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Preisdatenbank abonnierenA 19th Century Portrait On Canvas Unsigned portrait of an elderly whiskered gentleman, housed in period gilt gesso frame - some damage to corners. Label to frame verso, almost indiscernible 'H. E Payne', stamp to canvas verso 'Rowney & Co, 64 Oxford Street'. Image size, 10 x 8 inches, overall dimensions, 13.5 x 15.5 inches, craquelure throughout, please see accompanying image.
A Collection Of Mid 20th Century Paintings And Prints Five items in total to include three mid - century oil on canvas paintings, each in whit wood frames with Hessian inner border, to include impasto city scene with figures, still life with Poinsettia posy and seascape with rolling waves, image size of each, 19 x 27 inches. Along with print titled 'Das Portrait Des Kardinals' in gilt gesso frame and a small still life print on board. Varying condition, some wear to frames, paintings require cleaning. Please see accompanying image.
Edwardian Oil On Canvas Portrait Signed Wilfrid M Nolan Depicting a blonde female head and shoulders portrait, signed in umber oil to lower left 'Wilfrid M Nolan 1913' Some craquelure to upper left, housed in swept gilt period frame, image size, 19 1/2 x 15 inches, overall size, 23 x 28 inches. Please see accompanying image
Edwardian Oil On Canvas Portrait Signed Wilfrid M Nolan Depicting a brunette female head and shoulders portrait, signed in umber oil to lower left 'Wilfrid M Nolan 1913' Framed and glazed in swept gilt period frame with gilt inner mount, image size, 13 x 17 inches, overall size, 26 x 30 inches. Please see accompanying image
* Kinora of London flicker book viewer. "The Kinora" of London flicker book viewer, early 20th century, wooden model in golden oak, in working order, with three reels including No 347 (untitled), No 542 (untitled) and No 101 "Joys of Suburbia, Moving In".The Kinora system of "home movies" was an invention of the Lumière Brothers in 1896, based on an idea by Herman Casler. Reels of "flipbook" type photographic leaves mounted in a simple miniature mutoscope-type viewing machine were very popular until WWI. Reels could be bought or hired and featured scenes of actuality and many other subjects. It was possible to have one's Kinora moving portrait taken in a studio. A home movie camera was also marketed in England.(Qty: 4)
* Carte-de-Visite Albums. Six various albums of carte-de-visite portrait photographs, circa 1870s-90s, including Renaissance Album by M. & Co., containing 25 card leaves decorated with renaissance ornaments in gold and colours, with only 8 photographs inserted, The British Army Album by J.G.M. & Co. Ltd., containing chromolithograph title, and 18 card leaves of which 11 are chromolithographically decorated after designs by Captain Bunnett, containing 69 various carte-de-visite portrait photographs, a Mikado album, containing title and 18 chromo-decorated card leaves, and 24 carte-de-visite portrait photographs, original padded red velvet with onlaid decoration in ivorine or similar material to upper cover, another similar album bound in padded floral velvet binding, a St. Andrew Album by C.R. & Co., containing title, index leaf, and 18 colour lithographed leaves and 67 carte-de-visite portrait photographs, and one other similar album entitled 'Memorial of England's Glories' with 21 colour lithographed card leaves and approximately 60 carte-de-visite portrait photographs, each album with all edges gilt, and in original publisher's bindings, 4 with working clasps (2 defective), plus 2 other photograph albums: one containing approximately 50 mounted photographs of English scenery, circa 1890s, including Whitby, Durham, Furness Abbey, Rievaulx Abbey, and York, oblong folio, and one smaller album of photographs of Mongolia and China, circa 1930, containing 48 views, street scenes, traders and other subjects, all modern reprints from the original negatives, contained in period green mock leather album, oblong 8vo (Qty: 8)
* Early Photography. A group of 12 early photographs, 1850s/1860s, including two large-format salt prints of Balaclava by Roger Fenton, 1856; albumen print of an ancient stone by Adolphe Braun, circa 1860; 1850s salt print of a tree shelter; salt print of Bowood, Wiltshire, by John Dillwyn Llewellyn, circa 1854, Scottish Girls by Richardson, circa 1860; Eleanor Cross, Northants, circa 1858, salt print; Chapel of William Tell by Adolphe Braun, circa 1860; group portrait of the Windsor Drag, 1867, three albumen prints by Francis Frith of Shillingford Bridge, Abingdon and Torquay, circa 1865, various sizes, mostly on contemporary or original mounts (Qty: 12)
Europe & West Indies. A pair of photograph albums, 1890s, containing a total of approximately 250 albumen prints, mostly views in UK and Europe, including some with studio names of Frith Series, George Washington Wilson and James Valentine in the negatives, plus photographs of people including one of Kaiser Wilhelm II and a carte-de-visite portrait of Ludwig II of Bavaria, one album with 13 somewhat faded photographs of the West Indies including a view of Martinique harbour (1886), St Lucia, Cathedral at St John's, Antigua, Fig tree church, Nevis, six photographs of St Kitts, a view on the island of St Bartholomew and two local types, images 18.5 x 22cm and smaller), one album captioned in English, the second album captioned in English or German, contemporary padded morocco, rubbed, folio and contemporary diced calf gilt, covers detached, 4to (Qty: 2)
