Sussex.- Horsfield (Thomas Walker) The History, Antiquities and Topography of the County of Sussex, 2 vol., engraved portrait frontispieces, 54 plates, 2 folding maps, illustrations, occasional spotting, bookplate, later decorative calf, rebacked with original spine laid down, rubbed, slight bumping to corners and extremities, Lewes, 1835 § Elwes (Dudley George Cary) A History of the Castles, Mansions, and Manors of Western Sussex, frontispiece, plates and pedigrees, occasional spotting, contemporary half-calf, a little rubbed, slight bumping to corners and extremities, 1876; and 3 others, Sussex, v.s. (6)
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283284 Los(e)/Seite
NO RESERVE Phillips (Charles J.) History of the Sackville Family, 2 vol., first edition, frontispiece, plates and illustrations, occasional spotting, original cloth, dampstaining to lower board (vol. 1), browned spines, faded cloth, [1929] § Canning (George) The Speeches of ..., 6 vol., fourth edition, portrait frontispiece trimmed and laid down, occasional faint spotting, contemporary half-calf, slight bumping to corners, n.d. § Smith (Robert) & John S. Moore, The House of Commons, un-numbered copy from an edition of 500, plates, original morocco, 1996; and 16 others, v.s. (25)
NO RESERVE Yorkshire.- Thoresby (Ralph) Ducatus Leodiensis: or, the Topography of the Ancient and Populous Town and Parish of Leedes, second edition, engraved portrait frontispiece, 10 plates and 13 pedigrees (11 double-page), illustrations, occasional spotting, index becoming loose, broken hinges, original boards, defective spine, crudely strengthened, B. Dewhirst, 1816 § Whitaker (Thomas Dunham) Loidis and Elmete; or, An Attempt to Illustrate Districts Described in those words by Bede; and supposed to embrace the Lower Portions of Aredale and Wharfdale ... in the County of York, first edition, portrait frontispiece, 48 plates (2 colour), 16 pedigrees (14 double-page), occasional spotting, original boards, defective spine, crudely strengthened, T. Davison, 1816; folio (2)
Wilkes (John) Autograph note signed to "Mr J. Almon, Bookselleropposite to Burlington House in Piccadilly, London", setting the payment of £200 to Mr Keaton Wilkes, strip of paper pasted onto brown page, foxing and age wearing, oblong , Paris, 13 July 1767; and an engraved portrait of Wilkes at his desk (2)
NO RESERVE Sartre (Jean-Paul) The Reprieve, first English edition, previous owner's ink inscription, original cloth, dust-jacket, rubbed, tape strengthening to edges, 1947 § Nerval (Gérard de) Dreams & Life: Le Réve et la Vie, limited edition of 450 copies, additional double-page woodcut title, original cloth backed boards, slight bumping to spine extremities, 1933 § Sarraute (Nathalie) Portrait of a Man Unknown, signed by author, original cloth, slight bump to spine foot, price-clipped dust-jacket, slight creasing to top edge, 1959 § Balzac (Honoré de) Droll Stories, frontispiece and illustrations by Mervyn Peake, original cloth, a little rubbed, 1961; and 23 others, similar, 8vo (27)
NO RESERVE Cheshire.- Ormerod (George) The History of the County Palatine and City of Chester, 3 vol., second edition, large paper copy, portrait frontispiece, 3 engraved maps (2 hand-coloured), 57 engraved plates (2 hand-coloured), illustrations, previous owner's ink inscription to title verso, list of subscribers, some short marginal tears, pp.245-248 vol. 3 detached, modern half-morocco, folio, 1882.
Sussex.- Dallaway (James) A History of the Western Division of the County of Sussex, including the Rapes of Chichester, Arundel, and Bramber ..., 2 vol. in 3, first edition, titles in red and black, 75 engraved plates and plans (1 plate trimmed and inset onto leaf, 6 double-page, 7 hand-coloured), 6 engraved maps (5 double-page or folding, 4 hand-coloured, 1 with tear), 3 folding pedigrees, illustrations, occasional spotting and off-setting, occasional faint pencil annotations, bookplates, contemporary calf, vol. 1 & vol. 2 part 2 rebacked, a little rubbed, 1815-30; The Parochial Topography of the Rape of Arundel in the Western Division of the Count of Sussex, vol. 2 part 1, second edition, engraved portrait frontispiece, list of subscribers, 21 engraved plates (1 bound upside down, 3 hand-coloured, 3 double-page), 1 double-page map, 2 pedigrees, occasional marginal annotations, bookplates. contemporary calf, rebacked, 1832; folio (4)⁂ Vol. 2 part 1 is scarce as much of the stock was destroyed by fire.
