.75)
Shelley (Percy Bysshe) The Poetical Works...Edited by Mrs. Shelley, 4 vol., first collected edition, half-titles, engraved portrait frontispiece, imprint leaves at end vol. 1 & 3, vol. 2 initial advertisement leaf and 4pp. advertisements at end, vol. 4 2pp. advertisements at end, book-label of J.O. Edwards, portrait lightly foxed and offset, vol. 1 title upper margin cut away with paper repair (no text loss), vol. 3 B2&3 with a few small chips and tears to upper margin, original blind-stamped red cloth, spines gilt, spines very slightly faded, spines a little chipped and frayed at ends (more pronounced to vol. 1), couple small marks to vol. 4 upper cover, a few faint spots, vol. 1 spine rubbed, wear to corners, 8vo, Edward Moxon, 1839. *** Edited by Mary Wollstonecraft Shelley, and dedicated to their son Percy Florence Shelley.
Byron (George Gordon Noel, Lord).- White (William) The Calumnies of the "Athenaeum" Journal Exposed. Mr. White's Letter to Mr. Murray, on the Subject of the Byron, Shelley and Keats MSS., first edition, presentation inscription "John Walter...with W. White's respects" to head of title, ex-library with small pencil and ink references to title verso, occasional soiling, some light spotting, lightly browned, faint vertical crease, stapled into later paper wrappers, ink inscriptions to upper wrapper, William White, 1852 § Moore (Thomas) Letters and Journals of Lord Byron: with Notices of his Life, 2 vol., first edition, half-title to vol. 1, vol. 2 with errata leaf at end, lacking frontispiece portrait, vol. 1 with contemporary ink initials to title, ex-library with occasional ink-stamps, including to titles, occasional light finger-soiling, later cloth, library label to upper covers, a few marks, rubbed, [Wise II, p. 93], John Murray, 1830; and others Byron related, including a John Murray 'Pocket Edition' of the Works housed in the original cloth box, v.s. (c.100)

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283284 Los(e)/Seite