* Rejlander (Oscar Gustave , 1813-1875, attributed to). Portrait of an old lady, late 1850s, arched top albumen print, showing a seated woman in profile leaning against a wall, dark spot to upper right, contemporary paper mount, modern mat, image 19 x 14cmThis attributed photograph was discovered in a photograph album on a page facing another known portrait photograph by Rejlander. Both photographs had the same arched top, were of the same size and appeared to be of identical date. There is no catalogue raisonée of Rejlander's work and new attributed photographs such as this one are being discovered on an ongoing basis.(Qty: 1)
South Africa. British family photograph album, circa 1900, 50 albumen prints (various dimensions, approx. 10 x 7.5 cm to 14.5 x 10 cm) mounted mainly rectos only to linen-hinged stiff card leaves, including photographs of the family with their African servants, village scenes, ethnographic types including a warrior with shield and assegai, an informal group portrait at Colenso, and a street scene in Ladysmith, a handful of images rather spotted or faded, one additional photograph on card laid in (printed caption verso: 'Trappist Mission Mariannhill, Natal South Africa, 1898', contemporary purple half skiver binding, worn, front joint partly split, oblong 4to (24.4 x 29.7 cm) (Qty: 1)
Banking album. Portraits of Eastern staff during a visit of Mr C. Lewis, December 1909/July 1910 [title cover], containing 60 professional gelatin silver print photographs of Lewis in formal group portrait photographs with other staff members at the various places he visited, all window-mounted on 15 card leaves, mostly 21 x 27cm and similar, the mounts neatly captioned with city or town name to upper margin and official personnel to lower margins, many of the photographs including local unnamed personnel in formal dress, all edges gilt, contemporary padded morocco over boards, upper cover titled in gilt, worn and covers detached, oblong folioPossibly the Wallace Brothers Sassoon Bank Limited. The places visited are Bombay, Calcutta, Rangoon, Penang, Ipoh, Singapore, Quala Lumpor, Hong Kong, Shanghai, Hankow, Tientsin, Kobe, Yokohama, New York and Taiping.(Qty: 1)
Central Africa. Three albums of ethnographic studies, circa 1930, 287 gelatin silver prints (5 x 5 cm) window-mounted rectos and versos in grey thick card leaves, comprising village scenes, local types (mainly female and bare-breasted), and portrait studies depicting scarification and lip-plugs, one window-mount empty, embossed Photo Plait ticket to front pastedown of 2 of the albums, contemporary simulated crocodile-skin cloth bindings, small 4to (17 x 17 cm)The style of lip-plugs and scarification resembles that of the Sara people, who reside in what are now Southern Sudan, Chad and the Central African Republic, although one of the images depicts the French steamship Alphonse Fondère, which is recorded as operating on the Congo River; these photographs may have been taken in the environs of the Ubangi River, a major tributary of the Congo in the modern-day Central African Republic,(Qty: 3)
* Ferdinand (Franz, 1853-1914), Archduke of Austria-Este. Portrait of Archduke Franz Ferdinand with his wife Sophie, Duchess of Hohenberg, and their three children, Prince Ernest von Hohenberg, Princess Sophie and Maximillian, Duke of Hohenberg, circa 1910, gelatin silver print, 22 x 16cm, negative no. 106 in the image lower right, original card mount with German inscription to lower mount in an unidentified hand, mount soiled and with surface paper loss, together with a group of seven contemporary studio photographic portraits of unidentified Europeans including some duplicates, plus eight postcards, three featuring Archduke Franz Ferdinand, some postally used with English and German messages (Qty: 16)
* Holmes (Randolph Bezant, 1888-1973). A group of three 'oilbrom' colour photographs of Afghanistan, circa 1930, all titled and signed by Holmes to lower mount, 'The Two Roads, Khyber Pass', 'Looking into Afghanistan', and 'The Gorge, Ali Masjid, Khyber Pass', the first 17.5 x 29.5cm, the second and third 23 x 28.5cm, original mounts, the last framed and glazed, all with Holmes labels to versos, plus a studio portrait of an unidentified man in uniform with medals signed by Holmes on lower mount and two unidentified landscape views (Qty: 6)
* India. A photographic archive relating to the Honourable Colonel and Mrs St John in India, circa 1920s, including an album beginning with their arrival at Quetta on 3 November 1927 to take over the charge of 'The Baluchistan Agency', containing approximately 70 mounted gelatin silver prints of officials and functions, etc., some captioning in white china ink throughout, photographs 10 x 16cm and smaller, some damp-staining, contemporary limp cloth, together with a second album containing a further 45 related uncaptioned gelatin silver prints, mostly small format but including two larger photographs, 23 x 29cm, contemporary boards, both oblong folio, plus approximately 50 further related photographs including 12 earlier albumen prints of India, 19 x 23cm, mounted back to back on brittle paper leaves, and seven larger gelatin silver prints, approximately 23.5 x 28.5cm, relating to the official work of Mr and Mrs St John in the local community and including one studio portrait of four Indian children in traditional dress, inscribed 'Pat', 'Bubbles', Mickey' and 'Joey' to lower part of image, 22 x 28.5cm, plus two photographic portraits (one not from life) in Asprey leather gilt desk frames (Qty: a carton)
