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283287 Los(e)/Seite
Los 200
A Regency wooden tea caddy, with painted decoration, the cover with a handle and scalloped decoration, each side with a profile portrait, on the left side one monogrammed M.T.G., each side with a floral border, internally a lid enclosing the storage compartment, worn condition with some damage 11cm H x 12cm W x 10cm D AF
Los 298
A large black and white full length photographic portrait of General Sir Percy Pollexfen de Blaquiere Radcliffe KCB KCMG DSO (9th February 1874-9th February 1934) With an ink dedication to the bottom mount, dated 1933, whilst he was General officer Commanding Southern Command. He fell from his charger and died of a heart attack on his 60th Birthday. Overall size in frame 52cm x 32cm.
Los 314
Photography - Municipal History - The Midlands - a Victorian photograph album, containing cabinet card portraits, many of mayors or aldermen and dignitaries wearing chains and regalia, mostly Tamworth and Birmingham studios, some possibly of Masonic interest, an interesting portrait of a lady at Harvest Festival, the album with some reference to a family called Sapey, the inside cover with presentation dedication With the Mayor's Compliments, Councillor G Hoskinson, Easter 1894
Los 35
A Britannia silver commemorative oval plaque, inscribed in relief, Charles, Prince Of Wales, Invested By H.M. Queen Elizabeth II At Caernarvon Castle, July 1st 1969, with central portrait, mounted on oak panel, inscribed to verso, Thomas Goode & Co. Ltd., London W.1., No.3 of a Limited Edition of 25, 17cm x 14cm, London 1969
Los 396
A hallmarked 18ct gold portrait miniature pendant brooch on a gold chain. The brooch of oval form with a hand painted portrait within an enamelled floral frame. The figaro link chain with a spring ring clasp (marked 375). Brooch import marked London 1979. Measures 4cm. Chain measures 18 inches. Chain weight 1.6g. Brooch measures 6.5g.
Los 428
Jack Jones (Welsh 20th century), a small collection of sketches being remnants from items sold from his studio collection. Includes sketchbook with portrait studies, nude etc. small signed self portrait 'J J as young Sswengali' dated 3/11/86, village scene, colour pallet in abstract colours, watercolour of a seaside scene, various postcards etc. (B.P. 21% + VAT)
Los 674
SABATIER BLOT (1801-1881), Edward David Evans, Daguerreotype Dated 1842,portrait of Edward David Evans, eldest son of Edward Evans of Great Queen Street London, at 24 years of age, taken at the studio of Sabatier Blot in Paris in 1842. Daguerreotype with Blot label verso, the description and signature in ink on the label written by E D Evans at a slightly later date as it gives his Strand address. The Daguerreotype is in lower half of original silk lined red Morocco case case, Daguerreotype plate 11.4cm x 9cm. Biographical Note: A E Evans were printsellers and publishers in business from 1819 to 1864, father (Edward Evans 1789–1835), later the son (Edward David Evans 1818–1860) with his mother Anne E Evans and latterly his brother Albert. The premises at the Strand were first occupied in 1853 according to Wikipedia but no citation given.
