Miniature portrait of John Beckwith, wearing a grey velvet coat, head and shoulders on ivory; 5cm x 3.75cm Ivory Registration Number 1NQY7Q8E. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
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283284 Los(e)/Seite
Miniature portrait of Amphyliss Lewis, wearing a black dress and bonnet with a blue ribbon, on ivory; 4.25cm x 3.25cm Ivory Registration Number Q952JC2H. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Miniature portrait of Rev.John Hinde of Ludlow, half length on ivory, signed with initials probably "TL" and dated 1822; 8.5cm x 6.5cm Ivory Registration Number WC4615R4. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Miniature portrait of a girl, her hair in ringlets, with a rose at her corsage, oval on ivory, indistinctly signed and dated 1857, 9 x 7cm in gilt gesso and glazed frame Ivory Registration Number E191GR2Z. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Miniature good, mount spotted, gesso frame with slight cracks, otherwise good. Glazed outer frame repaired at corners.
Portrait miniature of a gentleman wearing blue coat and lace cravat, watercolour on ivory with gold frame, the reverse with central aperture revealing plaited brown hair, oval, 2.55" (6.5cm) high Ivory Registration Number PT75KTVA. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR No remarks.
Portrait miniature of a gentleman circa 1805, wearing a black coat, striped waistcoat and cravat, watercolour on ivory with gold frame, the reverse set with blue glass, oval, 3" (8cm) high Ivory Registration Number 6N6UAYU4. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Portrait miniature of The Duke of Wellington as a marble bust, profile facing right, inscribed on bust Prince of Waterloo 1817 and further signed and inscribed at lower edge, DUKE OF WELLINGTON BY/ W. Grimaldi enamel painter to the/ PRINCE REGENT, enamel on copper, with gold frame, 2.7" (7cm) high. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Portrait miniature of King Charles I (1600-1649), as Prince of Wales, circa 1624, in gilt decorated armour, white lace ruff, wearing blue sash of the Order of the Garter, curling dark hair and pointed beard, watercolour on vellum, original silver locket frame with enamel reverse and engraved glass, oval; 1.1" (3cm) high *Provenance: The Collection of the late Mrs TS Eliot, November 20, 2013, lot 92, unsold. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
After Sir Thomas Lawrence circa 1815 Portrait miniature of Arthur Wellesley, Duke of Wellington, watercolour on ivory with rectangular gilt metal frame; 3.3" (8.5cm) high Ivory Registration Number EYUW1G58. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Arthur Wellesley, The Duke of Wellington, wearing red coat with gold embroidered collar, gold epaulette and lacing, white cravat, wearing the jewel of the Order of the Golden Fleece blue sash and beast star of the Order of the Garter and the cross of a Knight Commander of the Order of Bath suspended from a red ribbon around his neck. signed and dated Rochard pinxit June 1815 and inscribed on the backing paper Portrait de My Lord Duc de Wellington Par Rochard Peint a Bruxelles 12 Jun 1815, watercolour on ivory, gilt mount; oval 3.3" (8.6cm) high Ivory Registration Number ZRFSEHRE. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Portrait miniature of Field Marshall Arthur Wellesley 1st Duke of Wellington (1769-1852), half length, wearing scarlet major general's coat with gold facings and epaulettes, watercolour on ivory, rectangular gilt-metal frame with laurel leaf border; 5.1" (13cm)high Ivory Registration Number CNSN1KDH. CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.
John French (British, 1907-1966) – ‘Strapless Evening Dress’ (1954) Large limited edition V&A Museum John French black and white photographic giclee print, 2002. Edition 27/195 with raised V&A monogram. Framed, with Aquarelle Pictures Certificate of Authenticity and V&A museum sticker. French was an English fashion designer and portrait photographer, born in Edmonton. French would devote his attention to the set and posing his models, whilst assistants would trigger the shutter. The V&A museum own his photographic archive. 29cm x 39cm.
John French (British, 1907-1966) – ‘Model wearing white ostrich feather hat and gloves’ (1963) Large limited edition V&A Museum John French photographic giclee print. Edition 94/195 with raised V&A monogram, 2002. Framed, with Aquarelle Pictures Certificate of Authenticity and V&A museum sticker. French was an English fashion designer and portrait photographer, born in Edmonton. French would devote his attention to the set and posing his models, whilst assistants would trigger the shutter. The V&A museum own his photographic archive. 32cm x 34cm.
John French (British, 1907-1966) – ‘Pair of long spotted gloves’ (1950) ) Large limited edition V&A Museum John French black and white photographic giclee print. . Edition 45/195 with raised V&A monogram. Framed, with Aquarelle Pictures Certificate of Authenticity and V&A museum sticker, 2002. French was an English fashion designer and portrait photographer, born in Edmonton. French would devote his attention to the set and posing his models, whilst assistants would trigger the shutter. The V&A museum own his photographic archive. 37cm x 31cm.
Miscellaneous pictures and prints, including Paul Bartlett - Life Painting Room at The Royal Academy Schools, London, 'Rachel,' signed, dated 1979 and numbered 7/200 by the artist in pencil, lithograph, 28 x 22cm, a Robert Morden county map of Nottinghamshire, n.d. [18th c], engraving, 35.5 x 42cm, modern decorative off-sets of earlier Japanese woodblock prints, portrait of Cardinal Newman, etc., (12) Mixed condition. Unexamined out of frames.
