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283287 Los(e)/Seite
Los 37
After Alexis-Simon Belle Portrait miniature of James Francis Edward Stuart (1688-1766), 'The Old Pretender', wearing a suit of armour and the blue sash of the Order of the Garter On copper, oval, in a fitted case with white metal border 79 x 67mm Provenance: Property from the collection of the late Timothy Clowes
Los 391
John Russell RA (1745-1806) Portrait of Lt. Col. Thomas Thornton (1751/2-1823), half-length, wearing the uniform of a Deputy-Lieutenant of the West Riding of YorkshireOil on canvas 89.5 x 69.3cm; 35¼ x 27¼in Provenance: Leggatt Brothers, London; Farrouste, Madrid; The Leger Galleries, London, 1963; Private Collection, USA Literature: John R. Swift, Colonel Thomas Thornton of Thornville Royal and the West York Militia (2014), illustrated on the cover Col. Thomas Thornton was one of the most notable sportsmen of the 18th Century. Having inherited his father's estate at an early age, he embarked on a lifetime of sporting pursuits, including falconry, horse racing, coursing, fishing and shooting. He frequently took a large entourage on sporting tours, and became known as the 'King of British Sport'.
Los 392
Thomas Beach RA (1738-1806) Portrait of Robert Helyar (1747-1770) in uniform Inscribed by a later hand Robert Helyar Aged 20 years/1768 (to verso) Oil on canvas 76.3 x 64.9cm; 30 x 25½in Provenance: Commissioned by William Helyar (1720-1783) of Coker Court, Somerset; By descent to Mrs Walker Heneage, 1937; By descent to the previous owner, by whom sold, Chiswick Auction, Old Master Paintings including Drawings, 20 March 2019, lot 61 Exhibited: Bristol, Royal West of England Academy, Art Treasures of the West Country, 24 May - 26 June 1937, no.127The sitter was appointed a cornet in the 6th Iniskilling Dragoons in 1764.
Los 394
Thomas Beach RA (1738-1806) Portrait of Charles Helyar, aged 17, half-length, wearing a lilac coat and waistcoat and holding a book Inscribed by a later hand Charles Helyar/AET.17 A.D 1768 (to reverse) Oil on canvas 76.1 x 65cm; 30 x 25½in Provenance: By descent from the sitter's family, Coker Court, Somerset Charles Helyar was a captain in the 7th Fusiliers and was killed at the Battle of Cowpens during the American War of Independence.
Los 396
Circle of Sir Joshua Reynolds Portrait of a gentleman, half-length, wearing a red coat and holding a book Oil on canvas 75.1 x 60.6cm; 29½ x 23¼in The sitter bears some resemblance to Paul Methuen MP (1723-1795) of Corsham Court, painted by Reynolds in the late 1750s (see David Mannings, Sir Joshua Reynolds, A complete catalogue of his paintings (New Haven and London, 2000), text vol., p.331, cat. no.1242).
Los 400
*After Samuel Lane Portrait of Lord George Cavendish Bentinck (1802-1848), three-quarter length, standing at a table Oil on panel 52.6 x 39.5cm; 20¾ x 15½in After the original in the National Portrait Gallery, London (inv. no.NPG 1515). The sitter was a Conservative politician and noted racehorse owner.
Los 401
James Northcote RA (1746-1831) Portrait of Sir Bourchier Wrey, 7th Bt. (1757-1826), half-length, wearing a fur-lined coat, standing in a landscape by a table with plans and books, Tawstock Court beyond; Portrait of Lady Anne Wrey (née Osborne) (d.1816), wearing a white dress and red headdress, holding a green parasol. seated in a landscape with Tawstock Court in the distance A pair, both oil on canvas 127 x 101.7cm; 50 x 40in; 49¼ x 40 (2) Provenance: Commissioned by the sitters for 30gns each (with gilt frames for 10gns each), in 1805; And by descent Literature: Stephen Gwynn, Memorials of an Eighteenth Century Painter (James Northcote) (1898), nos.421 & 422; Jacob Simon, 'The Account Book of James Northcote' in Walpole Society, Vol.LVIII (1995-96), p.80, nos.437 & 438 According to James Northcote's account book, the present works were painted in 1805. Tawstock Court, home of the Wrey baronets, burnt down in 1787, and Sir Bourchier rebuilt the house with the assistance of Sir John Soane.