* Taylor (Elizabeth, 1932-2011). Full-length portrait of the young Elizabeth Taylor in red velvet dress with matching bonnet, 1950s, half-plate colour transparency by an unidentified photographer, corner pinholes, 24.5 x 19.5cmProvenance: From a small archive of photographs from the legendary costumiers B.J. Simmons of Covent Garden. See also lots 289, 290 & 325.(Qty: 1)
* Leica IIf rangefinder with Summarex 85mm f/1.5 chrome portrait lens. Leica IIf chrome rangefinder camera, Serial Number 654678, manufactured in Wetzlar, Germany in 1953, excellent condition with only minor surface marks, good working order, with body cap, together with Leitz Summarex 85mm f/1.5 chrome portrait lens , Serial Number 732147, made in Germany in 1949, very good condition, some internal dust not affecting optical quality, focusing very stiff, lens may need lubrication and or servicing/repair, aperture moving nicely, with matching metal lens hood and front/rear caps. (Qty: 2)
Sir David Muirhead Bone (Scottish, 1876-1953)'Antwerp'CharcoalSigned, titled and dedicated to 'Mrs Mayer with kindest regards Aug 8 1929' 20.5 x 27.5cm Together with 'Tagus', charcoal, ink and watercolour, signed and inscribed in ink to G. Mayer, Christmas 1939, lower left, titled in ink over pencil lower right, 13.5 x 18cm, also with a small etched portrait of Sir Muirhead Bone by Mukul Dey, signed by both artist and sitter, inscribed by Bone to G.M. Easter 1922, 10 x 13cm, and 'A Reminiscence of Gargunnock', ink and wash, titled and inscribed 'To Obach & Co', below, 13 x 14cm (3)
SEVRES STYLE CHOCOLATE COVER AND TREMBLEUSE SAUCER, a painted portrait of Duchess du Barry on a deep blue round with floral cartouches, interlinked Ls, diameter of saucer 17cm; together with a Lille faience chocolate cup, cover and trembleuse saucer, painted with rural scenes, printed mark, diameter of saucer 16.5cm (2)
Covent Garden London - Two 20th Century paintings on paper depicting street acts in Covent Garden Market including a small acrylic on paper study of a juggler along with a larger oil on paper in the style of Bruce Yardley depicting a group of street jugglers. Both paintings unsigned. Measures: 42cm high x 55cm wide together with a collection of paintings on canvas to include two oil on canvas paintings of female nudes in the style of Lucian Freud, and two portrait studies of a melancholy young man painted in brown hues. All paintings unstretched and unsigned. Measures: 59cm high x 49cm wide.
A 19th Century Victorian Daguerreotype portrait photography on metal, depicting a victorian lady in a sitting position holding a book, having a oval gilt border, set within a burgundy leather and velvet lined case, marked R.Lowe Promenade Cheltenham to rear of case. Along with a 18th Century oval horn snuff box, with brass cartouche inscribed SB atop. Daguerreotype measures 7.5 cm high x 6 cm wide.
Bertram Park (1883-1972) and Yvonne Gregory (1889-1970) British Photographers Portrait Studies - A large photographic archive of original black and white, some sepia bromide prints of male and female portraits. Photographed from the late 1930's to mid 1940's in the Three Photographers London Studio. A total of approx 350 photos sized from around 16x21cm with stamped print on reverse with photographers name. All are supplied in over 100 archival enveloped, each detailing the individuals name and date taken, some also include press clippings relating to the person with other useful information. The photographers Bertram Park and Yvonne Gregory were a married couple that shared a career together along with fellow photographer Marcus Adams at a studio in Dover Street, London England. The people photographed were of wealthy or important families including Royalty.
Of Anglo-Indian interest, a large framed photograph of Bombay, a portrait of Mrs Kinelly, a pencil drawing, another relating to shipping, a hardwood standard lamp, intricately carved with animals and birds among foliage, three similar low tables, largest 141cm x 48cm and a small table with inlaid decoration,Provenance: The Anglo Indian Kinelly Family who were resident in India until the early 1930's. .
CINEMA, actresses, original portrait stills, inc. Lea Padovani, Nicola Paget, Eleanor Parker (two different), Gail Patrick, Susan Peters, Mary Philbin, Susan Pleshette, Patricia Plunkett, Eleanor Powell, Jane Powell (two different), Micheline Presley, Dorothy Provine. mainly 8 x 10, G to VG, 14
CINEMA, actors, original portrait stills, inc. Eugene Pallette, Michael Palin, Larry Parks, Nigel Patrick, Gregory Peck, George Peppard, Anthony Perkins, Slim Pickens, Walter Pidgeon, Eric Porter, William Powell, Tyrone Power, Dennis Price, Vincent Price, Noel Purcell, Edmund Purdom, mainly 8 x 10, G to VG, 16
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