Los 683
PAMELA BONE (1925-2021), Five Creative Colour Landscapes,printed c.2000-2006, five colour photographs, Cibachrome prints, each a manipulated image, some or all these prints are from multiple superimposed negatives, four signed in ink on the image, all with photographer's hand written notes taped verso regarding the images and framing, images approximately 31cm x 30cm, in glazed frames largest 54cm x 51cm Note: These photographs were selected by Pamela Bone and were displayed together at her in residence in Dorking, Surrey. Some frames appear to be reused and may have an earlier image concealed. Note: Pamela Bone (Lady Pamela Goodale) Pamela Bone (British, 1925-2021) created a significant body of experimental photographic works between 1952 and 1992. Though some of her works were published and exhibited in her lifetime – and she collaborated with notable figures in the world of film, conceptual art and electronic music during the 1970s – this innovative work is now being re-assessed and appreciated. At her death Bone bequeathed her photographic works to the Victoria and Albert Museum. Martin Barnes, Senior Curator, Photography, at the V&A oversaw the accession of this collection. Pamela Bone’s estate included some multiples and small editions of some of her works, these have been released for sale by auction at Flints. Please note that purchasers acquire the original physical print or artwork, where an image is also held in the V&A’s collection, the V&A holds copyright to reproduction of that image. Martin Barnes has summarised Pamela Bone’s career and work: “Bone attended Guildford School of Art between 1952-54, creating black and white still-lifes and portraiture alongside colour work. In 1953, she also studied in Paris with advertising and portrait photographer André Thevenet and worked in advertising. Her photographs were published in Photomonde, Vogue, Queen and House and Garden magazines. In 1958, she went to stay with a student friend in Calcutta and from there travelled throughout the following year in India, Sikkim and Kashmir. On returning to the UK, she abandoned commercial photography and focussed on independent art practice. She photographed in North Uist, Outer Hebrides and around Dartmoor, for her Dartmoor Trees and River series. She also studied sound recording. From 1965 Bone began experimenting with a conceptual slide show of her transparencies, based around the themes of her travels, the seasons and children, still life and landscape. She applied this approach in her printing methods, which combined and overlayed transparencies and prints from different periods with photograms to create dreamlike, textured impressions of imagined landscapes. This culminated in Circle of Light, (1972) an experimental film created from transparencies by Bone collaborating with filmmaker Anthony Roland, video art and installation artist Elsa Stansfield (1945-2004) and composer Delia Derbyshire (1937-2001) of the BBC Radiophonic Workshop (and who famously recorded the Doctor Who theme tune). A VHS copy of Circle of Light is in the V&A National Art Library (NAL). Bone’s approach to collaging and recombining works became her main approach and is a pre-cursor to contemporary practices of sampling. In 1973, she married Sir Ernest William Goodale, becoming Lady Pamela Goodale, but she continued to sign her artworks with her maiden-name. Bone was a lifelong follower of Christian Science. There were many books by the movement’s founder, the religious leader and author Mary Baker Eddy (1821- 1910) in her library. Bone was shy and reclusive and worked largely in seclusion. She set up a Cibachrome colour processing darkroom in 1981 in an outbuilding at her home in Dorking. This process allowed her to make her own direct colour positive prints from her colour transparencies. She made use of ‘lith’ printing as overlay masking for her cibachromes, and also produced pictures using silks. An exhibition of cibachrome prints, Let There Be Light was shown at West Dean College in 1991. Bone ceased printing in 1992 but began meticulously preserving her works. Towards the end of her life, she produced two limited-edition, hand-printed publications of her photographs, Wings of the Wind (2000) and Seven Doors: Finding Freedom of Expression Through Photography (2009) both in the NALâ€
Los 684
