Waugh (Evelyn). Labels, A Mediterranean Journal, 1st edition, 1930, black and white plates including frontispiece, original cloth, spine and upper margin of lower board partly faded, together with Remote People, 1st edition, 1931, black and white plates and two folding maps, some heavy spotting, original cloth gilt, a little rubbed and marked, plus Ninety-Two Days, 1st edition, 1934, portrait frontispiece and plates from photographs, folding map, original cloth, slightly rubbed and darkened on spine, together with Waugh in Abyssinia, 1st edition, 1936, scattered minor spotting, original cloth gilt, plus Robbery under Law: The Mexican Object-Lesson, 1st edition, 1939, original cloth gilt, slightly rubbed, upper panel of dust jacket (frayed at edges) loosely inserted, plus When the Going was Good, 1st edition, 1946, colour portrait frontispiece, folding map, original cloth in dust jacket, a little rubbed and soiled, brown tape closed repairs to verso, plus A Tourist in Africa, 1st edition, 1960, black and white plates from photographs, original cloth in dust jacket, a little soiled and browned, all 8vo (7)
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Nonesuch Press. In Memoriam, by Alfred Lord Tennyson, Nonesuch Press, 1933, gold arabesque vignette to title, gold endpapers, top edge gilt, original vellum, slipcase (slightly rubbed), folio, limited edition, 118/125 specially bound copies (from a total edition of 2000), with a loose signed Christmas greetings inscription by Francis Meynell on folded headed paper, together with Selected Poems of Coleridge, Nonesuch Press, 1935, some spotting to endpapers, original orange vellum, slipcase, folio, limited edition, 4/500, plus The Book-Bag, by W. Somerset Maugham, Lungarno Series No. 9, G. Orioli, Florence, 1932, portrait frontispiece (signed in blue ink at foot by Maugham), one or two spots, original cloth-backed boards, some fading and stains, small 4to, limited edition, 293/725, with others including Somerset de Chair's The Silver Crescent, Golden Cockerel Press, 1943, limited edition, 121/500 (with a loose 2 page autograph letter to Major Black, R.A.M.C., October 1941, thanking him for treating his wounded leg), Miscellaneous Poems, by Jonathan Swift, Golden Cockerel Press, 1928, limited edition, 15/375, William Golding. A Bibliography by R.A. Gekoski & P.A. Grogan, 1994, limited signed edition, 69/100, Iona and Peter Opie's I Saw Esau, illustrated by Maurice Sendak, 1992, limited signed edition, 212/300 and Giovanni Boccaccio's Amorous Fiammetta, Mandrake Press, 1929, limited edition, 448/550 (18)
Pope (William). The Triumphal Chariot of Friction, or a Familiar Elucidation of the Origin of Magnetic Attraction &c &c, 1st edition, 1829, engraved title with portrait of the author (heavily browned), 10 engraved plates after subscribers' list at rear, numbered III-XII (correct as issued), all plates with mostly marginal browning, title-page signed and inscribed by Augustus de Morgan in ink to lower margin, 'A Kare Fellow: see p. 101, A de Morgan', author's autograph letter signed presenting the book to Olinthus Gregory, 26 October 1829, tipped in at front, one page with integral address panel and seal tear, pencil note facing in de Morgan's hand, 'This is Dr Gregory's excuse for having the book: mine is that the author was one of the crackedest men of his time, A de M', modern cloth with loss to upper cover and spine, original title label pasted to front pastedown, 4to (285 x 220 mm) A curious work providing a 'description of the author's patent dipping needle' (Wheeler Gift, 851). Provenance: Presented by the author to the English mathematician Olinthus Gilbert Gregory (1774-1841), a founder of the Royal Astronomical Society. Augustus de Morgan (1806-1871), British mathematician and logician who formulated De Morgan's laws and introduced the term mathematical induction. His fame as a witty writer is evidenced by both inscriptions herein. (1)
