IVAN OLINSKY (RUSSIAN-AMERICAN 1878-1962)Portrait of Marie, oil on canvas 91.5 x 76.2 cm (36 x 30 in.) signed upper left PROVENANCENorton Gallery and School of Art, Inc., West Palm Beach, gift of R.H. Norton (label on backing board)Christie's, New York, November 28, 1995, lot 236 (sold by the above to benefit the Collections Endowment)Acquired at the above by the present ownerLOT NOTESIvan Grigorievich Olinsky, born in 1878 in Elizabegrad, Imperial Russia (present-day Ukraine), came with his family to New York City, aged thirteen, in 1890. Soon after, he enrolled at the National Academy of Design, where he studied under American Impressionists Julian Alden Weir and Robert Vonnoh, as well as muralist and illustrator George W. Maynard, who then hired Olinsky as an assistant. In the 1890s, he was also a student the Art Students League under Bryson Burroughs. In 1900, Olinsky moved on to Boston as an aide to John La Farge. Increasingly motivated to establish himself as a painter in his own right, Olinsky ended his eight-year assistantship to La Farge and embarked a tour of Italy and France with his wife and first child. The most notable pictures of the period are his stunning Venetian scenes, including La Fete, San Marco (lot 155 of this sale).Upon his return to New York in 1910, Olinsky took up a studio in Greenwich Village, where he began producing, to near-immediate acclaim, the sensitive, Impressionism-inflected society portraits with which he is still associated (this part of his oeuvre is represented by lots 150, 156 and 157).He exhibited frequently, largely in group shows, notably at Macbeth Gallery (which had recently introduced "The Eight") and the Lyme Art Association of Old Lyme, whose artist colony Olinsky discovered in 1917 and participated in until the end of his life. Hildegard Cummings, author of the influential catalogue accompanying Olinsky's posthumous 1995 retrospective at the William Benton Museum of Art, attributes the lack of individual lifetime exhibitions to commercial success so tremendous that the painter simply did not have enough pictures to present for a solo show.In addition to painting, Olinsky maintained a fifty-year career as a teacher at both of his alma maters (one of his students was Lee Krasner), was a member of the Association of Mural Painters and the Salmagundi Club, and recipient of numerous prizes: the Thomas B. Clarke Prize (1914) the Andrew Carnegie Prize (1929 and 1955) and the Clara Obrig Prize (1939 and 1940).CONDITIONObserved in frame without the backing board, the painting is in overall excellent original condition. Some limited areas of craquelure. Scuff to the lower right. Inspection under UV light shows an even layer of varnish; no apparent signs of restoration. N.B. The plaster and gilt on the frame is unstable and flaking, revealing the bole. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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LASLETT JOHN POTT (BRITISH 1837-1898)Portrait of a Young Lady , 1885 oil on canvas 76.5 x 51 cm (30 1/8 x 20 1/8 in.) signed and dated lower rightCONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
ALEXANDER LAEMLEIN (FRENCH 1813-1871)Portrait fo Mother and Child, 1843 oil on board 101 x 77 cm (39 3/4 x 30 1/4 in.) signed and dated lower leftCONDITIONObserved in frame. The painting is in age appropriate condition. Overall craquelure visible to the naked eye. There is loss of paint around the perimeter and in the upper center of the canvas. The painting has been relined. Inspection under UV shows variant fluorescence but no apparent signs of retouching.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
ATTRIBUTED TO FRANZ XAVER WINTERHALTER (GERMAN 1806-1873)Portrait of a Dark-Haired Lady Reading, 1858 oil on canvas 113 x 88 cm (44 1/2 x 34 5/8 in.) signed and dated lower leftCONDITIONObserved in frame, the work is in overall good condition. The canvas has been re-lined. Fine and age-appropriate craquelure apparent overall. Inspection under UV light shows scattered areas of retouching throughout, including to the hair, folds of the dress above her hand, spots below the book, to overall 15-20% of the surface.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH MARBLE AND ORMOLU-MOUNTED MANTEL CLOCK, C.H. PARIS, LATE 19TH CENTURYmodelled as a pair of seated allegorical maidens flanking the white enamel clock face with Roman numerals and subsidiary seconds, one maiden holding up a volume in Latin, the other a drawing board with a portrait of a woman, an allegorical panel with putti below the clock face, with scrolling vine and twisted rope motifs along the border, supported by four bun feet, the movement stamped A.1 / C.H. PARIS; overall dimensions: 29 (h) x 50 (w) x 10.48 (d) cm (11 3/8 x 19 3/4 x 4 1/8 in.)CONDITIONThe clock is in overall excellent working condition with no significant issues apparent to the naked eye.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
LOUIS XVI-STYLE EBONISED AND FRUITWOOD GLAZED SIDE CABINET, 19TH CENTURYlouis XVI-style ebonised and fruitwood pargquertry inlaid porcelain-inset guilloche gilt-brass inset, glazed side cabinet from the 19th century. with inset polychrome-decorated porcelain plaques centering two portrait-plaque-inset cabinet doors flanking a mirriored shelf above an open shelf flanked by two glazed doors with beadwork trim raised on tapering legs. dimensions: 106.6 x 182.9 x 43.2 cm (42 x 72 x 17 in.)CONDITIONThe piece is in overall good condition. Missing piece of half-molding band on front rim. Light scuffing, denting and discoloration on surface. Would benefit from a refinish. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
19th century oval painted portrait miniature upon ivory, depicting head and shoulder portrait of Admiral Lord Nelson, within rectangular ormolu frame with scroll surround, miniature H7cm, frame H12cm. - Condition Report Miniature in good overall condition, slightly slipped within the frame. Frame with some light wear in places, appears to have been regilded.