PAMELA BONE (1925-2021), Five Framed Creative Photographs,Two Shadow Leaves Nov 2009, overlapped reversed photogram of a skeleton leaf, unsigned, titled on note verso with 'These are my signature pix changed places .... These 2 shadow leaves are printed on American cotton 100% archival', image 24cm x 14cm, frame 38cm x 26cm, a collage black string of silk and foil-backed negatives of leaves, on orange ground, frame 56cm x 54cm, a colour composite leaf skeleton image, a woodland scene and farm machinery, all probably Cibachrome Note: Pamela Bone (Lady Pamela Goodale) Pamela Bone (British, 1925-2021) created a significant body of experimental photographic works between 1952 and 1992. Though some of her works were published and exhibited in her lifetime – and she collaborated with notable figures in the world of film, conceptual art and electronic music during the 1970s – this innovative work is now being re-assessed and appreciated. At her death Bone bequeathed her photographic works to the Victoria and Albert Museum. Martin Barnes, Senior Curator, Photography, at the V&A oversaw the accession of this collection. Pamela Bone’s estate included some multiples and small editions of some of her works, these have been released for sale by auction at Flints. Please note that purchasers acquire the original physical print or artwork, where an image is also held in the V&A’s collection, the V&A holds copyright to reproduction of that image. Martin Barnes has summarised Pamela Bone’s career and work: “Bone attended Guildford School of Art between 1952-54, creating black and white still-lifes and portraiture alongside colour work. In 1953, she also studied in Paris with advertising and portrait photographer André Thevenet and worked in advertising. Her photographs were published in Photomonde, Vogue, Queen and House and Garden magazines. In 1958, she went to stay with a student friend in Calcutta and from there travelled throughout the following year in India, Sikkim and Kashmir. On returning to the UK, she abandoned commercial photography and focussed on independent art practice. She photographed in North Uist, Outer Hebrides and around Dartmoor, for her Dartmoor Trees and River series. She also studied sound recording. From 1965 Bone began experimenting with a conceptual slide show of her transparencies, based around the themes of her travels, the seasons and children, still life and landscape. She applied this approach in her printing methods, which combined and overlayed transparencies and prints from different periods with photograms to create dreamlike, textured impressions of imagined landscapes. This culminated in Circle of Light, (1972) an experimental film created from transparencies by Bone collaborating with filmmaker Anthony Roland, video art and installation artist Elsa Stansfield (1945-2004) and composer Delia Derbyshire (1937-2001) of the BBC Radiophonic Workshop (and who famously recorded the Doctor Who theme tune). A VHS copy of Circle of Light is in the V&A National Art Library (NAL). Bone’s approach to collaging and recombining works became her main approach and is a pre-cursor to contemporary practices of sampling. In 1973, she married Sir Ernest William Goodale, becoming Lady Pamela Goodale, but she continued to sign her artworks with her maiden-name. Bone was a lifelong follower of Christian Science. There were many books by the movement’s founder, the religious leader and author Mary Baker Eddy (1821- 1910) in her library. Bone was shy and reclusive and worked largely in seclusion. She set up a Cibachrome colour processing darkroom in 1981 in an outbuilding at her home in Dorking. This process allowed her to make her own direct colour positive prints from her colour transparencies. She made use of ‘lith’ printing as overlay masking for her cibachromes, and also produced pictures using silks. An exhibition of cibachrome prints, Let There Be Light was shown at West Dean College in 1991. Bone ceased printing in 1992 but began meticulously preserving her works. Towards the end of her life, she produced two limited-edition, hand-printed publications of her photographs, Wings of the Wind (2000) and Seven Doors: Finding Freedom of Expression Through Photography (2009) both in the NALâ€
Los 685