Baxter (Richard). Gildas Salvianus; The Reformed Pastor. Shewing the nature of the Pastoral work; Especially in Private Instruction and Catechizing. With an open Confession of our too open Sins..., 2nd edition, 1657, lacking A1 (blank?), armorial bookplate of James Stonhouse of Berkshire, hinges repaired, contemporary marbled boards with vellim tipped corners, modern reback, 8vo, together with [Allestree, Richard], The Causes of the Decay of Christian Piety. Or an Impartial Survey of the Ruines of Christian Religion, Undermin'd by Unchristian Practice, 1667, imprimatur leaf present, engraved vignette title, contemporary speckled calf, modern amateur title label to spine, joints cracked, 8vo, with The Ladies Calling, in Two Parts, 8th impression, Oxford, 1705, engraved portrait frontispiece, engraved vignette title, occasional scattered spotting, all edges gilt, hinges cracked, contemporary red morocco, gilt panelled boards and decoration to spine, joints slightly cracked at head & foot, 8vo, and The Government of the Tongue, 6th impression, Oxford, 1702, imprimatur leaf, engraved portrait frontispiece, bound with The Art of Contentment, Oxford, 1705, engraved portrait frontispiece & vignette title, bound with The Lively Oracles given to us..., Oxford, 1696, imprimatur leaf, engraved frontispiece and vignette title, later printed front endpaper, contemporary panelled calf, joints cracked and crude repair to upper panel of spine, 8vo, plus five other late 17th & 18th century antiquarian, including theology (9)
Wraxall (Nathaniel William). A Tour Through Some of the Northern Parts of Europe..., 2nd edition, 1775, black and white folding map frontispiece, some minor marks, contemporary full calf, boards slightly marked, spine rubbed to head and foot, 8vo, together with Blane (William), Cynegetica, or Essays on Sporting: consisting of Observations on Hare Hunting..., new edition, 1788, black and white engraved frontispiece and half title, wax stains to fore-edge from front endpaper to C2, some other light marks, front board partially detached, contemporary boards, covers marked, spine cracked with some loss, 8vo, and Marvell (Andrew), The Works..., volumes 1 & 2, 1726, black and white portrait frontispiece to volume 1, some light spotting and offsetting, bookplates to front endpapers, uniform contemporary full calf, boards partially detached and rubbed, spines rubbed with minor loss, small 8vo, plus other 17th-19th century literature, including Le Cabinet Des Fées, ou collection choisie, by A. Genéve, volumes 1-41, 1785-89, later uniform gilt decorated green half morocco, 8vo, mostly leather bindings, some foreign language and odd volumes, condition is generally good/very good, 8vo/folio (3 shelves)
Hales (John). Golden Remains of the ever Memorable Mr John Hales of Eton College &c., 3 parts in one, 1st edition, London: Tim Garthwait, 1659, engraved frontispiece, engraved title by Hollar, 2nd part [A-F4] misbound between Y2 & Z1 of 1st part, occasional light toning & fraying to margins of first & last few leaves, armorial bookplate of Earl of Rosebery, contemporary sheep, joints cracked and light wear, 4to, (Wing H269), together with [Duppa, Brian], Private Forms of Prayer, Fitted for the late Sad-Times. Particularly, a Form of Prayer for the Thirtieth of January, Morning and Evening. With Additions. &c., London: Printed by Tho. Mabb, 1660, title in red & black, with 2 part titles, contemporary calf, rebacked by Zaehnsdorf preserving original spine, upper board detached, 8vo, with Sparke (Edward), Thysiasterhion, vel Scintilla Altaris. Primitive Devotion, in the Feasts and Fasts of the Church of England, 4th edition, London: J. Flesher for T. Basset, 1666, engraved portrait frontispiece (torn to upper outer blank corner), title in red & black and with first word transliterated from Greek, few engraved illustrations, light dampstaining, few marks and some ink annotations, contemporary calf, gilt decorated spine, worn at head & foot of spine and to board corners, 8vo, plus two other 17th century antiquarian volumes, including an incomplete Latin Bible, published Amsterdam, 1631 (5)