19th century KPM style oval porcelain plaque, painted with a portrait of Beatrice Cenci after Guido Reni, signed verso s.l.n?, in Continental walnut shaped frame with Rose carved crest and easel style support verso, plaque 13cm, frame H25.5cm - Condition Report Plaque in good overall condition. Plus mount to frame worn, and frame with surface scratches and a few small nicks to edges.
20th century oval painted portrait miniature upon ivory, depicting Queen Elizabeth I, indistinctly signed and dated, within ebonized oval frame, miniature H8cm, frame H15.5cm - Condition Report Miniature in good overall condition. Frame with general wear, including scratches, and a few small knocks and nicks.
Pair of 19th century oval painted portrait miniatures upon ivory, the first example depicting Queen Elizabeth I, the second depicting Madame de La Valliere, each indistinctly signed, probably Jean S H, within gilt metal oval frames, overall H8cm - Condition Report Miniatures in good overall condition, some signs of slightly debris underneath the glass, would benefit from a clean. Frames with wear to gilding.
20th century oval portrait miniature upon ivory, depicting a Jos�phine Bonaparte, signed Ren�, within an ebonised rectangular frame with acorn mounted suspension ring, miniature H6cm, frame H13cm. - Condition Report Miniature in good overall condition. Frame with general wear and rubbing, and a few small knocks.
Giorgio Matteo Aicardi (1891-1984), Portrait of a Tudor lady wearing a ruff collar, oil on panel, 27cm x 23cm; together with a portrait of a gentleman in 19th century style, oil on panel, 35cm x 29.5cm, both un-framedArtists Studio and thence by descent, NB Artist's Re-sale rights may apply to this lot
Giorgio Matteo Aicardi (1891-1984), Portrait of a peasant with eyes downcast and a beard, oil on canvas, signed lower right, 40cm x 29cm; together with another of a lady, oil on canvas, laid onto board, signed and dated 1920 lower left, 34cm x 27cm, both un-framedArtists Studio and thence by descent, NB Artist's Re-sale rights may apply to this lot
Giorgio Matteo Aicardi (1891-1984), Portrait of a lady with eyes closed, fresco panel, 26.5cm x 26.5cm, un-framed, together with a monochrome sketch of the lady, oil on panel, signed upper right, 22.5cm x 23.5cmArtists Studio and thence by descent, NB Artist's Re-sale rights may apply to this lot
Giorgio Matteo Aicardi (1891-1984), Portrait of the artist's wife, Carmela Aicardi, wearing a yellow head scarf, oil on panel, signed lower left, 46.5cm x 32.5cm, together with a sketch of a child, oil on panel, 26.5cm x 22cm, both un-framed Artists Studio and thence by descent, NB Artist's Re-sale rights may apply to this lot
A 19th century French miniature enamelled portrait of Louis Philippe Marie Léopold d'Orléans, Prince of Condè, (1845-1866), with attribution in enamel en verso, housed in circular turned ebony frame, 7cm, diameter, with gilt metal stand CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Robert Sivell (1888-1958)+ Half length portrait of a girl Oil on panel Signed lower right 67cm x 53cm Housed in gilt frame + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Follower of Sir Peter Lely Portrait of Montague Cholmeley* Oil on canvas, with board behind Inscribed 'Montague Cholmeley Anno 1695' lower left 101cm x 89cm Restored Housed in gilt frame *Montague Cholmeley of Easton Hall, Lincolnshire b.1638 - d.1700 CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Charlotte Fawley (British, 20th century): Four studies of Rudolf Nureyev, oil / acrylic on canvas, all signed, comprising one with Nureyev seated topless on a chair, 60 yb 90.5cm, framed, 68 by 98.5cm, one with Nureyev in character against a red curtain, 60 by 45cm, framed, 68 by 52.5cm, one with Nureyev seated in a high wing armchair wearing a kilt, 60.5cm by 41cm, unframed, and the smallest a head and shoulders portrait, 23.5 by 34.5cm, framed, 34 by 45cm. (4)
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