PAMELA BONE (1925-2021) Gelatin Silver Prints,photographed and printed 1960s and later, each with photographers wetstamp verso, 20+ animals (wildlife and pets), 60+ landscapes and architecture, 20+ taken in India, labelled ' B&W copies from Indian transparencies' with some contact prints etc. Note: Pamela Bone (Lady Pamela Goodale) Pamela Bone (British, 1925-2021) created a significant body of experimental photographic works between 1952 and 1992. Though some of her works were published and exhibited in her lifetime – and she collaborated with notable figures in the world of film, conceptual art and electronic music during the 1970s – this innovative work is now being re-assessed and appreciated. At her death Bone bequeathed her photographic works to the Victoria and Albert Museum. Martin Barnes, Senior Curator, Photography, at the V&A oversaw the accession of this collection. Pamela Bone’s estate included some multiples and small editions of some of her works, these have been released for sale by auction at Flints. Please note that purchasers acquire the original physical print or artwork, where an image is also held in the V&A’s collection, the V&A holds copyright to reproduction of that image. Martin Barnes has summarised Pamela Bone’s career and work: “Bone attended Guildford School of Art between 1952-54, creating black and white still-lifes and portraiture alongside colour work. In 1953, she also studied in Paris with advertising and portrait photographer André Thevenet and worked in advertising. Her photographs were published in Photomonde, Vogue, Queen and House and Garden magazines. In 1958, she went to stay with a student friend in Calcutta and from there travelled throughout the following year in India, Sikkim and Kashmir. On returning to the UK, she abandoned commercial photography and focussed on independent art practice. She photographed in North Uist, Outer Hebrides and around Dartmoor, for her Dartmoor Trees and River series. She also studied sound recording. From 1965 Bone began experimenting with a conceptual slide show of her transparencies, based around the themes of her travels, the seasons and children, still life and landscape. She applied this approach in her printing methods, which combined and overlayed transparencies and prints from different periods with photograms to create dreamlike, textured impressions of imagined landscapes. This culminated in Circle of Light, (1972) an experimental film created from transparencies by Bone collaborating with filmmaker Anthony Roland, video art and installation artist Elsa Stansfield (1945-2004) and composer Delia Derbyshire (1937-2001) of the BBC Radiophonic Workshop (and who famously recorded the Doctor Who theme tune). A VHS copy of Circle of Light is in the V&A National Art Library (NAL). Bone’s approach to collaging and recombining works became her main approach and is a pre-cursor to contemporary practices of sampling. In 1973, she married Sir Ernest William Goodale, becoming Lady Pamela Goodale, but she continued to sign her artworks with her maiden-name. Bone was a lifelong follower of Christian Science. There were many books by the movement’s founder, the religious leader and author Mary Baker Eddy (1821- 1910) in her library. Bone was shy and reclusive and worked largely in seclusion. She set up a Cibachrome colour processing darkroom in 1981 in an outbuilding at her home in Dorking. This process allowed her to make her own direct colour positive prints from her colour transparencies. She made use of ‘lith’ printing as overlay masking for her cibachromes, and also produced pictures using silks. An exhibition of cibachrome prints, Let There Be Light was shown at West Dean College in 1991. Bone ceased printing in 1992 but began meticulously preserving her works. Towards the end of her life, she produced two limited-edition, hand-printed publications of her photographs, Wings of the Wind (2000) and Seven Doors: Finding Freedom of Expression Through Photography (2009) both in the NALâ€
Los 49