Waugh (Evelyn). Robbery Under Law: The Mexican Object-Lesson, 1st edition, 1939, original cloth gilt, a little rubbed, together with When the Going was Good, 1st edition, 1946, colour portrait frontispiece and folding map, original cloth, slightly rubbed and soiled, plus Georgian Stories, 1926, containing 'The Balance', by Waugh, some spotting, contemporary inscription to front free endpaper, original cloth, a little rubbed and faded on spine, all 8vo, plus other Evelyn Waugh interest, including UK and American editions, reprints, etc. (approx. 65)
Bate (George). Elenchus Motuum Nuperorum in Anglia: or, A short Historical Account of the Rise and Progress of the Late Troubles in England, in Two Parts..., Motus Compositi: or, The History of the Composing the Affairs of England... to 1669, written in Latin by Tho. Skinner. Made English [by A. Lovell], London: Abel Swalle, 1685, additional engraved title, 19th century diced calf, rebacked, board corners worn, 8vo, (Wing B1083), together with Camden (William), Remaines Concerning Britaine..., the fist [sic] impression, with many rare Antiquities never before imprinted. By the industry and care of John Philpot, Somerset Herald, London: Thomas Harper for John Waterson, 1637, engraved portrait frontispiece, closed tear to A4 & 3A1, lacking final blank, some toning and spotting, later endpapers, contemporary sheep, rebacked and corners repaired, 4to, (STC 4526, ESTC S107503), with Braithwait (Richard), A Survey of History: or, a Nursery for Gentry. Contrived and Comprized in an Intermixt Discourse upon Historicall and Poetical Relations..., London: I. Okes for Jasper Emery, 1638, engraved frontispiece cropped to image and laid down, dampstaining and dust-soiling, 20th century marbled sheep, joints cracked and some wear, 4to, plus eighteen other 17th & 18th century antiquarian, some defective (21)
Waugh (Evelyn). Rossetti: His Life and Work, 1st edition, 1928, black and white plates including portrait frontispiece, some minor spotting, original cloth gilt, a little rubbed and faded on spine, together with Edmund Campion, 1st edition, 1935, original cloth gilt, slightly rubbed and soiled, spine faded, plus The Life of the Right Reverend Ronald Knox..., 1st edition, 1959, portrait frontispiece, original cloth in dust jacket, a little spotting and soiling to lower panel, a little rubbed at upper margin, plus Cabell (James Branch), The Rivet in Grandfather's Neck, A Comedy of Limitations, 1924, bookplate of Dudley Carew from a design by Evelyn Waugh to front pastedown, original green cloth, spine darkened and rubbed, plus Selections from Matthew Arnold's Poetry, edited by Ralph E.C. Houghton, 1st edition, 1924, circular 'Presentation Copy' ink stamp to title imprint, bookplate of Cecil Roberts [from a design by Evelyn Waugh] to front pastedown, original cloth gilt, slightly rubbed and soiled, all 8vo (5)
![[Numismatica]. Zantani, Antonio. Le imagini con tutti i riversi trovati et le vite de gli imperatori tratte dalle medaglie et](https://cdn.globalauctionplatform.com/0b9988db-9356-4ed9-abe8-a6cc010b10c8/2fd7b396-b8a1-4b7a-f0de-18a950ac24dd/468x382.jpg)
[Numismatica]. Zantani, Antonio. Le imagini con tutti i riversi trovati et le vite de gli imperatori tratte dalle medaglie et dalle historie de gli antichi. [Venezia], Enea Vico, 1548. Legato con: Vico, Enea. Discorsi di M. Enea Vico parmigiano, sopra le medaglie de gli antichi divisi in due libri. Venezia, Gabriele Giolito de Ferrari, 1555. In 4° (208 x 155 mm). Prima opera: [60] carte. Frontespizio allegorico inciso, 12 ritratti incisi di imperatori inseriti all’interno di una elaborata cornice incisa a piena pagina, 62 tavole incise e ognuna con 12 spazi con riproduzioni di monete e medaglie, e marca tipografica in fine; seconda opera: 112, [16] pagine. Marca tipografica al frontespizio ed in fine, ritratto del dedicatario Cosimo II de’ Medici al verso della seconda carta (fioriture, abile restauro a una tavole nella prima opera, qualche sporadico alone nella seconda opera.) Legatura posteriore in pergamena, tagli rossi. Bella miscellanea che unisce due prime edizioni. Per la prima opera cfr. Mortimer Italian 556: “The volume was conceived as a book of plates, each section having the portrait-cartouche […] followed by one or two leaves of text set in type […] and by the coil plates recto and verso of the leaf”. 500
