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Los 1049

De Costa - red chalk portrait of a woman 45 x 29 cm

Los 391

A mixed lot of framed and glazed pictures and prints, including: 1950`s dress designer studies and a charcoal head and shoulders portrait of a businessman, together with a gilt framed oval wall mirror and other items.

Los 199

Attributed to Weger, 1799 - Portrait of King George III - 16x13cm watercolour, bearing label to reverse.

Los 206

V.M. Knight (c.1900) - portrait of a red setter - 46x37cm watercolour - signed bottom right

Los 207

V.M Knight (c.1900) - portrait of a foxhound - 46x37cm watercolour - signed bottom right.

Los 45

Early 18th century miniature portrait, possibly Mary Queen of Scots, after Hilliard, oval oil portrait on gilt-framed wood panel, 12cm x 10cm

Los 94

William Oliver (19th Century) - Oil on panel - Portrait of a young lady wearing a feathered hat, signed, 32cm x 24cm, in an elaborate gilt gesso frame

Los 95

19th Century English School - Oil on canvas - Portrait of a young woman, 61cm x 51cm

Los 113

19th Century English School - Oval miniature on ivory - Portrait of a lady, 6cm x 4.75cm in an ormolu frame together with another - Half length portrait of a gentleman wearing a black jacket and high collared shirt, 17.25cm x 12.25cm, in an arch shaped ormolu frame

Los 170

Early 19th Century Spode blue and white transfer printed pearlware mug, commemorating Emperor Pedro I of Brazil decorated with full length portrait of the Emperor seated on a throne flanked to either side by script and a national flag, moulded interlaced handle, 11.75cm high

Los 227

Two Italian maiolica bowls, probably Deruta, one decorated with two portrait panels, each depicting a soldier and with yellow and green scrolling foliage on a blue ground, 29.5cm diameter, the other with yellow and green scrolling foliage on a blue ground, 31.5cm diameter

Los 143

HECTOR WHISTLER Portrait of Native Signed, watercolour, 24.5cm x 21cm

Los 144

19TH CENTURY SCHOOL Portrait of a Lady with Lace Bonnet Pastel, 23cm x 18cm

Los 163

Unsigned Portrait of Elderly Lady with Bonnet Oil on canvas, 76cm x 61cm

Los 238

9ct gold mounted oval cameo brooch depicting a portrait of a lady and a similar ring (2)

Los 246

Rolf Harris, 20th century, pen and ink sketch, a duck bill platypus, entitled Platypus with a self portrait caricature lower left, signed

Los 261

Continental School, portrait study of Benjamin Franklin, bust length, unsigned oil on board, late 18th century, inscribed verso, bears label for S Coombes 175 Strand, WC2, 18cm by 15cm

Los 7

Arnold (John).- Reid (Susan Esther, engraver) Mr John Arnold, mezzotint portrait after R.Davy, a worn restrike, c.360 x 260mm., framed and glazed, [c.1790, but later]; with a lithograph of Louis Moinet and a photograph with signature at foot of Arthur Paul Walsh, London clockmaker (3)

Los 12

Breguet (Abraham-Louis).- Salomons (Sir David Lionel) Breguet. (1747-1823),with Supplement and Addenda to Appendix bound in at end, first edition, one of 1000 copies, errata leaf tipped in at beginning, portrait and plates, tissue guards, with list of Breguet watches in L.A.Mayer Memorial Foundation and list of watch serial numbers in Salomons collection loosely inserted, Weston bookplate, contemporary vellum-backed boards, gilt-stamped red roan label on spine (a little rubbed), lightly soiled and faded, with original blue printed wrappers bound in, [Bromley 752-753; Tardy p.221], for the Author, 1921; and the 3 vol. Christie`s 1964-65 auction catalogue of the Salomons Breguet collection with prices and notes in manuscript, 8vo & 4to (4)

Los 13

Breguet (Abraham-Louis).- Salomons (Sir David Lionel) Breguet. (1747-1823), translated by Louis Desoutter, first French edition, portrait and plates, tissue guards, Cecil Clutton`s copy with his signature on front free endpaper and several letters etc. loosely inserted including Lilian Adam to Col.Quill, Clutton to Quill, Bruton to Quill etc., also photocopy of Allix`s list of analysis of watches in the English and French editions, some items in text marked ÒJÓ (i.e.Mayer watches in Jerusalem), original cloth, very slightly rubbed at edges, [Bromley 754; Tardy p.221], for the Author, 1923; and another on the Breguet centenary of 1923, 8vo (2)

Los 41

Ellicott (John).- Dunkarton (Robert, engraver) John Ellicott F.R.S. Etat 67 Clockmaker to his Majesty, mezzotint portrait, a late impression, c.370 x 270mm., light spotting and water-staining, framed and glazed, [c.1785, but later].

