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283284 Los(e)/Seite
Los 381
ERIC DOBSON (1923-1992) Self-portrait, smoking a pipe, inscribed verso 'for Jane', signed with initials and dated 1955, oils on canvas, 13 1/2" x 11 1/2" together with a Valentines Day sketch by the same hand inscribed 'Tomorrow is St Valentines Day' verso, 6" x 4 1/2" unframed and a sketch depicting objects within his bedroom, 8" x 4" (see illustration). Note: Dobson was an artist and influential teacher at Newcastle University from 1953 to 1989. A representational and abstract painter, he bridged the years when the Euston Road School with its Cezannesque methods evolved into a mode of reductive abstraction, a transition typified by Victor Pasmore's career at the time. He also taught at Newcastle University together with Quentin Bell and Victor Pasmore.
Los 592
Follower of Sir Peter Lely, portrait of Abigail Cotton nee Abney 42" x 35" PROVENANCE abigail Abney was the daughter of James Abney 1599-1693 and sister of Sir Thomas Abney of Willesley Hall, who was Lord Mayor of London in 1690. She married Ralph Cotton of Bellaport. The family confirm from family archives that this painting was in the possession of Sir William be Wiveleslie Abney at his home Measham Hall Leics and that this portrait was hanging over the sideboard in the dining room circa 1900. The portrait has always been in the family and is now being sold from the estate of a recently deceased member of the Abney family. There is a direct family descent to the present Viscount Combermere.
Los 149
Sprigge, Joshua. Anglia rediviva; Englands recovery: being the history of the motions, actions, and successes of the army under the immediate conduct of His Excellency Sr. Thomas Fairfax, Kt. Captain-General of all the Parliaments forces in England. London, 1647, folio, frontispiece, folding table, eighteenth century manuscript notes tipped in, (lacking portrait and plate), [signature of William Chapple dated 1772 on title and John Bowring], nineteenth century half calf
Los 287
A RARE ENGLISH BASKET-HILTED RAPIER, CIRCA 1620-30 with blade of flattened-diamond section, stamped 'In Solingen;' within a short fuller on each face, finely pierced and chiselled steel hilt comprising large basket with scrollwork frames at the front and back, each filled with addorsed pairs of figures divided by a grotesque mask issuant with scrolling tendrils rising to a flowerhead, the guard drawn-up on one side and decorated with further panels filled with scrolling tendrils inhabited by cherubs, écusson decorated with a grotesque mask issuant with scrolling tendrils on each side, inner and outer ring-guards chiselled with conventional foliage interrupted by a pair of cherubic medallions and a central portrait medallion, joined to the basket-guard on each side by a pair of fluted scrolling bars with differing figurative terminals, knuckle-guard chiselled with foliage interrupted by a portrait medallion, and spherical pommel chiselled on each side with a differing scene involving monsterhead tendrils inhabited by a seated figure, (later wooden grip, cleaned throughout, one arm and the quillon terminals missing, small chips and cracks) 106.5cm; 42in blade Inv. no. E030 This sword is distinguished by the exceptional quality of steel chiselling on the hilt as well as the scheme of its decoration. A closely related sword, complete with its accompanying left-hand dagger, is preserved in the Armeria Reale, Turin inv. no. G118. See C. Bertolotto et al 1982, no. 150-151.