Los 402
Attributed to Arthur Pond (c.1705-1758) Portrait of Lady Dixie Pickering, half-length, in a white dress and a pink straw hat, in a feigned oval Oil on canvas 76.4 x 63.6cm; 30 x 25in Provenance: Christie's, 9 February 1990, lot 105; Dreweatts, Newbury, The Collection from Plaish Hall, Church Stretton, Shropshire - The Property of Mrs Roy Merley and Family, 15 May 2019, lot 36 (as Circle of Bartholomew Dandridge)
Los 405
After Thomas Gainsborough Portrait of Thomas 'Tom' Sheridan (1775-1817) as a young man Oil on canvas, oval 45 x 35.5cm; 17¾ x 14in Provenance: Private Collection, Tunbridge Wells, for at least 50 years After an untraced original (see H. Belsey, Thomas Gainsborough, The Portraits, Fancy Pictures and Copies after Old Masters (New Haven and London, 2019), no.815). Tom Sheridan was the son of very famous parents, both painted by Gainsborough. His father was the playwright Richard Brinsley Sheridan and his mother was Elizabeth Linley, the soprano known for her great beauty. Before marrying, they caused a scandal by eloping to France in 1772. Tom Sheridan served in the army, was elected an MP, became a theatre manager, and wrote plays.
Los 414
George Romney (1734-1802) Portrait of a lady, possibly Lady Jane Lawley (1743-1816), wearing a crimson dress and white fichu, with a landscape beyond, in a painted oval Oil on canvas 76.7 x 63.5cm; 30¼ x 25in Provenance: The Collection of Mrs M. W. Sylvester, The Grange, Trowbridge; Christie's, London, 14 December 1934, lot 130 (as Romney); Private Collection, Yorkshire, until purchased by the present owner Literature: Possibly, T. Humphrey Ward and W. Roberts, Romney: a biographical and critical essay, with a catalogue raisonné of his works (London, 1904), Vol. II, p.92; Possibly, A. Kidson, George Romney: A Complete Catalogue of his Paintings (New Haven and London, 2015), p.354, no.777 (as destroyed) A label to the reverse, which appears to postdate the 1934 sale, reads Madame de Laurley. The painting is possibly one of the pictures left out in the open air by Romney at Hampstead, some of which were destroyed. Stylistically the painting dates from the 1780s, and Lady Jane Lawley sat for Romney in 1783. We are grateful to Alex Kidson for his assistance cataloguing the present work. It will be included in the next addenda of his catalogue raisonné of Romney's paintings.
Los 415
Sir Martin Archer Shee PRA (Irish 1769-1850) Portrait of Thomas Netherton Parker (1772-1848), three-quarter length, wearing a black coat and white waistcoat, standing in a landscape; Portrait of Sarah Parker (née Browne) (1779-1854), three-quarter length, wearing a yellow dress, holding a porte-crayon and album, standing by a column A pair, both oil on canvas 127.3 x 102cm; 50 x 40¼in; 128.2 x 101.7; 50½ x 40in (2) Provenance: Purchased from the artist by Thomas Netherton Parker, Hatton Grange, Shifnal, Shropshire, and later of Sweeney Hall, Shropshire, 1796; And by descent According to the labels, which are transcribed from Thomas Netherton Parker's account book, Martin Archer Shee painted this pair of portraits in 1796, the year the sitters were married. Parker paid £31.10, half of Shee's fee for the two portraits. Thomas was the son of John Parker, the noted goldsmith known for his partnership with Edward Wakelin (for a portrait of John Parker see cat. no.390). The couple moved to Sweeney Hall, Shropshire c.1816, upon the death of Sarah's mother.
