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Dutch School, 17th Century Portrait of gentleman, three-quarter-length, seated, in black costume and skullcap, with a parrot, a book on the table beside him; and Portrait of a lady, three-quarter-length, seated, in a black dress with a white lace ruff, cap and cuffs, holding a book the former inscribed and dated 'Ao 1629 Ætatis 79' (centre right); the latter inscribed and dated 'Ao 1629 Ætatis 55 ,' (lower left) oil on copper 10¾ x 9 in. (27.3 x 22.8 cm.) a pair (2) View on Christie's.com
Studio of Sir Peter Lely (Soest, Westphalia 1618-1680 London) Portrait of King Charles II, bust-length, wearing a breastplate with a gold-embroidered coat and lace cravat with identifying inscription KING CHARLES THE SECOND' (upper left) oil on canvas 23¼ x 20¼ in. (59.1 x 51.5 cm.) in a mid 19th Century Florentine frame, presumably made for Prince Demidoff. View on Christie's.com
Circle of Herman van der Mijn (Amsterdam c.1684-1741 London) Portrait of Tufton Wray (d. 1712), three-quarter-length, seated in an oyster satin dress and white chemise, with a dark green wrap, her right arm resting on a ledge, a landscape beyond inscribed 'Tufton Daughter of Sr. Wm. Wray Married to Ld. Chief Baron Montagu.' (lower left) oil on canvas 48 5/8 x 40¼ in. (123.5 x 102.2 cm.) View on Christie's.com
Circle of Charles Jervas (Dublin c. 1675-1739 London) Portrait of Thomas Pelham-Holles, 1st Duke of Newcastle-upon-Tyne and 1st Duke of Newcastle-under-Lyne (1693-1768), full-length, in Garter robes, his hat in his left hand, a landscape beyond oil on canvas 93 x 57 in. (236.2 x 144.8 cm.) in a George II carved and gilded frame View on Christie's.com
Sir Martin Archer Shee, P.R.A. (Dublin 1769-1850 Brighton) Portrait of George Watson Taylor (1770-1841), M.P., half-length, in a blue coat with a cream waistcoat and white stock with inscription and dated 'George Watson Taylor, By Martin Archer Shee, RA 1820' (on the reverse) oil on canvas 30 x 25 in. (76.2 x 63.5 cm.) View on Christie's.com
North Italian School, 18th Century Portrait of a young boy, half-length, in a yellow embroidered coat; and Portrait of a young girl, half-length, in a pink dress holding a bird in her left hand a rose in her right hand oil on canvas 23 x 17 in. (58.5 x 43 cm.) a pair (2) View on Christie's.com
Wylich (Peter Robert van) [Album Amicorum] manuscript, 260pp., c. 190 of which blank but for pagination, the others with entries mostly in German or French, a few in Italian or Latin, one in English (transcribing Pope`s short poem `Two or Three; or a Receipt to make a Cuckold`), title with Wylich`s morocco book-label mounted between watercolour illustrations, 14 gouaches, watercolours, or drawings, some on vellum slips mounted or tipped in, including a portrait, seascape, pastoral scenes, a fine gouache of duck shooting on a village pond, &c., some marking, contemporary stained vellum, richly gilt, central panel enclosing the owner`s initials and date `1750`, faded and rubbed, g.e., oblong 8vo, 1749-1751. ***Van Wylich, perhaps a member of the Swedish nobility, travelled widely in Europe in 1749-51, with entries dated from Germany, France, Holland, Switzerland, Italy and England. His contacts seem to have been diplomats, merchants, doctors, architects, &c, many with some artistic talent..
Napoleon I (Emperor of France 1p. in French, 4to, St. Cloud, [Paris], 14th April 1812, charging him to organise Italy in his absence as he did during his last campaign, leaving Melzi [Francesco Melzi d`Eril, 1753-1816] to preside over the ministers, and by taking every measure that seems appropriate, asking him to consolidate his dispositions for May and June and to come to Paris as soon as possible where he will remain for three or four days and after discussing the position Napoleon will take definitive measures for Italy, and from there the younger Napoleon will proceed swiftly to Glogau to rejoin the army, folds, slightly foxed and browned; and a portrait of Napoleon I, both framed and glazed.