Rare Arundel Club London 1911 - Annual subscribers part print collection(14 of 20 present). Eighth Year of Publication. Included are No. 1 - Andre Del Verrocchio(Florentine School 1435-1488) 'Madonna and Child' Otto Guterkunst collection, No. 2 - Cosimo (Florentine School 1439-1507) 'Catherine of Siena Delivering the Rule to the Sisters of the Second Order of the St. Dominic' National Gallery of Scotland, No. 3 - Mariotto(Florentine School 1474-1515) Somers collection, No. 4 - Lorezo Lotto(Venetian School 1480-1555) Somers, No. 5 - Jacopo 'Tintoretto' (Venetian School 1518-1594) 'The Baptism of Christ' Somers, No. 6 - Giovanni Battista Tiepolo(Venetian School 1692-1769)'The Building of the Wooden Horse' F.A. White, No. 7 - Giovanni Battista Tiepolo(Venetian School 1692-1769) 'Entry of the Trojan Horse to Try' F.A. White, No. 8 - Domenico 'El Greco' Theotocopuli(Spanish School 1548-1625) 'Genre Picture' Carfax & Co., No. 9 - Josef Ribera(Spanish School 1588-1656) 'The Geographer' Mrs. Baillie Hamilton, No.10 - Francisco Jose De Goya Y Lucientes(Spanish School 1746-1828) 'Dona Antonio Zarate' Otto Beit, No. 11 - Paulus Van Somer(Flemish School 1576-1621) 'Duke of Richmond & Lenox' Duke of Norfolk, No. 13 - Jan Van Bylert(Dutch School 1603-1671) 'Portrait of a Man' Somers collection and No. 14 - Frans Hals(Dutch School 1580/1-1666) 'Lute Player' Otto Beit, No. 17 Sir Joshua Reynolds P.R.A.(English School 1728-1792) 'Lady Decies & Child' collection of Otto Beit. Prints are in generally excellent condition, the paper covers have wear and marks, remnants of the outer card wallet remain. NOTES - From 1904 The Arundel Club did an annual series of reproductions taken from Old Masters paintings. Paintings mostly from private collections. Each year they produced around fifteen to twenty. Protective paper cover, printed titles and housed in paper folder detailing contents. Distributed to it's members.The Arundel Society Notes - Founded in London in 1849 and named after the Earl of Arundel, the famous collector of the Arundel Marbles. Originally the idea of the lawyer Bellenden Ker. The society was discontinued in 1897 and it would be seven years before the 'Club' was formed. Also known as "Arundel Society for Promoting the Knowledge of Art"
Los 117
A collection of art reference books. Books are: The paintings of LS Lowry oils & watercolours, Essential Monet, Derek Balmer – A Singular Vision, The Faber Gallery Gauuin (second collection), Picasso & the great painters, Atlantic Edge West Cornwall, Picasso Taschen (plastic wrapped sealed), The World of Picasso, Picasso Hans L.C Jaffe, Mary Fedden – Portland Gallery, R.I.P New York Soray Can Memorials, Patrick Heron – early & late garden paintings, Picasso Ingo F Walther Taschen, The Tate – A History – Frances Spalding, Picasso The Arts Council 1960 (damp staining), Crimes of Passion – Street Art Bristol, Charity on Camera in Edwardian Bristol, Futurism & Dadaism – Jose Pierre, The Fundamentals of Figure Drawings, Maus – A Survivors Tale – Art Spiegelman, Musse Picasso – Visitors Guide, Picasso’s Picassos, The Photo Book – Phaidon, The Silent Studio, Mary Fedden – A Retrospective, Clevedon Photographic Memories, Composition, William Blake – Kataleen Raine, 10000 of Art, Van Gogh – Josephine Cutts & James Smith, Augustus John Drawings, Impressions of the 20th Century, Metropolitan seminars in Art, Stencil Graffiti Tristan Manco, Street Logos Tristan Manco, The Life & Works of Andy Warhol. Also included are Adventures with Shapes, Chichester 10 Portrait of a Decade, Matisse Erotic Sketches, Sketches in Pen & Ink, Anatomy Figure Drawing Handbook, The Royal College of Art – Christopher Frayling, Van Gogh A.M Hammacher, Barbara Hepworth, Barbara Hepworth Sculpture Garden, Positivesverses by Thom Gunn, Henry Moore Penguin Books, The Virgin Mary through the eyes of painters, Tutankhamen – Christiane Desroches-Noblecourt, Barnens Konstbook, Leonardo 80 colour plates – dolphin art book, Barbara Hepworth – Centenary, Munch Grange Books, Passion for Paint the life and work of Barrington Tabb (signed), Kurt Jackson – paintings of Cornwall & the Scillies, Gasworks to Gallery – the story of Tate St Ives, Essential Klimt, Bristol Impressionists, The Peggy Guggenheim Collection, Essential William Morris, Simon Schama’s Power of Art, The Story of Art E.H Gombrich, Titian Norbert Wolf, Gauguin , Pablo Picasso Four Themes, Bacon Luigi Ficacci – Taschen, British Watercolour & Drawings Jessica Feather, Klee Will Grohmann, Stanley Spencer an English Vision, Diana in Art, The Banksy Q, Kandinsky – Taschen, Hopper – Taschen, Schiele – Taschen, Japanese Colour Prints, Henry Moore’s Sheep Sketches book, Holbein to Hockney from the Royal Collection, Frida Kahlo Diego Rivera & Mexican Modernism, In the Shadows of no Towers – Art Spiegelman, Home Sweet Home – Banksy, Ben Nicholson Norbert Lynton, Henri Matisse Cut-Outs – Taschen.
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283287 Los(e)/Seite