Los 446
English School c.1840 Portrait of a gentleman, probably a member of the Murray family, half-length, wearing a black coat and yellow waistcoat Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: From the collection of Edward Croft-Murray (1907-1980); And by descent to the previous owner; By whom sold, Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 12 August 2021, lot 445
Los 47
English School Early 18th Century Portrait miniature of a gentleman wearing a red coat and powdered long wig On vellum, oval, in a gilt metal frame 20 x 12mm Provenance: Property from the collection of the late Timothy ClowesThis work has previously been attributed to Bernard Lens III (1682-1740).
Los 501
Benoist Benjamin Bonvoisin (French 1788-1860) Portrait of Louis-Marie-Edmond Blanquart de Bailleul (1795-1868), Archbishop of Rouen Signed Bonvoisin pt (centre right) Oil on canvas 65 x 54cm; 25½ x 21¼in Archbishop Blanquart de Bailleul originally worked as a lawyer, before becoming Bishop of Versailles in 1832 and Archbishop of Rouen in 1844.
Los 52
Thomas Forster (c.1677-1712) Portrait miniature of a gentleman, half-length, in a long-flowing wig Indistinctly signed T*** (lower right) Plumbago on vellum, oval, in a rectangular gilt-painted wooden frame 115 x 90mm Provenance: Sotheby's, London, Early English Drawings and Watercolours from the Collection of Colin Hunter, 11 July 1991, lot 30; Sotheby's, London, The R.L. Bayne-Powell Collection of Portrait Miniatures, 11 October 1994, lot 4; Property from the collection of the late Timothy Clowes
Los 54
John Faber the Elder (Dutch 1660-1720) Portrait miniature of William III (1650-1702), wearing armour, lace jabot, cloak, wig and jewelled brooch, Inscribed William III (lower centre) Ink on vellum, within circular drawn border, in a gilded square wooden frame 102mm diameter Provenance: By repute found at Kensington Palace; Dr John Percy FRS (1817-1889); His posthumous sale, Christie, Manson & Woods, 15 April 1890 (all of the above according to label); The Collection of Dr George Williamson, no.235; Bonhams, Knightsbridge, Fine Portrait Miniatures, 25 November 2009, lot 112; Property from the collection of the late Timothy Clowes
Los 62
Circle of Thomas Forster Portrait of a lady, bust-length, wearing a dress and shawl Plumbago on paper, oval, in a wooden frame 122 x 94mmProvenance:Robert Lane Bayne-Powell (1910-1994);his executor's sale, Sotheby's, London, 11 October 1994, lot 5 (as R.Haskins);Property from the collection of the late Timothy Clowes
Los 63
John Taylor (1739-1838) Portrait of Dr Lowry of Queen's College, Oxford, seated, wearing black robes Inscribed Dr Lowry/ Queen's College/ Oxford/ Brother to/ my Grandmother/ JSpeddry (to old backing paper) Plumbago on vellum, oval, in a gilt-painted wooden frame 133 x 112mm Provenance: Bonhams, London, Portrait Miniatures and Silhouettes, 19 February 2008, lot 34; Property from the collection of the late Timothy Clowes
Los 64
Christian Richter (Swedish 1678-1732) Portrait miniature of a lady wearing a blue dress On vellum, oval, in a gilt metal frame 80 x 69mm Provenance: Bonhams, London, The Harman Collection of Silhouettes - Portrait Miniatures, 30 June 1998, lot 171; Property from the collection of the late Timothy Clowes
Los 65
λChristian Richter (Swedish 1678-1732) Portrait miniature of Eleanor Brownlow, Lady Tyrconnel (1691-1730) Oval, in a rectangular wooden frame 51 x 35mm Provenance:Lady Susan North (1797-1884);Col John North (1804-1894);The Northwick Collection;Robert Lane Bayne-Powell (1910-1994);Sotheby's, London, The R.L. Bayne-Powell Collection of Portrait Miniatures, 11 October 1994, lot 9;Property from the collection of the late Timothy ClowesLiterature:Catalogue of the special exhibition of portrait miniatures on loan at the South Kensington Museum, June 1865, (London, Whittingham and Wilkins, 1865), no.2015
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283287 Los(e)/Seite