Byron (Anne Isabella Noel, Lady 2 autograph manuscript poems, together 5pp., first with cut signature and inscription: "... AI: Noel Byron To Mrs. Anna Jameson Clifton Sepr. 1843", second inscribed: "Lines on Lord Melbourne Decr 1848", folds, slightly browned, sm. 4to; and 4 other pieces, including and an A.N. third person from Lady Byron and an engraved portrait of Lady Byron, v.s., v.d. (6 pieces)
Autographs and cut signatures various, including: Charles Dickens, George Canning, Stanley, 14th Earl of Derby (with engraved portrait), Palmerston, Percival Christopher Wren, Anna Pavlova, Richard Nixon, Linus Pauling, Francis Frick, Ramsay Macdonald with Victor Gollancz etc., photographs of Iris Murdoch and J.B. Priestley; and another, Montgomery`s Ten Chapters, 1945, v.s., v.d.(14 pieces)
Dickens (Charles, novelist, 1812-70) 1p. with conjugate blank, 8vo, Paris, 17th January 1863, "By a mistake of my servant`s I find (only this morning) that a letter I wrote to you on Thursday to acknowledge your obliging and amiable invitations, was never delivered", removed from an album with remains of stub attached, folds; and a postcard with a chromolithographed portrait of Dickens, 1902, v.s., v.d.(2)
Artists.- A good group of letters including: G.F. Watts, "I regard my pictures, & they are to be regarded less as works of art than an endeavour to put ideas & reflections into a universal language which shall have nobility & beauty for its basis. each one of the most important belongs to & forms part of the series"; John Varley, David Wilkie (2 and an engraved portrait), John Linnell, Owen Jones, "What would a fair price to give per lb for 24 second hand lithographic stones with drawings upon them which would take some time to rub off"; William Bonnard, Julius Ibbotson, Thomas Phillips, Augustus John Atkinson, "I can assure you I never received any pension from the Emperor Paul " of Russia; Edward Gordon Craig, George Cattermole (3 and a lithograph); Charles Cattermole (6 including a sketch); George Fripp, Robert Smirke (3), Sir Charles Eastlake, F. Topham, W.H. Pyne, Prince Hoare, Bernard Partridge (3); John Sassoon, G.S. Newton (pencil sketch of Lady Lewis when Miss Villiers); R.S. Holford, John Hayes, Sir Thomas Lawrence (1 letter and 3 notes and 7 illustrations including 6 portraits); Daniel Maclise (2 and 2 envelopes); A.J. Munnings, Seymour Lucas (4 and an envelope); William Yarrell, George Birkett Foster, Laurence Alm a Tadema (2); G.E. Hering (3); John Gilbert, Walter Crane, Augustus John (2); Francis Philip Stephanoff (7); James Stephanoff (8); George Hayter (18 items), folds, a few laid down, some with browning, v.s., v.d.(c. 170 pieces)
Selous or Slous (Henry Courtney autograph manuscripts, with autograph revisions and additions, in pen and ink and pencil, c. 125pp., first mentioned bound, the other loose, original paper wrappers, edges creased or chipped, sm. 4to, first mentioned 1869. ***Second mentioned on the subject of beauty, that "the Greeks were the destined people to discover the secret cause and foundation of all that is beautiful and true in art and to hand down immutable art laws." Selous exhibited under the name Slous until 1837, was the son of the miniaturist George Slous. He studied under John Martin and became a genre, portrait and landscape painter as well as a book illustrator, using the noms de plume "Aunt Cae" and "Kae Spen" for his children`s books. There are collections of his work at the Victoria and Albert, Fitzwilliam Museums. .
Hooker Ecclesiastical Politie 1676 engraved additional pictorial title, printed title in red and black, lacking portrait, modern dark blue crushed morocco-backed marbled boards, spine gilt, [Wing H-2632], R.White for Rob. Scot [&c.], 1676; and 2 vol. of Gibson`s Codex juris ecclesiastici Anglicani, folio(3)
Bayle Dictionaire Historique et Critique 1715 4 vol., including supplement, third edition, engraved portrait frontispiece to vol.1 and supplement, large engraved vignettes to titles, marginal water-staining, contemporary calf, richly gilt spines in compartments and with red morocco labels, rubbed and scuffed, folio, Rotterdam and Geneva, chez Fabri & Barrillot (supplement), 1715-1722.
Petrarca (Francesco) Il Petrarcha,1538 con l`espositione d`Alessandro Vellutello, woodcut portrait of the author on title, double-page woodcut map, title with fine contemporary ink inscription of R.Duddley and others, title a little soiled and with small tear to inner margin, also to following two leaves, some light marginal staining and worming, later calf, spine gilt in compartments, a little rubbed, [Adams P804], 4to, Venice, Bartolomeo Zanetti for Alessandro Vellutello & Giovanni Giolitto da Trino, 1538. ***R. Duddley, possibly Sir Robert Dudley (1574-1649), mariner and landowner, illegitimate son of Robert Dudley, Earl of Leicester, and Lady Sheffield, who spent much of his life in exile in Florence..
Vitruvius De Architectura Libri Decem 1552 edited by Guillaume Philandrier, first De Tournes edition, woodcut printer`s device to title, portrait of Guillaume Philandrier, illustrations in the text and initials, engraved folding plate, errata f. with colophon verso and an otherwise blank f. bearing a woodcut device verso at end, early ink marginalia to x4 verso and g3 (this scored through), occasional marginal ink scoring, title with early ink signature and soiled, folding plate with 3 small neat red numbers in pencil to upper margin, small light water-stain to outer margin of final 2 ff., a few other minor spots or small areas of soiling, contemporary calf, spine in compartments and gilt, spine ?and corners professionally repaired, rubbed, [Adams V908; Berlin Kat 1813; Cicognara 712; Fowler 406; Mortimer, French, 550], a very good copy, 4to, Lyon, Jean de Tournes, 1552. ***Philandrier had studied under Serlio..