Creeley (Robert) The Island, signed by author, very slight bumping to spine extremities, dust-jacket, rubbed, creasing to edges, 1964 § White (Edmund) The Beautiful Room is Empty, signed by author, dust-jacket, 1988 § Lee (Laurie) Cider with Rosie, slight bumping to spine extremities, dust-jacket, short tear to lower cover, a little rubbed, chipping to spine extremities, 1959 § Amis (Kingsley) One Fat Englishman, previous owner's ink inscription, price-clipped dust-jacket, slight creasing and two small tears to top edge, 1963 § Bogarde (Dirk) A Postillion Struck by Lightning, portrait frontispiece, plates and illustrations, dust-jacket, slight creasing to spine head, 1977, first editions, original cloth; and 41 others, most first editions, some signed, 8vo (46)
Australia.- Hunter (John) An Historical Journal of the Transactions at Port Jackson and Norfolk Island...With an Abridged Account of the New Discoveries in the South Seas, first edition, engraved portrait frontispiece, additional title, 5 maps (2 folding) and 10 plates, occasional foxing, contemporary half russia, gilt, corners a little bumped, a little rubbed, [Hill 857; Ferguson 152], 4to, John Stockdale, 1793.⁂ John Hunter served under Arthur Phillip in the first convict fleet and succeeded him as the second Governor of the colony from 1795 to 1799. The plate of a New South Wales family was engraved by William Blake after a sketch by Governor King..
Warhol (Andy) Andy Warhol's Index (Book), first edition, pop-up and folding illustrations, original pictorial boards with holographic upper cover, light rubbing, overall a near fine copy, 4to, New York, 1967.⁂ This is a complete copy containing: pop-up castle; pop-up accordion (with squeak); pop-up aeroplane; a folded geodesic dome; a paper disc on a wire spring (loosely inserted, as usual); a flexi-disc with a portrait if Lou Reed; a folding image of a nose with colourful overlays; pop-up tomato paste tin; a sheet of 8 stamps, and; a gold balloon (melted and fusing the pages together, as usual).
Chromolithograph.- Stanesby (Samuel, illustrator) Aphorisms of the Wise & Good, chromolithograph portrait frontispiece and copiously illustrated, some leaves loose in binding, contemporary ink ownership inscription to front free endpaper, original decorative cloth, gilt, g.e., [1862] § Westwood (J.O.) Illuminated Illustrations of the Bible copied from select manuscripts of the Middle Ages, additional chromolithographed title and 39 plates, occasional light spotting, original morocco, rebacked with original spine laid down, 1846; and 3 others, chromolithograph, v.s. (5) ⁂ The first is a scarce copy with Library Hub finding three copies. Ornately decorated with bright chromolithograph pages and a portrait frontispiece of John Milton.
Sheridan (Richard Brinsley) The Works, engraved portrait frontispiece, bookplate of Yehudi and Diana Menuhin, occasional spotting, modern half morocco, gilt, 1873 § Carleton (William) The Irish Agent..., half-title, engraved frontispiece, plates, endpapers and half-title spotted and foxed, bookplates, 1847 § Ruskin (John) The Seven Lamps of Architecture, first edition, half-title, engraved plates, spotting to endpapers and half-title, 1849, 8vo (3)⁂ The second mentioned with bookplates of Benjamin John Plunket and his uncle, Lord Ardilaun, who was an Irish businessman and philanthropist known for giving back St Steven's Green to the public. He is referred to several times in Joyce's Ulysses and is the great-grandson of brewer Arthur Guinness.
NO RESERVE Durham.- Raine (Rev. James) The History and Antiquities of North Durham, first edition, engraved portrait frontispiece and 9 plates, 1 map, 2 pedigrees (1 double-page), occasional spotting, ex-library with 1 or 2 discreet ink-stamps, modern cloth, folio, 1852.⁂ With a large section on Holy Island, now known as Lindisfarne.
Beaumont (Francis) and John Fletcher, Comedies and Tragedies..., first collected edition, lacking portrait frontispiece, title, dedication, 3C-3 and final leaf of text, 12ff with loss of text, C4-D3 burnholes causing large loss of text, other ff. with tears affecting text, some tears towards end affecting signatures and catchwords, 8f2-8g with some tears and repairs, last f. largely torn away, browned, bookplate to front pastedown, spotting and staining, later half calf, joints split, worn, [ESTC R22900; Pforzheimer 53; Wing B1581], folio, [for Humphrey Robinson and Humphrey Moseley], [1647].⁂ Contains 36 previously unpublished plays. Among the poetic elegies to the authors are first printings of poems by Jonson, Herrick, Milton, Lovelace, Shirely and Waller.
