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A 19th century blue and white enamelled locket for the Fairfax family, the front with a lion passant guardant above Fare Fac on an engine turned blue enamel ground within a white decorative border, the reverse with the initials FV in white enamel on a blue engine turned enamel ground, the locket opening to reveal a portrait miniature of Thomas Fairfax (1612-1671), the other side with a finely engraved oval panel with coat of arms and inscribed Tho: Fairfax Knt for King & Parl:, 5.5cm long, 35.8g grossThomas Fairfax (1612-1672), third Baron Fairfax of Cameron. Fairfax was the Commander-in-Chief of the Parliamentary forces during the Civil War, a driving force in the development of the New Model Army, and victor at the Battle of Naseby in 1645 and the decisive battle at Langport against the Royalist Army. Although a Parliamentarian, Fairfax was against the proposed execution of Charles I, and fought against it until the end, and was purported to be shocked when meeting Bishop Juxon and Thomas Herbert whilst they were escorting the king's corpse back through the long gallery of Banqueting House, Whitehall. In later life Fairfax played an essential part in the restoration of Charles II to the English throne.The engraved panel is the coat of arms Fairfax would have had between 1641 and 1648, as Thomas was knighted in 1641, and inherited the title Lord Fairfax from his father in 1648. Any coat of arms created after 1648 would have acknowledged his superior position as Lord Fairfax. The portrait miniature inside the locket is after the portrait miniature of Fairfax by John Hoskins (1595-1664) dated 1650, which is in the collection at Leeds Castle.Condition Report: The locket has some losses to the enamel at the suspensory loop in particular, the rest of the enamel has some light scratches and scuffs, some discolouration to the interior gold, no major damage to the miniature, the panel is well engraved, the hinge in good working orderCondition Report Disclaimer
British School (early 19th Century) A portrait miniature of a blonde female sitter wearing a lace bonnet with pink ribbons and black dress, watercolour on ivory, measurements 9 x 7.5 cm (i), frame 22 x 19.5 cm, together with a further miniature of an older lady wearing a bonnet tied with a blue ribbon and a black dress with red sleeves (2)
An English pearlware jug, early 19th century, bearing verse inscription from Isaac Watts' hymn 'That awful day will surely come, the appointed hour makes haste when I must stand before my judge, and pass the solemn Test' within a green garland, further painted with sprays of flowers, 17cm high; a pair pearlware silver-shaped plates painted with chinoiserie landscapes, 19.5cm diameter; a pearlware blue and white gravy boat, large earthenware mug, Spode plate, a pink lustre egg cup transfer-printed in black with a portrait of Field Marshall Lord Roberts and a Crown Ducal art deco bowl, 11cm diameterCondition report: Pearlware jug with rim chip and large crack running from rim into the body, some nibbling to spout.Pair silver-shaped plates - Both cracked.Spode plate riveted and repaired.Egg cup with two chips to foot rim.
A cast brass figural desk standish, modelled as a putti flanked by two inkwells formed as drums, his arms raised with drumsticks above his head, 20cm wide, together with an embossed copper portrait plaque, possibly depicting Abraham Lincoln, set on an ovoid oak panel, 22cm. (2)Condition report: Drumsticks slightly bent. One drumstick a little loose. Right hand well cover dented adjacent to hinge. Inkwell interiors have some slight surface rust and probably had glass liners originally which are now lacking. General signs of age and use.plaque is in good condition with negligible signs of age.
Five artworks in various media to include unattributed; pastel, portrait of a bearded artistic-looking gentleman, unattributed; oil on canvas, a young woman in the manner of Vita Sackville-West, watercolour portrait of an African gentleman, M Conlan; an Aboriginal print 'Waterholes' and a watercolour of a Tibetan lady, largest 40 x 32cm, all framed and glazed (5).
SHEILA LEA (British, 20th century); oil on canvas, a three-quarter length portrait of a seated woman, signed verso, 65 x 51cm, framed and eight various prints and drawings, including John G Kay pen and watercolour study of a harbour, Bushman rock art watercolour, indistinctly signed, a pair of 19th century French coloured engravings, a poster for Amanda Hoskin Beside the Wave Gallery and a machine woven scene of a couple, the majority framed and glazed (8).
WALSH (British, 20th century); watercolour, abstract scene, signed and dated '77, 44 x 39cm, framed and glazed, an oil on canvas portrait of June Furlong by the same artist, signed and dated '78, 35 x 24cm, framed, Peter Philips; oil on board, 'Bellis Perennis', signed and titled verso, 52 x 38cm, unframed and indistinctly signed; watercolour, 'Triumph of Vision over Intellect', signed lower right, titled verso, 20 x 28cm, framed and glazed (4).
EDWARD OCTAVIUS DAVEY (British, late 19th century); five watercolours on board depicting portraits of women in various poses, to include an elegant lady with blue dress stood by a chair, unsigned, 37 x 27cm, an elegant lady in a stately velvet gown with foot resting on step, unsigned, 36 x 27cm, a lady sat beside a spinning wheel, signed lower right, 27 x 21cm, a lady resting on grass by a path, doing needlework whilst children play in the background, unsigned, 36 x 18cm, and a portrait of a girl's head, unsigned, 36 x 18cm (5). Provenance: The vendor is a descendent of the artist.