Thucydides. De bello peloponnesiaco edited by Josephus Wasse, text in Greek and Latin, engraved title, 2 folding engraved maps, signature of John Green (1706-79), Bishop of Lincoln), Amsterdam, 1731 § Demosthenes. The Orations...translated into English by Thomas Leland, 3 parts in 1, portrait, folding map, 1771, contemporary calf, some wear; and 2 others, similar, folio and 4to(4)
Tassoni (Alessandro) Secchia Rapita,1788 engraved title with portrait medallion and head-pieces, contemporary straight-grain green morocco, spine gilt, g.e., spine a little browned, Venice, A.Zatta, 1788 § Bettinelli (S.) Delle Lodi del Petrarca, contemporary paste-paper wrappers, rubbed, spine worn and faded, Bassano, 1786, 8vo & 4to
Jonson (Benjamin) The Workes, 1640 2 vol., first collected edition, vol.1 with engraved pictorial title, lower corner lacking, engraved portrait frontispiece, with contemporary ink inscription on verso, subsidiary plays with separate dated titles, new endpapers, bookplate to pastedown, marginal browning, spotting, later polished speckled calf gilt with spine compartments and green morocco label, Richard Bishop, vol.2 with 10 of the 12 plays only (i.e.without `Bartholomew Fayre` and `Staple of Newes` and also without the general title), occasional foxing or soiling, some slight damp-staining and worm track in gutters, 17th century inscription on front endpaper, contemporary calf, gilt, slightly rubbed, [Richard Meighen], [Pforzheimer 560], folio, 1641 -[1640]; sold not subject to return(1) ***The plays included in the second volume are The Divell is an Asse, Masques, Under-Woods, Mortimer His Fall, Horace, The English Grammar, Timber, The Magnetick Lady, A Tale of A Tub, and The Sad Shepherd..
Baxter (William) Glossarium Antiquitatum engraved portrait frontispiece, woodcut head- and tail-pieces, repaired tear to title, no loss of text, contemporary speckled calf, rebacked, corners worn, rubbed, T. Woodward [&c.], 1733 § Shaw (William) An Analysis of the Galic Language, second edition, half-title, ex-library copy with marginal ink stamps, contemporary half calf, sympathetically rebacked, corners slightly worn, Edinburgh, 1778; and 2 others, Language, v.s.(4)
Benedict. Vita & gestis Henrici II. et Ricardi edited by Thomas Hearne, 2 vol., large paper copy, annotations in pencil, spotted, handsome later burgundy morocco, gilt, by J.Larkins, spines gilt, g.e., corners slightly rubbed, Oxford, 1735 § [Hearne (Thomas)] A Vindication of those who take the Oath of Allegiance, first edition, engraved portrait, contemporary manuscript note at foot of title, lightly soiled, modern half calf, spine gilt and a little faded, 1731, 8vo(3)
Hume (David) Philosophical Essays 1750 second edition, woodcut ornament to title, modern half calf, spine gilt, for A.Millar, 1750 § [Bordelon (Laurent)] The Management of the Tongue..., first edition in English, contemporary signature at head of title, light staining to inner margin at beginning and end, contemporary panelled calf, rubbed, rebacked, corners worn, 8vo, D. Leach for H. Rhodes, 1706 § Prideaux (Humphrey) The True Nature of Imposture Fully Displayed in the Life of Mahomet, 2 parts in 1, second edition, half-title, damp-stained towards end, engraved bookplate on front paste-down, contemporary calf, rubbed, [Wing P3417], 8vo, for William Rogers, 1697 § Buckingham (Duke of) The Works, 2 vol., second edition, initial imprimatur f., engraved folding portrait and plate, vignettes and initials, contemporary speckled calf, gilt, vol.2 covers all but detached, for J.B. and sold by AAron Ward, 1719; and 8 others, English Literature & History, v.s.(13)
Hawkesworth (John, editor) The Adventurer 2 vol. (containing 140 numbers), engraved portrait to each title, a few minor wormholes to upper margins of preliminaries of vol.2, trimmed, affecting most imprints, vol.1 L3 trimmed shorter than all other ff., occasional spotting, a few small stains within text, contemporary calf, sympathetically rebacked, covers rubbed and scuffed, [Rothschild 1120; Courtney & Nichol Smith, p.39; Chapman & Hazen, p.136], folio, for J.Payne, 1753-1754. ***Contributors include Samuel Johnson, Thomas, Joseph and Jane Warton, Hester Mulso and George Colman. Unconfirmed contributors include Bonnell Thornton and Elizabeth Carter..
Johnson.Dictionary of the English Language seventh edition, lacking engraved portrait frontispiece, title and first few leaves lightly water-stained, short tears to inner margin of title and following leaf repaired, some spotting, contemporary calf, rubbed, corners a little worn, rebacked with gilt spine preserving old morocco label, folio, for J.F. & C.Rivington [&c.], 1785.

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283287 Los(e)/Seite