Los 43

Ferguson (James).- Stewart (Robert, engraver) James Ferguson Astronomer F.R.S. at 66, mezzotint portrait after John Townsend, scratched letter proof, the title added in manuscript (ink faded), c.355 x 250mm., trimmed to edge of image and laid down or remargined, framed and glazed, 1776.

Los 49

Graham (George).- Faber (John, engraver) George Graham, Clock Maker, mezzotint portrait after T.Hudson, c.360 x 255mm., lightly soiled with a few small tears at edges, trimmed close to plate mark and laid down, framed and glazed, [c.1740].

Los 63

Le Roy (Julien).- Moitte (P.E., engraver) Julien le Roy, Horloger du Roi..., engraved portrait after Perroneau, c.340 x 270mm., browned, trimmed close to edge of image, wormtracks filled in at edges not affecting image, framed and glazed, [c.1760]

Los 79

Mudge (Thomas).- Schiavonetti (Luigi, engraver) Thomas Mudge, engraved portrait after Dance, c.230 x 150mm., browned, cut down, framed and glazed, [c.1800].

Los 80

Mudge (Thomas) A Description...of the Time-Keeper..., facsimile reprint of the 1799 edition, portrait and plates, with manuscript pencil notes by D.S.Torrens on Mudge`s letters to Count Bruhl loosely inserted, original cloth, 4to, London and Toronto, 1977.

Los 88

Pinchbeck (Christopher).- Faber (John, engraver) Christopher Pinchbeck, mezzotint portrait after Isaac Whood, c.320 x 230mm., creased from folding (fairly unobtrusive), a little soiled, trimmed just touching image at upper edge, framed and glazed (early gilt frame), [c.1725].

Los 91

Portrait of unknown Frenchman (presumably an horologist), colour pastel portrait, within oval mount c.265 x 215mm., slight wear to background at right hand side, framed and glazed, [c.1790].

Los 98

Rodanet (A.-H.) L`Horlogeries Astronomique et Civile...1886-1887, portrait, old cloth-backed boards, Paris, [1887] § Wins (Alphonse) L`Horloge a traves les âges, old cloth, Mons, 1924 § Planchon (Mathieu) L`Horloge: Son Histoire..., old ink inscription at head of title, light marginal water-staining, [Paris], 1923 § Philippe (Adrien) Les Montres sans Clef..., 3 folding plates at end, Geneva & Paris, 1863 § Beillard (Alfred) Recherches sur l`Horlogerie, ses Inventions et ses Celebrites, Paris, [1895], some with illustrations, the first two with bookplate of Joseph Sternfeld and rubbed, the rest modern cloth with original printed wrappers bound in (rubbed and stained, upper wrapper of Beillard slightly defective); and 7 others, French, 8vo & 4to (12)

Los 110

Tompion (Thomas).- Smith (John, engraver) Tho: Tompion Automatopoeus, mezzotint portrait after Kneller, c.350 x 255mm., lightly soiled, unobtrusive tear affecting title repaired, framed and glazed, [c.1710].

Los 121

Whitehurst (John).- Hall (J., engraver) John Whitehurst F.R.S., engraved portrait after Joseph Wright of Derby, oval with wide margins within plate-mark, c.280 x 225mm., framed and glazed, 1786.