Los 380
**A PAINTED MILITARY CHEST, LATE 19TH/EARLY 20TH CENTURY of wood bound with steel, fitted with a pair of doors opening at the front, with a steel lifting handle at each end, the interior with provision for shelves and drawers, the exterior painted with a portrait of Lieutenant General Sir John French, Lieutenant General Lord Methuen on the doors and on the top with the owner's name, Colonel J. McNeil, Argyll and Sutherland Highlanders, Lord Baden Powell, the piper Corporal McKay, inscribed with the Battle Honour 'Kimberley', a field gun and the owner's title (areas of wear, small losses) 104cm; 41 1/4in x 50.8cm; 20in x 55.8cm;22in
Los 299
PETER USTINOV: A signed and autographed publicity still from the film 'Death On The Nile' showing Ustinov in character boldly inscribed in blue pen 'for Freddie and Betty, 'no I'm not keeping the moustache in place' happy memories and hopes of more love Peter Ustinov' together with an inscribed and autographed page bearing happy new year wishes with a self portrait sketch of Ustinov beneath a hair setting machine, also a cast portrait from the film
Los 1011
Thomas Rowlandson 1756-1827- "Actresses Dressing Room at Drury Lane"; pen and brown ink and watercolour, signed and titled, 21.3x16cm Provenance: The estate of John Hayes 1929-2005. Anon sale Christie's South Kensington 14th May 1992 lot 56 John Hayes was Director of the Nati onal Portrait Gallery from 1974 to 1994. In addition to organising an exhibition of Gainsborough's drawings for the Arts Council in 1960 he published a catalogue of Gainsborough's drawings in 1970 and a catalogue of Gainsborough's landscapes in 1982. He also published Gainsborough's prints in 1971 and an edition of the letters in 2000. Whilst at the National Portrait Gallery John Hayes established the National Portrait Award. John Hayes was made a CBE in 1996 and was a Fellow of the Society of Arts.
Los 1090
Anna Louisa Swynnerton NEA ARA RP SWA 1844-1933- Portrait of a girl standing full-length in a blue shirt holding a hat and portrait of a boy standing three-quarter length in a blue shirt turned to the left; oils on canvas, a pair, both signed and dated 1890, in matching gilt oak and composition Watts style frames, 90x59.7cm., ea., (2)
Los 1320
David Loggan, (Danzig) 1635-(London)1692- Plumbago Portrait miniature of a young nobleman in robes with lace jabot and long curled hair; graphite on vellum, oval, signed with initials and dated 'D L, delin/ 678' (lower right), carved giltwood oval frame, indistinctly inscribe d to the reverse and with remains of a wax seal, 12.5x10.6cm. Note: David Loggan (1635-1700), a pupil of Simon Van de Pass 1595-1647.
Los 1338
Collot, Early 19th Century, Portrait Miniature, depicting a young woman half-length, wearing a shawl and white collar; signed and dated 1803, opaque colour on ivory, 6x5cm: British School 18/19th Century, Portrait Miniature, depicting a gentleman, head and shoulders in white stock and blue coat, opaque colour on ivory: together with three other 19/20th century portrait miniature studies by and after various hands to include one contained in an ornate Belle Epoque style frame (5)
Los 1340
British School 18/19th Century Portrait Miniature- Depicting a young gentleman, traditionally held to be the 2nd son of General Goldie, bust length turned to the left, wearing a blue coat, opaque colour on ivory, oval, 7.5x6cm: British School 18/19th century portrait miniatur e- Depicting a gentleman, traditionally held to be Thomas Beard, bust length, wearing a white stock and waistcoat, opaque colour on ivory, oval,7x5.5cm (2)
Los 1341
James Roberts c.1754, Portrait miniature, depicting a young girl, traditionally held to be Miss Samuel, bust-length, wearing a bonnet, watercolour, bears inscription verso, 9.5x7.5cm: British school 18/19th century portrait miniature, depicting a woman in profile, wearing a b onnet and scarlet coat, watercolour and pencil, oval: A British Provincial school, portrait miniature, depicting a young woman, bust-length, turned to the left, oval: together with four 19th century ebonised portrait miniature frames of various sizes, (7)
Los 1380
Margaret McDonald Pirie, early-mid 20th century- "Circus"; red chalk, 40x32.5cm: together with two folios of crayon, pastel, oil and charcoal studies by the same hand, depicting still life, nude and portrait studies, mostly unsigned, (a lot) (two folios) (unframed) (may be s ubject to Droit de Suite)
Los 1393
*Thomas Walter Wilson 1851-1912- Group portrait, possibly depicting the Royal Watercolour Society; pen, black ink and watercolour in monochrome, original artwork for illustration, signed, 50.5x82cm. Note: There appears to be several notable figures amongst the numerous portrai ts, bearing likenesses too leading artists of the late 19th century including Sir Fredrick Lord Leighton, John Singer Sargent, Edwin Henry Landseer, and others, (unframed)
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283284 Los(e)/Seite