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283287 Los(e)/Seite
Los 12
A collection of unframed prints, drawings, watercolour and oils to include: an English school, early 20th century, watercolour, Mediterranean, beach scene, a drawing of a castle signed Jones, two drawings of North Italian peasants, an oil on canvas depicting Jesus, a late 19th century marine watercolour, a gouache of Loch Katrine signed G.Irwood and a late 19th century oil on canvas laid on board, portrait of a lady.
Los 2495
Mid-17th century AD. A gold band ring with black enamelled scrolling decoration to the shoulders; round bezel set with enamel portrait of Charles I facing forward, goatee beard and long hair to shoulders, rock crystal cover over portrait; underside of ring engraved with skull with C R to either side, above '30th Jan', and below '1648'. 6 grams, 23.40mm overall, 21.00mm internal diameter (approximate ring size British W 1/2, USA 11 1/4, Europe 25.97, Japan 25"). (1"). Ex Bunker collection, Hertfordshire, UK; acquired at an art fair in Oxford, 1970. Supplied with a positive X-Ray Fluorescence metal analysis certificate. Memorial jewellery, such as this ring, would have been produced shortly after the execution of Charles I so that the wearer could both mourn the death of the king and show allegiance to the crown, a considerably dangerous thing to do during the republic set up by Oliver Cromwell. Through the use of the black enamel on the shoulders, death is signified, and its mix of Baroque and Moresque design to create the floral elements is elegantly balanced and frames the raised bezel, which was typical for mid to late 17th century rings. The Moresque style derives from the term “Moorish” in English, and is applied to art styles of the 16th and 17th centuries, seen in jewels with the elaborate patterns which take on a floral nature. The blue background of the portrait denotes the royal connections of the subject, and the fact that Charles is looking up to heaven shows that he has become a martyr. Whilst history documents the monarch’s execution on the day of January 30, 1649, the date 1648 on this, and other known pieces, is based on the Julian calendar, which was used in England until the 18th century. Using the Julian calendar, the year did not commence until March, so many contemporaneous mourning pieces record the execution as having taken place in 1648. Utilising the memento mori skull with “CR” upon the reverse shows the piety towards Charles and also shows how the elements of mourning had become engrained within society. Black enamel was the primary identifier for death and the memento mori symbols were now appropriated for the basic sentiment of death. As a ring for a royalist, this memorial ring was made to show how the wearer connected their political sentiments back to the crown and that this was something they were proud to establish. Very fine condition. A large wearable size.
Los 559
An enamel backed dressing table mirror Centred with a painted ivory portrait miniature depicting two women and cherubs before a fountain, signed F. Maniy, mounted in a velvet lined protective covering. 30 cm long. CONDITION REPORTS: The miniature worn with some paint distortion, some tarnishing and minor silvering wear to mirror, some wear to protective covering, general wear.
Los 133
A Suffolk Regiment Memorial woolwork picture Worked with Regimental flags and military accoutrements, centred with a photographic portrait of the deceased, framed and glazed. 48.5 x 44.5 cm. CONDITION REPORTS: Generally good condition, expected wear, some slight fading/staining, glass cracked, part backing lacking.
Los 901
WENCESLAUS HOLLAR (1607-1677) Czechoslovakian, After ANTONY VAN DYCK (1599-1641) Flemish Portraits Engravings mainly on laid paper, comprising: Elisabetha Villiers (P.1457) (two copies), Alathea Talbot (P.1354) (two copies), Hieronymus Westonius (two copies), Maria Stuart (P.1484), Madama Killegry (P.1449), Elisabetha Haruey, Johanni Evelino (P.1393), and Serenissimus Princeps Carolus (P.1432), Carolus II, and an untitled portrait The former 19 x 25.5 cm (Quantity) CONDITION REPORTS: All generally in good condition with expected wear, trimmed, some to and beyond margin, some staining, some mounted, some stuck down, inscriptions to mounts, some small tears and slight losses.
Los 877
After REMBRANDT HARMENSZOON VAN RIJN (1606-1669) Dutch Christ and the Woman of Samaria Among Ruins; The Three Trees; Landscape with a Cottage and a Hay Barn; The Windmill; Portrait of Johannes Lutma; Man at a Desk Wearing a Cross and Chain; and Old Man with a Beard, Fur Cap and Velvet Cloak Seven etchings, all on laid paper with Van Gelder Zonen watermark The largest 29.5 x 24 cm (7) CONDITION REPORTS: Some staining/foxing, pages torn with some losses, plates generally unaffected by damage though with some slight staining/discolouration.
Los 320
CHINESE SCHOOL (19th/20th century) Portrait of Courtly Figures Oil and bodycolour on canvas laid down 86 x 134 cm overall, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, canvas made up of three stitched parts, fold and other creases, some minor paint loss, some minor fading/staining.
Los 272
An 18th/19th century Iranian/Persian ivory handled dagger The curved blade with gold and silver onlay arabesques and scrolls, the handle painted with a portrait of Nader Shah (Shah of Persia from 1736-1747) opposing a further portrait of Nade Shah's first son, Reza Qoli Mirza Afshar (1717-1749). 38 cm long overall. CONDITION REPORTS: Shrinkage crack to handle, rubbing/losses to painting, sheath material distressed.
Los 50
ENGLISH SCHOOL (19th century) Portrait Miniature of a Young Lady Watercolour on ivory, opposing a hair work panel 5.5 x 7 cm overall, yellow metal framed and glazed as a brooch CONDITION REPORTS: Generally in good condition, expected wear, small chip to glass, slight deterioration to hair panel.
Los 1083
JOHN BRIDGES (flourished 1818-1854) British Portrait of Children in a Coastal Landscape Oil on canvas laid down Signed and dated 1843 58.5 x 41 cm, framed CONDITION REPORTS: Generally in good condition, expected wear, some old tear repairs and associated over painting, paint a little thin in parts, slight losses to frame.
Los 59
ENGLISH SCHOOL (early 19th century) Portrait of a Girl Holding a Fan Watercolour and bodycolour 18.5 x 21.5 cm, rosewood framed and glazed; together with another, of a Young Girl Chasing a Moth, 12 x 14.5 cm, oval framed and glazed (2) Note: Sold with original receipts from Cynthia Walmsley Ltd for £500 and £350 respectively.
Los 23
President & Mrs F. W. Reitz LETTERS TO BESS REITZ FROM HER PARENTS, ETC. ? Obituary of her mother ? Letter dated 13 October 1897 on note paper of Pretoria Club from her parents on the occasion of her 7th birthday ? Transcript to Bess from her uncle Hjalmar Thesen re the German South West Africa Campaign 1915 ? Letter dated 11 October 1933 signed by her father, President Reitz, and her mother on the occasion of her birthday. President Reitz died in 1934 aged 90. ? And three others - two in their envelopes and dated Pretoria 1923 ? Early three page letter from her grandmother, Delft, Holland, 12 April ? ? Two page letter from her mother from Zondeagvond, 6 Dec ? ? From her father, Cape Town, 24 February 1922, a two page letter about the parlous financial state of the Union of S. A. ? From her father to Dr Kraus about the new harbour on the East Coast of S. A., letter dated 28 July 1922 ? Two page letter to Ney, Pretoria, 31/3/1899 regarding military preparations ? Power of Attorney signed by President Reitz, 17/12/1873 ? Two page letter from F. W. Reitz on Senate note paper, Cape Town, 8 May 1916 ? Also two letters from the Queen of The Netherlands Secretary re a signed portrait of the Queen, 21 August 1931, the gift was an exception to the rule. Letter in official envelope. (QTY)
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283287 Los(e)/Seite