A Victorian lava cameo bracelet, set with large oval profile portrait plaque to one end, a series of twelve variously coloured smaller plaques interspersed by three column uprights, length approx 17cm (af).Additional InformationOne of the columns has been broken and repaired using something of a foreign nature, which although fits, is a different colour and not the original. The central column is missing its upper section and now has string linking it to the plaques either side rather than link chains, and where the clasp meets the end of the plaques, this is detached at one half. There are a few knocks to the frames, a few losses where the metal meets the plaques and surface scratches throughout.
Harold Riley (British 1934-), Portrait of an elderly man, ink and pastel, 23 x 13cm, 9 x 5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in fair, original condition. The ink has faded universally across the drawing and there are a few spots of browning across the paper. The drawing is framed and glazed. The frame has the odd minor scuff and scratch commensurate with age.
Todd White (American, b.1969), Portrait of a lady holding a wine glass, signed, ink drawing, 32 x 24.5cm, 12.5 x 9.75in.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has the odd minor scuff and scratch commensurate with age.
Margaret Ellis, 20th century, Portrait of a seated lady reading, signed, with artist's label on verso, pastel, 58 x 42.5cm, 22.75 x 16.75in.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has the odd minor knock and loss commensurate with age.
James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), Portrait of a boy, signed, with original invoice on verso, oil on board, 29.5 x 21.5cm, 11.5 x 8.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The painting is in very good, original condition with no obvious faults to report. The painting is framed but not glazed.
A 19th century portrait miniature depicting a young lady wearing a necklace and a light blue dress, identified verso as Gracie Baird (later Mrs Archibald J Miller), 3.7 x 2.9cm, framed and glazed (af), a further portrait miniature depicting a gentleman in formal dress, unsigned, and an ambrotype depicting a gentleman, both in glazed gold plated frames (3).Additional InformationThe first portrait miniature is cracked all the way through, further general wear and tear throughout.
A pair of 19th century portrait miniatures depicting a gentleman and a lady (latter af), both unsigned, set in floral motif gold plated glazed frames, each approx 6.3 x 5cm.Additional InformationThe portrait miniature depicting the lady is cracked all the way through, further paint loss to both, wear to frames.
Two early 19th century portrait miniatures depicting James and Robert Campbell of Bridge End, Greenock, both identified with further detail verso, the former and larger 7.5 x 6.2cm (2).Additional InformationBoth frames are worn with some chips to the lacquered finish, both dirty, the latter and smaller somewhat unclear but this maybe also due to the condition of the glass. General wear and dirt, etc.
CIRCLE OF GERRIT VAN HONTHORST; oil on panel, portrait of a woman wearing a hat and holding flowers, bearing signature and indistinct date top right, 76cm X 61cm, framed.In Van Honthorst's portrait of Princess Elizabeth II Van De Palts the sitter wears a nearly identical hat.Provenance: the property of a gentleman purchased from a country house auction many years ago.Additional Informationvertical split through the panel. Over painting noticeably top right where the signature is, also on the neck, hands and some small other areas. The paint is thin in parts and has clearly been cleaned. Some light surface marks and 2 small scratches.
IN THE MANNER OF SIR JOSHUA REYNOLDS; oil on canvas, portrait study of a gentleman, unsigned, inscribed on 'Exhibition of Old Masters from Houses in Kent' label verso detailing name of lender as A Chester Beaty, 'Young Man' and artist as Sir Joshua Reynolds with address for return as Calehill Park, Ashford 41, 76 x 63cm, framed.Additional InformationProvenance: both lots 682 and 683 have come from a prominent Lancashire family who used to own so many mills in the Victorian period they opened an operation in South Africa and retained that property until very recently. They had a large and discerning collection of antiques including these two paintings and they have been in the family certainly since the Victorian period.There is a small patch repair as can been seen in the additional images. The painting has been cleaned and in all honesty this has done been done well. It has thinning paint in part.
IN THE MANNER OF SIR JOSHUA REYNOLDS; oval oil on canvas, portrait study inscribed on old label verso 'Richard Merton of Bath, by Sir J. Reynolds', 76.5 x 63cm, unframed. Additional InformationProvenance: both lots 682 and 683 have come from a prominent Lancashire family who used to own so many mills in the Victorian period they opened an operation in South Africa and retained that property until very recently. They had a large and discerning collection of antiques including these two paintings and they have been in the family certainly since the Victorian period. There is a modern oval picture frame included with the lot should any potential purchasers desire this.Unfortunately we are unable to post this, the frame pictured is included however.
UNATTRIBUTED; a 19th century oil on canvas, dead game, indistinctly signed MG and dated 1875 lower left, 29.5 x 24.5cm, framed, and a 20th century oil on canvas, dead game, 27 x 37cm, framed (2).Additional InformationDamage and losses to the portrait frame. That picture has slipped in the mount with visible scuffs, scrapes and some paint loss particularly to the lower section. Both with craquelure. Surface marks, scuffs and heavy dirt.

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