Four portraits of June Furlong, a well-known life model at the Liverpool School of Art, comprising Terry McDonald; one full-length pencil sketch dated 21/06/1979, and two three-quarter length pencil sketches, 46 x 33cm, all framed and glazed, and Bertie Bradshaw; oil on canvas, a full-length portrait, signed, dated '61 and titled 'June Furlong' verso (4).
A Edward F Bodley & Co Centenary of the Birth of Napoleon Bonaparte commemorative earthenware plate, c1869, transfer printed with portrait of the Emperor and martial trophies, 27cm diam, impressed and printed marks and PODR lozenge mark for 17 August 1868 and five other Staffordshire earthenware and bone china commemorative plates, including Shelley and Royal Doulton - Golden Jubilee 1887 and Coronation 1902, 1911 and 1937 (6)
AFTER SIR JOHN GILBERT R.A. (1817-1897). Portrait of the artist J.M.W. Turner, with inscription 'J.M. Turner, R.A. The only true likeness sketched by Gilbert', 8 1/2 x 7in. A number of variants of this portrait subject are known. The prototype was a 'hurried' pencil sketch drawn by Gilbert in 1837, when as a young man he saw Turner working nearby on a painting at the British Institution. Gilbert's drawing was later engraved by W.J. Linton, and that woodcut became the basis for a number of copies of the same subject.
ATTRIBUTED TO JOHN RAPHAEL SMITH (1752-1812). Portrait of a Lady, said to be Hannah More, quarter-length, wearing a white mob cap and brown dress, pastel, oval, 15 x 12 1/2in, sold with a set of eleven volumes of Hannah More's works; together with a volume of 'Letters to a Friend, 1819' (a/f) by James Harrington Evans, the frontispiece with ink inscription, to Mrs Hannah More from the author (J.H.Evans); together with a volume (binding broken) titled 'Memoirs of the Life of Mrs Hannah More'; and an engraving said to depict Hannah More, (the mount bears a label which appears to by inscribed by Hannah More). Also included in the lot is a pen and ink 'Plan of the Parish of Croscombe in the County of Somerset' by B. Tuthill, Surveyor, 1809; together with a book titled the 'Village of Croscombe' by the Rev. John East, printed by J. Chillcott, Bristol, 1831. Hannah More (1745-1833) was a noted literary figure, educator and anti-slavery figure, and one of the most influential female philanthropists of her day
The New Naturalist series: Butterflies 1945, London's Natural History 1945 and Insect Natural History 1947, all in dust-wrappers, R.D. Blackmore Lorna Doone with coloured plates published Boots (c.1930) gilt cloth original dust-wrapper, Down The Bright Stream by BB illustrated, Our Village by Mitford illustrated Brock 1904, Jane Austen Persuasion illustrated John Austen, Portrait of a Village 1937 engraving by Joan Hassall (8)
The Plays of William Shakspeare (Shakespeare) Accurately printed from the text of the Corrected Copy left by the Late George Steevens Esq with Glossarial Notes with An Account of the Life and Writings of Shakspeare by Mr. Rowe printed for Otridge & Rackham 1824 in 10 volumes with engraved portrait, bound in half leather with raised bands and gilt lettered labels
[Antiquarian] Duty of a Christian or Directions for the Daily Communion with God by The Rev. Matthew Henry 1826 with portrait and engraved title, The Happy Life; or The Contented Man with Reflections upon Divers Moral Subjects 1767, The New Whole Duty of Man, containing Faith and Practice of A Christian (inscription 1818) with an engraved frontispiece, Laws & Acts made in the first Parliament of James VII printed 1685, The New Annual Register or General Repository of History, Politics & Literature for 1788 (includes Petition by the University of Cambridge against the Slave Trade), A Concordance to Shakespeare 1787 (without illustrations), The Seasons by James Thomson embellished with elegant engravings designed by C. Ansell with a Life of the Author 1792 (lacking some plates) and original handcrafted bookend in imitation of an antique leather book (8)
[Antiquarian] The Miscellaneous Works in Prose And Verse of George Hardinge Esq., Senior Justice of the Counties of Brecon, Glamorgan and Radnor 1818 in three volumes first edition with portrait, rebound in leather backed boards with title labels, Select Works of Archbishop Leighton with some letters never before printed 1758 first edition, The New Whole Duty of Man with Faith & Practice of A Christian 22nd edition (inscription 1773) with 2 engraved plates, Agreeable Historian or English Traveller 1746 volume 2 only containing Gloucestershire (binding broken), The Iliad of Homer Translated by Alexander Pope 1771 volumes 1-5 (volume 1 boards detached) and two other similar, all in leather bindings
[Folio Society] A Tour Through the Whole Island of Great Britain by Daniel Defoe, Johnson & Boswell Journals of the Western Isles 1990, Betjeman’s Britain 1999, Hoskins The Making of the English Landscape, Akenfield portrait of an English Village by Ronald Blythe, Our Life in the Highlands by Queen Victoria, English Journey by J.B. Priestley 1997, Journey Through Britain by John Hillaby, The Natural History of Selborne with drawings by John Piper and seven others in slipcases (16)
Charles Dickens Little Dorrit with Illustrations by H.K. Browne, published Bradbury Evans 1857 first edition with engraved title, frontispiece and other plates bound in half leather gilt spine. The Mystery of Edwin Drood with 12 illustrations by S.L. Fildes and Portrait Chapman & Hall 1870 first edition with vignette title page bound in half leather with gilt leather label (2)

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