‡ Tai Shan Schierenberg (b.1962) Crouching woman and chair, 1993 Oil on canvas 35.5 x 25.5cm Provenance: Flowers East Gallery, London, No. AFG 17702 Schierenberg is joint winner of the 1989 BP Portrait Award, Head of painting at The Art Academy, London and presenter of Sky Arts Landscape Artist of the Year 2016 ++Good condition
‡ Keith Vaughan (1912-1977) Mais ce Prince, 1975; Saltimbanque, 1975; Portrait of Gustave Mahler V, 1974; Portrait of Gustave Mahler VIII, 1974 Four, all inscribed, also with studio stamp verso All pencil 24.5 x 18cm (4) Provenance: The Estate of Professor John Ball (1931-2010) Hargreaves & Ball Charitable Trust Exhibited: Gallery 27, Vaughan Drawing Retrospective, Sept. 2010 ++One or two with small tear upper left, paper lightly discoloured, some with smudges, generally good condition
‡ Alfred Aaron Wolmark (1877-1961) Portrait of a young woman, seated in St. Ives Signed, inscribed St. Ives, and dated 1921 Pen, ink and pencil 35 x 25.25cm Provenance: Boundary Gallery, London ++Paper a little grubby to margins and slightly discoloured, one or two minor fox marks and blemishes
‡ Keith Vaughan (1912-1977) Man feeding Birds, 1975; Konig - Tränen, 1975; Portrait of Gustave Mahler VI, 1974; Portrait of Gustave Mahler I, 1974 Four, three inscribed, also all with studio stamp verso All pencil 24.5 x 18cm (4) Provenance: The Estate of Professor John Ball (1931-2010) Hargreaves & Ball Charitable Trust Anthony Hepworth F. A. Dealers (Man feeding Birds only) Exhibited: Gallery 27, Vaughan Drawing Retrospective, Sept. 2010 ++One or two with small tear upper left, paper lightly discoloured, one with visible erasing upper margin, one or two minor fox marks, some with smudges, generally good condition
‡ Pinchus Kremegne (Russian/French 1890-1981) Portrait de Femme Signed, inscribed with titled on a label verso Oil on canvas 55 x 46cm Exhibited: The Redfern Gallery, October 7th - November 6th, 1954, No. 83, a copy of the catalogue included in the lot Galerie Stiebel, Rue de Seine, Paris Provenance: Madame Line Playfair
‡ Keith Vaughan (1912-1977) Portrait studies Three, two pencil, one pen and ink, mounted together 38 x 28 (mount size) Provenance: The Estate of Professor John Ball (1931-2010) Hargreaves & Ball Charitable Trust ++Sheets loosely stuck to rough backing paper, pencil sheets with some tears to margins and one with some small losses to one corner, pencil papers a little discoloured
Important collection of press photographs recording the Early Years of the Northern Ireland TroublesA file of approx. 100 black and white photographs taken by members of the press relating to the "Troubles" in Northern Ireland, late 1960s and early 1970s. Most are uncaptioned and unprovenanced but ten do have captions and five are by Kjell Hedlund of the Swedish tabloid Aftonbladet.The photographs mostly measure an average of either 17 x 22 cm or 13 x 20 cm and are of excellent quality. They feature civil rights marches and Orange parades; confrontations and battles between soldiers, police and protestors; rallies and speeches. Celebrities of the period are easily recognisable: Ian Paisley, Bernadette Devlin, Terence O'Neill, Brian Faulkner, Cardinal Conway, Lord Carrington, James Chichester Clarke, Paddy Devlin and Jerry Fitt.The photographers were in the midst of the action and recorded some graphic scenes: casualties on all sides, the funeral of IRA man Tony Henderson, police and forensic experts examining the scene of the explosion at the house of Austin Currie, smiling British soldiers heading for home. There is a photograph of the meeting between Terence O'Neill and Sean Lemass in 1965, and a portrait photograph of the then Governor of Northern Ireland, Lord Erskine of Rerrick.Also included: Page from Irish Times of 15 August 1969 reporting the Bogside Riots in Derry, and a copy of Torch magazine for 27 Nov 1943.In all, a visually impactful and important record of a disturbing period in modern Irish history. As photos, w.a.f. As a lot. (1)
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