Los 258

An extremely rare Charles II travelling timepiece with silent-pull repeat, alarm and calendar. Robert Seignior, London circa 1685, the pierced silver case of later date. The 4 inch diameter circular movement with five finned and knopped pillars secured with blued steel latches to the tulip and foliate trail engraved gilded backplate applied with a scroll pierced and engraved balance cock, double-headed alarm hammer and central bell, the going train with chain fusee and verge escapement regulated by a sprung three-arm flat rimmed steel balance, the silent-pull repeat powered via a standing barrel mounted on the inside of the backplate and now sounding the hours only on the bell mounted to the rear of the movement, the alarm with further standing barrel mounted on the frontplate and crown wheel for the dumb bell type hammer sounding on the same bell, the 4.5 inch circular gilt brass dial with recessed silvered alarm disc, ringed winding hole and calendar aperture to the matted centre within silvered Roman numeral chapter ring with quarter hour inner track, stylised fleur-de-lys half hour markers, Arabic five minutes within the narrow outer track and signed Rob.t Seignior, Londini Fecit to lower edge, with pieced blued steel hands and herringbone engraved outer border, now in a silver case of later date finely pierced and chased with panels in the Renaissance style with scrolling acanthus incorporating figural terms and grotesque masks, putti and squirrels divided by repeating borders including a pair of profile portrait medallions, the hinged front cover with convex glass within foliate cast bezel, opposing hinged rear cover relief decorated with a bathing scene with an old man attended by semi-clad female figures within elaborated pierced double border, the top fitted with a ball pivoted cast suspension ring, (repeat work formerly sounding the quarters on a second bell), diameter 13cm (5ins) overall depth 10cm (4ins). Robert Seignio(u)r is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as apprenticed to John Nicasius gaining his Freedom of the Clockmakers` Company in 1667. He worked in Exchange Alley and was often at loggerheads with the Clockmakers` Company. In August 1674 he was appointed the King`s Clock and Watchmaker `without fee` until the death or surrender of office by Edward East, presumably to ensure succession of the role in the event of East`s demise. This appointment was never formally fulfilled as East outlived Seignior who died in 1687. The current lot is a particularly rare model as it is neither a table clock suitably adapted and scaled for travelling purposes, or a large clock-watch as the scale of the movement and details in construction and design are more akin to clockmaking practice rather than watchmaking. The design and layout of the repeat work closely resembles the earliest silent pull mechanisms first used by leading makers such as Joseph Knibb (See Allix, Charles and Harvey, Lawrence Hobson`s Choice pages 36-41 for closely related table clock repeat work). The engraved decoration to the backplate is again closely related to designs found on contemporary table clocks by the leading makers and can be directly compared to an example by Seignior dated to around 1680 illustrated in Dawson, Percy G., Drover, C.B. and Parkes, D.W. Early English Clocks Plate 512 (page 359). The design of repeat work, style of movement pillar, backcock, engraving and other features such as the distinctive `S` scroll shaped cocks for both the alarm going train crown wheel lower pivots identify the movement and dial of the current lot as unmistakenly English. However two similar travelling timepieces by the Hague maker Johannes Van Ceulen are known. The first example is illustrated in Bruton, Eric THE HISTORY OF CLOCKS AND WATCHES page 173, this appears to be an alarm timepiece only and is housed in a plain drum shaped case with a foliate pierced band towards the rear to allow the alarm to be heard. The case may give an impression of how the original for the current lot may have appeared (the present fine purpose-made elaborately chased and pierced silver case is probably Continental and of later date). The second example is illustrated in Bertele, Hans von MARINE & POCKET CHRONOMETERS and is described as a `ship`s cabin clock`. This second example is generally a more complex model as it appears to strike, have a calendar dial as well as an alarm, and is housed in a more elaborate silver case with pierced decoration to rear cover. The original client for the current lot must have been an extremely wealthy individual to be able to afford the luxury of such a fine timepiece exclusively for travelling purposes. Furthermore a subsequent owner must have also valued it highly enough to commission such a fine purpose-made silver case to be supplied to house the movement and dial.