James Beech (Fl. 1830-1839) - Portrait Miniature of a Gentleman, with black hair, in dark blue waistcoat with gold chain and black coat, signed and dated on the backing J Beech Pinxt August 1840 London, ivory, oval, 62mm, chased copper gilt frame Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: PCSYZHSY Loose in the frame, ivory slightly bowed
A Southern Italian maiolica globular jar, possibly Calabria, with a portrait of a helmeted soldier, a baluster vase painted sheep and a bull, 17th Century and a pair of later albarelli painted landscapes, the first 13cm high/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A porcelain rectangular plaque by James Skerrett (born 1954), painted with the racehorse Mont Royale, winning at Worcester, 19cm x 23.5cm and another oval plaque by Francis Clarke (born 1948), with a portrait of Dr John Wall, 13cm x 9.5cm, both framed/Note: the racehorse Mont Royale was part owned by Henry Sandon and his son David/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: In good order.
A 19th century gilt-metal commemorative Wellington snuff box,circular form, the pull-off cover with a portrait of Wellington and 'Marquis Wellington', the sides with an anchor, a rear view of H.M.S. Victory, canons, and battle honours, the base with names of battle victories, diameter 7.2cm.
λ λA George IV silver snuff box with two portraits,by William Ellerby, London 1823,rectangular form, the hinged cover with two circular portrait miniatures of ladies on ivory under glass, one possibly later, foliate borders, the gilded interior inscribed 'George Stephen, Kings Arms Yard, Coleman Street', length 5.5cm, approx. weight 2.5oz.Ivory Act registration reference: B71G5KLW
A mixed lot of silver items, various dates and makers,comprising: a pair of goblets, by Barrowclift Silvercraft, Birmingham 1975, circular bowls, gilt interiors, on raised knopped stems with Celtic decoration and animal masks, on a circular foot, a Britannia standard porringer, by Tessiers Ltd, London 1959, circular form, pierced side handle, spot-hammered decoration, and a commemorative mug, by Birmingham Mint, 1978, circular tapering form, the body with an applied plaque commemorating the Silver Jubilee of Queen Elizabeth II, scroll handle with the thumbpiece modelled as a portrait head of Queen Elizabeth II, on a raised circular foot, total approx. weight 27.6oz. (4)Provenance:The Barry Lock Collection.
A pair of George II Irish silver-gilt waiters,by William Townsend, Dublin circa 1745,circular form, scroll and shell border, the centre engraved with scrolls, diaperwork and flowers around a worn vacant cartouche, the undersides with scratch weights '10:1:½' and '9:14', on three hoof feet, diameter 16.3cm, total approx. weight 18.5oz. (2)Provenance:The Barry Lock Collection.Purchased from Bonhams, London, Silver, Objects of Vertu including Flatware and Portrait Miniatures, 22 April 2015, lot 270.
English School (19th Century)Portrait of a lady seated holding a letteroil on canvas, 97 x 117cm, framers label verso: H.S.Featherstone, gilt framed Provenance: Barton Hall, Barton Blount, Derbyshire Further details: generally good, crazing to the painted surface (craquelure), canvas relined, frame of later production date.
Sir Daniel Macnee, PRSA (Scottish, 1806-1882), Portrait of Anthony Hannay, seated at his desk, signed lower left, dated 1864, oil on canvas, 124 x 98.5cm Provenance: The sitter is Anthony Hannay (1814 – 1889), a successful Glaswegian businessman and philanthropist and the great-grandfather of the seller who is retaining for his own free use a digital copy.
An Edwardian Coronation pack of Playing Cards, 1902, single deck of cards comprising four suits of thirteen, one Joker, all with portrait of Edward II, gilt edged, 2.5 x 3.5 inches, housed in red cloth-covered card box and cover cover, gilt lettering together with George VI & Queen Elizabeth Coronation Official Souvenir Programme and a Queen Elizabeth II Coronation approved Souvenir Programmed and book (1 bag)
The Stamps of Royalty - A cased set of twenty-five sterling silver (925) stamps, with original cloth, certificates and in wooden case. (Also in original cardboard box from postage originally.) With a royal stamp book - "A Portrait of Royalty".Weight: Approx. 485 grams (15.6ozt)Further Details: Some slight general wear to all parts, tarnishing to silver in parts.
Anonymous, portrait of a woman with lace cap and white millstone collar, 19th century, canvas 70x60 cm, in black lacquered frame, total 95x86 cm. This is a copy after Bartholomeus van der Helst, portrait of Maria Pietersdr. de Leest from 1646 and is part of the collection of the Rijksmuseum.
12 BOTTLES AUSTRALIAN RED WINECalabria Family Wines 2 x Belena Sangiovese 2021; Brown Brothers 2 x Limited Release Durif 2020; Casella Family Brands 2 x The Black Stump Durif-Shiraz 2021; Peter Lehmann 2 x Stonewall Shiraz 2019 and 2 x Portrait Shiraz 2020; Pacccavi Wines 2 x No Regrets Cabernet-Merlot 2020
SIX WORKS: After Thomas Gainsborough - Portrait of Lady Georgina Spencer, Duchess of Devonshire as a child (subject of the film 'The Duchess' 2008, and great, great, great, great aunt of Diana Princess of Wales), print in colour, 68 x 58 cm (including frame); 'An Anxious Moment - Waiting for the Bridegroom', lithograph; 19th century framed dried flowers; Asian embroidery of a peacock; together with two other acrylic paintings of flowers (6)

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