Los 1348

Naive School, mid 19th century, Portrait of a Boy, with Embroidered collar, inscribed on label verso, oil on canvas, 20.5cm x 18cm

Los 1365

19th century English School, Portrait of a Gentleman Holding a Newspaper, half length, oil on canvas, 76cm x 64cm, and a 19th century Portrait of a Lady, oil on canvas (2)

Los 1375

Follower of Augustus John, Portrait of a Lady, oil on board, 21.5cm x 13cm

Los 1377

English School, Portrait of a John Keats, oil on panel, 20cm x 16.5cm

Los 1379

18th century French School, Portrait of a Lady with Lace Collar, in 16th century style, bust length, oil on canvas, 47cm x 38cm

Los 1419

E...Laszlo (Hungarian School), Portrait of a Young Lady, in a White Bonnet and Red Dress, Holding a Miniature, bust length, signed and dated 1909 t.l., oil on canvas, 25.5cm x 20.5cm

Los 11

Alan Sutherland - Half Length Portrait of a Gentleman wearing a Grey Suit, with a White Shirt and Red Tie, oil on canvas, signed and dated 1967, approx 89cm x 70cm, within a partially gilt frame.

Los 34

James - Half Length Portrait of Young Lady in profile, early 20th Century oil on canvas, indistinctly signed and dated, approx 59cm x 39cm, within a gilt composition frame.

Los 54

Huson - `Girl at a Table` (Cubist Portrait Study), mid-20th Century oil on canvas, artist`s name, titled and dated `52 verso, approx 61cm x 51cm.

Los 66

19th Century British School - Half Length Portrait of a Lady, oil on canvas, approx 59cm x 46cm.

Los 73

Early 19th Century British School - Head and Shoulders Portrait of a Gentleman wearing a Powdered Wig, oil on canvas, approx 70cm x 60cm.

Los 75

Horsburgh - Half Length Portrait of a Gentleman holding a Sheet of Paper, oil on canvas, signed, inscribed and dated `Edin`r 1880`, approx 92cm x 71cm.

Los 95

British School - Portrait Study of a King Charles Spaniel, 20th Century oil on board, indistinctly signed with initials, approx 11cm x 11cm, within a gilt and painted frame.

Los 96

Late 19th Century Continental Provincial School - Three-quarter Length Portrait of a Lady, watercolour on ivory, approx 12.5cm x 10cm, within a gilt frame.

Los 97

Enid Stoddard - Oval Miniature Head and Shoulders Portrait of Mrs Norton Matthews, wearing a White Hat with a Rose Band, White Chemise and Pearl Necklace, early 20th Century watercolour, signed recto, inscribed verso, approx 8cm x 6.5cm, within a hallmarked silver frame.

Los 99

Indian School - Studies of Birds on Branches, two watercolours with gouache on ivory, each approx 10.5cm x 6cm, together with six similar works, Portrait Studies.

Los 102

Marjorie Cox - `Peter` (Portrait Study of a Pekinese Dog), pastel, signed, titled and dated, 1948, within a wood frame.

Los 144

After William Nicholson - Full Length Portrait of King Edward VII, 20th Century print, together with three further prints, Portrait Studies, all within ebonized frames.

Los 149

Mary Browning - `Herbert and Wow-wow` (Portrait Studies of Greyhounds), pastel, signed, titled and dated `71, within a painted wood frame.

Los 621

An oval moulded cameo portrait of a gentleman, an oval black cameo brooch designed as the portrait of a lady, and a brooch glazed with a Masonic eye symbol surrounded by further Masonic symbols.

Los 656

A gold mounted oval shell cameo brooch carved as the portrait of a lady, two shell cameo brooches, a moulded paste cameo brooch, a silver mounted tortoiseshell brooch decorated with the crest of the Welsh Regiment, London 1916, and five further brooches.

Los 709

A gold mounted oval shell cameo brooch carved as the portrait of a classical lady, the mount with engraved decoration, detailed `9ct`.

Los 727

An oval shell cameo stick pin carved as the portrait of a gentleman, a diamond and cultured pearl stick pin, and a gold topped and diamond set single stone stick pin detailed `15ct`.

Los 862

A set of six mother-of-pearl buttons and a similar a pair of earclips, a mother-of-pearl star pendant, three mother-of-pearl spherical buttons, eleven various mother-of-pearl buttons, a set of six brass buttons decorated with musicians, three large and one small ceramic buttons, a rectangular brass photograph frame, a turquoise matrix two piece buckle, a gramophone needles tin, a Kigu powder compact, the cover with a needlework panel, and an oval portrait miniature of a lady.

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